Music Trade Review

Issue: 1924 Vol. 78 N. 9

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
48
THE MUSIC TRADE REVIEW
MARCH 1, 1924
*Yoa can't $
\?itk awq FiliT
the fain
o
It'? bawd to clear up a- gain
O
For
Uo. Feist, lnc
Spontaneous Tribute to
the Late Woodrow Wilson
Roland Hayes, Tenor, Sings Ditson Publication
"Goin' Home" at Recital at Symphony Hall,
Boston
At his recital on Sunday afternoon following
the death of ex-President Wilson, the great
negro tenor, Roland Hayes, stepped to the front
of the platform at Symphony Hall, Boston,
Mass., and holding up his hand for silence, said
simply: "I have just learned of the passing
of a great soul and am going to sing something
you will find appropriate." In the profound
played in Carnegie Hall, New York, thirty years
ago, this same haunting melody moved the
audience to tears. That it should have spon-
taneously suggested to Mr. Fisher, Dvorak's
pupil, the words "Goin' home" in the form of
a negro spiritual was only natural, and its sing-
ing on Sunday by the greatest of negro singers
made the occasion unforgettable to all present.
Herewith is an Oliver Ditson Co. window
dressed during the week of Mr. Hayes'
appearance.
Stasny Exploiting Winn
The A. J. Stasny Music Co., Inc., 56 West
Forty-fifth street, New York City, which re-
SYMPHONY HALL
FEB. 3'^ 1924
Mm dot- teoHki^ka! Her JWftr (nmisl
Jxsie.~rittao.in
Ditson Display Featuring Roland Hayes
silence which followed Mr. Hayes sang Dvorak's cently took over the European distribution for
plaintive melody with the words of William Winn's Ragtime Books, is exploiting these pub-
Arms Fisher. Before Mr. Hayes finished many lications on a wide scale in the British Isles
of the audience that packed the hall were in through its London office, its branches and rep-
tears. For a long moment after the song was resentatives. The British public has shown con-
finished there was silence while Mr. Hayes siderable favor to the Winn publications, which
include "Winn's How to Play Popular Music,"
stood with bowed head. When the largo of
Dvorak's "New World Symphony" was first and other similar publications.
ft J
Ohio Federation Offers
Prizes for Composers
Competitions Include Anthem, Piano Composi-
tion, Violin Solo With Piano Accompaniment
and Secular Song
Ohio has 5,721 men and women who are
organized for the advancement of music in all
its higher forms, according to the 1924 Year
Book of the Ohio Federation of Music Clubs,
just from the press.
Aside from the general activities of the or-
ganization the book is concerned with the State
convention of the federation, which will be held
in Toledo, this year, April 28 to May 2.
Mrs. Edgar Stillman Kelley, faculty member
of both the Cincinnati Conservatory of Music
and Western College for Women, Oxford, O.,
is the president of the Ohio Federation.
In her message to members, Mrs. Kelley ad-
vises that another strong musical body, the
Association of Presidents of State Music Teach-
ers' Associations, will hold its meeting with the
Ohio Federation of Music Clubs. "This will
bring to the sessions of our State organizations
a national body which we will indeed be happy
and proud to welcome," states Mrs. Kelley.
Prizes for compositions by American con^r
posers are also mentioned in the Year Bqofcl
Four contests are now in progress. Thes^iJjf
elude competitions for an anthem, a piano com?
position, a violin solo with piano accompani*
tnent and a secular song. Miss Bertha Baur,
director of the Cincinnati Conservatory of
Music, offers $50 to the composer of the best
secular song; Mrs. Mary Willing Megley, To-
ledo, offers $50 for the best anthem. The sum of
$50 is Mrs. A. H. Honefanger's offer for the best
violin solo with piano accompaniment. For the
best piano composition, the Baldwin Piano Co.
is giving $100. All manuscripts must be in the
hands of Mrs. Walter Crebs, 71 Oxford avenue,
Dayton, by March 15, 1924.
J These Song Hits-arc the talk of the town.!
John McCormack's
Beautiful Ballad
SOMEWHERE
THEW0R1H
LOVE
YOU*
WHEN LIOHTS
LOT
Me Melodjj
Song hit from
THE 1924 WALTZ
HIT/
LITTLE JLSSIE
You
can't
$o
wrong
JAMES"
with any
FEIST
song
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MARCH 1, 1924
THE
MUSIC TRADE REVIEW
49
Air. Openshaw has" written a number of bal-
lads and he, undoubtedly, was surprised at the
remarkable success of his latest offering. In
speaking of the achievement he said: "I always
thought that I would be terribly elated and set
up if I ever did achieve a really successful song,
but somehow it leaves me quite cold. I don't
feel a bit different than any time during the fif-
\bu can't go
wrong with
any'Feist*
Century"
Preferred!
I LOVE YOU
LOVE TALES
NO, NO, NORA
EASY MELODY
SONG OF LOVE
JOURNEY'S END
HALF PAST TEN
Dealers Prefer "Century"
BECAUSE
LINGER AWHILE
WONDERFUL ONE
CAROLINA MAMMY
BLUE HOOSIER BLUES
MAMMA LOVES PAPA
RIVER SHANNON MOON
STEALING TO VIRGINIA
SAW MILL RIVER ROAD
SWINGIN' DOWN THE LANE
CUT YOURSELF A PIECE OF CAKE
EVERY NIGHT I CRY MYSELF TO
SLEEP OVER YOU
TAKE, OH TAKE, THOSE LBP8 AWAY
(That P l e a s e s the
Public)
TWO—It Shows an Average
Profit of Over 200%!
(That Pleases the Dealer)
THBKE-It Is Nationally Ad-
vertised !
(That Makes Selling Easy)
Write tor DealerM' Prices
Century Music Pub. Co.
LEO.
H o w "Love Sends a Little
Gift of Roses" Was Written
John Openshaw
John Openshaw, Composer of Great Ballad Hit
teen
years
that
I have been associated with
of England and America, Tells How the
music and music publishing. Of course, I feel
Theme First Came
gratified and pleased, but I can't seem to realize
that
I have achieved my ambition."
John Openshaw, the English composer who
In
telling how the song came to be written,
recently spent several months in New York on
he
said:
"The melody came to me—as all melo-
his way around the world, gave out a number of
dies
come—while
walking along a street in Lon-
interviews regarding his musical activities and,
don.
I
never
had
a song come to me any other
what is more important to American readers,
way;
I
never
can
work at a piano. I jot my
some facts regarding his remarkable success
melodies
down
on
a slip of paper while walk-
"Love Sends a I-ittle Gift of Roses." This song,
ing.
I
didn't
have
to jot down 'Love Sends,'
which reached a quarter of a million in sales
I
remembered
it.
I
think
if a melody comes to
in Great Britain, which is considered the post-
war height in point of sales in that country, and you which has the potentiality of success you
which, undoubtedly, will sell over one million are likely to remember it.
"Simplicity—originality—harmony and color
copies in the United States, is one of the most
—those
are the four ingredients of success. My
popular English ballads in a decade.
fetish is color—color in any art. Form is sec-
ondary. Color bears the same relation to form
JELLYS BLUES
SONG LOVERS
THE WORLD OVER KNOW
This TRADE MARK
My Good
Man's Blues
ICINAL HOME OF J A Z Z
MUSIC PUBUStt£RS^\29 South State 5t.CWc«0o
as emotion does to reason, or so I find it.
An unfortunate paradox in songwriting is
that you can't be a songwriter until you have
been a successful songwriter! It's only then
that you can afford to devote yourself to com-
posing!"
Irving Berlin, Inc., is exploiting what is ap-
parently one of the best ballads of the season,
"If the Rest of the World Don't Want You"
(Go Back to Your Mother and Dad). This
number is being widely exploited by vaude-
ville singers and dance orchestras.
1 w
BEAUTIFUL BALLADS
SOLOS -
SACRED — SECULAR.
DUETS - TRIOS — QUARTETS
ACKNOWLEDGED By LEADING SHEET MUSIC DEALERS AMD JOBBERS
THE GREATEST CATALOG OF STANDARD SONGS IN THE WORLD
I f YOU are not acquainted w i t h Our Extraordinary
Proposition and Special O f f e r i n connection with.
THE WlTMARK
BLACK AND WHITE SERIES
which includes SONGLAND Catalogs - GRATIS
WRITE US TODAY
for sample and full informatiorv
THE BEST TWO CENT INVESTMENT XH/ EVER MADE
M.WlTMARK 6 SONS • NEW YORK
WATERSON,
BERLIN & SNYDER CO.
S-O-N-G H-I-T-S
w
A Smile Will Go a Long, Long Way
Maybe (She'll Write Me, She'll
Phone Me)
Down Where the South Begins
It's Not the First Time You Left
•KIT _
Me
If I Can't Sing About My Mammy
(I Don't Wanna Sing at All)
On the Blue Lagoon
I've Got a Song for Sale
My Sunflower Maid
Sometime in Junetime
Down the Road to Yesterday
That's Why You Make Me Cry
You're in Love With Everyone But
the One Who's in Love With
ft
Wop Blues
If You Do What You Do
9
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m
19
wm
I
TRADE MARK REGISTERED
It Represents the BEST there is in.
F E I S T , Inc., FEIST Bldg., New York
1
M
m
Ei
B
You
Published by
I
m
m
m
WATERSON,
BERLIN & SNYDER CO.
Strand Theatre Bldg. New York City, N. Y.
Victor Herbert's
MASTERPIECE
A KISS
THE
Ri
I
I

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