Music Trade Review

Issue: 1925 Vol. 80 N. 25

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
44
THE
MUSIC TRADE
REVIEW
r
U)lten the One
%u Love,
Loves You*
JUNE 20,
1925
BECAUSE
MIDNIGHT
WALTZ
^& Ncri Yfottz Ballad^
So Successfully
Suu^- 1 ^^.
Vaudeville's Leadm^ Artists^
'4*.
Lyric by Gus Kahn
.%\
- - Vyittew by End WMjeiiwi
O f f F r b i d k Abel ftacr
With A Wonderful
Fox- Tr&t Rhythm/
p
lyric by Waltei Hirsch
Music hij Ted Fiorito
You cant do wVoud with
any FEIST
John McGormack, Famous Ballad Singer,
Pays Tribute to Composer Ernest R. Ball
In Article in Jubilee Number of Theatre Magazine the Famous Tenor Gives Weil-Known Ballad
Composer High Praise for the Many Ballads He Has Contributed to American Music
'TpHE most popular singer of ballads in Amer-
•*• ica recently paid a public tribute in print to
perhaps the most popular ballad composer in
the country. Coming from a singer of ex-
cussing the popular ballad, I am, of course, not
referring to jazz. Whatever may be the future
use of jazz, I cannot but feel that its use in the
dance craze has been injurious to popular taste.
Ernest R. Ball
perience with all that is best in the music, these In all art there must be a saving element of
words of John McCormack relative to Ernest spiritual and even emotional rest, and of this
R. Ball's fine work are as eloquent as they are
element jazz is a deadly enemy. That it ex-
significant. The tribute comes almost at the out- presses the sensual, restless spirit of modern
set of an article by the great tenor in the May
life I am perfectly aware, but it is alien to senti-
jubilee number of the Theatre Magazine. Mr. ment and real passion. For the moment it
McCormack's words pertaining to Ernest R. seems overpowering, yet really it is not. If it
Ball are worth quoting in full. Here they are: were it would have destroyed the taste of the
"I have often been asked whether the popular public for the ballad of sentiment, and this it
ballad has not been injurious to the taste of the has not done. 'Mother Machree' is as popular
public. I can only say that with me it has been to-day as it ever was and so are the real Irish
the means by which I have persuaded my pub- songs I sing."
lic to receive gladly the greater things in music.
These glowing references come at the apex of
'Mother Machree' has done lots for Schubert the remarkable popularity of Ernest R. Ball's
in America, as far as my concerts are a proof, fine ballad, "West of the Great Divide," which
and I firmly believe when his time comes, and has taken its place among the greatest favorites
Ernest Ball goes to the heaven of composers, he has ever written, and is one of the many
that the great Viennese will take Ernest by the substantial successes of the Witmark Black and
hand and thank him for his propaganda. How- White series.
ever, may that time be a long way off, for
This is praise indeed considering the source
Ernest has in him many a ballad yet. In dis- from which it comes.
"Flapper Wife" Campaign
Only at Its Beginning
Sales of Fox Number in Connection With It
Will Increase Steadily With Additional Pub-
licity
The sales department of the Sam Fox Pub-
lishing Co., Cleveland, Ohio, is calling the at-
tention of the trade to the fact that, despite the
celebration of "The Flapper Wife Week," an
exploitation drive on the song and story of the
same name, the sales on this number in sheet
music form are only in their early stages. Of
the 800 newspapers who are to use the story, con-
tributing materially to the accompanying pub-
licity drives through reviews, illustrations and
publicity for the performers using the number,
only about half of them have started the initial
instalment of the serial. Other newspapers will
start their instalment from week to week. After
the serial story commences in the paper, it itself
will run for sixty-eight days.
As the story continues the campaign on the
song, which appears in the publicity, gathers
momentum, due to the local appearances of
vaudeville performers, radio artists and hook-
ups with local photoplay houses, etc., all of
whom will take part in "The Flapper Wife"
drive.
Practically all the records and music rolls
have already been released, and the additional
publicity these recordings will give the song in
the homes will add further to the sales of the
sheet music. The Fox organization expects the
height of sales on "The Flapper Wife" to be
reached about the middle of July and that active
sales continue until early September.
A demonstration of the value of the newspa-
per hook-up on this story and song was recently
given by two cablegrams received, including
one by the Sam Fox Publishing Co., from Keith
Prowse, Ltd., ordering 5,000 copies of "The
Flapper Wife" song and one to the Association
of newspapers running the serial, from De
Mory's Savoy Orpheans of the Savoy Hotel,
London, stating: "Playing and broadcasting
'Flapper Wife' with enormous success. Will
make great singing and dancing number—pre-
dict it will be one of the outstanding hits."
Consult the Universal Want Directory of
The Review. In it advertisements are inserted
free of charge for men who desire positions.
Only Those Who Have Constantly Sold
MOST POPULAR MUSIC BOOKS
Can Judge Their Quality and Value
Write for descriptive catalog—Order from jobber or direct from publisher
Hinds, Hay den & Eldredge, Inc., Publishers, New York City
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
JUNE 20, 1925
Distribute
Catalogs
Century dealers
who distribute cata-
logs liberally sell the
most "CENTURY."
Be wise—Do LIKEWISE.
Century Music Pub. Co.
Oliver Ditson Co.'s
Ninetieth Anniversary
Firm Though Founded in 1835 Really Dates
Back to 1783—History of Ninety Years
This year the Oliver Ditson Co. is celebrat-
ing its ninetieth anniversary, which is indeed a
record worthy of comment in the history of
music publishing in the United States. The
firm, although founded in 1835 by Oliver Dit-
son under his individual name, really dates back
to 1783 when at number 8 State street, Boston,
Mass., Ebenezer Battelle opened the Boston
Book Store and two years later added a music
and circulating library; then by practically suc-
cessive connecting stages moved on to 1823,
when young Mr. Ditson entered the employ of
Col. S. H. Parker, the last of several successors
to the original Battelle business. Twelve years
afterwards, Oliver Ditson began to copyright
and publish music for himself at 107 Wash-
ington street.
One year later, Mr. Ditson entered into part-
nership with his former employer, and the mu-
sic publishing firm of Parker & Ditson was
formed in April, 1836. Six years later, 1842, the
Parker interests were acquired by Ditson, and
in 1845 John C. Haynes was given employment
by the concern. In 1858 Haynes was admitted
into the business, and the firm of Oliver Dit-
son & Co. was formed. The death of Oliver
Ditson occurred on December 21, 1888, and
in 1889 the Oliver Ditson Co. was incorporated
by John C. Haynes, who died on May 3, 1907,
and Charles H. Ditson, of New York, became
president of the concern.
The officials and executives of the present
firm are Charles H. Ditson, president; Edward
W. Briggs, treasurer; C. A. Woodman, man-
ager. Directors are: C. A. Woodman, Boston,
and Edward S. Cragin, of New York. Outside
representatives of the Ditson Co. are Chas. H.
Ditson & Co., of New York City, and Winthrop
Rogers, Ltd., of London.
The Ditson Co.'s catalog embraces a broad
variety of vocal and instrumental music (piano,
organ, orchestra and band) besides innumerable
sacred and secular cantatas; books (theoretical,
pedagogical, collections, etc.), and the famous
Ditson vocal "Octavo Edition" embracing
13,000 numbers that include music for all forms
of church service; sacred and secular works for
choral societies and schools, arranged for men's,
women's and mixed voices. Specialties in
bound publications include "Musician's Library"
(edition de luxe), "Music Students' Library,"
"Music Students' Piano Course," "Tapper's
Graded Course" (piano), "Ditson Edition," etc.
MY GAL DON'T LOVE ME ANY MORE
W H E N THE ONE YOU LOVE LOVES
YOU
1 HAD SOMEONE ELSE BEFORE I
HAD YOU
IF IT WASN'T FOR YOU I WOULDN'T
BE CRYING NOW
Writ* for Dealers' Prices
LEO
Without These
Music Counters
Are Not Complete
HARMS, INC.
6 2 W. 4-5 ix ST., N Y. C.
AMERICAS POPULAR
BALLAD SUCCESSES
ROSES OF PICARDY
THE WORLD IS WAITING^SUNRISE
INTHE GARDEN OFTD-MORROW
THE SONG OF SONGS
LOVE'S FIRST KISS
SMILETHRU YOUR TEARS
IF WINTER COMES
CHAPPELL-HARMS.INC
185 MADISON AVE
NEW YORK
I>KAR ONE
YOU AND I
0 KATHARINA
LOVELY LADY
SONG OF LOVE
I'M SO ASHAMED
DOODLE DOO DOO
HAUNTING MELODY
HONEST AND TRULY
THE MIDNIGHT WALTZ
WHEN I THINK OF YOU
THE PAL THAT I LOVED
PAL OF MY CRADLE DAYS
ROCK-A-BYE-BYE-BABY DAYS
WILL YOU REMEMBER ME
LET IT RAIN, LET IT POUR
I'LL SEE YOU IN MY DREAMS
NO WONDER (THAT I LOVE YOU)
HONEY, I'M IN LOVE WITH YOU
LET ME LINGER LONGER IN YOUR
ARMS
Consult the Universal Want Directory of
The Review. In it advertisements are inserted
free of charge for men who desire positions.
uneBroughtttieRose
>-
Can't GoWn
engagements to do other obligations.
While it sings the latest popular successes, a
great portion of the trio's program is confined
to Clarence Williams Music Publishing Co. pub-
lications. This is due to the fact that they
have won most of their popularity through the
singing of blue numbers, a specialty type of
song found in large quantities in the Williams
Clarence Williams Trio
catalog.
Making Big Success Among the numbers they are at present fea-
Organization, the Programs of Which Are turing are "Everybody Loves My Baby," which
Largely Confined to Clarence Williams Pub- is a real hit; "Cake-Walking Babies" and
"Mama Has Gone Bye Bye." "Castaway," a
lications, in Big Demand
waltz number also sung by this combination
and published by the Williams Co., is of a good
The Clarence Williams Trio, composed of
standard type and undoubtedly will sell through
Clarence Williams, Eva Taylor and Clarence
a period of several years. Some of its latest re-
Todd, which was one of the features at the an-
leases are "Pa Pa De-Da-Da," "Squeeze Me,"
nual publishers' outing to the visiting members
"Lovin' High," "I Wish You Would" and "Fly
Roun' Young Lady."
Sequel to
'love Sends a. Little Gift of Roses ^
'
45
^
Clarence Williams Trio
of the National Association of Sheet Music
Dealers last week, is well known to radio audi-
ences everywhere. This trio has been in de-
mand with radio broadcasting stations in all
parts of the country. It constantly receives of-
fers for weekly and nightly appearances and
on several occasions has turned down vaudeville
O9/VV PUBLISHER. OUR REFERENCE
<-^ *^>
West of the Great Divide
When the Sun Goes Down
Give Me One Rose to Remember
Me Neenyah (My Little One)
That's Why You're Mary Mine
When Irish Eyes Are Smiling
Sing Along!
Home to My Joy and Thee
That Wonderful Mother of Mine
Dear Little Boy of Mine
Mother O! My Mother!
Just Been Wond'ring All Day Long
Gypsy Love Song
Mother Machree
My Wild Irish Rose
Sunrise and You
Smilin' Through
Kiss Me Again
China Rose
Wonderful Wonder
M. WITMARK & SONS
1650 Broadway
New York, N. Y.

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