Music Trade Review

Issue: 1924 Vol. 78 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
FEBRUARY 9,
1924
THE
MUSIC TRADE
43
REVIEW
: emonstration the Backbone of the
Talking Machine Retail Selling Plan
Herman Lipschitz, Manager of Krakauer Bros., Brooklyn, N. Y., Branch, Stresses the Impor-
tance of Scientific Phonograph Demonstration in an Interesting Article
HP OO much stress cannot be placed on the
importance of phonograph demonstration,
according to Herman Lipschitz, manager of
Krakauer Bros.' Brooklyn, N. Y., store, who out-
lined his sales methods in an article which re-
cently appeared in the Sonora Bell, the house
organ of the Sonora Co., as follows:
"Nearly all customers are going to purchase
their phonographs on results—performance.
The Display Which Sold Talking Machines
True, eye value plays its .'art, and size enters
into consideration also. But tone-reproducing
qualities are the elements which swing 99 per
cent of phonograph sales.
"For this reason I never allow the demonstra-
tion of phonographs on my floor to be gone
about in a haphazard, half-hearted manner. In-
stead we have made an exact science of this
step in the sale. And, as in all other selling
methods to which the proper amount of scien-
tific thought and attention have been given,
results are practically certain.
"My store happens to be in a section inhab-
ited by a large foreign element. My patrons
are made up largely of Italians, Greeks, He-
brews, etc. As you know, these races are great
mu^ic lovers. And, despite their limited funds,
they will purchase the finest musical instru-
ments, provided they can be convinced that you
handle that type.
"So I have made a careful selection of rec-
ords that appeal to these various types and
have placed them in a handy place, indexed so
that we can lay our hands on them at once.
When an Italian family comes in to look at a
phonograph, and the time for demonstrating
arrives, we go to the cabinet where we keep
The Canvassing Route to
Sales Brings Real Results
Dunlop's Music Store Believes in the Canvass-
ing Route to Sales and Cashes in on Deter-
mined and Extensive Activities
PKEKSKILL, N. Y., January 31,—Dunlop's Music
Store, of this city, is a firm believer in the
canvassing route to sales and the ringing of
doorbells is an important part of its sales pro-
motion work. The company operates a truck
in which are loaded several talking machines
and a number of records, and the salesman
starting on the road does so with sufficient
stock to meet all demands for a day. Both the
city and the country districts surrounding it
are thoroughly canvassed. The farmers have
been found especially good prospects.
The method followed is simple, but very
effective. The instruments are placed in the
home of the prospect for a twenty-four-hour
trial period. The next day the salesman visits
the prospect and in most cases closes a deal.
In the majority of instances it has been found
bv this live house that once an instrument has
these demonstration records and select a record
that we know to be popular with these people.
The same applies to the Greeks, to Hebrews,
Germans, or whoever else it may be. If the
buyer happens to be a young boy or girl we
play the latest jazz; if an elderly person, one of
the old songs, such as 'Seeing Nellie Home' or
'Carry Me Back to Old Virginny.'
"Do you see the point? We are playing for
them the pieces that they in turn will play—the
selections they love. They hear the phonograph
you are trying to sell them under the most
favorable conditions. And such a demonstra-
tion is sure to sell them in nearly every in-
stance. This, to my mind, is scientific sales-
manship. And I have my sales records to show
that I am right.
"I have always operated on the idea that it
is the best policy to show a prospect the
cheaper instrument first. Of course, the re-
sourceful saleseman will endeavor to discover
the financial condition of his prospect at once.
But by starting with the cheaper instrument you
do not discourage the prospect of limited funds.
However, if one were to start with the highest
priced instrument one might defeat one's own
object by creating an impression on the mind
of the prospect that the cheaper instrument is
an inferior product. And then one runs a
chance of losing the sale entirely, for the pros-
pect may think that, since he cannot afford
what to him is the better instrument, he had
best not buy at all. On the other hand it is a
simple matter to lead up from the cheaper to
the highest priced instrument.
"It is vitally necessary to all business that a
simple yet efficient prospect list be kept. I find
a card index to be the ideal manner of doing so.
Immediately upon the report of a name by one
of our salesmen the name is entered on a card,
while the bookkeeper enters a duplicate in her
file. As all salesmen are requested to make a
daily report on prospects, a constant check is
kept on these names, every one being accounted
for. If within fifteen days a home sale has not
been made the name is turned over to another
salesman. In this way 'dead' prospects are
eliminated and a close check kept on each sales-
man's activities. We find that this intensive
manner of working prospects gives us a maxi-
mum of sales and that, if the prospect can be
sold at all, Krakauer's will get the business in
the majority of cases."
been placed in a home, even temporarily, it is
likely to stay there for the reason that non-
owners are reluctant to have it moved out
again.
This is so for several reasons: First, because
the prospect gets a glimpse of the delights
awaiting him through the ownership of a talk-
ing machine and, second, because, foolish as it
seems on the surface, people always worry
about "what the neighbors will think" if they
see the machine being taken out again. The
fact that a salesman is able to secure permission
to leave a machine in the prospect's home for
a trial is positive proof that the prospect is a
live one and it also makes selling easier, be-
cause the demonstration is made at leisure.
World Go. Chartered
Incorporation papers have been filed recently
for the World Talking Machine Co., New York,
which will have a capital stock of $5,000. S.
Berman, B. B. Weinberg and D. Rubin are the
incorporators. The company has engaged the
law firm of Koppelman & Weinberg, 144 Riv-
ington street, as representatives of records of
the company.
io double
TJour Income
and the proposition could be proved
sound from every angle, you wouldn't
hesitate, would you? Of course not,
but do you realize that a talking machine
department can be made to provide
sufficient revenue to take care of the
overhead on your entire establishment ?
Thousands of other retail music mer-
chants have proved the above made
statement true and thousands of retail
music merchants have looked to The
Talking Machine World for guidance
in the matter of selecting the make of
talking machines they would handle, the
way they would map out their talking
machine department, etc.
—<^~^
The Talking Machine World is the
oldest and largest trade journal in the
world devoted exclusively to the talking
machine industry.
Some book, eh? Yes, and some encyclo'
pedia of the kind of information that
will positively double your income.
Don't miss your chance.
coupon now.
Send in the
TALKING MACHINE WORLD,
383 Madison Ave., New York City.
Please enter my subscription for one year. I want to
learn how to double my income via a talking machine
department. Bill me $2 at your convenience to cover cost
of same.
Name
Firm
Street
City and State
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
44
THE
MUSIC TRADE
REVIEW
FEBRUARY 9,
1924
IN THE WORLD OF MUSIC PUBLISHING
Conducted By V. D. Walsh
Curtailing Free Orchestrations Opens
a Profitable Department for Dealers
SONGS THAT SELL
Sittin' in a Corner
That Old Gang of Mine
Indiana Moon
Lovey Came Back
Growing Tendency in Publishing Trade Gives Opportunity to the Retailers to Build Up a Strong
. Local Demand Among Orchestras for This Music With a Good Return
r"\URING the past few months there has
^-^ been a decided movement towards the
curtailment of the distribution of free orchestra-
tions from the scale which had become prevalent
during the post-war period. There has been
no concerted action in this direction, but the
tendency seems rather to be based on the need
for added revenues, the reduction of unneces-
sary expenses and a measure to conserve fur-
ther the general health of the industry.
Undoubtedly this movement discontinuing
free orchestrations, with comparatively few ex-
ceptions, would be even more marked if the .
means for distribution on a national scale were
more intensive and efficient. All too many deal-
ers who could profit from the sale of orchestra-
tions in their locality overlook this source of
revenue. The result is that the map showing
orchestrations sales distribution points is quite
spotty. A movement on the part of the dealers
to correct this situation would not only be wel-
come to the publishers, but would add profits
to both factors. In addition, from the dealer's
angle, the sale of orchestrations would serve
to keep his hand on the pulse of song exploita-
tion in his territory and help him considerably
in ordering his stock and arranging his cam-
paigns.
Naturally, the limited sale of orchestrations
on a national scale is not of sufficient volume
to make it profitable for every dealer to stock
such goods. There should be, however, at least
one dealer in every town making a profit from
orchestrations and an additional number of
dealers arranged on a basis of population and
demand in larger centers. Not only would it be
found that the sale of orchestrations in them-
selves would add to the direct profits, but
much additional orchestral business for other
merchandise would result.
In some of the large cities there are retail
establishments making a profit, or at least the
larger part of it, from the sale of saxophones
and the music for such instruments. In some
cities throughout the West dealers who have
given the sale of orchestrations thought have
found this a profitable adjunct to their busi-
ness. To cater to the orchestra needs of the
more thriving centers a fair stock of such goods
must be carried, but where strictly popular or-
chestrations are only given consideration the
limited supply of material and counter or floor
space answers all purposes.
Some dealers are making use of the revolv-
ing rack for popular orchestrations. This de-
vice generally carries about five or six copies,
or less, of about fifty titles. It allows for a full
display of the material and acts as a silent sales-
man. At a glance the dealer can see the need
for replenishing his stock so that with very
little thought and attention he gets not only
the added revenue, but attracts more people to
his store and renders a distinct service to. the
musicians of his community, resulting in an
added volume of business in other directions.
Some years ago we had what was termed
the "jazz band." For the past few years, how-
ever, this has been succeeded by the syncopated
symphonic orchestra. These latter musical
combinations, to some extent, now seem to have
spent themselves. There is a substantial lessen-
ing of demand for their services in all directions.
Vaudeville, which gave them weekly opportu-
nities for the past two seasons, now looks
askance at the band. It is, indeed, an unusual
combination to-day that can get a booking of
fair length in vaudeville, a tendency becoming
more and more marked.
This does not lessen the demand for orches-
trations, however. All of these organizations
are still in existence; in fact, they are being
added to constantly. What is really happening
is the development of an entirely new type of
orchestra to take the place of the symphonic
syncopator just as this latter succeeded the jazz
band. They are playing in some cases much
heavier works with a modern touch, and even
the very simplest fox-trot in their hands be-
comes a work of art. The band and orchestra
is still with us, undergoing a new development
and attaining a new form. These newer com-
binations will require more extended arrange-
ments of music. They are more costly to pro-
duce, add considerably to expense, and, in most
cases, will compel a sale in order to keep over-
head within due bounds. They are and will
be in such form as to attract willing sales and
the dealer that can sense this present develop-
ment and serve his community will find profit
from several directions in months to come.

You
Mindin' My Bus'ness
Dancin' Dan
Cover Me Up With the Sunshine of
Virginia
If the Rest of the World Don't Want You
(Go Back to Mother and Dad)
If I Can't Get the Sweetie I Want
I Love the Girl Who Kisses
Tell All the Folks in Kentucky (I'm
Comin' Home)
I Love My Chili Bom Bom
Love (My Heart Is Calling You)

Oh, Baby! (Don't Say "No"; Say "Maybe")
Don't Foreet to Remember
Roamin' to Wyomin'

Since When (Have You Been Low-down-
ing Me)
Forgetful Blues
Why Should 1 Give My Love to You?
Universal Dance Folio
Special Edition for 1924
Song Gems from Irving Berlin's Third Annual
MUSIC BOX REVUE
An Orange Grove in California
The Waltz of Long Ago
Little Butterfly
Tell Me a Bedtime Story
Learn to Do the Strut
Climbing Up the Scale
One Girl
Fred Shaw Making
Recordings for Cameo
"That's Why v You Make Me Cry," New Release
by This Artist, in Heavy Demand and Is
Made Special Release
Fred Shaw, manager of the sheet music de-
partment of the S. S. KresRc store, Detroit,
Outstanding Song Hits from
TOPSY and EVA


Rememb'ring
Do Re Mi
Um Urn Da Da
I Never Had a Mammy
IRVING BERLIN, Inc.
1607 Broadway, New York
larity of the singer and the quality of his re-
cording voice the Cameo Record Corp. made a
special release of the number and it is having
a wide sale.
With Chappell-Harms
Fred Shaw
Mich., has for some time been known to De-
troit music lovers as a tenor of note. He gained
wide popularity throughout the Middle West
by his radio renditions of popular songs. The
demand for numbers sung by Fred Shaw has
attained a remarkable volume, so much so that
some time ago he was called to New York to
record popular songs for Cameo records. His
first record release was the song "That's Why
You Make Me Cry." Owing to the wide popu-
E. C. Howells, familiarly known to the trade
as "Dick," who for the past several years has
been road representative for Enoch & Sons,
has recently joined the sales staff of Chappell-
Harms, Inc. Mr. Howells is now traveling in
the West and for the balance of the season will
carry the catalogs of both the above firms.
James Fero Away on Trip
James Fero, of the Harry Von Tilzer Co., is
making a sales trip covering Philadelphia,
Washington and Baltimore, Boston and other
New England territory. While away he will
particularly feature the Harry Von Tilzer suc-
cess, "Little Wooden Whistle Wouldn't Whistle"
and "Two Blue Eyes."

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