Music Trade Review

Issue: 1924 Vol. 79 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
JULY 19, 1924
MUSIC TRADE
REVIEW
11
TECHNICAL DEPARTMENT
Conducted By William Braid White
Technical Exhibits at Tuners' Meeting
Valuable
to Manufacturers and Tuners
*
let other technical men know his opinion, al-
though he is no knocker and can always be
depended on not to disparage an instrument
for which one of his clients has paid good
money. On the other hand, if his deliberate
Last Year's Displays at the St. Louis Convention of the National Association of Piano Tuners opinion is asked, he is equally sure to give it
Showed Beyond Question That Such Is the Case—Exhibits Should Be in Charge of
honestly, and if he has to say a hard thing will
Factory and Technical Men to Reap Full Advantages
say it, though as gently as possible.
That is why the good will of the tuners is
HE National Association of Piano Tuners tools and of accessories generally, for the first so valuable, and that, too, is why it pays to
announces that a considerable number of time became really varied, and last year at secure their good will. No better way of show-
exhibits of player actions, player and piano St. Louis one whole floor of the Hotel Claridge ing that this good will is appreciated can be
accessories, tools, etc., will be made during its was given over to what was, in fact, an up-to- discovered than the simple way of taking to the
fifteenth annual convention, which will be held date display of the last words in piano and espe- annual meetings of the tuners samples of the
at the Hotel Wisconsin, Milwaukee, during the cially in player-piano technology.
latest and best in piano and player-piano con-
three days beginning August 11. Last year at
"Intensely Eager"
struction. This leads to considering the ques-
St. Louis the value of the annual meeting was
The results of last year's work ought cer- tion of the actual physical organization of a
vastly increased for every visitor by the exist- tainly to have been sufficiently interesting to technical exhibit at the Tuners' Convention.
ence of these exhibits, which then for the first every exhibitor to persuade him to repeat the
Who Should Go
time took on a representative character. Con- experiment this year in even larger form. For
Taking the question of personnel first, it
sidering the really great importance of such if one thing was certain it is that the tuners, should be obvious that the men in charge ought
displays at an annual gathering of the only field service men and outside experts of the to be factory men, superintendents and technical
presently functioning technical body within the trade, are intensely eager to know anything and experts. It would, in my opinion, be a very
industry, it will be worth while, thus far in everything about the mechanisms they are called good thing if every important piano factory
advance of the meeting, to set down some obser- upon to handle. This is not because they are could have its superintendent and its chief tech-
vations upon the whole question, in order that at all better men than the merchants or the nical expert meet the tuners at least once a year,
those who are thinking of making such a con- piano travelers; but simply because it is a mat- for in that way these gentlemen would be able
tribution to the technical progress of the in- ter of direct and immediate importance to them to talk about the most important of all ques-
dustry may be assisted to obtain the best re- to know everything that is going on in the tions, which is the question of the behavior of
sults at the least expenditure of time and money. way of changed or novel constructions, and pianos and player-pianos in the home and in
The first house which took thought to make a also to furbish up as often as possible their other general conditions of usage, with the men
technical exhibit at a convention of the tuners already gained knowledge of tuning, grand and who know most about the facts because they
was, I believe, the Standard Pneumatic Action upright piano action regulating, player regu- alone directly meet them. If every factory
Co., which, at Chicago in 1919, specially invited lating, player repairing, and so on.
superintendent in this country could attend a
all who attended to their rooms in the North
To those manufacturers, then, who have any meeting of the tuners and hear what is said
American Building, where space was set apart interest in promoting a better understanding about this and that piano or player-piano by
for a display of Standard player actions mounted among the outside technicians of the pianos and these men whose job it is to keep all these many
on skeleton frames. Experts from the factory player-pianos which these technicians handle good, bad and indifferent instruments in work-
and traveling technical men employed by the every day, the remarks which follow are re- ing order year after year, it would be a very
company were on hand to explain things to the spectfully submitted.
good thing for both parties. The superintend-
tuners, to answer inquiries and to give informa-
ents would learn much that they do not know
What Tuners Think and Do
tion of all sorts about regulation, repairs, etc.
In the first place, there is no question, so far and the tuners would learn just as much. Both
This good work was repeated in 1921, when as I can see, regarding the direct commercial parties would be helped and the benefit would
again the tuners met during the same week as value of an exhibit at the Tuners' Convention. be not only reciprocal but vast.
the other trade associations, but at the Hotel It is not merely player-pianos which are in- The interest of the technical men is in tech-
LaSalle, instead of at the Drake, where the teresting to the tuners, but piano actions and nical things, and they are only indirectly inter-
others held forth. The fact that other exhibits methods of piano construction, new tools, and, ested in selling. They therefore prefer to meet
in plenty were to be seen at the Drake and that in fact, anything and everything which has the
(Continued on page 12)
many of these included technical specialties slightest technical interest. Each and every one
operated to prevent the formation of any large of these things is interesting to the tuner, who
separate exposition at the LaSalle Hotel for the will spend all his spare time listening, looking
special benefit of the tuners. In 1922, however, and taking instruction when he can get it. The
at Indianapolis, where the tuners met alone, in commercial value lies just in this, namely, that
the month of August, the display by manufac- the tuner is the most powerful ally, and, like-
turers of player-pianos and of player-actions, of wise, the most powerful enemy one can acquire.
"Perfected" "Crown"
Not that he deliberately wants to knock, for
he is not a knocker. It is rather that when a
Highest acoustic excellence dating back to the
Send for This Valuable
piece of construction appeals to him he will
days of Jonas Chickering.
Took prize over
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For generations
tell other tuners about it, he will tell merchants
One of the lurest ways to Increase
the standard, and used on the greatest number
about it, he will tell his customers, and in that
rour profits It to repair mars and
of pianos in the world.
irratchet Immediately. If your prospec-
way will do an immense amount of good, quite
tive customer sees a defect in the finish
rour chanoa of making a sale If greatly
Services of our Acoustic Engineer always available
unconsciously, for the thing which has taken
diminished.
—free Illustrated books—free
"How to Repair Damage to Var-
his fancy. Everybody listens to what the tuner
nished Surfaceg" tells how you can In-
stantly repair any injury to the finish
says, for the tuner has no pianos, but only his
of musical Instruments or fine furniture.
American Steel & Wire
It will interact any dealer, tuner or
technical skill, to sell. He, therefore, being like
ACOUSTIC DEPARTMENT
repair man.
Company
208 S. LA SALLE ST.. CHICAGO
all technical men, conscientious and straight-
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others his enthusiasm about any piece of work
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and Refinishing
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Contrariwise, when he sees a meretricious, a
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PIANO REPAIR SHOP
339 So. Wabaah Ave.
Chicago
it instinctively and is sure sooner or later to
T
American
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REPAIRING
FAUST SCHOOL
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
12
The Technical Department
(Continued from page 11)
technical men or traveling service men from the
factories, rather than salesmen whose talents
may not run in the direction of answering ac-
curately questions as to construction, regulation
and repair. The purpose of all exhibits should
be to impart all needed or asked-for information
on these questions, and the personnel should be
arranged accordingly.
What to Show
The question of just what to exhibit is equally
worth discussing. It would be a mistake to sup-
pose that the tuners are not interested in piano
construction. There is at present a great de-
mand for instruction in grand piano action regu-
lating and if I were making a grand piano, espe-
cially if it were both popular-priced and good,
I should be at the Milwaukee convention with a
specimen of it, and also with a skeleton showing
the internal construction of back, plate and
sound-board, with the action set in, all ready to
demonstrate to all comers both how the piano
is built and how the action is furnished and
regulated.
Tuners specially like to see the insides of
things, and good piano construction appeals to
them forcibly. They are the best of friends to
good pianos, and the most powerful. Moreover,
they want to understand grand piano actions as
well as they understand the mechanism of up-
rights. Whoever helps them secures their eter-
nal gratitude.
Player-piano exhibits are always more than
welcome and indeed in these reproducing piano
days are becoming essentially important. Any
player-action exhibit should include both a skele-
ton working model adapted to be taken down
easily from the framework on which it is
mounted, with sectional samples of all work-
ing parts, to be handled and taken apart sep-
arately as desired so that a whole group of men
may intelligently listen to a lecture on construc-
tion and regulating, having at hand numbers of
small parts which may be individually handled
and examined during the group explanations. A
complete instrument, in playing order, is also
essential, for the musical side of the mechanism
should never be neglected. It is absurd to give
careful descriptions of methods for regulating
and testing without also impressing upon the
learners the musical object of the machinery
It is just this lack of familiarity with the musi-
cal side of the reproducing piano which stands
most in the way of popularizing it with the out-
side technical men. I have seen a great deal of
instruction work done for tuners on the repro-
ducing piano and never yet have felt that the
musical side was properly understood by most
of the learners.
Much the same is true of the exhibit of
straight or pedal-played player-pianos. How to
play them is as important as how they are made,
and to neglect the musical side of them is highly
unpractical and foolish.
It would not be too much, I think, to remind
also the dealers in piano tuners' and regulators'
tools, supplies and accessories that there is al-
ways a market among good men for new and
valuable improvements. Although the houses
that deal in these important goods are usually
in possession of large lists of prospective and
actual customers, it is still the fact that many
technical men for various reasons neglect to
keep their tool cases up to date. The annual
meeting of the Tuners' Association acts as a
magnet, drawing these men from all parts of
the country, and naturally creates the best oc-
casion for exhibiting novelties of all sorts.
Moreover, the meeting presents an unrivaled
opportunity to foregather with the best men in
the technical end of the industry and to talk
over with them the whole question of changes,
improvements and additions in regard to tools
and supplies.
Attendance
The attendance at these annual meetings in-
creases every year and I should not be at all
MUSIC TRADE
REVIEW
surprised to see five hundred visitors at Milwau-
kee next month. That city is easily reached
and the hotel chosen is both high class and mod-
erate priced. The tuners themselves are rapidly
losing that absurd class-consciousness which at
one time operated to bar them from all level
communication with their fellow-members of the
music industries. They are coming to respect
themselves and to understand their position.
They no longer feel afraid to mix with the
crowd, and although they are this year again
meeting by themselves, it is the hope of many
of their heartiest well-wishers that next year
they will come to Chicago; and not only so, but
come at the same time with the other associa-
tions of the industries so that the whole music
business of the country may be gathered under
one roof during one week for the first time in
history.
Correspondence
is solicited and should be addressed to William
Braid White, care of The Music Trade Review,
Western Division, 209 South State street,
Chicago.
JULY 19,
1924
Ferris Music Shop, Geneva,
N. Y., in New Quarters
Popular Music House Held Formal Opening
of New Establishment in That City Last Sat-
urday, Providing Special Program
GENEVA, N. Y., July 14.—The Ferris Music Shop,
which features Gulbransen and other instru-
ments, has moved from 106 Seneca street to 473
Exchange street and held a formal opening on
Saturday last.
The store is much larger and the purchase of
the fixtures from the Celco Studios, of Roches-
ter, has given the Ferris Shop up-to-da.te and
attractive store fixtures.
An orchestra was engaged for the opening
and there were a number of novel features to
hold the interest of local people who visited the
Ferris Shop to see their new establishment.
Wissner Air Mail Order
COLOGNE, GERMANY, June 30.—In an effort to
popularize the player-piano among the German
people, where as yet it does not seem to have
secured a wide hold, plans are under way for a
series of player-piano concerts in the leading
cities of this country within a short time. An
English expert player-pianist has been engaged
to appear with the instrument.
The first air mail delivery which left San
Francisco the first day of this month brought
an order from Merrill & Merrill, San Francisco,
for eight Wissner grand pianos. The order was
received at the Wissner & Sons factory in
Brooklyn, N. Y., the next day. Among the im-
portant accessories selected for the new munici-
pal radio broadcasting station being erected by
the City of New York at a cost of $50,000 is
a Wissner concert grand, sold to the city by
Wissner & Sons. The piano is located in a
beautifully furnished study in the Municipal
Building.
Bush & Gerts Sell Store
Otto Wissner Abroad
HOUSTON, TEX., July 11.—The local branch of
the Bush & Gerts Piano Co., of Texas, has been
sold to the South Texas Music Co., of which
J. D. Thiery, formerly of Milwaukee, is the
head. The business will be continued by the
purchasers.
Otto Wissner, Sr., president of Wissner &
Sons, Inc., piano manufacturers, Brooklyn,
N. Y., and Mrs. Wissner, accompanied by their
granddaughter, sailed for Europe on the S. S.
"Columbus," July 10. They will spend several
months abroad.
Player Concerts in Germany
HAMMACHER, SCHLEMMER & Co.
PIANO AND PLAYER
HARDWARE, FELTS, TOOLS
RUBBERIZED PLAYER FABRICS
TUNING PINS AND MUSIC WIRE
We have a special department
covering the requirements of
Tuners, Dealers and Repairers
and solicit inquiries.
4th Avenue and 13th Street, NEW YORK, SINCE 1848

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