Music Trade Review

Issue: 1924 Vol. 78 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
s
1101 CHESTNUT ST
•fltfll A O£l PHI A ,-PA.-
REVIEW
FEBRUARY 9, 1924
More Cunningham pianos are found in Philadelphia homes than
any other and you can accomplish the same results in your
city.
Ask for our plan of selling Cunningham pianos.
Becker Bros.
Factory and
Warerooms:
767-769
WESER
Pianos and Players
High Grade Pianos and Player-Pianos NEW YORK
BJUR BROS. CO.
Sell readily — Stay sold
Great profit possibilities
Style E (shown below) our latest 4'6"
ESTABLISHED 18S7
Makers of
Pianos and Player-Pianos of Quality
705-717 Whitlock Avenue, New York
Grand, Upright
and Player
PIANOS
Ar
Order a sample to-day.
Liberal advertising and
cooperative arrangements
"""
NEW HAVEN and NEW YORK
MATHUSHEK PIANO MANUFACTURING CO., 132nd
Write for catalogue
and price list
Weser Bros., Inc.
Manufacturers
520 to 528 West 43rd St.
Grands
Uprights
Player-Pianos
KRAKAUER BROS., Cypress Avenue, 136th and 137th Streets
NEW YORK
New York
USED PIANOS
Repaired—Ready to Retail
THE
BUCKEYE SILL
is its name
It is the most convenient sill truck made.
It has tubular steel rollers, at ends of sill,
and wheels in the center.
Wheelbarrow handles at either end for
uprights and Baby Grands. For Grands, the swinging tail-board folds down on a level with
the pad-blocks.
When the bail on upright is turned down, the truck is mounted on its end rollers. Throw
the center lever forward and center wheels drop down. Turn bail up and truck rests on
center wheels. Shipping weight, 104 lbs.
Made only by
SELF LIFTING PIANO TRUCK CO.,
Uniformly Good
Always Reliable
ROGART
PIANOS
BOGART PIANO CO.
135th St. and Willow Ave.
NEW YORK
Telephone. Melrose 10155
Findlay, Ohio
CABLE & SONS
Pianos and
$4O up
F. O. B. Brooklyn, In carloads of 12 or more.
Any quantity. Less than carload lots also.
HILL & SONS
Phone Erercreen 8180
1341-1375 Myrtle Ave.. Brooklyn. N. Y.
Lyon & Healy
Headquarters for Piano Repair
Tools and Materials
Lyon & Healy own make
tuning hammer has no equal
Write for illustrated catalogs of
Tools and Materials
LYON & HEALY—Chicago
Player-Pianos
SUPERIOR IN EVERY WAY
Established House, Production Limited to
Quality. Our Players Are Perfected
to the Limit of Invention
CABLE & SONS, 550 W. 38th St., N.Y.
SHONINGER PIANOS
All Makes from
ESTABLISHED 1850
Kx4cutive Office*
749-751 Eatt 135th Street
New York City
The Review
52 Times for $2.00
383 Madison Ave.
New York
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
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VOL. LXXVHI. No. 6 Published Every Satirday. Edward Lyman Bill, Inc., 3S3 Madison Ave., New York, N.Y. Feb. 9, 1924
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i^i^KHIKIIIKIIIKIIIKilfKlil^
Solving Reproducing Piano Service Problems)
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T
H E opening of a service school in Minneapolis last week for training tuners and repairmen to give
proper service on reproducing pianos following the first successful course of the sort held in Chicago
from October to December, and the announcement that plans have been completed for a similar school
to be held in Detroit, again brings to mind the importance of this work to the industry as a whole, for
the time has come when the success and future of the reproducing piano depends in a large measure upon the
sort of service that can be rendered the owner after the instrument has been installed.
The National Association of Piano Tuners has recognized the importance of this work by co-operating to
bring together the tuners and repairmen making up its membership, as well as piano mechanics outside its juris-
diction, for the purpose of organizing schools in various cities in co-operation with the executives and representa-
tives of the service department of the Ampico Division of the American Piano Co. That the repairmen them-
selves have a thorough understanding of the value of such instruction was amply demonstrated in Chicago
where over two score men gave up five evenings a week for two months to receive expert instruction in re-
producing piano adjustments and repairs.
In handling the reproducing piano from the service standpoint the trade is facing the same problem
that cropped up following the introduction of the player-piano when, for a long time, only men acquainted with
the problem of straight piano repair were available. The individual tuner then was not sure of his ground
and hesitated about devoting the necessary time to studying the player mechanism thoroughly. But when he
did finally become somewhat of a player expert, he found it difficult to convince either the dealer or the owner
of the instrument that player repairs consumed time and cost more than straight piano tuning and should be
paid for accordingly.
Profiting by this experience, a goodly number of tuners and repairmen have seen fit to study the repro-
ducing piano. But frequently their opportunities for analyzing the instrument and its operation were limited
to the pianos upon which they were called to do actual work. This condition has helped neither the tuner, the
manufacturer nor the dealer, for insufficient knowledge has generally worked to the disadvantage of the instru-
ment. But through the medium of well organized schools, it is possible to train properly a large number of
men in various sections so that not only will the instruments be kept in perfect operation to the satisfaction of
the owners, but their reputation will be enhanced to the advantage of future business.
This training of the repairmen of the country to understand the reproducing piano and its problems
thoroughly should not rest entirely upon the shoulders of any one .company, but should be participated in by all
manufacturers who feature reproducing" actions or complete instruments so equipped. It serves to solve one of
the outstanding prpblems of the reproducing field—that of taking care of the instrument after it is sold at a
minimum of expense to the manufacturer and dealer and at a minimum of inconvenience to the owner.
As has been said before in these columns, the day when the manufacturer could be expected to keep a
crew of trained service men traveling continually about the country at heavy expense is past. The plan is not
sound economically and moreover it proves unsatisfactory to the piano owner who is called upon to wait weeks
sometimes before the factory expert can reach his home and make a minor adjustment and in the interim see
the piano remain idle.
The reproducing piano has developed far past the experimental stage and is recognized as a very im-
portant feature in the trade. Having been established it is only fair that the individual who has invested
perhaps several thousand dollars in such an instrument should receive prompt service when its delicate mechanism
requires adjustment. The burden of such service rightly belongs on the shoulders of the local distributor who
should be in a position to furnish a qualified service man just as promptly as he furnishes a tuner and thus keep
his customers satisfied and enthusiastic.

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