Music Trade Review

Issue: 1925 Vol. 81 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
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VOL. LXXXI. No. 21 P«bli$hed Every Satwday. Edward Lyman Bill, Inc., 383 Madison Ave., New York, N. Y. Nov. 21,1925
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"Back to the Class Room" Should Be
the Piano Dealers' Slogan
William Lincoln Bush Points Out the Necessity of the Retail Piano Merchant Not Only Supporting Class
Instruction on the Piano in the Schools but in Developing This Work in Conjunction With His
Own Warerooms — The Necessity of Expanding This Work on a Greater Scale
T
H E R E is a growing interest and a grad-
ual awakening among the thinking,
progressive men of the piano trade, both
manufacturers and retailers of pianos, regarding
the present opportunity of greatly increasing
the market and normal demand for pianos by
establishing a fundamental basis of education
in piano music and piano playing through the
creation and maintenance of a regular depart-
ment in the public schools throughout the en-
tire United States of regular courses of piano
class lessons. These lessons must be given by
capable, musically qualified and graduated
teachers, fitted and prepared for the work by
actual study and mastery of a complete, offi-
cially approved and established system of teach-
ing, including textbooks, charts and equipment
installed in classrooms especially adapted to
this educational work of practical musical ad-
vancement that will soon be national in charac-
ter and unselfish, democratic and practical in
manner of application. Thus can be created in
the children of America a love and appreciation
of piano music. The piano affords the highest
instrumental and individual form of musical ex-
pression contained in any one instrument, which,
with equal facility and effect, lends itself and its
great breadth of tone, scale, comprehensive-
ness and scope to either solo work, ensemble
work or concerto, also as an accompaniment to
voice or chorus, as well as to any solo instru-
ment or combination of instruments.
The Piano the Basis
The piano is really the basic and leading mu-
sical instrument of this present musical epoch.
My familiarity with educational work in mu-
sic, through my close affiliation and association
with Bush Conservatory in Chicago and the
Bush Temple School of Music in Dallas, Tex.,
where every branch of musical education is rep-
resented and taught, has given me special op-
portunity to judge of the advantage of teach-
ing young children of the fifth, sixth and sev-
enth public school grades the piano, in group
or class formation, under advanced perfected
systems adapted to class work, such as the
Fletcher-Kopp System, the Dunning System,
the Curtis System, the Premier System and the
system which, through the efforts and energy
of W. Otto Miessner, has become the most fa-
miliar and best known to the piano trade as the
"Melody Way." This is in use in many public
schools, private schools, conservatories and in-
stitutions, besides many classrooms created and
established by piano and musical merchandise
dealers, and represents the most practical, eco-
nomical, effective and productive form of funda-
mental musical education. It sets forth an
example and an undertaking well worthy of
emulating and adopting as the great oppor-
W. L. Bush
tunity and practical means of creating a gener-
ation of piano players and prospective pur-
chasers that, if properly conducted and ad-
vanced, will stimulate piano production beyond
the hopes or visions of our most enthusiastic
and optimistic advocates for the straight piano
and its logical companions for favor, the player-
pianos and reproducing pianos, of which true
appreciation can best be realized by those who
know and study the piano and its possibilities.
What Is Being Done
On my recent trip West, and preceding ones
in other directions, I have talked with many
educators, piano teachers, supervisors of public
school music, directors of conservatories, lead-
ers of bands and orchestras, instructors of
classes in both instrumental and vocal work,
seeking opinions, suggestions and actual ex-
periences regarding the real progress and de-
velopment of children working in classes, where
the stimulating effect of competitive strife and
endeavor is emphasized by ardent, enthusiastic
work of the individual, spurred on by the intel-
ligent, sympathetic appeal of an instructor who
glories in accomplishment and work well and
faithfully performed, and who strives to im-
press the parents of children engaged in such
class work with the moral benefits and social
advantages that accrue to the successful stu-
dent of music, and of the piano especially.
I have talked with children engaged in the
work and have heard expressions of childish de-
light and enthusiasm seldom found in a child
working in solitude over intricate tasks assigned
from week to week in the form of lessons on
elementary rudimental work. That loses its bur-
den of drudgery under the stimulus of class
association.
I could cite numerous outstanding examples
of successful work now being conducted, but it
would require too much space for details. I
specifically call your attention,
however,
to the outstanding examples of established
classes being conducted in some of the
public schools in Dallas, Tex.; Kansas City,
Mo.; Topcka, Kan.; Milwaukee, Wis.; Des
Moines, la.; Mankato, Minn., and numer-
ous other cities. In addition, a large num-
ber of dealers have equipped special rooms
with regular school or classroom equipment and
have engaged graduate teachers in normal class
work to conduct classes, and with surprising
success in securing capacity enrollment of en-
thusiastic, ambitions children, whose parents
gladly welcome this economical class tuition
given by experienced graduates in class work.
The cost is about 10 per cent of the cost of
private lessons under a capable teacher.
Of Vital Trade Interest
This subject is important and should be of
vital interest to every piano manufacturer and
dealer in the country, once its value, sig-
nificance and relation to piano output and sales
is realized and grasped by the members of our
trade bodies and organizations. It is most en-
couraging to note the special reference and at-
tention paid to this very important work at the
last meeting of the executive board of the Na-
tional Association of Music Merchants and the
proposed placing of this great educational cam-
paign to stimulate the study of music under a
(Continued on page 4)
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
REVIEW
"Back to the Glass Room"—(Continued from page 3)
class instruction system in our public schools,
through the National Bureau for the Advance-
ment of Music.
The class lesson form of instruction for piano
is no novelty or innovation in musical progress,
except as emphasized by its neglect by our
public school boards of governors.
Various systems have been available, and
some have been sparsely used for several years
in the primary grades. But now there is a defi-
nite movement, an awakening to the wonderful
possibility of such a broad and proven course
of instruction, and the trade, our entire indus-
try, should get in the band wagon and not only
lead but support this movement by liberal con-
tributions for demonstrating and proving its
great benefit as an educational force for musical
advancement by leaps and bounds instead of by
plodding steps.
Twenty years ago in the Bush Conservatory
normal classes in piano were conducted through
the use of charts, textbooks and silent key-
boards and were successfully maintained for a
period of years. Each year since that time im-
provements and advances have been developed
and created by intelligent work of interested
teachers and individuals until now there remains
the great opportunity to create sentiment to
use every just and legitimate means to incorpo-
rate this work as a regular and important study
to be included in the regular fourth, fifth, sixth
and seventh grade curricula in all public schools
of the country.
The Time Is Ripe
In conclusion I wish to express the convic-
tion that the time is ripe for every dealer in
the country to get busy on this proposition and
begin to work for the local co-operation of the
public school board or school trustees and with
the supervisors of music, superintendents and
teachers to awaken sentiment and interest in
this vital subject of class lessons for children
in the public school lower grades in piano, vocal,
violin and other instruments. Get busy. There
is a strong favorable sentiment among the
parent-teacher organizations already at work
and among the parents of children in the pub-
lic schools.
Every dealer who has room and can install
the required equipment for a classroom will find
it profitable to get in line and establish a dem-
onstrating class at a minimum rate of tuition.
Engage a teacher, get the necessary textbooks,
charts, blackboards and plain economical desks
and chairs and register the children, whose
parents will gladly take advantage of this eco-
nomical plan for developing the musical talent
and love of music that exists in the heart, soul
and spirit of a large majority of these young,
ambitious school boys and girls. Soon the en-
tire community will awaken to the real value
of such an added and eagerly desired and highly
prized form of musical advancement and educa-
tion in music. The public sentiment once
aroused and developed will carry upon a tre-
mendous wave of popular clamor a definite, es-
tablished form of public school class instruction
into every school district within the zone of
our great public school system.
An Example
I walked into the store of Emerson & Hilt-
brunner, in Cedar Rapids, la., a couple of weeks
ago and was asked to inspect a classroom where
over one hundred children were being instruct-
ed through the medium of class piano lessons.
I found a room, twenty-five by thirty feet,
equipped and preparations all completed and in-
vitations issued for a recital to be given that
same evening by children from seven to ten
years of age. After only one brief term of ten
lessons, some of them made remarkable prog-
ress, largely due to the great stimulus of class
competitive work and good-natured rivalry. Ad-
joining this classroom was another large room,
where rehearsals were being regularly conduct-
ed of the Legion Post Band and a Boy Scout
band by John Jenney, head of the small goods
and instrument department and a combined art-
ist, salesman, director and live-wire music man.
The dealer is the one to awaken and realize
that the local opportunity is right in his own
community, knocking at his very door.
Music House Exhibits Prominent in
the Annual Radio Show in Cleveland
Brunswick Panatrope Receives First Cleveland Hearing—Canton Music Co. Opens Branch Store in
Dover, O.—Demand for Pianos in City and Territory Advancing
/CLEVELAND, O., November 16.—Cleve- were fully illustrative of the best the industry
^ land's first radio exposition closed Sunday affords.
evening, November IS, after a most successful
The Wurlitzer Co.'s main Cleveland store in
week's run at the Public Hall. The attendance lower Euclid avenue, near the Hotel Statler, is
was larger than was expected by the manage- making a unique window display of sheet music.
ment. Opened formally by City Manager W. Two large displays which look like Japanese
R. Hopkins, the show was directed by G. B. fans are featured. The sheet music is arranged
Bodenhoff. The musical features of the show in such a way that the multi-colored covers of
reflected credit on those in charge of the organ the sheets resemble highly colored Oriental fans
recitals and orchestral programs for radio several feet in diameter. The store is now con-
owners and the hall visitors. Almost every line ducting a full-fledged sheet music department.
of musical instrument was shown in some form
Henry Dreher, head of the Dreher Piano Co.,
in the display booths, pianos, talking machines is still convalescing from his recent severe ill-
and orchestral instruments being used to set off ness. During his illness Mr. Dreher was the
booths handsomely furnished.
recipient of many compliments from friends
The largest exhibit was that of the Radio here and in other cities in the form of letters
Corp. of America, which occupied the entire and floral offerings.
C. T. McKelvey, of the Chicago executive
stage of the hall, and the largest local exhibit
was that of the Cleveland Talking Machine offices of the Brunswick-Balke-Collender Co.,
Co., arranged by Howard J. Shartle, president, on November 13 conducted a private recital in
and his assistants, and the exhibit included the Carnegie Hall, Huron road, this city, demon-
latest models of the Orthophonic Victrola, strating the powers of the new Panatrope. This
Zenith and Federal radio sets. The Euclid was the first Cleveland showing of the Pana-
Music Co.'s exhibit, those of the Dreher Piano trope. Mr. McKelvey played both electrically
Co., the Brunswick-Balke-Collender Co., the made and old-fashioned records on both the
Bailey Co. and other Cleveland music houses old-fashioned Brunswick talking machine and
Lack tor
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08C0
PIANO
SCARFS
NOVEMBER 21, 1925
the new Panatrope made by this concern. He
illustrated the five different stages of the new
machine's audibility for private home, church,
theatre and auditorium uses. Practically all the
dealers handling the Brunswick talking ma-
chines attended the recital.
Frank Harkness, a piano salesman of Pitts-
burgh, was a Cleveland visitor during the past
week.
Rexford C. Hyre, secretary of the Music Mer-
chants' Association of Ohio, was a Columbus
visitor during the past week.
The Robert L. White Music Co., the Old
Arcade, staged a special sale of violins last
week, calling it "Violin Week."
The Euclid Music Co.'s daily noonday con-
certs broadcast are proving good drawing cards
for the sheet music department of the com-
pany's Cleveland stores. Well-known local
soloists and others feature the latest song hits.
Almost invariably after a new song hit has been
broadcast the sales jump forward at the firm's
stores.
Cleveland piano sales are looking up with the
near approach of the holiday season. Nearly all
the leading dealers report increased sales of the
better grade of Steinway, Chickering and other
higher priced models.
T. B. Johnson, representing the grand section
of the A. B. Smith Piano Co., Akron, O., was a
Cleveland visitor this week. He reported good
sales in the Rubber City.
Dover, O., now has a new retail music store
at 118 West Third street. The store is a branch
of the Canton Music Co. and Fred Brunner is
the Dover manager.
L. L. Fox, manager of the H. N. White Co.,
Cleveland manufacturer of band instruments,
announced that the annex to the Superior fac-
tory to be erected by the H. K. Ferguson Co.
will be rushed to completion during the coming
late Fall and Winter, as additional manufactur-
ing space is badly needed to meet increasing
sale demands from dealers throughout the
country.
Cleveland music merchants are drawing on
mail devices for attracting Christmas cus-
tomers. Attractive leaflets, folders, circulars
and other forms of literature are being mailed
to thousands of Clevelanders. Newspaper ad-
vertising featuring musical instruments is also
taking up considerable space in Cleveland
papers. Several concerns like the Wurlitzer
stores, the Starr Piano Co., the piano section of
the May Co., Muehlhauser's, the Knabe Ware-
rooms, George M. Ott Piano Co. and others
are offering special inducements to pre-Christ-
mas shoppers in musical merchandise.
Wagner's "Ring" Recorded
for the Duo-Art Piano
Ten Rolls Required to Carry the Excerpts From
Wagner's Famous Musical Work as Played
by Ralph Leopold, American Pianist
A feature of the Duo-Art roll bulletin for
December is a series of ten rolls representing the
complete recording of Wagner's "Ring of the
Nibelungen," an ambitious move that has been
accomplished with a full measure of success by
the Aeolian Co. Recordings consist of excerpts
from "The Rhine-Gold," "The Valkure," "Sieg-
fried," "Die Gotterdammerung," as well as two
special rolls on which the musical theme of the
Ring are recorded separately.
The recording of the rolls was done by Ralph
Leopold, the prominent American pianist, who
has made a life study of the music of Wagner.
His excerpts have been selected with rare judg-
ment, and the playing of them is most impres-
sive. The new rolls as a whole represent a
distinctly forward step in recording.
PIANO
COVERS and BENCH-CUSHIONS
0. SIMMS MFG. CO.. 103-5 We«t 14th St.
LMk far
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08C0
Dlaawii

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