Music Trade Review

Issue: 1925 Vol. 80 N. 19

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
RLVIfW
THE
VOL. LXXX. No. 19 Published Every Saturday. Edward Lyman Bill, Inc., 383 Madison Ave., New York, N.Y., May 9, 1925
Single Copies 10 Cent*
$2.00 I'er Veur
Mason & Hamlin Go. Celebrates Its
Seventieth Anniversary
Seventh Decade of Production of Mason & Hamlin Piano Marked With Commemorative Meeting in Jordan
Hall, Boston, on Evening of May 1, and With Presentation of Watches and Medals to Em-
ployes of Force Who Are Veterans in the Service of the Company
ORDAN HALL in Boston has been the careful training were evident by their playing who had served the company for varying pe-
scene of many musical events which might of the numbers on their program.
riods. But, prior to the presentation of the
be described as of international importance,
Next in order came the honoring of those medals and watches, Henry L. Mason, president
but it is doubtful if the
of the company, deliv-
hall ever held a more
ered a brief address in
sincerely enthusiastic au-
which he outlined the
dience than that which
reason for the gathering
gathered on the night of
and what part the work-
May 1 to take part in
ers had played in the
the celebration of the
successful career of the
seventieth anniversary
company. In his talk
c e l e b r a t i o n of the
Mr. Mason said:
Mason & Hamlin Co.
"Upon this unique oc-
Ti^ere are various
casion it gives me pleas-
ways in which such oc-
ure to extend you the
casions are marked, but
heartiest of greetings
the Mason & Hamlin
and the warmest of wel-
Co. officials chose a
come on behalf of the
course which served to
Mason & Hamlin Co.
acknowledge the services
The occasion is unique
of those men who for
in that we meet to com-
many years have given
memorate the company's
of their best in the fac-
seventieth birthday anni-
tory to produce the in-
versary, the completion
struments that have
of threescore years and
Twenty-Five Year Group of Mason & Hamlin Employees
given prestige to the
ten of its life and ac-
Back Row (left to right): Ralph P. Russell, manager Ampico music rolls dept.; Joseph J. Kolbe, foreman
Mason & Hamlin name.
tivity.
While this may
pattern dept.; Charles E. Brockington, manager concert dept., New York; Sylvester B. Colbert, foreman
traffic dept.; O. Anderson, foreman sounding board dept.; J. A. Kallander, foreman action finishing dept.;
This acknowledgment
not
be
an
apt opportun-
Sidney V. Jordan, foreman voicing dept.; Andrew H. Sallstrom, foreman varnish dept. Third Row: Isaac
was given to all those
ity, for rehearsing in
B. Beeler, foreman mill dept.; Peter A. Anderson, foreman upright action dept.; John Murray, foreman yard
dept.; John F. Cunha, maintenance dept.; Henry L. Mason, president; Henry C. Ruhl, foreman upright
who have served the
detail the history of
trimming dept.; George W. Simpson, foreman upright regulating dept.; Thomas F. Carty, auditor.
Second Row: Richard Wheater, mill dept.; Michael J. Hanlon, maintenance dept.; Patrick J. Colbert,
company from periods
these seventy years, it
general inspector; Carl G. Olsen, foreman hammer boring dept.; Charles F. Reed, foreman Agraffe dept.;
ranging from five years
may well be said, I think,
William \V. Dowsing, mill dept.; Frank C. Bartlett, mill dept. Front Row: Danforth S. Steele, mill dept.;
. Norman W. Stone, foreman string dept.
to fifty-six years, with
that the company's exist-'
special honors for those
ence covers a period
who had twenty-five or
synchronous to a large
more years of service to
degree, at least, with
their credit with the Boston house.
that of the development of music
Jordan Hall was crowded to ca-
and of the appreciation of music in
Fifty Years and Over
Mary Ellen O'Hearn
33 Years
33 Years
Patrick John Colbert 56 Years Henry Conrad Ruhl
pacity with employes of the Mason
America, and that the instruments
31 Years
Carl Gunerius Olsen
56 Years John Murray
& Hamlin Co. and their families,
and the influence of this company
Ralph Perkins Russell 31 Years
the central parquet section being re-
have aided and abetted that develop-
Forty Years and Over
Twenty-five Years and Over
served for the accommodation of the
ment not only in America, but
Frank Cowan Bartlett 48 Years
29 Years
Michael Joseph Hanlon 48 Years Olof Anderson
veteran employes. The program
throughout the world as well.
Isaac Bryden Beeler
28 Years
Chas.
Ferdinand
Reed
47
Years
opened most appropriately with a
"In 1854 the two men who found-
John
Alfred
Kallander
26
Years
Danforth S. Steele
46 Years
selection, "Stradella," by V. Flotow,
26 Years
ed this business, and whose names
Chas. E. Brockington 45 Years George W. Simpson
played by the Mason & Hamlin Em-
f m . W. Dowsing
41 Years Peter August Anderson 25 Years
it bears, selected as their guide and
Sylvester B. Colbert
25 Years
ployes' Orchestra, under the baton
goal the lofty ideal, perfection; and
Thirty Years and Over
John Felix Cunha
25 Years
of C. Roland Reasoner. This or-
to
this ideal they remained stead-
Chirles
James
Hughes
25
Years
Richard Wheater
38 Years
chestra, which was organized only
Henry L. Mason
fastly and constantly true. They
36 Years Sidnev V'etor Jordan 25 Years
Norman Webber Stone 36 Years Joseph John Kolb
25 Years
a few months ago, is made up en-
put forth the best that was in them;
Thomas Francis Carty 33 Years Andrew H. Sallstrom 25 Years
tirely _ of factory employes, whose
they never deviated from their pur-
earnestness of purpose,, ability and
pose of serving and attaining, so far
J
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The Roll of Honor
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
as in them lay, the pinnacle of their aspiration.
On their trade-mark, so admirably depicted at
the rear of this platform by one of the com-
pany's present-day artisans, they placed the
motto, 'Palmam qui meruit ferat,' 'Let him
who deserves it bear the palm,' and, to this
stimulating and fair-minded appeal to competi-
tion, they added the significant phrase, 'Sui
generis,' 'In a class by itself.' The result of
MUSIC TRADE
REVIEW
I recall the vivid impression made upon my
boyish mind that it was a cheerful place. Each
man at his work radiated joy; this was catching
and refreshing; indeed, an atmosphere of cheer-
fulness permeating the scene transported me,
as it were, to a sense of gladness such as I
had seldom if ever known. If I asked a ques-
tion concerning some miraculous machine, some
tool of mysterious shape, or the like, the an-
The Mason & Hamlin Co. Employes' Orchestra
their efforts is common knowledge, and,
happily, they lived to find the name of their
company not only known but esteemed, as well,
at home and abroad. This implies on their part
ability, determination, fidelity to principle,, and
vision, in short, and best of all, soundness of
character. Therefore, we do well to render
honor to the memory of these men and their
associates, and, in gratitude, to appreciate, in as
full a sense as may be, the real and vital signif-
icance of the inheritance which from them we
have received.
"But this occasion is unique from another
point of view. We meet to render honoiyalso,
to a second group; to the master-mechanics and
other members of the organization who, while
loyal to treasured traditions and to the ideal
of their predecessors, have conspicuously con-
tributed, through periods of service ranging
from five to fifty-six years, to the company's
progress and nearer approach to that selfsame
ideal, to the initiation of its product into richer
and more and more fertile fields, and to its ever-
expanding reception by those who know and
demand the best."
A Tribute to Harold Bauer
At this point Mr. Mason digressed a moment
to pay high tribute to Harold Bauer, who se-
lected the Mason & Hamlin piano as his con-
cert and recital medium over a quarter of a
century ago, and who has played it continuously
ever since, and to present to the pianist a hand-
some silver bowl as a mark of esteem from the
Mason & Hamlin Co.
"John Ruskin has said that all wise work must
be honest, useful and cheerful," Mr. Mason
went on. "Let us here apply this test. Ex-
amine, if you will, the product upon which these
craftsmen have worked; I am confident that the
first requisite called for, honesty, will be at once
apparent. Listen to the finished product of
their labors, as we shall shortly do, and at the
hands, furthermore, of a master, and judge
whether the second condition is complied with,
usefulness. Then visit the plant of the organ-
ization, observing the men in their own environ-
ment, and, again I am confident, you will agree
that as to cheerfulness it certainly abounds
there. I remember being taken as a child to
the factory by my father over forty years ago;
swer was never futile or stupid, like that of
the immortal 'P. Toots, Esq., Brighton, Sus-
sex,' but always intelligent and explanatory,
and, let me add, cheerfully given as well.
"Fascinated by the whole-heartedness, the
case and the calm assurance with which the
men applied themselves, I marveled at the ex-
quisite workmanship of each, and I was struck
by the expression of happiness in the faces of
MAY
9, 1925
given in those far-off years. To-day, on fre-
quent visits to the factory, many of the same
experiences are lived anew, and many of the
same faces, furthermore, with the same kindly
expressions, greet me just as they did over two-
score years ago.
"Such are the effects, I take it, of allegiance
to principle, wise work and high ideal. Do you
wonder, then, that the instruments made by
these men hold the supreme position they do
among the musically intelligent? Do you won-
der, I say, that this is the case when the multi-
farious details which enter into the finished
product are treated with such infinite care?"
After paying tribute to those who carried on
the work in the various departments of the
factory, from the case department to the ship-
ping-room, Mr. Mason continued:
"We have just been listening to a perform-
ance by the Mason & Hamlin Employes' Or-
chestra. Could anything be finer, finer than the
idea of having such an orchestra! These men
who delight in making a musical instrument
also delight in making music The thought is
pregnant with suggestion; for music, that is to
say, worthy music, is a thing of beauty; the
more one appreciates and cultivates one's sense
of beauty, the stronger and better by just so
much one becomes. Through the study and
practice of orchestral works these men of our
orchestra develop their sense of the beautiful,
and hence, in a word, the better and stronger
men they become. The bettor the man the
better his work. Again, music is a universal
language and its- social influence is incalculable;
its effect is elevating and ennobling; it empha-
sizes to man his relations to his fellow, his duty
and responsibility to family, community and
country. Surely the more closely we consider
this affair of the orchestra, the more clearly we
see its importance. All success to it, and in the
words of Rip Van Winkle, 'May it live long
and prosper.'
"I have referred to the inheritance which we
have received from the founders of this busi-
ness. May I now refer to the present-day work-
ers, to the fidelity, the unswerving allegiance,
and the success with which they, in turn, ex-
Mason & Hamlin Co. Factory Management
Hack Row, left to right: Carl Peterson, General Foreman Finishing Depts.; Albert A. Hartmann, Planning Dept.; Wil-
liam C. Camack, Paymaster. Front Row, left to right: Stephen E. Woodbury, Research Dept.; Agnes M. Grove, Secre-
tary and Purchasing Dept.; Paul H. Taylor, Vice-president and General Manager; Frederick H. Fiske, Office Manager.
all. Although perhaps unconscious of it at the
time, I have looked back in later years to the
influence of those early experiences with pro-
found gratitude, and I like to think that what-
ever there may be in me of the sense of definite-
ness, directness and order received its earliest
impulse in the lesson so simply and cheerfully
emplify in their work and efforts the principle
so typical of the founders themselves? It is
much that each man to-day does his best and
does it cheerfully and honestly, and while this
is so the finest kind of success must crown his
endeavor.
"And now one closing word. May I express

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