Music Trade Review

Issue: 1925 Vol. 81 N. 24

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
136
Secures Rights to "If
You Were the Only Girl"
Chappell-Harms to Put Big Campaign Behind
Number—"In the Garden of To-morrow" Go-
ing Well
"Songs that leave a lasting impression" might
well be the slogan of the house of Chappell-
Harms, Inc., which, in exploiting its publications,
has widely established such a reputation. Many
of its numbers have become universal favorites.
Such songs as "The World Is Waiting for the
Sunrise," "Roses of Picardy" and "Song of
Songs" readily come to mind. During the past
season the Chappell-Harms outstanding success
was "In the Garden of To-morrow," a beautiful
melody ballad which is becoming increasingly
popular.
Chappell-Harms, Inc., has secured the Ameri-
can publishing rights of "If You Were the Only
Girl." This song was a tremendous hit in Lon-
don, and it doubtless will duplicate its success
here, particularly as the American publisher in-
tends to arrange a campaign of wide scope and
of intensive character for its exploitation.
Another late publication in the catalog of
Chappell-Harms is entitled "By My Fireside."
Lieut. Gitz-Rice, who is the composer of "Dear
Old Pal of Mine," is responsible for this num-
ber, which already has made an impression
among concert, radio and vaudeville artists. It
apparently has unusual possibilities.
The plans for 1926 of Chappell-Harms, Inc.,
will be an adherence to its established policy of
issuing melody ballads of character.
New Publications by
the Oliver Ditson Go.
Six Rhythmic Pieces for the Piano by Mari
Paldi and Number of Others Have Just Been
Released
A new publication has just been issued by the
Oliver Ditson Co. called Six Rhythmic Pieces
for the Piano. It is by Mari Paldi and includes
such numbers as "Fantastic Dance," "The Jug-
gler," "Minuet," "Polka Francaise," "Spring
Time" and "Valse Espagnola," complete in one
volume. The publication has been given a very
attractive cover, with silhouette dance figures
lending the appropriate atmosphere to the music
enclosed.
There is also a new publication, arranged for
four hands, by George F. Hamer, called "Ma-
jesty of the Deep," which will prove particularly
interesting to teachers and students.
For the piano there have been added Alfred T.
Mason's "The Lure of the Sea," G. Bonaldi's
"'On the Go," and to the piano solos of Carl
Wilhelm Kern have been added "Silver Flash,"
a little number by Mathilde Bilbro for the piano
called "Little Cavatina," and two other offer-
ings from the pen of Frederick A. Williams
called "Judy" and "In Colonial Days." Jane
Munn Spear has written a series of three num-
bers for the piano called "Flowers From My
Garden"; each is preceded with a short poem by
The Sensational Hit
With a New Inspiration for 1926
"When It's Springtime"
Published
by
ESTHER CONPANGER SCHROEDER
Lakota, Iowa
MUSIC TRADE
REVIEW
the composer under the titles, "Pansy and Miss
Mignonette," "Swaying Poppies" and "Four
o'Clocks."
Four piano duets have been contributed by
Frances Terry under the title "By the Garden
Wall." Each is a separate publication, carry-
ing the individual title "The Bees' Lullaby,"
"Climbing Roses," "Dance of the Buttercups"
and "The Old Sun-Dial."
New Numbers Added
to the Feist Catalog
DECEMBER 12, 1925
Lew Pollack Will
Visit Chicago District
Will Direct Campaign on "In Your Green Hat,"
Ager, Yellen & Bornstein's New Number,
There
Lew Pollack, the song writer and an execu-
tive member of the professional department of
Ager, Yellen & Bornstein, Inc., will, shortly
after the first of the year, spend several weeks
in the Chicago territory, arranging the cam-
paign of his company on the firm's new song,
"I'm Sitting on Top of the World," "Five Foot
Two, Eyes of Blue" and "Everybody Stomp"
Among the New Compositions
Among the new songs added to the catalog
of Leo Feist, Inc., are "I'm Sitting on Top of
the World," "Five Foot Two, Eyes of Blue"
and "Everybody Stomp." There is also a new
song by the writers of the song, "The Pal That
I Loved," called "Be on the Level With Mother"
(and the World Will Be Square With You).
On the new Feist list also we see the revival
of Joe McCarthy's and Jimmie Monaco's "If We
Can't Be the Same Old Sweethearts" (We'll
Just Be the Same Old Friends). This number
has been heard frequently on the radio with the
result that a demand has been created for it. In
its new form it is issued in the regulation stand-
ard size and has been given a very attractive,
modern title page.
|
Lew Pollack
|
"In Your Green Hat," as well as its other offer-
ings, including "Clap Hands, Here Comes Char-
lie" (the big butter and egg man song) and
others.
Pollack, by the way, has had long experience
LONDON, ENGLAND, December 7.—"Orfeo," com-
posed by Monteverde, originally staged in Ox- in the theatrical and musical world. He made
ford three hundred and eighteen years ago, was his first appearance as a pianist accompanying
recently revived here. Considering its age critics Harry Fox, the Dolly Sisters, Charles Purcell,
found the music surprisingly competent and Charles King and the Mellette Sisters.
He has written such songs as "Weep No
dramatically good. The opera deals with the
nuptials of Orpheus and Eurydice. Monte- More, My Mammy," "Buddha," "I'm Missin'
Mammy's Kissin 7 ," "Midnight Rose," "Loud
verde is said by some to be the originator of
Speakin' Papa," "Yiddish Momrae," which has
opera.
been a big hit for Cantor Rosenblatt and Belle
Baker, and a number of other songs of current
caliber, such as "Cheatin' On Me" and "No
Man's Mama." He has also written the music
Bill Jacobs, pioneer traveler and representa- for Century Roof shows and was collaborator
tive of Irving Berlin, Inc., is back in New York on "Sally, Irene and Mary."
after what he terms the most successful trip of
his career. Bill took the opportunity of using
this space to tell his many friends in the trade
that he wishes them all a Merry Christmas and
a Happy New Year.
"Orfeo" Revived in London
Bill Jacobs Back Home
Peters Edition Issues
New Display Material
Kahn Writing Symphony
Roger Wolfe Kahn is completing a jazz sym-
phony to be known as "Americana," the basis
of which are the most famous of the negro
spiritual themes. It is understood that one of
the talking machine record manufacturers has
made arrangements to make the first mechani-
cal rendition of this composition.
"Moonlight in Mandalay"
"Moonlight in Mandalay" is the title of a new
fox-trot added to the catalog of Jack Mills, Inc.,
148 West Forty-sixth street, New York City.
Both the professional and band and orchestra
department of the Mills organization expect the
number to have big popularity from the first
returns.
House Sends Out Substantial Mounted Covers
Which are Convenient and Useful in Proper
Display
The problem of dealer window and counter
displays has been given study by Peters Edi-
tion, which has prepared substantial mounted
"covers" which can be substituted for the actual
copies of the edition for window and counter
use. These covers are available for all dealers
in the Peters Edition.
Mr. Hinrichsen, American representative of
Peters Edition, states that this method has
many advantages over the old method of dis-
playing actual copies of the music. They do
not become shopworn, torn, and they keep in
shape over a long period. When laid flat in the
window the new covers have the appearance of
actual scores. They lend themselves to any
sort of display and can be grouped in a manner
A MOST POPULAR MUSIC BOOK
is a gift with a charm that's everlasting
Write for descriptive catalog—Order from jobber or direct from publisher
Hinds, Hayden & Eldredge, Inc., Publishers, New York City
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
DECEMBER 12, 1925
137
and Frye, Ethel Hook, Eddie Nelson, Charles
Forsythe, Clark Morrell, Ann Gray, Rose and
Thorne, William Kennedy Company, Harry
Holbrook, Sylvester and Vance, Tyler Mason
and many others.
HOOK-UP
Century's Advertising
Plus Your
Co-operation
Means $
to You
Exhibitors Have Come to Realization That
Suitable Musical Setting Can Have Much to
Do With Picture's Success
STOCK-UP
Century Music Pub. Go.
"Lullaby Lane" Popular
une Brought Mose
HARMS, INC.
AMERICAS POPULAR
BALLAD SUCCESSES
ROSES OF PICARDT
MWDI5WAM;:$UNRIS
INTHE GARDEN OFTO-MORROW
THE SONG OF SONGS
LOVES FIRST KISS
SMILETHRUVDUR TEARS
I f WINTER COMES
CHAPPELL-HARMS.INC.
185 MADISON AVE
NEW YORK
TFEIST;
Music's Important Part
in Motion Picture Field
It is only recently that the ingenious method
of selecting music to fit the action of motion
pictures came into its own. Since the first fea-
ture film was made about ten years ago, music
struggled to be recognized in the screen world.
Many motion pictures are known to have "fallen
flat," as the expression goes, because improper
music was permitted to accompany them.
Little is known by the movie-going public of
a "thematic cue sheet" which almost every ex-
hibitor of motion pictures employs with the
showing of his screen wares. The value of this
cue sheet to the theatre owner is difficult to
estimate, for not only does it raise the stand-
235 West 40th St.
New York
ard of his theatre by cultivating a taste for
good music among his patrons, but aids con-
siderably
in the enjoyment of his screen offer-
that would be more difficult with the actual
ings.
sheet music.
The "thematic cue sheet" supplies the orches-
The titles so far chosen for such covers have
been selected to give variety to the display and tra leader, pianist or organist suggested musical
selections that best interpret the action in the
include "Well-tempered Clavichord," "School of
scenes on the screen. For example, as the film
Velocity," "Songs Without Words," "Rustle of
is unreeled, the expert who plans this cue sheet
Spring," "Creation," "Elijah" and "Seasons."
selects: "At Screening—"Where Is the Dawn"
(Edwards)—one and one-quarter minutes. When
the theatre musician gets this cue sheet he is
informed of the selection to play—who com-
"Lullaby Lane," a haunting little song by Leo posed it and how long the sequence lasts on
Wood and Harry de Costa, recently added to the screen. On the next line the first few bars
the catalog of M. Witmark & Sons, has been of the composition arc supplied, enabling the
accorded a spontaneous welcome by the singing leader who finds he is without the specified
profession. It is already reported as a genuine number in his library to substitute with an aria
success and the professional rooms of the pub- in the same mood. The next sequence to be
lishers are filled daily with new recruits desirous accompanied by music is, let us say, "An In-
of programing the number. Among those who augural Ball," so the cue sheet suggests "Valse
are already singing "Lullaby Lane" are Moss Violette" (Ludwig) and the length of time it
appears on the screen—one and one-half min-
utes. Tragic, happy, comic comments lend
themselves perfectly to music—and the thematic
Sequel to
cue sheet gives the musician the props*- musical
' *loue Sends a little Gift of Roses"
interpretation of every film that comes to his
theatre. This method has been a great aid to
the small-town theatre musician striving to place
his programs on a plane with the big city
movie palaces.
62 W. 4-5 i*ST.,N.Y.C.
Can't Go Wn
"The Cocoanuts," a New
Musical Show on Broadway
Four Marx Brothers Featured in New Produc-
tion Which Appears Assured of Success—Has
Pleasing Score
"The Cocoanuts," a new musical comedy in
two acts and eight scenes, opened at the Lyric
Theatre, New York City, on Tuesday night of
this week. The book is by George S. Kaufman
and the music and lyrics by Irving Berlin, and
it is produced by Sam H. Harris.
The four Marx Brothers, supported by an
able cast, including Mabel Withee, Margaret
Dumont, Georgie Hale, Henry Whittemore and
Jack Barker, are the important members of the
show.
The show is an assured success. The Marx
Brothers could supply the comedy for half a
dozen attractions and Irving Berlin can always
furnish the music. In "The Cocoanuts" Berlin
furnishes five numbers that should have wide
popularity. They are "A Little Bungalow,"
"Florida by the Sea," "We Should Care," "The
Monkey Doodle Doo" and "Lucky Boy." Irving
Berlin, Inc., publishes the score.
YOU AND I
MARGUERITE
0 KATHARINA
MIGHTY BLUB
tOVELY LADY
BECAUSE OF YOU
1 MISS MY SWISS
HAUNTING MELODY
HONEST AND TRULY
KINKY KIDS PARADE
YOU GOTTA KNOW HOW
THE MIDNIGHT WALTZ
WHEN I THINK OF YOU
I WANT YOU ALL FOR ME
WHO WOULDN'T LOVE YOU
PAL OF MY CRADLE DAYS
TELL ME YES, TELL ME NO
LET IT RAIN, LET IT POUR
I'LL SEE YOU IN MY DREAMS
NO WONDER (THAT I LOVE YOU)
HONEY, I'M IN LOVE WITH YOU
I'M TIRED OF EVERYTHING BUT YOU
WHEN THE ONE YOU LOVE LOVES
YOU
LET ME LINGER LONGER IN YOUR
ARMS
SHE WAS JUST A SAILOR'S SWEET-
HEART
Write for Dealers'
Prices
LEO FHSTK's.NEfYORK
"Most Popular Musiq
Books" for the Holidays
Popular Series of Music Books Include Many
Features Particularly Suited to the Christmas
Season
"The Most Popular Music Books," published
by Hinds, Hayden & Eldridge, Inc., have nu-
merous items that are particularly adapted for
the holiday season. Among these are "The
Most Popular Home Songs," "The Most Pop-
ular Children's Piano Pieces" and "The Mother
Goose Rhymes." These books need only be dis-
played- in order to create sales. They not only
make ideal Christmas gifts but they give enter-
tainment over a long period, and the books for
children particularly are of a constructive nature.
Consult the Universal Want Directory of
The Review. In it advertisements are inserted
free of charge for men who desire positions.
WEST oftlie
GREAT DIVIDE
yi ERNEST R. BALI 9 S
± LATEST AND GREATEST BALLAD
Sts*
Lyric by GEORGE WHITING
RIGHT NOW
THE
irt
TRADE HARK REGISTERED
STOCK UP
M.WITMARK & S O N S
1650 BROADWAY
NEW YORK.

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