Music Trade Review

Issue: 1924 Vol. 78 N. 25

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC
TRADE
REVIEW
Grands — Uprights—Players
Iimrg 3
KURTZMANN
PIANOS
JUNE 21, 1924
Reproducing Pianos
Recognized for their high standard of quality
HENRY F. MILLER & SONS PIANO CO.
395 Boylston Street
Boston, Mass.
THE FINEST FOOT-POWER PLAYER-PIANO IN THE WORLD
Manufactured by
BEHNING PIANO CO.
East 133rd Street and Alexander Avenue
Retail Wareroomg, 22 East 40th Street at Madison Avenue, New Xork.
NEW YORK
SG4 Livingston Street, Brooklyn, N. T.
Win Friends for the Dealer
C. KURTZMANN & CO.
FACTORY
526-536 Niagara St., Buffalo, N. Y.
STULTZ & BAUER
Manufacturers of Exclusive High-Grade
Grands-Uprights-Players—Reproducing Pianos
For more than FORTY-TWO successive years this company has
been owned and controlled solely by members of the Bauer family, whotte
personal supervision Is given to every Instrument built by this company.
Sterling
Reputation
A r e p u t a t i o n of
more than sixty
years' standing as-
sures the musical
and mechanical ex-
cellence of every
Piano sold by the
House of Sterling.
A World's Choice Piano
Write for Open Territory
Factories and Warerooms: 338-340 E. 31st St., New York
'"«
HIWIIIIHINmniHnUWMWIlHNWIHUNIHIIHtn
" / / there is no harmony in the factory
there will be none in the piano"
Sterling Piano Corporation
81 Court St.
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Brooklyn, N. Y.
The Packard Piano Company
FORT WAYNE, IND., U. S. A.
MANSFIELD
NEW YORK HEADQUARTERS, 130 WEST 42d STREET
PRODUCTS ARE BETTER
A COMPLETE LINE OF GRANDS,
UPRIGHTS AND PLAYER-PIANOS
13Sih St. «mt Willow Ave.
NEW YORK, N. Y.
JAMES & HOLMSTROM PIANO CO., Inc.
SMALL GRANDS
3 Great Pianos
With 3 sounding boards
in each (Patented) have the
greatest talking points in
the trade:
PLAYER-PIANOS
TRANSPOSING
KEY-BOARD PIANOS
Eminent as an art product for over 60 years
Prices and terms will Interest you. Write ns.
Office: 25-27 West 37th St., N. Y.
Factory: 305 to 323 East 132d St., N. Y.
'A NAME TO REMEMBER
BRINKERHOFF
Pianos and Player-Pianos
The details are vitally interesting to you
BRINKERHOFF PIANO CO.
209 South State Street, Chicago
LEHR
PIANOS and
PLAYERS
We fix " o n e p r i c e " —
wholesale and retail.
Used and Endorsed by Leading Conservatories
of Music Whose Testimonials are
Printed in Catalog
The Heppe Piano Co.
OUR OWN FACTORY FACILITIES, WITHOUT
LARGE CITY EXPENSES, PRODUCE FINEST
INSTRUMENTS AT MODERATE PRICES
PHILADELPHIA, PA.
H. LEHR & CO.,Easton,Pa.
THE GORDON PIANO CO.
1846)
WHITLOCK and LEGGET AVES., NEW YORK
EST. 1856
"Made by • Decker Slaee
PIANOS a n d PLAYERS
••7-7*1 Emm* lSMfe Street. New Yea*
The
Talking Machine
World
Devoted to the interests of the
Talkin* Machine Dealer. The old-
est and dominating publication in
the field. Its authority and value
is recognized by the entire trade.
12 Issues for $2.00
383 Madison Avenae
NEW YORK
Manfrs. of The Gordon & Sons Pianos
and Player-Pianos
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
REVIEW
THL
VOL. LXXV1II. No. 25 Published Every Saturday. Edward Lyman Bill, Inc., 383 Madison Ave., New York, N.Y. Jane 21, 1924
81ni
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JIIIKIIIKIIIKIIIKIOT^
The Evils of Hand-to-Mouth Buying
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M
ANUFACTURERS and wholesalers of musical instruments have for some time past complained
more or less earnestly regarding the tendency of dealers to do their buying on a hand-to-mouth
basis, keeping wareroom stocks cut to a minimum and buying only enough to rill gaps in regular
stocks without providing for a surplus.
In certain cases it has been made to appear that this condition applies only to special classes of music
business. On the contrary, the growing practice of hand-to-mouth buying has found a place in practically
every line of business, from food and clothing right down or up the line. There is a definite and very notice-
able inclination among retailers to sail close to the wind and let the wholesalers, and particularly the manu-
facturers, hold the bag in the matter of carrying reserve stocks.
There are those who pretend to see in this new close buying" tendency results calculated to prove of
benefit to industry. They declare their belief in the fact that, by keeping stocks down to a minimum, credit
risks and the dangers of overbuying and overstocking on the part of the retailer are curtailed and in some
cases eliminated.
The main point is that the practice of hand-to-mouth buying can be carried to a point where it will
prove a real menace to industry in many ways. In the first place, after a certain point, the practice proves
unfair to the manufacturer and, as a result, reacts directly against the best interests of the retailer by making-
it impossible to gauge production requirements in advance.
With fixed advance orders on hand, the manufacturer is in a position to organize his factory force on
a basis that will permit operating smoothly and on full time for the greater part of the year. Thus this
obviates the necessity of disorganizing his force through enforced periods of inaction, and of then building
up a new staff in a large measure when the plant resumes operations. This juggling with factory organiza-
tions in the music trade, as well as in any other line of business, is a very expensive operation and adds ma-
terially to production costs, which must be passed on to the dealer and by him to the public.
Economists throughout the country have taken cognizance of this growing practice and have taken
occasion to point out to retail interests the fact that talk of price readjustments theoretically to a pre-war
basis can amount to nothing if retailers buy only to meet the needs of the moment and do not carry sufficient
stocks to spur them on to greater selling efforts and quicker turnover.
In short, it is only through stimulated retail business brought about by one method or another, and
certainly not by a curtailment of buying, that production can be increased to a point which will make for
lower manufacturing costs.
Hand-to-mouth buying, whether it be of pianos or other goods, means increased sales expense for the
manufacturer or wholesaler, for his traveling men must keep on the road almost constantly to maintain con-
tact with retailers and capture such orders as are in the offing, small though they may be.
In the music trade, and particularly in the piano division, it is the practice to buy only to meet im-
mediate requirements and hesitancy regarding placing of orders for future delivery entails an unusually heavy
burden on the manufacturer who, in an effort to keep his organization intact and his plant working, seeks to
place in his reserve stock instruments not required by dealers. With the high unit value of the average piano
two or three hundred instruments left on the manufacturer's floors mean tying up many thousands of dollars
of valuable capital.
The Review some time ago published a survey indicating that 75 per cent of all pianos used by retailers
during the year were bought within a period of three months, indicating that the remaining 25 per cent was
spread over nine months. It is this sort of ordering that means waste in manufacturing and keeps production
costs at high level.

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