Music Trade Review

Issue: 1925 Vol. 80 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
REVIEW
THE
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VOL. LXXX. No. 21 Published Every Satwday. Edward Lyman Bill, Inc., 383 Madison Ave., New York, N. Y., May 23, 1925
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Music Industries' Success Rests Upon
Public's Further Education
Charles E. Byrne, Vice-President of the Steger & Sons Piano Mfg. Co., Before the Texas Music Merchants'
Association, Points Out Necessity of Trade Advertising Being Based on This Factor, and Strongly
Advocates a National Piano Playing Contest Among Country's Youth
O be invited to address the Music Mer-
chants of the great State of Texas is an
honor that I esteem highly. Judging
from the remarkable progress that you have
made in business-building as well as in the pro-
motion of the art of music in Texas, particularly
in Austin, Dallas, Galveston and Houston, I
doubt if there is anything about "Piano Ad-
vertising" that you do not already know. Speak-
ing about advertising, it is worth noting that
Texas is not only one of the best States in
the Union, but since the recent election of Mrs.
Ferguson as Governor, it has become the best
advertised State.
Oliver Wendell Holmes once remarked that
he always delivered his best speech on the way
home from a banquet, because then he remem-
bered the many interesting things that he had
intended to say but forgot. That may be my
experience too, because considering the subject
that has been assigned to me for discussion by
your committee, namely, "Piano Advertising," it
is evident that, like Texas, it covers a lot of
territory.
Elbert Hubbard frequently used to begin an
effective advertisement with the statement of a
platitude—for example—"Honesty is the best
policy"—evidently to effect a common under-
standing with his readers, which would induce
them to believe the rest of his story.
As a safe starting point, it is well to recall
a statement by Shakespeare to the effect that
"the man who hath no music in his soul is fit
for treason, stratagems or spoils." Even Arthur
Brisbane or the Prince of Wales, both of whom
are noted advertising experts, could not say
anything more apropos—and I am sure we all
approve the opinion expressed. One of the first
rules for a speaker, as you may have observed,
is to start off with a statement with which the
audience must agree—and the same rule applies
to the writing of a.n advertisement.
To show you the power of advertising, a man
came into our store one day and stated that
he wanted to buy some phonograph records by
Madame Cuti-Cura. Of course, we know that
he did not want what he asked for, but we
knew what he wanted—and we took care of him.
The credit of that sale was due to advertising.
Developing Musical Taste
You have done wonders in developing a
greater love for music, and have established
Texas as one of the livest, most energetic and
T
aggressive states in fostering its advancement.
You need no assurance from me that the phe-
nomenal growth of your musical activities has
been watched with interest and satisfaction by
your fellow citizens in all parts of the country.
r 1
1 HE address o/ Charles E. Byrne before
J- the annual gathering of the Texas Music
Merchants' Association is one of the clear-
est expositions of the advertising problem
which confronts the music merchant that
has ever been presented before the trade.
His advocacy of a national piano playing
contest, backed by an offer on the part his firm to aid materially in underwriting
its expense, means that one of the most effec-
tive means of concentrating public attention
upon the piano is at last taking a tangible
form.—EDITOR.
But I want you to know that because of your
good work, we have accredited you with main-
taining a standard of education, refinement and
cultural development that is unsurpassed any-
where.
Why are we engaged in the music business?
To make money? Yes! Because self-preserva-
tion is the first law of nature. But there are
other obligations that we must accept. We
would be too selfish to live, unworthy of the
blessings that we enjoy through the bounty of
Providence, if our only purpose in life were the
accumulation of material success. Just as there
is a greater happiness in giving than in receiv-
ing, just as the mother toiling patiently and con-
stantly for her children asks no recompense
but their welfare, just as the father, returning
home "at night after a day of hard labor, re-
joices to think that the rewards of unselfish
effort will give sustenance, comfort, education
and protection to his loved ones, so there is a
joy in serving others, in making the lives of
humanity, of our fellow-men, more pleasant,
more glorious and more fruitful, through the en-
nobling inspiration of "the language of heaven,"
divine music.
Next to religion, the power of music is of
inestimable value in affording a better apprecia-
tion of the purpose of our existence, in stimu-
lating our hearts and minds to follow those
beautiful ideals, that have guided the leaders of
civilization for centuries.
Therefore, we should rejoice to think that
our work is allied with an art that is so poten-
tial in giving encouragement and inspiration to
the weary heart of mankind, an art that takes
your little child, your boy or girl, by the hand
and points out the glorious promise of a noble
life, an art that will help them to develop
spiritually and grow up with the beautiful
thoughts it creates as their companions, good
men and women, devoted to their homes and
loyal to those fundamental rudiments of char-
acter and righteousness on which our govern-
ment so substantially has been built.
The Educational Factor
The success of the music industries rests on
the educational factor. We have been inclined
to overlook the importance of that truth, at
least in our advertising. If we should fail to
encourage the study of music, the music trade
would dry up. The piano industry has been
developed not only by the manufacturers and
merchants, but principally by the music teach-
ers. Think it over and the truth of that state-
ment will impress you.
One reason why we are not selling more up-
right pianos is because we have concentrated
our advertising on price. We have not advo-
cated the study of music in our advertisements
as we should have. We have been too short-
sighted in that respect. We have given con-
siderable publicity to the player-piano, which is
all right, but we have talked too much about
price and not enough about the cultural advan-
tages of studying music, that a player-piano as
well as an upright affords.
If we do not sell more upright pianos, we will
not sell more grand pianos or player-pianos.
If we want to sell more pianos, we must do
more advertising to encourage the study of the
piano. It is true that player-pianos are bought
by many who cannot play the piano, but they
would not buy unless they had a love for music
or had made a study of it.
Of course, I know that newspaper space is
valuable and perhaps that is one reason why so
much attention is given to featuring price for
quick action instead of urging parents to teach
their children music.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
However, let me repeat, the future success of
the music industry in Texas or in any other
State is going to depend upon the efforts made
to foster the study of music through advertis-
ing, music memory contests and in various other
ways. Remember that the music teachers, by
their influence in creating a greater apprecia-
tion of music, are selling our pianos for us.
They stimulate the natural desire for music
that is born in all of us.
A Piano-Playing Contest
Far better than music memory contests,
which are wondrously beneficial, would be a
national competition in piano-playing, with re-
cital contests to be held in every town and city
for children from eight years and up, and na-
tional prizes to be awarded by the President
of the United States to the pupils and their mu-
sic teachers. On behalf of the Steger & Sons
Piano Mfg. Co., which I have the honor to rep-
resent, I am authorized to announce that it is
willing to donate the sum of $5,000, to be used
in promoting a National Piano Playing Contest
for children and their teachers, to be held under
the supervision of the Music Industries Cham-
ber of Commerce, provided that twenty-five
other piano manufacturers will each contribute
a similar amount in order to make it a success.
Instead of so much price advertising, it would
be better if we gave a thought to music. "Make
America Musical" is the excellent slogan of the
Music Industries Chamber of Commerce, but I
only wish it were more complete. America
needs music. Every American child needs mu-
sic. Let us "Make every American child mu-
sical," but it is going to require more than a
slogan—plenty of hard intensive work to
achieve that lofty purpose, and the first place
to begin is in your newspaper advertising.
The orator who is not sincere will not have
the respect of his audience. The advertiser who
relies upon dishonest publicity will not remain
in business long. There should be no place in
the music industry for a fakir or dishonest ad-
vertising—because that which undermines the
confidence of the public injures the entire trade.
Some years ago, many dealers decided to get
away from price advertising and featured only
quality announcements. The growing pressure
of price advertising, however, forced them to
return to it. But it is my belief that if the en-
tire piano industry would feature only pianos
and music in its advertising and eliminate all
reference to prices for a period of a year the
trade would not only enjoy greater respect on
the part of the public, but be more profitable.
Player-Piano Education
We desire to sell more player-pianos, but in
order to do so we must make it possible for
those who purchase player-pianos to get the
utmost satisfaction from their instruments. In
other words, we must teach our player-piano
customers how to play the player-piano correct-
ly.
Although good work has been done by many
music merchants in that direction there is still
room for improvement. It is quite likely that
not over 50 per cent of all player-piano owners
know how to play with expression. If every
piano salesman would adhere strictly to the rule
of instructing his player customers concerning
the proper method of playing the player-piano,
there is no doubt but that more player-pianos
would be sold, because every such customer
eventually would become an enthusiastic sales-
man. The man who buys a player-piano and
whose only idea in using it is to play it loudly
and monotonously will not make friends for
the industry, and will ultimately become dis-
satisfied. Just a few moments of instruction
might be sufficient to convert him into a dis-
criminating music-lover, whose playing on a
player-piano would be a source of delight to
every one concerned.
Every dealer should have a player-piano
Highest
Quality
MUSIC TRADE
REVIEW
school. For example: Our company has an-
nounced to its retail customers in Chicago that
it is conducting a player-piano school, where
anyone, who desires to learn how to play that
instrument correctly and with expression, may
receive instruction free. There is no better way
for you to keep your salesmen busy giving
service and making friends, and it is sure to
lead to many player-piano prospects and sales.
If you advertise be sure that you believe in
the product you advertise. If you sell, endeavor
to make your customer a satisfied customer, be-
cause then he will be a potential salesman for
your store.
The Reproducing Piano
What is the future of the reproducing piano,
the supreme achievement of the art of piano-
making? When you consider that this is an
electrical age and that the reproducing piano
brings all of the world's greatest artists, the
labor and genius of centuries to the home, when
you reflect on the fact that more than a billion
dollars is spent annually in the United States
for public educational purposes but that, ac-
cording to the Federal Commissioner of Educa-
tion, twenty-two billion are expended yearly for
luxuries, it is not unreasonable to state there
are a million homes that ought to have repro-
ducing pianos to-day and are able to pay a price
of $3,500 or more.
Advertising is selling—and selling is telling
—but in your advertising you must tell the pub-
lic more about the reproducing piano than just
the price. There are many people who would
like to have reproducing pianos, and who can
well afford to pay for them, but who have never
heard them played. It is your work to get them
acquainted with the reproducing piano either
by inviting them into your store or by giving
public concerts.
Your newspaper is your friend and supporter.
It brings your store to the attention of thou-
sands of music-lovers, whenever you advertise
in it. Use it frequently and make every ad-
vertisement generate greater confidence on the
part of the public in your store. Newspaper
advertising is the central power station of com-
merce and industry—little appreciated but con-
stantly active, influential and constructive.
Another powerful ally is your trade journal.
Its purpose is to instruct, encourage and help
the merchant to sell and to obtain greater
profits.
It is only proper that I should make some
acknowledgment of the wonderful work that
has been accomplished for the entire music
trade, by the distinguished and exceptionally
capable president of the Music Industries
Chamber of Commerce, Richard W. Lawrence.
It is most fortunate that the music profession
is honored by leadership so outstanding.
Advertising Is Selling
Advertising is selling and I want you to re-
member me as a salesman from Chicago, the
center of the continent. Chicago is the central
and acknowledged center of all human activity
of North America. Chicago's wholesale and re-
tail establishments lead the world and are an
inspiration to all. Chicago's public parks, boule-
vards and gardens are a joy to behold. Chicago
is always attractive to convention visitors. Hos-
pitality calls you to Chicago. The Chicago As-
sociation of Commerce invites you to hold your
next Texas Music Merchants Convention in the
center of the continent—Chicago.
You recall those beautiful lines of Arthur
O'Shaughnessy, "we are the music makers, and
are the dreamers of dreams." Living in this
glorious land of liberty and opportunity, ruled
by a great and wise President and music-lover,
Calvin Coolidge, protected by the grandest gov-
ernment of all time and enjoying every bless-
ing of a bountiful Providence, let our hearts
exult and find happiness in song, "let music
swell the breeze and freedom ring!"
MAY
23, 1925
Revised List Prices on
Single Face Red Seals
Victor Co. Announces Plan for Clearing Deal-
ers' Shelves of Slow-Moving Single-Faced
Red Seal Records—Material Price Reductions
In order to assist dealers in moving off their
shelves stocks of single-faced Red Seal records
which have remained since the exchange some
time ago when the double-face Red Seal records
were in use, the Victor Co. has announced a
general list price reduction on the single-face
Red Seal selections. Under the new schedule
10-inch Red Seal records, formerly listed at
$1.25, may be sold at 65 cents; records listed at
$2 will be sold at $1.10; records listed at $3.50
will be sold at $1-60, etc.
In taking care of dealers in the downward
revision of prices the Victor Co. has arranged
a plan whereby the dealer is credited with
$37.50 for every hundred dollars' worth of
single-face Red Seal records at present in stock
at list prices prevailing in July, 1923. This
credit is to be applied to Victrola purchases.
It is believed that the plan will serve to clear
the shelves of slow-moving stock and free the
trade of a burden that has prevailed since the
last Red Seal exchange. The plan was adopted
with the idea that it would be much more suc-
cessful than another straight exchange which
would be simply a record replacement proposi-
tion and call for the destruction of old records
valued at many thousands of dollars.
Springfield Plate Men
Aid in College Fund Drive
A. L. Kelly and Carl Ultes, of the O. S. Kelly
Co., Among Chief Workers in Raising $450,000
for Wittenburg College
SPRINGFIELD, O., May 18.—A. L. Kelly and Carl
Ultes, both of the O. S. Kelly Co., this city,
well-known piano plate manufacturers, were
among the most active factors in a recent suc-
cessful drive to raise $450,000 for Wittenburg
College, their Alma Mater, thereby securing an
additional $230,000 from the Rockefeller Educa-
tional Fund.
Aside from their natural loyalty to their Alma
Mater, both Mr. Kelly and Mr. Ultes, the latter
of whom is also a graduate of the Law De-
partment of the University of Michigan, realized
the importance of the O. S. Kelly Co., and other
Springfield enterprises, as an educational factor
with respect to their own employes.
Wittenburg has a very good science course,
and consequently all of its many promising
young men with a good technical education be-
come valuable among manufacturing enter-
prises, like the Kelly piano plant, for example.
McDowell & Gastator Buy
Music Store in Enid, Okla.
Store Just Acquired Will Make the Fourth in
a Chain Now Being Conducted by Concern
With Headquarters in Ponca City
PONCA CITY, OKLA., May 16.—The McDowell &
Castator Music Co. of this city has purchased
the business of the Cantrell-North Music Co.,
of Enid, Okla., which will make the fourth of a
chain of stores conducted by the company in
Pauhuska, Ponca City and Blackwell.
The building in Enid was completely re-
modeled and the company will use three floors
for its business. The store will be in direct
charge of Mr. Castator, and in addition to
pianos and other musical instruments, Bruns-
wick and Columbia phonographs are carried.
Highest
Quality

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