Music Trade Review

Issue: 1924 Vol. 79 N. 17

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
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HTEINW&Y
he INSTIttJMENTof the IMMORTAL]
One of the contributory reasons why the Steinway
piano is recognized as
THE WORLD'S STANDARD
may be found in the fact that since its inception it has
been made under the supervision of members of the
Steinway family, and embodies improvements found
in no other instrument.
For Over a Hundred Years
Devoted to the Highest Art
of Piano Making
&S9NS
X^A'^A^A'^A^A^A^A'^A'g^v^A'^A'^^
NEW YORK
Since 1844
SUCCESS
Is assured the dealer who takes advantage of
The Baldwin Co-operative Plan
which offers every opportunity to represent under the most favorable
conditions a complete line of high-grade pianos, players and reproducers
For information write
palbtoin |Jiano Company
Incorporated
Chicago
St. Louis
Dallas
Cincinnati
Indianapolis
Louisville
New York
Denver
San Francisco
PEASE
PEASE PIANO CO.
General Offices
Leggett Ave. and Barry St.
MEHLIN
PIANOS
"A Leader Among Leaders"
PAUL G. MEHLIN & SONS
Warerooms:
509 Fifth Ave., near 42d St.
NEW YORK
Main Office and Factories
Broadway from 20th to 21st Sts.
WEST NEW YORK, N. J.
Bronx, N. Y. C.
M. Schulz Co.
Schulz Small Grand
Schulz Electric Expression Piano
Founded 1869
Schulz Upright Piano
Schulz Player-Piano
More Than 180,000 Pianos and Player-Pianos Made and Sold Since 1893
711
* . d
Milwaukee
CHICAGO
V - / I H I I C L A
A d
U O
U OffirPS*
UlllCeS. candler
Bldg., Ave.,
Atlanta,
Ga.
THE GABLE COMPANY
Makers o/Conover, Cable, Kingsbury and Wellington Pianos; Carols, Solo
Carola, Euphona, Solo Euphona and Euphoria Reproducing Inner-Players
CHICAGO
THE MOST COSTLY PIANO IN THE WORLD
FACTORIES
BOSTON
GENERAL OFFICES
r
Cija*. 01. &tkii, 3M.
A PIANO OF NOTABLE DISTINCTION
Established 1842 315 North Howard St.,BALTIMORE, MD.
KRnabe
A QUALITY PRODUCT
FOR OVER
QUARTER OFA CENTURY
Pianos, Players and Reproducing Pianos
Established 0 1 1 ^ 1 ^ 1 I T MANUFACTURING
i860
D 1 U U L~IHI
CORPORATION
The EASY-TO-SELL Line
Cypress Avenue, at 133rd Street
New York City
BAUER PIANOS
MANUFACTURERS' HEADQUARTERS
305 South Wabash Avenue
::
CHICAGO
The Perfect Product of
American Art
Executive Office*: 427 Fifth Avenue, New York
Factories: Baltimore
GRAND AN0UPRIGHT PIANOS
AND
PLAYER PIANOS
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
REVIEW
THE
VOL. LXXIX. No. 17 Published Every Saturday. Edward Lyman Bill, Inc., 383 Madison Ave., New York, N.Y. Oct. 25, 1924
Single Copies 10 Cents
$2.00 Per Year
BI11W11I««
Justified Building for the Future
UtillKIIIXIIIXIIIMIIXIIIM^^
S
O M E of these days the Government agencies in their constantly expanding work of compiling informa-
tion and statistics for the guidance of business men will develop a table of business mortality with a
view to indicating the percentage of manufacturers and merchants in various lines of trade who give
up the business ghost each year, as well as figures showing the average business life of concerns in
various lines.
This information to a limited degree has been compiled by various industries of their own volition,
and from facts available it is quite evident that the music industry, or at least the piano trade itself, has little
to be ashamed of when it comes to a question of business stability. It is true that piano dealers come and go,
but there are comparatively few industries wherein can be found such a substantial proportion of houses which
have operated under the same names and most generally under the same direct management for periods rang-
ing from twenty-five years to a full century.
In the retail field the palm unquestionably goes to the Seigling Music House of Charleston, S. C , which
has passed the century mark and is still going strong. Considering the age of the industry, this record is
little short of remarkable. But then we have a score or more of prominent concerns who have passed the
half century mark or are crowding that mark very closely. The A. Hospe Co., of Omaha, for instance,
celebrated its fiftieth anniversary this week; Houck, of Memphis, its forty-first; Lyon & Healy, Inc., Chicago,
its sixtieth, and so on.
-''" •'*• % :>
'
It requires little effort to bring to mind concerns in the retail trade with a half century of business suc-
cess back of them, or who are approaching that enviable goal. Among them the Dreher Piano Co., of Cleveland;
Goggan & Bro., of San Antonio; Droop & Sons Co., of Washington; Heppe, of Philadelphia; Watkin, of
Dallas; Sherman, Clay & Co., San Francisco; Ditson, of Boston, and a number of others of equal standing
may be mentioned.
W e sometimes hear the piano trade criticized for its conservatism, and perhaps as a trade it is con-
servative when compared with other and younger industries, but it is probably this inclination to be cautious
that makes for solidity and permanence—the idea of giving value and building up a following that continues
from generation to generation. It is a noteworthy fact that the outstanding crashes in the retail piano field
during the past decade or two have in most cases been those concerns which have thrown overboard the policy
of conservatism and have gone after sensational records with results that have been disastrous.
When the average retailer looks over the record of the trade, finds that the average business life of the
dealer is long as compared with other industries, that the failures are few in proportion, and that long business
life has an advertising and sales value, he will gain a new conception of the logic of building not for to-day
but for the future. He will, for instance, appreciate the real meaning of the music advancement work that has
developed so strongly throughout the country and the direct results of which have not perhaps manifested them-
selves in his own store. He will also gauge his advertising and his business practices along lines that will
make for public confidence and will shun the bargain type of business as of the moment.
It is an acknowledged fact that those retailers in the trade who have seen their business enjoy long and
prosperous life are those who make the quality appeal, who handle, and have handled, instruments of recog-
nized standing in their respective grades, and who have put back of those instruments their own energy with
a view to making them permanent factors in their local territories.
Age alone means very little, for it is quite as likely to bring with it decay as progress. But when a
retail house can look back over a half or even a quarter century of successful growth, and can present to the
public a sound going institution, it speaks well not only for the concern itself but for the industry of which it
is a part.
K

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