Music Trade Review

Issue: 1925 Vol. 80 N. 1

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
JANUARY 3,
THE
1925
MUSIC TRADE REVIEW
13
TECHNICAL DEPARTMENT
Conducted By William Braid White
Some of the Outstanding Possible
Achievements During the Present Year
been adopted in the accessory trades to the
end of finding how and what they can teach
piano manufacturers.
It must not be forgotten, of course, and, on
the other hand, that the manufacture of pianos
Pitch, the Problem of the Small Grand, Standardization in the Supply Field, the Reproducing
is the manufacture of articles which demand
Piano, Engineers and Mechanics, Are Some of the Problems Which Can Be Brought
at some part or other of their construction the
Nearer Solution During the Present Twelve Months
interposition of human skill to manage the in-
calculable variables which creep into every mech-
T is the first week of the New Year. A or later have to get away entirely from the idea
anism for producing tone. Unfortunately, tone
twelvemonth of possible achievement is be- and to a scale which shall recognize facts and is itself incalculable and so cannot be provided
fore us. There is much that we shall do not try to avoid or to fight them. High ten- for in advance. Human skill must enter into
and still more that we may do if we but have sion, ovcrbarring, stiff stringing, etc., will have its perfecting, and human skill again is not to
the will. Let us talk about some of these to be put aside, I think, in favor of light con- be measured by rule or balance. Standardiza-
struction, low tension, light stringing and, in tion, even within each factory alone, is not
things.
general, a design fitted to the dimensions which
Pitch
therefore wholly attainable. One of the biggest
First of all, then, during 1925 we shall make are desired.
technical tasks is to reduce the amount of the
I think, of course, that it would really be incalculable elements, and this can best be done
a definite effort to obtain an agreement'upon a
standard pitch, to be adopted by all the music better if we could all agree not to make any by obtaining the best possible fundamental de-
industries and to be recognized everywhere as grand pianos less than sixty-three inches long, signs. This again means the restoration of
but, seeing that there is a demand for some- scientific methods to the eminence from which
the American standard. This means that after
many years and at last we are about to make thing still smaller, we find before us a task of
they were hurled down when the era of the
the first serious effort to organize a founda- the utmost importance and complexity.
cheap piano began.
Where to Learn Production
tion upon which a later structure of scientific
The Reproducing Piano
production may be built up. Standard pitch'is
In the accessory and supply trades which
The reproducing piano is destined to become
the first requisite for the future systematic or- minister to the needs of piano manufacturers
a greater and greater factor in the piano busi-
ganization of production in the music industries, great strides have been taken within the last
ness and the technical problems bound up with
and until we have that we shall never be able to few years towards the attainment of that mass
it must progressively become more complex.
achieve mass methods.
production on mechanical system which is the At the present time, with a new year opening
Nor is this the only benefit to be derived ideal of all production methods. The player before us, we may truly say that it is time to
from a scientific determination of a satisfac- action of to-day, for instance, is produced by
recognize the emergence of the reproducing
tory standard pitch. The musical profession methods almost as well standardized as the piano from the swaddling clothes of experiment
demands a settlement and musical art needs it. methods used in making Ford cars. This is be- and the need for putting its construction upon
Everything connected with the music to which cause the whole process, from cutting the lum- a firm basis. The first step towards doing so
our industries minister will be advantaged by ber right up to the assembly, consists of in- will, to my mind, have been taken when con-
the adoption of a standard pitch. After a quar- definitely repeatable processes. Every pouch struction has been carefully restudied in an
board is like every other pouch board, and only effort to accomplish (1) better appearance, (2)
ter century of wandering in the wilderness of
confusion we are going to try to put matters in respect of its scaling is there any variation
greater mechanical simplicity and (3) better ar-
upon a systematic basis. This is a big job, of process. I said that the manufacture of such
rangement and fitting of accessory details.
and if it be carried through during 1925 we shall actions is almost standardized. The exception
Present reproducing player actions share
is concerned only with the matter of assembly.
have cause for self-congratulation.
with ordinary player actions the many advan-
Different
pianos
have
different
scales
and
there-
Little Grands
tages in pneumatic stack and superstructure
Tlini it will be easy, I think, for piano man- fore varied patterns must be used for boring construction which have been worked out dur-
and
putting
together.
Otherwise,
player
action
ufacturers to do a great deal more work of the
ing twenty years of general player development.
most useful character in building up the con- manufacture is a standardized process, lending
In the reproducing action proper, however, we
itself
to
mass
production
very
readily.
Similar
struction of the small grand piano. Within the
arc still experimenting, still in the personal
past ten years the small grand has emerged considerations apply even more strongly to the phase where the hypotheses of each inventor
from its original position as a timidly tried minor accessory trades where the articles pro-
retain in his mind an undue importance and
experiment and has become an outstanding fea- duced are simpler.
where there is more desire to preserve indi-
Now, it is very probable that these accessory viduality than to attain a fool-proof easily built
ture of the contemporary piano trade. But the
technical problems of construction have by no and supply trades will teach the piano manufac- design. It should be one of the tasks of the
means all been solved. The fact is that the turer most of what he must know before he coming year to get rid of a great deal of this
building of a good small grand is the most can put piano making upon a production basis. tangled growth of unnecessary and often re^;
difficult technical job ever put up to the piano I am assuming, of course, that in some way or duplicative detail in favor of simpler design.
industry, as the factors which have to be har- other the sales experts of the industry will be There is too much unnecessary complication
monized arc almost wholly discordant with able to increase their sales as time goes on, for about the expression devices of the reproducing
each other, and even in the direction of obtain- if they do not there will be no sense in trying piano and a great deal of important and val-
ing a compromise there is a great deal remain- to build up production methods. Nevertheless, uable work can be done in the matter of reduc-
the whole trend of the piano industry is towards ing things in this department a great deal more
ing to be done.
Now, the problem is to resolve the difficulty the elaboration of such methods, and it seems to their essentials. The era of the inventor
by creating a small grand which shall have good to me that part of the work which is to be done ought by this time definitely to have closed
tone and at the same time be good to look during 1925 in the technical field will be to make and to have been replaced by the era of the
upon. The solution is probably only to be found a studv of the machine methods which have engineer.
by striking out new paths and getting away
Yet another task awaits us. The piano busi-
from the idea of a large scale cut down, which
ness is passing through a phase of transition.
has always been the curse of small grand con-
{Continued on page 14)
struction. I think myself that we shall sooner
I
FAUST SCHOOL
OF TUNING
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
The Technical Department
(Continued from page 13)
MUSIC TRADE
REVIEW
JANUARY 3,
1925
Two Interesting Holiday
Popular Pianists Insist
Sales by Weaver Piano Co.
on Story & Clark Piano
As I have recently showed at length in this
department of The Review the piano business Eighty-seven-year-old Man Buys Weaver Re- Phil Ohman and Victor Arden Insist Upon
Larger Platform to Accommodate Instru-
producing Piano for Aged Wife and Mother
is moving away from the condition of bench
ments Used in the Show "Lady Be Good"
and
Father
Almost
Buy
Two
Grands
for
One
craftsmanship into that of mechanical produc-
Daughter
1
tion. In the course of the transition there is
An interesting anecdote relative to the two
coming into view a very complex question.
YORK, PA., December 29.—During the Christmas Story & Clark small grands being used by Phil
How, in effect, shall we obtain the services of
men trained to understand the tonal design and holidays the retail department of the Weavet Ohman and Victor Arden in the musical show
Piano Co., Inc., here, had two very interesting "Lady Be Good," running at the Liberty Thea-
principles of the piano?
sales.
A York upright reproducing piano with tre, New York, was told this week by L.
Engineers Not Mechanics
The piano industry suffers from a weakness Welte-Mignon (Licensee) reproducing action Schoenewald, New York district manager of the
which is often not mentioned but is always and was sold to Herman Sauppe, who is 87 years Story & Clark Piano Co. "The original ar-
painfully present. The industry is badly organ- old and decided to purchase this piano to cheei rangement was that two of our pianos were to
ized on the economic side, and consequently the himself and Mrs. Sauppe in their declining be used by the show when it opened in Phila-
earning powers of the individual workman are years. Mr. Sauppe is active for a man of his delphia," said Mr. Schoenewald, "but an error
too small for the work he does. This is the years and his wife has been a music lover all on the> part of the stage carpenters resulted in
building of the special moving platform too
fault of small production, and of the incom- her life.
small
to hold them.
The other sale was to Mrs. H. W. Linebaugh,
pleteness of the change from craftsmanship to
"Although they had requested Story & Clark
mechanization. It will cure itself, of course, but Dover, Pa. Mrs. Linebaugh came into the store
meanwhile it is producing a very difficult con- the latter part of November and pledged the grands, Ohman and Arden were compelled to
dition of affairs. It is keeping the young men salesman and Secretary P. G. Mundorf to ab- play their duet numbers on two 4 feet 8 grands
out of the trade of piano making, and when the solute secrecy regarding her intention to buy of different make during the Philadelphia en-
older men have all retired or have died off who a Weaver grand piano as a Christmas present gagement. They were not satisfied with the
will take their places? If the industry were for her daughter. The piano was to be deliv- tone of these pianos, so on coming to New
entirely mechanized the difficulty, of course, ered on Christmas morning. So carefully were York Victor Arden prevailed on the manage-
would be much less severe, for machine tending the details handled that the deposit made by ment to enlarge the platform to hold our 5
is both simple and well paid, when an industry Mrs. Linebaugh was entered in the "unknown" feet 2 inch grands. It has afforded the Story
is on a mass production basis. Unfortunately account of the company without any name to & Clark Piano Co. much pleasure to realize
the piano business is in no such condition. it. On Monday, December 22, Mr. Linebaugh that our pianos are held in such esteem by two
It still needs, and always will need, skilled came into the store and told Mr. Mundorf that •such talented pianists as Phil Ohman and Vic-
workers who must learn their trade somewhere. he wanted to buy a piano for his daughter for tor Arden."
How to attract young men into the trade is, a Christmas present. Mr. Mundorf had never
then, one big question. How to train them is met Mr. Linebaugh and proceeded with the sale
another; and how to keep them in the trade of the instrument until he found that it was
when they have been trained is still another, Mrs. Linebaugh's husband. Leaving Mr. Line-
KKI) BANK, N. J., December 29.—A new local
baugh for a few minutes he 'phoned to Mrs.
and by no means the least important.
branch of the Lauter Co., making the sixteenth
Linebaugh, who advised that under these cir-
The Only Solution
retail store of this company in this State, has
The only solution is going to be found, one cumstances he should be told and- the piano just been opened here at 40 Monmouth street
delivered
at
once.
thinks, in the establishment of a co-operative
in the new Manee Building. The store will be
system of technical training, to be supported b>
managed by Frank T. Bloom, who is also in
the united efforts of the industry. We have a
Consult the Universal Want Directory of charge of the Lauter store in Asbury Park. A
Chamber of Commerce and thus are in posses- The Review. In it advertisements are inserted full line of Lauter pianos and player-pianos is
sion of the machinery needed to inaugurate an\ free of charge for men who desire positions. carried.
such effort as is here envisaged. The need, as 1
have said, is more for what may be called tonal
engineers than for old-fashioned piano mechan-
ics. These latter are being crowded out by the
gradually progressing mechanization of the in-
dustry, and the future belongs not to them but
to the engineers yet to be developed. These
engineers are the men we want, tonal engi-
neers; men trained in tone production and able
to devise machines for doing the finishing, reg-
ulating and other assembly processes which now
require so much hand labor of a highly skilled
character—hand labor, moreover, which does
not enable the skilled mechanic who docs it to
earn an adequate income according to modern
ideas.
Co-operative Action
It should seem that among the very big tasks
which the coming year presents to our notice
is the task of studying this question with a view
to attaining sooner or later to co-operative com-
mon action upon it. Of course, it is a matter
for the Chamber of Commerce, which has mem-
ber associations among whose members the
work of investigation might well be divided.
It is a question which even now presses for
solution and of which the solution must not
be forever postponed or avoided. Sometime
and somehow it has to be taken up. There is no
When dosed the aluminum trays nest together over the large compartment, which
u u u r e i 13H"x6*x4*. The two left hand trays measure IZH"X2*A*XIM"
*nd the
time like the present.
two right hand trays l3H"x3)i''TilH''-
The partitions in right hand trays are
Yes, the coming year has in store for us a
adjustable and removable instantaneously. Case is covered with seal grain imitation
leather and fitted with very secure lock and highly nickel-plated hardware trimmings.
great deal of constructive technical work. The
Outside Dimensions: 1554" long, 7" wide, 8" high. Weight: 6^4 pounds.
quicker we take it up and make an effort to
dispose of it the better it will be for the whole
$13.00 each, F.O.B. New York.
industry. It is a subject that merits the imme-
diate consideration of everyone in the trade.
Lauter Branch in Red Bank
Our New
Tuners' Case No. 150
Light, Compact and Serviceable
HAMMACHER, SCHLEMMER & CO.
Correspondence
is solicited and should be addressed to William
Braid White, care of The Music Trade Review,
Western Division, 209 South State street,
Chicago.
Piano and Player Hardware, Felts and Tools
New York—Since 1848
L
4th Ave. and 13th St.

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