Music Trade Review

Issue: 1925 Vol. 80 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MAY
TH& MUSIC TRADE REVIEW
23, 1925"
13
TECHNICAL DEPARTMENT
Conducted By William Braid White
Still More Reports From Tuners in the
Field on Loose Tuning Pin Conditions
years; and the only conceivable explanation lies
in the suggestion I have just made. Piano men
whose opinion is worthy of respect agree with
me that the cause is to be found here, and that
is why it is so necessary to get all the facts
J. C. Miller, of Lincoln, Neb., and Alvah Baker, of Rochester, Ind., Tell of Their Experiences in one can.
This Line and the Remedies Which They Use in Meeting Them—A Letter From
An Indiana Experience
George L. Cheney on the Question of Loose Ivories in Pianos
A further experience, from a reader in Roch-
ester, Ind., is quoted, simply in order to swell
H E discussion of loose tuning pins shows their salaried workmen. I cannot speak there- the mass of evidence and to show that we are
no signs of abating, I am glad to say, for fore with any authority as to loose tuning pins not dealing with a mere sectional condition.
there is no question whatever in my mind in new pianos.
"I have been reading the letters from brother
that we have awakened here something which
"But as to loose tuning pins in old and worn tuners in various parts of the country about
we shall not be able to let rest until it has pianos, that is quite another story.
loose tuning pins and am led to tell you of my
been thoroughly investigated. There is not
"Here we have something universally im- own recent experiences. I have been in the
the slightest doubt that the question is funda- portant and fundamental, something which, if it piano tuning business for fourteen years.
mental and that piano makers everywhere are is not always paramount, at least is always im-
"Some weeks ago I was called in by a lawyer
themselves suffering from a state of affairs mediate and inexorable. The practical tuner in this part of the country to tune a grand
which is really not altogether their fault. Tuners meets with it constantly and must deal with it, piano which he told me very much needed my
who have discovered the facts and are helping either temporarily or efficiently.
attention. When I came to work on it I found
to give them publicity are in reality doing for
"I have little to add to the advice on this that I could not do anything at all with it on
the manufacturers a definite and positive good. phase of the subject which has been offered in account of loose tuning pins. Not merely a
Manufacturers have enough to irritate them, recent isssues of The Review, but dare to say few, but positively all of them, were loose.
heaven knows, but when they themselves have that neither larger pins nor brass bushings have
"I asked a few questions about the age of
been unaware, as in this case, how far the evil ever appealed to me with much force. Through the instrument, and to my astonishment learned
has gone, they will undoubtedly welcome the more than fifty years of incidental trouble with that it had been bought only a year ago last
efforts of those who are striving to get the loose pins, I have used almost invariably solid
December. That is to say, it had only been
facts out into the open. For it is much better maple, oak or other hardwood shavings, the out, when I saw it, a little over a year. It
to face the facts now than to have recurring quantity used depending on the case in hand, seemed to me that this was something like a
and ever more serious trouble for years to and being greater or lesser according to the record for a grand piano. Of course, like most
come.
conditions which have presented themselves. tuners, I have found upright pianos developing
"But, in no circumstances whatever, will I loose tuning-pins after a short spell of use, but
Joseph C. Miller, of Lincoln, Neb., whose con-
tributions to this department are among its or do I drive a pin further on to its fragile very few grands in like predicament. In the
Ijrightest jewels, and whose experience in length seat. Every pin should be turned in, on its case I am describing they were positively all
and in variety is not surpassed in this country, own thread, or, as commonly said, should be loose, and I had to tell my customer that if he
had a guarantee from the manufacturer he could
if indeed it is equaled, has very kindly respond- 'run in.'
ed to my urgings, and has submitted the fol-
"Frankly, however, as regards new pianos obtain a new piano on the strength of it. This,
lowing observations, based upon his own per- once more, I simply cannot believe that any as a matter of fact, he was able to do, and he
sonal findings* When I remind my readers manufacturers are deliberately disgracing their now has the new instrument, but it has been
that Mr. Miller has for some years been suf- reputations, as might be gathered from some installed for so short a time that one cannot
fering from progressive failure of eye-sight, of the charges which have recently been made yet judge whether it is likely to develop the
which makes any writing most irksome to him, in the columns of the technical department. old trouble.
they will the better appreciate his taking the
"J. C. Miller, Lincoln, Neb."
"Somewhat later I should like to submit to
trouble to assist the ventilation of this impor-
Answer and Comment
you some ideas about repairing cracked lower
tant question of loose pins. Says he: "Loose
In thanking Mr. Miller and expressing the bass bridges. During the last five years I have
Tuning Pins in New Pianos! The very excla- hope that he will write to the department had a good deal of experience on various pianos
mation seems so absurd, and it may be added more often than he does and on other questions afflicted in this way, and while no doubt this
impossible, that I have some doubts as to its since his opinion is always valuable and often question has been threshed out in this depart-
existence and still greater doubts as to its prev- decisive, I should like to say that undoubtedly ment ere this, I should like, if I may, to bring
alence.
no piano manufacturer is deliberately putting it up again. So please look out for a letter
(Continued on page 14)
"What manufacturers guilty of such gross out pianos defective in the pin-block. Such in-
carelessness could hope for a permanent reward sanity, as Mr. Miller says, is simply unthink-
able. What is much more likely to be the true
from that policy?
8end Postal for Free Sample
"But let us not invade the manufacturer's explanation of facts which cannot be ignored or
We arc specialists in this work, which every dealer and tuner
needs. All work done by experts with most modern machinery,
right to do just what he pleases and to take denied is that pianos have been gradually get-
and correct spacing Is guaranteed. Replaced keys appear
exactly as whan Instrument left factory.
any risk he is willing to assume in order to ting into a bad condition at a critical point
PRICES LOW—WORK GUARANTEED
reduce the cost of his product. On the other simply on account of the emergence of defects
Send Express or Parcel Post t*
in
the
quality
of
lumber
used,
and
of
an
almost
hand I can say for myself that I have had no
Frield Miller & Co., 3767 Illinois St., Indianapolis.lnd.
experience with this alleged weakness and de- general failure meanwhile"* to sense that any-
fect in current output of pianos, either of the thing has been going wrong. ;I am quite certain
present or of recently past time. My own field that the average of workmanship in piano
of operations is small and I do not see or touch making shows no drop during the last five
REPAIRING. REBUILDING AND
•more than a very small percentage of the new
PLATER PIANO ADJUSTING
instruments now being manufactured and dis-
One of the Largest School* In the Eaat
Write for Catalog R
Organized 1914
tributed; and even in my own city I deal with
The T.M.C.A., 1421 Arch St., Philadelphia. Tm.
few new pianos, since the local dealers have
T
KEYS RECOVERED AND REBUSHED
Philadelphia School of Piano Tuning
FAUST SCHOOL
OF TUNING
Send for This Valuable
Free Book
One of the surest ways to increase
your profits is to repair mars and
scratches immediately. If your prospec-
tive customer sees a defect in the finish
your chance of making a sale is greatly
diminished.
"How to Repair Damage to Var-
nished Surfaces" tells how you can in-
Btantly repair any injury to the finish
of musical Instruments or fine furniture.
It will interest any dealer, tuner or
repair man.
WRITE' FOR FREE COPY TODAY
If you are too busy to writ* a letter, pin
this ad to your card or letterhead and mail
It to us. We'll know what you want.
The M. L. Campbell Company
2328 Penn
Kansas City. Mo.
Standard of America
Alumni of 2000
Piaao Tontaf, Pipe aid Rfi 0r»u
and Nar«r Piano. Year Book Fr««.
27-29 Gainsboro Street
BOSTON, MASS.
REPAIRING
and Refinishing
Pianos and Phonograph
Writ* for Dmtailt and T*rm»
PIANO REPAIR SHOP
339 So Wabath AT*.
Established 1901
POLK TUNING SCHOOL
Pioneer school of piano, player-piano and Reproducing
Piano tuning ana repairing in tke United States.
Complete Course* Taught in Seren to Tea Weeks
Writ* far ttrmu mmd littrmtwre
POLK BUILDING
VALPARAISO, IND.
Clsieac*
OTTO R. TREFZ, Jr.
Piano Bass Strings
Piano Repair Supplies
2110 Fairm»«at AT*.
Philadelphia, Pa,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
14
THE MUSIC TRADE
The Technical Department
(Continued from page 13)
soon on that subject. I want you to know that
1 appreciate your interest in the Technical De-
partment. Alvah Baker, Rochester, Ind."
Answer
Of course I shall be glad to have anything
on bass bridge repairing which Mr. Baker may
choose to send in. We have had discussions
of the questions involved in various past is-
sues, but it is always a fresh and interesting
subject nevertheless.
As for the grand piano which was in such a
bad condition after only a year's use, I can only
repeat what has been said above and in previous
issues: namely that the conditions which are
being made the subject of such widespread and
justifiable complaint are to be traced to sources
outside the immediate ken of the manufacturers.
Every additional piece of evidence obtained
constitutes just one more reason for publicity.
If loose tuning pins in new pianos are becom-
ing frequent, then obviously there is some de-
fect developing of which the manufacturers have
been unaware. No one can say at this moment
just what that defect is, although everyone can
bring up more than one plausible hypothesis.
We can only find out the truth by accumulating
facts, and so once more I extend the invitation
to every reader to tell us whether he is having
troubles in the matter of loose tuning-pins on
new pianos. The more details he can give, the
better it will be, although names of pianos, of
course, are never mentioned.
Loose Ivories
George L. Cheney, president of Pratt Read &
Co., Deep River, Conn., sent me the following
note on the recent observations of W. C. Swan,
of Dover,, N. H., on the subject of loose ivories
in new pianos:
"In your issue of May 2 you quote state-
ments by W. C. Swan of Dover, N. H., about
loose ivories.
"He says 'Ivory gluing seems to be a lost art.'
You add that there are three matters to discuss
including loose ivories, and state that 'There is
no doubt whatever that modern pianos are
showing regrettable weakness in these matters.'
"Here at our factory, where we have a very
large experience in making ivory piano keys and
in repairing them, this condition about ivories
has not been experienced. It was quite common
years ago, but has been practically unknown by
us for the last ten or fifteen years, either in the
key factory or iii the repair department. Yours
truly, Geo. L. Cheney."
Comment
I am glad to know that the Pratt Read fac-
tories have not experienced the difficulties to
which Mr. Swan has directed our attention.
Since however Mr. Swan bears a merited repu-
tation for sobriety and exactness in speaking
and writing (I have known him for many years),
I am sure that he has ample evidence to back
up all he said in The Review of May 2. He
there informed us that he has been having
trouble with loose ivories on new pianos and
that he has been unable to understand why this
should be so. He also said that when he has
complained to manufacturers the reply has
always been that the conditions in which the
piano has been living must be very unusual. He
justly thinks that these- glib explanations are
too much in the nature of excuses.
More Details Needed
In view however of what Mr. Cheney says I
think that the discussion would be vastly im-
proved if Mr. Swan would give us some more
details and go intothe facts a little more fully.
Then we might have a better basis for further
investigation.
REVIEW
Technician's Questionnaire
Needs Greater Response
President A. K. Gutsohn Asks for Greater Re-
sponse From Western Section of the Industry
Replies to the questionnaire sent out recently
by A. K. Gutsohn, president of the National
Piano Technicians' Association, have been
mailed in by about thirty piano manufacturers
and supply dealers who have answered the
questions according to their own theories. Mr.
Gutsohn has found a marked enthusiasm in the
letters accompanying the answers, but he stated
that he expected a much greater response from
the Western manufacturing trade.
"The future of the Association will depend
largely o-n the attitude manifested by the manu-
facturers at the Convention in June," said Mr.
Gutsohn recently to a representative of The
Review. "Most members of the trade have ex-
pressed themselves to me personally as favor-
ing the National Piano Technicians' movement,
admitting that there were personal benefits in
it for them. I am therefore confident that some
definite things may be accomplished in Chicago
when it will be possible to get everybody's idea
about our plans for next year."
Reifsnyder Music House
Opens in Reading, Pa.
Formal Opening of New Warerooms Draws
Crowd of 12,000—Two Orchestras Entertain
Visitors to Warerooms
The opening of the new Reifsnyder House, at
119 North Sixth street, Reading, Pa., recently,
was no ordinary event. The Reading ware-
rooms, which will be conducted as a branch of
the Reifsnyder Music House, of Lebanon, are
238 feet in length and occupy three floors. It
needed all the three floors and more to accom-
modate the 12,000 people who paid homage to
the House of Reifsnyder on the opening evening
MAY
23, 1925
between the hours of 7 o'clock and midnight.
Perry B. Reifsnyder, the twenty-eight-year-
old proprietor of the establishment, spared no
expense in the official presentation of his new
Reading showrooms to the local public, and as
a special attraction had Carl Fenton's Bruns-
wick Orchestra on hand for the entire evening.
Fenton was located on a specially constructed
stand directly inside the main entrance of the
store and played continuously from the opening
hour until the closing. In the language of the
day, Fenton "was a solid hit." On the second
floor Walter J. Wolf's Merry Makers, a snappy
dance orchestra from Lebanon, Pa., kept things
moving briskly.
The attractiveness of the interior came in for
a wealth of favorable comment. The color
scheme of blue and gold throughout enhanced
to a degree the beauty of the many lines on dis-
play. The store contains eight up-to-date dem-
onstration booths and Mr. Reifsnyder has a
staff of five clerks in addition to eighteen out-
side salesmen covering the territory in and
about Reading. While the Reifsnyder House is
an exclusive Brunswick dealer, this firm is also
extensively represented in the piano field with
the Packard, Milton and Lauter lines and car-
ries as well Q R S and U S word rolls.
After the opening a banquet was tendered by
Albert Bond, president of the Packard Piano
Co., to Mr. Reifsnyder and his associates at the
Berkshire Hotel. Among the speakers of the
evening paying tribute to both Mr. and Mrs.
Reifsnyder were Mr. Bond, George W. Allan,
of the Milton Piano Co., Richard Hill, manager
of the Packard Piano Co., A. E. Schmalzigan, of
the Lauter Piano Co., Harry A. Beach, Eastern
sales manager of the Brunswick-Balke-Col-
lender Co., Harry Mays, advertising manager
of the Reifsnyder stores, Claire Moser, mana-
ger of the Reifsnyder store at Lebanon, and
Lyle Moser, who has been appointed manager
of the Reifsnyder house at Reading. In addi-
tion to Mr. Beach and H. Emerson Yorke of
the New York Brunswick forces, Mr. and Mrs.
E. B. Shiddell and W. J. Loranzo of the Phila-
delphia branch were also present.
KLEERNOTE
TRACKER BAR
SUCTION
PUMP
The only thorough and
efficient Tracker Bar Suction
or Vacuum Pump. Absolutely
essential for removing dirt, dust and
paper particles from the Tracker Bar.
Keeps the instrument in proper playing con-
dition, prevents weak and silent notes.
We Are Prepared to Make Special
Prices to Dealers and Tuners
Correspondence
HAMMACHER, SCHLEMMER & CO.
is solicited and should be addressed to William
Braid White, care of The Music Trade Review,
Western Division, 209 South State street, Chi-
cago.
Piano and Player Hardware, Felt* and Tools
New York, Since 1848
4th Aye. end 13th St.

Download Page 13: PDF File | Image

Download Page 14 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.