Music Trade Review

Issue: 1925 Vol. 80 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
The significant tribute of noted artists,
makers of musicians in famous conservatories
American Conservatory of
Music in Chicago
Curtis Institute of Music
of Philadelphia
Peabody Conservatory of
Music in Baltimore
"The Welte-Mignon* is the most
wonderful instrument that it
has heen my good fortune to see
and hear for some time."—
Heniot Levy.
"While listening to one's own
records played hy the incom-
parahle Welte-Mignon,* it be-
comes clear that at last the art
of interpretation has achieved
the same permanence as the
composition itself."—George F.
Boyle.
"What an incomparable instru-
ment is the Welte-Mignon!* It
has created a new musical world
and assured the pianist an im-
mortality equal to that of the
composer. The pianist's art can
now live forever. It is a great
loss to humanity that the Welte-
Mignon* did not exist before.
What a blessing to the genera-
tions to come." — Josef Hof-
mann.
"My Welte-Mignon* Records
are actual portraits of my play-
ing. I cannot in words describe
this marvelous accomplishment
—it seems little short of miracu-
lous. Every touch and every
tone variation of my art are
faultlessly reproduced.
The
Welte-Mignon*, in my estima-
tion, is the only perfect repro-
ducing medium."—Austin Con-
radi.
"What a wonderful, heautiful
accomplishment is the Welte-
Mignon.* It is in reality a
faithful mirror of the pianist's
art. I feel proud indeed to add
my playing to that of the host
of great pianists whose work is
thus held for posterity."—Silvio
Scionti.
"With a great admiration for
the Welte-Mignon* which is the
mirror of my art." — Alfredo
Oswald.
112 WELL KNOWN MAKES OF PIANOS INSTALL WELTE-MIGNON*
THE MASTER'S
FINGERS
ON YOUR
PIANO

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