Music Trade Review

Issue: 1924 Vol. 79 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
OCTOBER 25, 1924
Stock Up
for the
Big Campaign
These twenty magazines will carry CEN-
TURY NATIONAL ADS. to more than fifty
million monthly readers during September,
October, November and December:
Century Music Pub. Co.
235 Weit 40th St.
Census Figures Show Gain
in Value of Sheet Music
4.1 Per Cent Increase in Value of Sheet Music
Printed and Published in 1923 as Compared
With 1921—$14,024,672 Total
WASHINGTON, D. C, October 21.—That the
phonograph and player-piano have by no means
put sheet music "out of the running" is indi-
cated by the report just issued by the Census
Bureau showing that the value of music printed
and published in 1923 was 4.1 per cent greater
Victor Herbert's
MASTERPIECE
A KISS
THE
The most beautiful Irish waltz in years
'THE DREAMS OF MY IRISH COLLEEN"
A most wonderful
fox-trot
'THE OLD HOMESTEAD in the VALLEY"
BOURDON DEUTY MUSIC CO.
P. O. Box 103, Sta. A.
Hartford, Conn.
MUSIC TRADE REVIEW
than the value in 1921. The report shows 109
establishments to have been engaged in this
industry last year, with products of a total value
of $14,600,973, as compared with 107 establish-
ments and a production of $14,024,672 in 1921.
Establishments which both printed and pub-
lished music reported a production valued at
$4,457,308 last year, a decrease of 12.6 per cent
as compared with 1921, when $5,101,919 was re-
ported. On the other hand, music published
by establishments which have their printing
done elsewhere totaled $10,143,665, an increase
of 13.7 per cent over 1921, when it was stated to
be $8,922,753.
Of the 109 establishments reported in 1923
forty-eight were located in New York, seven-
teen in Illinois, ten in Massachusetts, eight in
Ohio, seven in Pennsylvania and four in Mis-
souri. The total number of persons engaged in
the industry was 2,816 last year, an increase of
17 per cent over the 2,406 reported in 1921, and
salaries and wages were $4,713,298, an increase
of 12.5 per cent over the $4,187,584 reported in
1921.
The cost of materials, including fuel and con-
tainers, was $2,251,078 as compared with $2,016,-
311 in 1921, an increase of 11.7 per cent.
Whiteman Features Feist
Number in Concert Tour
"When the One You Love Loves You" of
His Own Composition Is Popular—Tour
Draws Big Audiences
Paul Whiteman and His Orchestra, now tour-
ing the country playing concert engagements, is
featuring among other popular numbers a song
written by himself, entitled "When the One
You Love Loves You." This fox-trot is sung
in all his programs by Morton Downey, who
appears as soloist with this musical aggrega-
tion.
Whiteman's concert engagements have proved
among the most important of this season's offer-
ings. His appearance in every city where he
has conducted has brought forth packed houses
of music lovers, with the result that the num-
bers he renders, including his own "When the
One You Love Loves You," are among the
most popular sellers in the localities visited by
his organization. The above song is published
by Leo Feist, Inc.
Consult the Universal Want Directory of
The Review. In it advertisements are inserted
free of charge for men who desire positions.
. WEST of the
GREAT DIVIDE
f
Y . ERNEST R. BALL S
^-LATESTAND GREATEST BALLAD
%-.
Lyric by GEORGE WHITING
You can't go
wrong with
any'Feist]
Song")
AKCADl
MAYTIME
1 LOVE YOU
JUNE NIGHT
SONG OF LOVE
LINGER AWHILE
WONDERFUL ONE
DOODLE DOO DOO
PARADISE ALLEY
MOONLIGHT MEMORIES
SING A LITTLE SONG
DON'T MINI) THE RAIN
WHEN LIGHTS ARE LOW
TONIGHT'S THE NIGHT
SOMEWHERE IN THE WORLD
WAIT'LL YOU SEE MY GAL
I'M ALL BROKEN UP OVER YOU
SOMEONE LOVES YOU AFTER ALL
WHERE THE DREAMY WABASH
FLOWS
WORRIED (I'M WORRIED OVER YOU)
DON'T BLAME IT ALL ON ME
Write for Dealers' Prices
L E O . F E I S T , Inc.,
tnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnnn*-.
Phil Ponce Moves
I'hil Ponce Publications have moved from the
Roseland Building to the Hilton Building, 1595
Broadway, New York City. Mr. Ponce, head of
the company, has associated with him in his new
offices, which are in a prominent location, Merle
Kendrick, the well-known arranger. The Ponce
organization is at present featuring the Spanish
novelty, "Lady of My Cigarette," and a comedy
number called "Oh, My, Yes," both of which
are reported to be selling rapidly.
Ball Number a Success
Ernest R. Ball's new song, "West of the Great
Divide," is duplicating the success of his earlier
favorites, such as "Love Me and the World Is
Mine," "Let the Rest of the World Go By" and
"Mother Machree." Though out only a few
weeks, it has already appeared on the programs
of such well-known artists as Orville Harrold,
Craig Campbell, (Mark Morrell, and was used
twice as a special feature at the Capitol by the
tenor, A. P. Bomberger. Ernest Ball's numbers
still retain their perennial popularity, selling
year after year. Of its kind, it is one of the out-
standing repeat sellers of the trade.
n|j|i(iiMi|niiMiMiiMiiii|||iiiiiiiuii|Ui^unifi^innHjiuiil^yiuuiiiniii|munTi
R
I u
m
i
I
m a
INTHE GARDEN OFTOMORROW
SMILETHRU YOUR TEARS
IF WINTER COMES
ALREADY SELLING BIG
FEIST BMg., New York
1
SONGS SUPERIOR IN THE I
STORE AND THEATRE ft
Jealous
Where's My Sweetie Hiding
Let Me Be the First One to Kiss
You Good Morning (And the
Last One to Kiss You Good-
night)
Pretty Little Blue Eyed Sally
Let Your Home Be My Home
In Shadowland
Pretty as a Picture
Covered Wagon Days
Back in the Old Neighborhood
I've Got a Song for Sale (That
My Sweetie Turned Down)
That's Why You Make Me Cry
Roll Along, Missouri
Published by
WATERSON,
BERLIN & SNYDER CO.
1
Strand Theatre Bldg., New York City, N.Y.
1650 BROADWAY
NEW YORK:
^ffTmT^uffflllllWliilTITlllllHliiiiiViiiilliiiiiiiiiiiiiiiniiiflTiiiiilffff
I 1
tit
1
B
1
I1
1
1
BSE
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
66
THE
'YOU
MUSIC TRADE
REVIEW
OCTOBER 25, 1924
CAtPT
WITH
LIZA
A tune that'll surprise ya /
OkeJeiJ Fox Tfot Hit
y GUS KAHN WTED FIOKITO
and it's C-doutte-O-P" COOP/
ANY
JINENIOHT Doirt Blame NAYTIMf
(GIVE ME A JUNE NIGHT v
TBE MOONLIGHT AND W U )
A "beautiful Melody Vill* aiKj
irmsistibte Foxtrot yh|th>»v
hAllOnMp
JeJay Mo/ses latest
and Greatest Song
dcoYedaM Immediate Success/
A FOX T R O T BALLAD
Predicted as bid a
hit as l i n g e r Awhile-
dud by the same writer
VINCENT ROSE
Pool
HONEST
* d TRULY
0 I'M
\
Uo. Fnst. lnc '
ESOMEWHEBE 1M the WORLD* M l »WAITU YOU SEE MY G A L ' i l i i i i
Prize-Winning Essay on Jazz in the
Contest Conducted by the R. H. White Co.
Gertrude Marion Swift Writes Essay on Jazz Which Is Awarded First Prize in the White Star
Contest—Based on Professor Hill's "A Study in Jazz" for Two Pianos
r \ O you enjoy good jazz?
^"^ For it can be very good. It can also be,
and frequently is, very bad.
But 1 would as soon blame Chopin for some
of the executions I have heard as condemn all
jazz because of the performances of some or-
chestras—just noise, veritable "Battles of
Music."
Jazz, when it is good, has melody, harmony,
counterpoint and, above all, a quality of rhythm
utterly new, and utterly irresistible.
Technically, the elements which go to make
jazz are not new in music. It is only the
method, the naive simplicity with which they
are employed, that is new. Ambiguous chords,
altered notes, extraneous modulation and de-
ceptive cadence were known and used in serious
composition long before the advent of jazz.
Even syncopation, contrary to general impres-
sion, is not a twentieth century invention of
the popular songwriter. Not long ago, at a
performance of Tschaikowski's Fourth Sym-
phony, a bobbed-haired little lady upset those
near her by wriggling in her seat and exclaim-
ing: "Ooee! They're jazzing it!"
Jazz unquestionably originated with the negro,
whether African or American is immaterial. It
Jenkins
has all the negro's qualities—rhythmic urge,
passion for color, a vein of melancholy and
liberation from bondage. The similarity be-
tween negro Spirituals and Blues is astonish-
ingly close. If you are a trifle shocked, or
somewhat incredulous, may I suggest that you
compare "Little David, Play on Yo' Harp" with
"It Ain't Gonna Rain No Mo'."
"There arc no songs like the old songs" may
be true for the folk songs, composed and abso-
lute, that have come down to us, but we surely
cannot include "Waltz Me Around Again,
Willie," and "Maggie Murphy's Home." It is
the negro influence which has dragged our pop-
ular music out of the rut of silly sentimentality
it was in a generation ago.
Maurice Ravel, the most famous of modern
French composers, says that he considers jazz
the only real contribution America has made
to music, which is proof enough that jazz is
not commonplace. It certainly is not common
—on the contrary, at its best it is highly artistic.
Several of our foremost musicians have writ-
ten in jazz vein. Perhaps the most notable
composition is by Mr. Hill, associate professor
of music at Harvard University, who has done
"A Study in Jazz" for two pianos, which is
at once musicianly and frankly entertaining. An
orchestral arrangement was performed recently
at the regular concerts of the Boston Symphony
Outstanding Sellers
BUY YOUR MUSIC FROM
POPULAR
Jdvrationttitltz
—Recorded-
COME AND WHISPER, DEAR
12th STREET RAG—MEAN BLUES
STANDARD
BOSTON
Publishers
Orchestra. I, for one, had a good time, and
if I could judge by their expressions, nearly
every one in that staidest of staid audiences did,
too. I can certainly vouch for Monteaux.
With this information to bolster the courage
of the person who likes only "good" music—
I ask you—why not enjoy jazz when you like
it? So many people are afraid to be genuine—
they pretend to enjoy the things they havi- been
told are good, and reject everything which
hasn't been labeled classical. If we could only
listen frankly and sincerely and enjoy good
music when it is light, perhaps we might learn
to reject bad music even when it is heavy. Who
knows? We might develop that rarest of rari-
ties, a critical sense.
Flammer Octavo Series
The Harold Flammer catalog was heretofore
known for its songs. Lately, however, this firm
has acquired an exceptionally fine Octavo Series
and a splcnd'd selection of piano solo material.
For the latter they have compositions by
Charles Hucrtcr, Rudolf Friml, John Philip
Sousa, L. A. Coerne and Elinor Warren, while
their teaching pieces are by such well-known
writers as Mathilde Bilbro, Marie Paldi and
Tulia Fox.
Visit Portland Trade
PORTLAND, ORE., October 15.—Sheet music repre-
sentatives from the East have been drifting into
Portland. Among the most recent to call here
were Bill Jacobs, genial representative of Irving
Berlin, Inc., who was featuring "What'll I Do?,"
"Charley, My Boy," and "Red Hot Mamma," and
Otto Schroeder, of the D. L. Schroeder Pub-
lishing Co., of Flushing, L. I.
THEWALTZBALLAD BEAUTIFUL
Oliver Ditson Company
BOSTON
NEW YORK
Anticipate and supply Every Requirement of Music
Dealers
White-Smith Music Pub. Co.
PUBLISHERS,
PRINTERS AND ENGRAVERS OF MUSIC
Main Offices: 40-44 Winchester St., Boston.
Branch Houses: New York and Chicago.
MEMORY'S GARDEN
High. Medium, Low
Duet for Soprano and Alto or Contralto and Ban
ROBERT TELLER SONS & DORNER
MY FAITH IN THEE
Music Engravers and Printers
High, Medium, Low
Duet
SEND MANUSCRIPT AND IDEA OF
TITLE FOR ESTIMATE
TRUSTING
New York City
311 West 43rd Street
High. Medium, Low
Duet for Soprano and Tenor or Soprano and Alto
TRAIL-MATE
High, Medium, Low
Duet for Soprano and Alto or Tenor and Ban
J.W.JENKINS SONS MUSIC COMPANY
Kansas City, Mo.
You can't go wrong with this number
"Moonlight Makes Me Long for You"
FRANK H. GILLESPIE
Music
Publither
Sweet, tender wordt—mel-
ody limple, yet beautiful.
No. 5513 Q R S R o l l -
Clark Orch Roll No. 55M
1112 Forbes Street, Pittsburgh, Pa.

Download Page 65: PDF File | Image

Download Page 66 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.