Music Trade Review

Issue: 1924 Vol. 79 N. 16

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
6TEINW1Y
;he INSTRUMENT
of the IMMORTALS
A ^
^
One of the contributory reasons why the Steinway
piano is recognized as
For Over a Hundred Years
Devoted to the Highest Art
]
iano
THE WORLD'S STANDARD
may be found in the fact that since its inception it has
been made under the supervision of members of the
Steinway family, and embodies improvements found
in no other instrument.
&r S 3NIEW YORK
Since 1844
SUCCESS
is assured the dealer who takes advantage of
The Baldwin Co-operative Plan
which offers every opportunity to represent under the most favorable
conditions a complete line of high-grade pianos, players and reproducers
For information write
Palbhrin $tano Companp
Incorporated
Chicago
St. Louis
Dallas
Cincinnati
Indianapolis
Louisville
PEASE
PEASE PIANO CO.
New York
Denver
San Francisco
General Offieei
Leggett Ave. and Barry St.
MEHLIN
PIANOS
M. Schulz Co.
Schulz Small Grand
Schulz Electric Expression Piano
"A Leader Among Leaders"
Founded 1869
Schulz Upright Piano
Schulz Player-Piano
More Than 180,000 Pianos and Player-Pianos Made and Sold Since 1893
PAUL G. MEHLIN & SONS
Warerooms:
509 Fifth Ave., near 42d St.
NEW YORK
Bronx, N. Y. C.
711
M
»waukee Ave., CHICAGO
candler Bids.,
Atlanta, Ga.
Main Office and Factories
Broadway from 20th to 21st Sts.
WEST NEW YORK, N. J.
THE GABLE COMPANY
Makers of Conover, Cable, Kfngsbury and Wellington Pianos; Carola, Solo
Carola, Euphoria, Solo Euphona and Euphoria Reproducing Inner-Players
CHICAGO
THE MOST COSTLY PIANO IN THE WORLD
FACTORIES
BOSTON
GENERAL OFFICES
Pianos, Players and Reproducing Pianos
E.tabH.hed Q f r \ r \ f
F 7 MANUFACTURING
1860
Cfjas. 01. &tkfi f 3m.
A PIANO OF NOTABLE DISTINCTION
Established 1842 315 North Howard St.,BALTIMORE, MD.
DILJUL^MII
CORPORATION
The EASY-TO-SELL Line
Cypress Avenue, at 133rd Street
New York Ci*y
BAUER PIANOS
MANUFACTURERS' HEADQUARTERS
305 South Wabash Avenue
::
CHICAGO
The Perfect Product of
American Art
Executive Offices: 427 Fifth Avenue, New York
Factories: Balt'more
A QUALITY PRODUCT
FOR OVER
QUARTER. OFA CENTURY
POOLE
GRAND AND UPRIGHT PIANOS
AND
PLAYER PIANOS
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
REVIEW
VOL. LXXIX. No. 16 Published Every Saturday. Edward Lymaa Bill, Inc., 3S3 Madison Ave., New York, N.Y. Oct. 18, 1924
gle Copies 10 Cents
$2.00 Per Year
ZlllWlilKlilKlllKlllWlliailiKlllK^
A Little Analysis Is a Good Thing
A
the recent Ohio convention Dan J. Nolan, of the Cleveland Cadillac Co., that city, and at one time
prominent in the piano trade as manager of the piano department of the May Co., delivered a
thoroughly interesting address to the assembled music merchants. In the course of this he impressed
k
upon their minds that, though they considered their trade-in problem very real, it was not a cir-
cumstance to the problem as it confronted the automobile dealer. In fact he declared that so far as trade-ins
were concerned, the piano dealer was sitting on the world, so to speak, and did not know it.
In the course of his address Mr. Nolan called attention to the fact that, according to reports compiled
by the National Automobile Dealers' Association, used car losses suffered by dealers in that field during 1922 rep-
resented the huge sum of $123,000,000, Through the adoption of better business methods, however, particu-
larly in granting allowances on used cars, these losses were cut to $57,000,000 during 1923, and will probably
be reduced to less than half that figure during the current year.
At first glance, this figure of $123,000,000 in used car losses seems appalling, and even $57,000,000 loss
is enough to cause the music dealer to gasp. As Goldberg, the cartoonist, declares, "It doesn't mean any-
thing," however, so far as the music trade is concerned, for the reason that the figures apply directly to the
automobile industry which in all respects is a far more extensive trade than the manufacture and sale of musi-
cal instruments. When comparisons are made on the basis of amount of business done, the music dealer is
not in a much better position than his friend the automobile retailer.
A few figures which have been taken from records of the two trades involved, and therefore must be
considered more or less authoritative, should prove interesting. During 1923, automobiles including trucks to
the retail value of $2,405,943,259 were sold in this country by 43,588 dealers. During the peak year of 1922,
when losses on used cars were estimated at $123,000,000, that loss represented only 5.9 per cent of the total
volume of business, and averaged only $2,618 per individual dealer. In 1923 the used car losses were cut to
$57,000,000, or 2.36 per cent of total sales, with an average loss per dealer of only slightly over $1,300.
In comparison with these figures take the condition of the average piano dealer. During 1923 the retail
value of pianos sold was approximately $223,249,616. Were the piano dealers to suffer the same proportion of
loss on trade-ins as the automobile men, during 1923 it would have amounted to $11,430,839, or $1,971 per
dealer, and this on a much smaller volume of business which does not allow for sufficient turnover to readily
offset it.
The significant point is, however, that the automobile men have not only recognized the seriousness of
their trade-in problem as emphasized by used car orders, but have gone to work systematically to devise ways
and means for standardizing practice in relation to trade-ins with a view to effecting savings. The success of
these efforts is indicated by the fact that in one year alone these losses were reduced over 53 per cent or, in
money, $66,000,000. It might be well for the piano trade to give thought to this matter and profit by the action
of the motor car dealers.
The trade is familiar with the various efforts that have been made from time to time to adopt trade-in
schedules and develop methods in relation to instruments taken in exchange with a view to putting this un-
desirable but apparently necessary feature of the piano trade on at least a business-like basis.
Within the past year or so some of the best minds of the trade have given thought to this trade-in
situation, and have made definite recommendations to the music merchants in convention, but without result.
The difficulty appears to be that, although recognizing the trade-in problem as national, each dealer feels he
himself can best handle his own difficulties. It should not require the hundred million dollar losses, or more,
of the automobile dealer to convince piano dealers of the necessity of some pruning process in trade-in
allowances.

Download Page 2: PDF File | Image

Download Page 3 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.