Music Trade Review

Issue: 1925 Vol. 81 N. 26

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
46
THE MUSIC TRADE REVIEW
DECEMBER 26,
1925
IN THE WORLD OF MUSIC PUBLISHING
Conducted By V. D. Walsh
there seems to be a steady, increasing demand
throughout the United States." His "A B C
Piano Course," in three volumes, is well spoken
of by the profession. It is by Robert E. Mil-
ler—listed at 75 cents each, net. Mr. Shat-
Head of the Richmond Music Supply Corp., New York, Visits the Retail Music Merchants in tinger was also enthused about the piano com-
position second grade entitled "March On,"
St. Louis and Tells of Their Activities
which is on the order of "Little Boy Blue," by
C T . LOUIS, MO., December 21.—The sky line Mine," "is still topping the list. Others are Engelman. Aside from Mr. Shattinger's over-the-
^ of greater St. Louis is changing. If the "Pal of My Yesterday," "Oh, for a Pal Like counter business, he is developing a splendid
mail-order trade and has issued many booklets,
daring trappers, who, 150 years ago, passed You," "If 1 Could Just Stop Dreaming."
Their collection, "Songs That People Sing," with thematics, very attractive, giving brief
down the Mississippi to market their furs in the
setlcment of St. Louis containing ninety-five pages of vocal arrange- anaylses of the compositions listed. Shattinger's
special sixteen-page booklet for the holiday
could make the same ments with ukulele accompaniments, is one of
trip to-day what won- the best on the market to-day. This concern trade is rather striking in appearance. The
ders they would be- also operates a retail store in the same build- heading is particularly inviting. It reads as fol-
"May Music, With Its Christmas Cheer,
] hold! The St. Louis ing at 808 Pine street, and makes it known lows:
Gladden
Your Heart Through All the Year."
Building
Association that it is the place where sensible buyers of
This high-class music shop also handles pianoa
good
music
go.
tells you to invest your
and the Sonora phonograph. Assisting Mr.
Villa Moret Publishing Co.
money at home—"why
Shattinger as manager is Walter Starck, an old-
Jack
Lavin
is
in
St.
Louis
for
the
Villa
go to Florida?" In
timer in the music business, for I personally
1840, at the corner of Moret Co., promoting their catalog. He re-
have kept track of him for almost thirty years.
ports
"Moonlight
and
Roses,"
the
topliner,
as
Seventh a n d Olive
He is a man of real ability in the industry.
streets lots were worth showing up wonderfully. "Just a Little Drink" Walter conducts a seven-piece orchestra at the
is
a
close
second,
and
"Funny,"
as
well
as
"Be-
$40 per square foot.
side a Silvery Stream," look like two good num- Mikado Theatre in this city. Music must have
Maurice Richmond
T h e s a m e f o o t o f
bers
to follow. "Moon Dear," the new Indian charms for this individual. After being with it
ground to-day is worth approximately $10,000.
the entire day, he still gets a kick out of it
St. Louis is known for its stability. It offers love song, and "I'm in Love With You" are after dark.
its
newer
publications.
Jack
is
quite
certain
that
splendid opportunities in every line of industry.
Murray-Vollmar Music Co., Inc.
the Villa Moret catalog for next year will act
Hunleth Music Co.
At
the
Thiebes Music Co., at 1103 Olive
as
a
stimulant
for
the
dealer.
At 506 Locust street, right around the corner
street, the Murray-Vollmar Co. has the sheet
Not So Dumb! Dora!
from Olive street, a very important spot, is lo-
In my correspondence received while here my music department. Both of the boys need no
cated a real music store, the headquarters for
introduction to the trade. They are two high-
the teacher, musician, student and general pub- secretary, Miss Helene Ascher, wrote that,
class men in a high-class store catering to a
among
the
happenings
of
the
day,
one
of
our
lic, the Hunleth Music Co. Hunleth sells "bet-
high-class trade. Since the boys have been in
ter service" in everything musical. The staff girls, Miss Dora Alexander, was jubilant because
business I've been in to see them twice, and my
she
just
had
a
birthday.
(By
the
way,
Dora's
consists of experienced and efficient clerks, with
visits have been pleasant. Both men are ex-
an intimate knowledge of the various wants of married.) Helene asked: "How on earth do ceedingly active in their work, and if there is
you
manage
to
let
your
husband
get
a
reminder
the St. Louis music lovers, and they achieve
any music house in the field which deserves a
results that are unequaled for the "house with of your birthday?" Dora answered: "Oh, I sena lot of credit and success these boys should be
my&elf
a
few
congratulation
cards
a
few
days
a reputation."
on the list. I've heard it said that time brings
before and leave them on the library table."
Dixon-Lane Music Co.
everything to those who wait. Their oppor-
Shattinger
Piano
&
Music
Co.
Max Simon, the president of this company,
tunity
is here, and may success be with them.
Oliver Shattinger started in business for him-
has now fully recovered and regained his health.
The Veiled Prophet
self
about
two
years
ago,
in
the
Arcade
Build-
He has resumed his activities in the jobbing
His Majesty, the Veiled Prophet, makes an
plant. He has come back with redoubled en- ing at Eighth and Olive streets. With superb
ergy, with unflinching determination. The old optimrsm and high glee, he reported his busi- annual visit to this city. The organization that
sponsors the Veiled Prophet events is a very
gentleman is exceptionally alert about his ac- ness was showing a noticeable increase. Quite
differently from the ordinary music store, this mysterious one. Through the forty-seven years
tivities.
of its existence the membership and workings of
The right-hand man in the jobbing depart- is located on the second floor. With no high
rent to pay, he can cater to the discriminating the association have remained unknown. The
ment is Edgar H. Sitner. Ed reports business
public rather than the ordinary. Mr. Shattinger visit is an occasion for great festivity, for the
"wonderful," "showing a daily increase," in the
stated: "We have found it necessary in our majority of St. Louisans, including the music
department. This boy is up and doing, work-
mail-order business to allow the teachers a dis- dealers, join in the celebration of this tradi-
ing like mad, and is all business. He is known
count of 10 per cent off on all their purchases. tional appearance. The purpose of the Veiled
to his trade as "Better Service Eddie." A trade
The over-the-counter business is net." He was Prophet's visit is solely to bring enjoyment to
bulletin is issued by this company very fre- highly elated to sec some of his old business those who wish to join with him in his festivi-
quently and is distributed throughout the Mid- coming back. "In my publishing business," Mr. ties. In this aim he certainly succeeds. There is
dle West.
Shattinger said, "we are adding several publi- a carnival spirit that prevails throughout the city
In the Dixon-Lane catalog there are a num- cations a month, teaching material, for which at this eventful time, which is proof enough of
ber of good sellers. "Call Me Rack, Pal of
Richmond Writes of Sheet Music
Trade in the Union's Forty-Ninth State
ptPiL
s
Aifl
ill Sort Hits from Uw B&Slu>u)HitS |,
MUST
LOVE
'OJM
MERRY MERRY"
Lyrics by
Music by
Harian Thompson Harry Archer
You
can't
OH YOU?
Florida Girl*
Lyrics i>v
/
PAUL PORTER and
BENJAMIN HAPGOOD BURT
lAusic hy MILTON SUSKIND
wrong
with any
THEUNTBM
OF LOVE*
from,
*Castles In The Air*
lyiics % RAYMOND W. PECK
Music hy PERCY WENR1CH
FEIST
song
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
DFXEMBER 26,
1925
You Cant
THE
Go
the enjoyment the people are getting out of it.
While in St. Louis I attended a lecture given
at the local Y.M.C.A. (and I am sure it was
no other place). This lecture was well adver-
tised. The address was given by an eloquent
speaker and the topic was "Locate Your Wood-
chuck." In part, the speaker had this much to
say: "While Henry Ward Beecher was out walk-
ing one day his dog flushed a woodchuck, which
promptly darted in a hole in the fence. Beecher
said that after that, whenever they passed that
way, the dog would bark furiously at the hole,
although the woodchuck had long since gone
elsewhere. Beecher's dog was an animal with
a very human habit. How many men have
wasted their lives barking at abandoned holes.
In our personal careers we fall into the rut of
routine, run into blind alleys, we bark at aban-
doned holes. Life is too short to waste time
in fighting yesterday's battles. We must be
eternally alert if we are to avoid wasting time
and energy. New days bring new duties. New
visions call for new virtue."
Statler's Philosophy
Being a patron of Mr. Statler's, I find his
hospitality worth while. He runs his hotels
with a "no-trouble-to-help-you" spirit. At each
of the inns there is a booklet distributed to the
guests on "Service Codes," which gives facts
that are easily understood. Statler tells you:
"Never be hasty. Snap judgment of men is
faulty. A man may wear a red necktie, green
vest and tan shoes, yet he may be a gentle-
man." During my stay in St. Louis I am posi-
tive I didn't wear a green vest, but I am not
so certain about the red necktie.
New Issues Released
by Enoch & Sons
Include Songs by Late Easthope Martin, Lan-
don Ronald, Frank H. Grey and Others
Enoch & Sons have released several new num-
bers, doubtless the most interesting of which is
a work by the late Easthope Martin to a poem
by Helen Taylor, called "Everywhere I Go,"
from the album "Four Pastorals." Other re-
leases include "Wander-Thirst," a song from the
album "Song Fancies," lyric by Gerald Gould
and music by Landon Ronald; "The Grace of
Heaven," lyric by P. J. O'Reilly and music by
Fred Royle, and a new number for which Frank
H. Grey, the well-known American composer,
set a poem by Elizabeth Evelyn Moore, called
"Recompense," dedicated and sung by Frances
Alda. Bernard Hamblen is responsible for both
the words and music for "Crying Water," an
American Indian song.
"Honeymoon Waltz" Success
The Triangle Music Publishing Co. is receiv-
ing daily many favorable comments from or-
chestra leaders on its "Honeymoon Waltz."
MUSIC TRADE
Wrong
47
REVIEW
With A n y
"Barber Shop Ballads"
Rights Taken by Marks
Company Secures Exclusive Sales Agency for
Entire Music Trade on Sigmund Spaeth Book
The Edward B. Marks Music Co. has acquired
exclusive sales agency for the entire music trade
for Sigmund Spaeth's "Barber Shop Ballads."
This publication has been given wide publicity
through the series of contests held under the
auspices of the Keith-Albee Vaudeville Circuit
and various newspapers and other organizations.
"Barber Shop Ballads," together with "Book
of American Negro Spirituals," another publi-
cation for which the Marks firm holds the mu-
sic trade distribution privileges, are important
items for the retail store.
At the various conventions of the National
Association of Sheet Music Dealers held during
the past few years the question of how to get
the most out of the sales of musical literature
has been before that body. While it is true
some of the largest houses carry -a complete
line of literature and books of every descrip-
tion covering every phase of music knowledge,
history, etc., other dealers have overlooked the
possibilities not only in the sale of such publi-
cations but in the service they can render their
customers and the prestige that would be added
to their establishments.
Take, for example, the two publications noted
above. Both are sold by book stores every-
where. Certainly, they should be found in every
retail establishment. Their sale is not only
active and thus making it wortli while, but it is
most fitting that when interested parties want
them, or similar publications, they should go to
the music store. The retail dealer should not
only stock all of the active publications, but lie
should have available a reference list carrying
titles and descriptions as well as prices of every-
thing extant in music literature. He need not
carry all of such goods in stock, but he should
be able to procure them readily.
William Ackerman Heads
Ass'n of Music Men
Other Officers Include W. Lutze, Vice-presi-
dent; C. Schloz and T. Heinamann, Secre-
taries, and H. Trink, Treasurer
At the annual meeting of the Association of
Music Men, the organization composed of mem-
bers of the sales and stock department of metro-
politan standard music publishers, the following
officers were elected for the ensuing year: Wil-
liam Ackerman, president; W. Lutze, vice-presi-
dent; C. Schloz, recording secretary; T. Heina-
mann, corresponding secretary; H. Trink, treas-
urer. The board of directors is composed of H.
C. Schulz, F. Schubert, J. Robinson, W. Froese
and R. Bannier.
FEIST' Song
There was a large attendance and the gath-
ering was most enthusiastic. F. Schubert, re-
tiring president, thanked the various commit-
tees and the members of the Association for
their co-operation. President-elect Ackerman
gave a short talk on the possibilities and the
future activities of the organization. Refresh-
ments were served following I he meeting.
Feist Announces New
Plans for Orchestrations
Retail Price to Be 50 and 75 Cents With Dis-
counts to the Dealer Increased
On and after January 2 the retail price of Leo
Feist, Inc., orchestrations will be 50 cents net
for small orchestra or band and 75 cents net
for full orchestrations. The wholesale discount
to the trade has been increased, making possible
a larger percentage of profit for the dealer.
The initial order price, which has always been
a feature of the Feist orchestra sales plan, will
be 20 cents for small orchestrations and 30 cents
for full ones. This allows the Feist orchestra
dealers a standing order at this price with the
privilege of reordering in such quantities as the
retailer needs at the same price within a period
of ten days.
This move on the part of Leo Feist, Inc., was
made necessary from the standpoint of good
business practice, but at the same time it is a
move that will be welcomed by the trade as it
will make the orchestration departments more
profitable adjuncts.
Leo Feist, Inc., has always been a pioneer in
movements for the stabilization of both the
wholesale and retail popular music business.
The present move is one that should win the
approval of every one in the trade, for it is
based upon the necessity of having the band
and orchestra department more self-supporting.
Most pioneer dealers will remember when or-
chestrations generally sold for around 55 cents.
It was only the advent of the 10-cent stores
and the distribution of music in their depart-
ments that finally reduced popular orchestra-
tions to a 25-cent price. In those days orches-
trations were in more simplified form and were
issued for eleven-piece combinations, the cost of
printing being approximately 2 cents.
In recent years in order to serve modern
musical combinations, orchestrations were
issued for sixteen pieces and they became elab-
orate publications, with solo effects for practically
every instrument, extra choruses, and also spe-
cial introductions. Formerly the music for each
instrument was printed on one page. Now it
invariably occupies two or more pages. In-
stead of eleven or sixteen-page orchestration
we now generally have thirty-two pages.
The present-day cost of printing orchestra-
tions is generally estimated at 10 cents. From
this it can be readily see that there have been
radical changes in methods, sizes and prices.

Download Page 46: PDF File | Image

Download Page 47 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.