Music Trade Review

Issue: 1924 Vol. 79 N. 24

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
DECEMBER 13,
THE MUSIC TRADE REVIEW
1924
Ballads That Hold the
Interest of the Public
Numerous Selections in Catalog of Chappell-
Harms, Inc., That Continue to Enjoy Wide
Popularity and Consequently Good Sales
Chappell-Harms, Inc., known as the "House
of Ballads," have again sprung into prominence
with their two latest ballad successes, entitled
"In the Garden of Tomorrow" and "The Song
of Songs."
These are two songs which have been enthusi-
astically received by musicians and the music-
loving public in general. Proof of the popu-
larity which they have gained in so short a
time can be found in the fact that they are now
being sung by many concert and vaudeville
artists and played by numerous dance and
theatre orchestras. This is the kind of pub-
licity which creates demand, and the indica-
tions are that their sales on these two hits will
rival those of "Roses of Picardy" and "The
World Is Waiting for the Sunrise," which, it
is generally known, were two of the most phe-
nomenal successes of recent years. The next
campaign number of Chappell-Harms, Inc., will
be "One Little Dream of Love," a beautiful
ballad which possesses all the earmarks of
another hit.
It must be a source of great satisfaction to
these successful publishers that many of their
newer songs of the more serious type are also
meeting with tremendous success among re-
citalists and have been included on the pro-
grams of John McCormack, who is now singing
"I Look Into Your Garden," a new ballad by
Haydn Wood; "The Sweetest Call," by John
Morrow, and "What a Wonderful World It
Would Be," by Herman Lohr. Reinald Werren-
rath is also programming "Go, Lovely Rose,"
by Roger Quilter; "The Bubble Song," by Mar-
tin Shaw, and "A Brown Bird Singing," by
Haydn Wood. The endorsement of these songs
141
by such noted artists is in itself reasonable,
proof of their real merit.
Chappell-Harms, Inc., through their progres-
sive policies have built for themselves a most
enviable reputation in the song-world, and we
are indeed glad that they are being rewarded
by well-deserved success.
Leo Feist, Inc., Adds Some
Live Numbers to Catalog
National Opera Club Pays
Tribute to Victor Herbert
Among the new issues added to the catalog
of Leo Feist, Inc., and which appear in the
initial offers of that concern, are "Doo-Wacka-
Doo," a fox-trot success which has been fea-
tured by Paul Whiteman and his orchestra;
"I'm a Good Gal," described as a "low down"
blues fox-trot; "How I Love That Girl," a
comedy song by Gus Kahn and Ted Fiorito,
and "No Wonder" (That I Love You), fox-trot
song with an appealing melody and unusual
rhythm, all of which are arranged for ukulele
in the piano copies. Other songs of the new
issue list include "Prince of Wails," a novelty
fox-trot; "Burlamone," described as a South
Sea Isles tune, and "Heart Broken," a new fox-
trot ballad.
Special Testimonial Concert Given by That
Organization in Composer's Memory at
Waldorf-Astoria Hotel This Week
On Thursday afternoon of this week the
National Opera Club paid tribute to the mem-
ory of the late Victor Herbert at a testimonial
given in the grand ballroom of the Waldorf-
Astoria. Many famous singers and artists paid
tribute to his memory. The Victor Herbert
Orchestra of sixty pieces played several of his
compositions and noted music critics and
writers made brief addresses on the life work
of this noted American musician. Evans von
Klenner, the president and founder of the
National Opera Club, presided.
Jesse Crawford on Victor
A new and exclusive Victor artist will be
introduced to the record-buying public on Jan-
uarly 2 in the person of Jesse Crawford, organ-
ist at the Chicago Theatre, one of the foremost
moving picture houses in the country. Mr.
Crawford's playing is known to thousands of
Chicago residents, and it is felt that his record-
ings will be in great demand throughout that
section. Two records are listed for release the
first week of January, one "Rose-Marie,"
coupled with "Dreamer of Dreams," and
"Somewhere a Voice Is Calling," coupled with
"Serenade" of Schubert.
List of New Issues Includes Several New Selec-
tions That Are Already Being Featured by
Prominent Orchestras and Others
In Ditson Octavos
To its octavo edition the Oliver Ditson Co.
has added "Mass in F" for mixed voices, by
G. A. Grant-Schaefer. To its anthems for
mixed voices have been added "Blessed Art
Thou, O Lord," "In Thee, O Lord, I Put My
Trust," "Be Brave, Be Strong," "Prayer of
Thanksgiving," "O'er the Distant Mountains";
Cardinal Merry del Val has contributed "Three
Motets for Mixed Voices," "Tantum Ergo,' "O
Salutaris Hostia" and "Panis Angelicus."
New Hodge Number
"Smiling Eyes" is the title of a new song
written and published by Ward Hodge, of
Lackey, Ky. "Lonesome for You" is the title
of another popular song in his catalog.
Scf/ffon Wood
Wo eacf) anb eberp one of our manp frienbs
in tfje music trabe
extenb our fjeartiest goob totefjeg for
SARTORIO
PIANO
METHOD
Vtxy Mtxxy CJjrtsftmasi
WOOD
ALBUM
COLLECTION
anb
CHILDREN'S
MUSICAL
MOMENTS
By S. M. Livsey
The B. F. Wood Music Co.
88 St. Stephen Street
Boston
EASY
EDUCATIONAL
MUSIC
FOR PIANO
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
142
Popular Composer Also
Chicago Orchestra Leader
Ted Fiorito Directs Oriole Terrace Orchestra
at the Edgewater Beach Hotel and Starts
Many Songs on Road to Success
Ted Fiorito, who has written numerous song
successes in collaboration with Gus Kahn, is a
musician of unusual ability. His success in
MUSIC TRADE
REVIEW
dancers. Many of them are Chicagoans and
most every visitor to the Windy City makes at
least one visit to the Edgewater Beach dance
floor.
The latest success this orchestra has been
rendering is "When the Moon Shines in Carol
Gables," a fox-trot song which, during the past
few weeks, has made itself quite popular. Irv-
ing Berlin, Inc., is the publisher.
Century Co. Lists Numbers
With Saxophone Parts
Well-known Compositions for Piano Now
Arranged With Three Parts for Saxophone
to Meet Popular Demand
Robbins-Engel, Inc., besides its well-known
catalog of popular songs, has a series of standard
collections that are increasing in importance.
Among these are the Capitol Photoplay Series
arranged by Rapee Axt, issued for photoplay
orchestras in both large and small theatres. The
catalog also includes the Red Seal Concert
Series. These numbers are also particularly ap-
propriate for orchestral rendition.
The Gold Seal Library Series includes such
songs as "If Love Were All," "Rose o' Mine,"
"I Hear Thy Voice in Ev'ry Song," "When
Love Comes Stealing," "Eili Eili" and "Red,
Red Rose." The popular standard collection of
the company includes such successes as "Mello
'Cello," "March of the Manikins," "Burning
Sands," "Love Dreams" and "Bonnie."
"Oh, Didn't It Rain" Recorded
Bornstein to Visit Bermuda
Eddie Leonard's song, "Oh, Didn't It Rain,"
which is featured in his vaudeville act, is now
appearing on leading talking machine records.
This song is being made popular through the
cause and work of eighteen banjoists in the
Eddie Leonard vaudeville performances. The
Edward B. Marks Music Co. are the publishers.
Ben Bornstein, general manager of Ager,
Vellen & Bornstein, Inc., is planning a trip to
Bermuda this month for a much-needed rest.
Judging by the success of "I Wonder What's
Become of Sally," "Hard-Hearted Hannah" and
other A., Y. & B. songs, 'Ben not only deserves
the trip but can probab.lv well afford it.
Robbins-Engel, Inc., Catalog
of Standard Collections
THE LEADING CATALOG
IRVING BERLIN'S SUCCESSOR TO "WHAT'LL I DO-
ALL ALONE
DRIFTWOOD
RAY
HENDERSON'S NEW DANCE TUNE
TAKE ME (New)
TED
LEWIS' HIT
SHOW ME THE WAY (New)
CHARLEY MY BOY
THE
BIG "SWEEP" SONG
GET YOURSELF A BROOM
AND SWEEP YOUR TROUBLES AWAY
WHEN YOU AND I WERE
SEVENTEEN
THE
CHICAGO SENSATION
YOU SHOULD HAVE TOLD ME (New)
NOBODY LOVES YOU
I DO)
WENDELL (LIKE
HALL'S
BIG RADIO HIT
I COULDN'T GET TO IT IN TIME
NOBODY'S CHILD
NO ONE KNOWS
(WHAT IT'S ALL ABOUT)
MORNING
(WON'T YOU EVER COME 'ROUND)
WHEN I WAS THE DANDY
(AND
1924
The Century Music Publishing Co. has issued
a long list of well-known piano compositions,
each number containing three parts for the saxo-
phone. All numbers are playable as duets in
any combination. The great popularity of the
saxophone in recent years has created a most
active market for saxophone parts, particularly
where they are accompanied by the piano
arrangements. The Century selection of out-
standing standard compositions and issuing
them for saxophone and piano combinations
fills a want that has been established for some
time. The works include such well-known num-
bers as "Drigo's Serenade," "Elegy," "Humor-
esque," "II Trovatore," "O Solo Mio," "When
You and I Were Young" and offerings of sim-
ilar character.
In addition to the above tlie Century Co.
is issuing a much lengthier list for the C-melody
saxophone with the piano accompaniment.
Some of these are standard numbers and others
are of a more popular character. They include
"Blue Hells of Scotland," "Funiculi-Funicula,"
"Tales of Hoffman," "Tannhauscr March," "On-
ward, Christian Soldiers," "The Old Oaken
Bucket," "Girl I Left Behind Me," "Invitation
to the Dance" and other well-known offerings.
A Feature of the Business of That Concern That
Is Assuming Steadily Increasing Importance
in, the Trade
Ted Fiorito
writing popular tunes can probably be ascribed,
however, to the fact that he is one of the leaders
of the Oriole Terrace Orchestra, Edgewater
Beach Hotel, Chicago.
This orchestra has been the means of starting
numerous songs to their Western success. It
plays nightly to thousands of enthusiastic-
DECEMBER 13,
YOU WERE THE BELLE)
RED HOT MAMMA
I CAN'T GET THE ONE
(I WANT)
REMEMB'RING
FROM "TOPSY AND EVA"
I NEVER HAD A MAMMY
FROM "TOPSY AND EVA"
MANDY MAKE UP YOUR MIND
FROM DIXIE TO BROADWAY
IRVING BERLIN'S FOURTH ANNUAL (1925)
MUSIC BOX REVUE
OPENED DEC. 1st
IRVING BERLIN, INC.
NEW YORK
&ea*on'g Greeting*

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