Music Trade Review

Issue: 1924 Vol. 78 N. 2

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
10
THE MUSIC TRADE REVIEW
It Pays
To Buy
Tonkbenches
Piano benches,
generally
speaking, come
in for little at-
tention outside
the m a t t e r of
price.
But
whereas there
is little differ-
ence between
the best and
the cheapest in
price, there is
vast difference
in quality.
Tonk Mfg. Co.
Clybourn Ave. and Lewis St.
CHICAGO, ILL.
Manufacturers
Publishers
"KD" 88
Tonkbench
Tonk
Topics
It Pays
To Buy
The Best
JANUARY 12,
1924
Blizzard Weather Brings Slackening
of Demand With the St. Louis Trade
Thiebes Co. and Artophone Co. Damaged by Fire—Union Housefurnishing Co. Takes Over Field-
Lippman Store—J. E. Reger With the Wurlitzer Co.—J. L. Horras Opens New Store
C T . LOUIS, MO., January 7.—The combina-
^ tion of after-holiday normal depression and
after-holiday abnormal weather was too much
for the piano business last week. It sagged
under the double burden. Piano men have little
reason to expect much the first week in the
new year. What expectations they were entitled
to were knocked cold by the blizzard which
came with the new year and increased in
severity until at the end of the week the tem-
perature was ten degrees below zero, the lowest
it has been for several years. People are set
against going out in that kind of weather to
buy pianos, and salesmen are not keen about
pursuing prospects, so there was a sort of a
truce with everybody hoping for a resumption
of business this week under ameliorated weather
conditions.
The building at 1103 Olive street, occupied by
the A. C. Thiebes Co., pianos, and the Arto-
phone Corp., manufacturer and distributor of
talking machines, was discovered in flames early
Thursday morning, and before the firemen were
able to extinguish the fire, which started in the
basement, $10,000 damage had been done to
building and contents, including 125 talking
machines. The flames were practically con-
fined to the basement, but considerable damage
was done in the salesrooms by water and smoka,
The building had been reopened in December
after repairs, following a fire July 19, which
did damage estimated at $235,000 to the build-
ings of the Artophone Corp. and the Lehman
Piano Co., next door. The Shattinger Music
Co. at that time shared 1103 with the Arto-
phone Corp. The Shattinger Co. is now in the
Arcade Building and the building at 1103 is
occupied by Thiebes, with the Artophone as
a department. The present fire is supposed
to have started from defective wiring, although
the building had just been inspected. The office
of the Artophone Corp. is at 1213 Pine street
pending repairs. Some damage was done by
smoke to the Lehman store.
The Union Housefurnishing Co. is now in
possession of the Field-Lippman Piano Co.'s
store and work has been begun on extensive
alterations,, including the enlargement of the
show windows. Harry Mount, who was with
the Field-Lippman organization, has been made
manager of the piano department under the new
ownership. His organization has not been com-
pleted. Charles Lippman will remain tem-
porarily in charge of the talking machine de-
partment. O. A. Field and W. A. Lippman,
heads of the old firm, have not announced their
plans. Charles Crouse, of the old organization,
will take a rest for a month before making a
new connection. Elmer Brady has taken a posi-
tion with the Baldwin Piano Co. A. Lutz has
taken a position with an insurance company.
J. E. Reger, lately with the Lehman Piano
Co., has taken a position with the Rudolph
Wurlitzer Co.
J. L. Horras, who sold out his Twelfth street
store two years ago to the Kirkland Piano Co.,
has again embarked in business at 2618 Cherokee
street. He is at present handling only the
Dctmer piano and the Edison talking machine,
but expects to add other lines.
Two phonographs, valued at $450, were stolen
recently from the F-G Music Shop, at 327 De
Balaviere avenue, by thieves who broke in
through a rear window.
State Department Rules
on Mexican Import Duties
arriving and also the promptness of delivery.
Notable among such letters received by Cable
& Sons is one from Howard I. Paul, their dealer
in Pottsville, Pa., who states that recent ship-
ments from the New York factory to his store
have exceeded his expectations from the stand-
point of efficiency. A shipment of Cable & Sons
pianos had been sent to him recently exactly at
the time he most needed them and he expresses
himself as very well pleased.
In Reply to Inquiry From Weser Bros. Holds
That Duties on Pianos at Vera Cruz May Be
Paid Legally to De Facto Authorities
Several piano manufacturers in and about
New York who do business with Mexican deal-
ers have had brought strongly to their atten-
tion the fact that there is really a revolution
in that country. In fact, Weser Bros., Inc., had
several pianos at the Custom House in Vera
Cruz and sought the advice of the Mexican
Consul in New York as to whom duties should
be paid in order to release the instruments.
The official stated that the duties should not
be paid to the de facto government at Vera
Cruz, as the revolt was a local affair and would
terminate shortly.
Weser Bros., however, took up the matter
directly with the State Department at Wash-
ington and received the following ruling: "Un-
der generally accepted rules and principles of
international law American citizens are entitled
to pay duties to persons exercising de facto
authority at Vera Cruz, Mexico, and having
made such payments, to be free from further
obligation in the matter."
This authoritative ruling should prove of in-
terest and value to other manufacturers who
are faced with a similar problem.
Praises Cable & Sons Service
Special concentration on the idea of "dealer
service" by the executive and shipping staff of
Cable & Sons, New York, recently has been
accompanied by the receipt of many compli-
mentary letters from this company's representa-
tives at various points, who have been impressed
by the splendid condition in which goods are
J. P. Seeburg Piano Go.
Holds Sales Meeting
Traveling Representatives of J. P. Seeburg
Piano Co. Gather in Chicago After Most Suc-
cessful Year in History of the Concern
CHICAGO, III., January 5.—It was an enthusiastic
group of executives and traveling representa-
tives which met at the headquarters of the J. P.
Seeburg Piano Co. upon the occasion of their
regular annual sales conference last week. The
J. P. Seeburg Piano Co. in 1923 had the biggest
year in its history, and the men who carried
the message of the automatic instruments to
dealers in all parts of the country were not
backward in showing their satisfaction thereat.
When prohibition was enforced the story went
out that it would be the death-knell of auto-
matic instruments, but the accomplishments of
the J. P. Seeburg Piano Co. in 1923 refute this
argument once and for all time.
The most remarkable organization that an
automatic instrument concern has ever seen
has been built up by the Chicago concern, and
it is due to a remarkably energetic sales staff
that so many dealers have been shown the
profitable possibilities in the automatic instru-
ment field. In addition to the regular Chicago
executive and sales force the four following
travelers were in the city: R. H. McCabe, M,
Lemenoff, E. O. Ball and H. O. Ellis.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
JANUARY 12, 1924
MUSIC TRADE
REVIEW
11
Advertising That Creates Prestige
How the Reputation of the Music Merchant Is Built Up by Advertising That Is Written and Laid Out With
An Eye to Cumulative Results in Reputation and Good Will—A Striking Example in the
Publicity Used by the Lauter Piano Co., of Newark, N. J.
P
RESTIGE, says Webster, is weight or in-
fluence derived from past success, force or
charm derived from acknowledged char-
acter or reputation. In the dictionary of busi-
ness it is reputation backed by goods of merit,
presented in a dignified and thoroughly honest
fashion. In advertising, it is making no state-
ments in the copy that are not justified in the
goods themselves. It is an ever-present element
in every sale, intangible as it may be, working
silently but effectively for the benefit of the
firm which possesses it. Name over the leaders
in any great line of industry, no matter what
its nature may be, analyze the reasons for their
success and it will be found that fundamental
and basic is this factor.
Of course, the element which plays the great-
est part in creating prestige for any commercial
enterprise is the quality of the goods which it
produces. Without that, prestige is impossible
of achievement. But granted that this exists,
there still remain other formative factors which
are extremely important. One of these and the
one which this article proposes to deal with in
detail, is the way in which quality is presented
to the great buying public; in other words, the
way prestige becomes a creative force in making
sales and an active factor in increasing the
volume.
'Fake the player-piano. Here is an instrument
which has probably the most unlimited possi-
bilities from an advertising standpoint of any
instrument which the music merchant handles.
Yet there are many music merchants throughout
the country who disregard these in presenting
it ever been, the proper method of selling musi- sality of the instrument and how it opens the
cal instruments, even though sporadic successes world's music to its owner.
achieved at times may have blinded certain ele-
Another advertisement of the same type, but
ments of the trade to this truth. Those who featuring simply a single composition, but one
have pursued it stead-
ily have, without excep-
tion, suffered and in
the long run have put
their sales on the basis
of bargaining and price,
catered essentially to
the "shopping" element
and reaped the results
that always are in the
train of this type of
business.
There a r e o t h e r
firms, and a good many
of them, it is good to
be able to say, who
have not followed along
these lines of self-de-
ceit. Recognizing the
value of prestige and
its basis, quality, they
have steadily sought to
achieve them. Know-
ing that each advertise-
ment they use is but a
succession in a long
line of business mes-
sages to the public,
they have s t e a d i l y
sought for the cumula-
tive results that come
ERE is an evening's entertainment that would tax the
only through a contin-
versatility of any pianist. Yet, with the Lauter-Humana
uous i m p r e s s i o n of
player piano, you could play every one of these numbers—
and play with a finesse that would do credit to a skilled artist
quality and reputation
Ranged between the latest musical hits and the more substantial
which eventually ends
classics there is an inexhaustible store of entertainment and
in that vague though
pleasure that waits only to be released by you. With a player
important thing usu-
piano that is so liberally endowed with the finer qualities of tone
ally known as good
and expression—such as the Lauter-Humana -you would have
will.
This type of
all music at its best.
player-piano advertis-
The /.iiuter-ffumana, "world's finest player piano", mat) he purchased
ing stands in sharp con-
on convenient terms An af'oivancc n'i/l be mode lor pour old piano.
trast with the price
and bargain type of
publicity which is so
often seen and that it
With the Lauter-Humana
You Could Play This Program
H
LAUTER PIANO CO.
is m o r e successful a n d
« :: w,vv«,^T,A'Ai.. Wbg i iiBai i E5
527-593 Broad
Street
consequently
more
There Is Nothing Quite Like
Featuring the Player-piano
profitable is indicated
Playing the Lauter-Humana
by the houses, the policies of which have never of wide appeal, is also reproduced. Here, again,
deviated from that line, who to-day are the real the appeal is based on the musical capabilities
play "Al Da«ninir," that clis'mlne ballad by Cadman? With the
of the instrument, with no mention of price or
leaders in the industry.
i put into place, and the n i l beautiM ran c fills the
Prestige creating publicity can be no better terms. It is a straight and simple appeal to the
n flames
'Ajt- 1 toot ceo..
Wttn the blrdlm?) wtika and cm, I loot ton,
illustrated than by the advertisement of the fundamental urge which makes the prospective
Wtt»n the swaying limits ol forn,
Wffifptr toft ct bnaJiinv-ifwi.
Looe antw to me is bora.
Lauter Piano Co., of Newark, N. J., which is customer buy, for, after all, he or she does not
I loos ffou. t toot jfuu
You play—now softly, now loudly— all rhe while expressing your own fetl-
reproduced with this issue—the one with the purchase a player-piano because it is so cheap
,ngs. your own pc-sonality!
caption, "With the Lauter-Humana You Can or because there can be had a long time in
The list bar faintly dies awav, and r ° j emerge from a delightful reyene
You have enjoyed yourself more than you ever could have by merely listening
to music You have been a part of "At Dawning"—you have felt all the -hrill
Play This Program." Here is an advertisement which to pay for it. They buy it primarily
thai Cadman must have felt when he co mpostd this haila.l Playing the Lauter-
iof which you will never tire.
which, while designed to sell player-pianos, deals because they want music and because that in-
r-Hui
e p!an'
I'v.
primarily not with the price of the instrument, strument can give it to them without under-
the low terms on which it can be purchased nor going the long and perhaps tedious process of
LAUTER
PIANO
CO.
the bargain which the instrument is. Instead, learning to play the piano manually.
Wl-593 BROAD STREET
These are prestige-creating advertisements in
it confines itself strictly to one topic—the pleas-
^3gggK<»g^^
ure which the player-piano brings to its owner the best sense of the word. They cannot help
in his own home. The company here becomes but add to the reputation of the house which
A Lauter Advertisement .
their sales message to the public and who con- not simply a merchant selling merchandise, but uses them. Dignified and restrained in their
fine themselves to the price and long-term a purveyor of music and therefore pleasure and statements, making an appeal to the funda-
method of approach in their advertising, using entertainment in the home. The copy shows mental buying instincts of their readers, backed
the great possibilities of the instrument and, by instruments which have 100 per cent quality
copy which is destructive of every sense of
prestige and totally incompatible with every what is best of all, the sample program given behind every statement made in them, they are
method of achieving it. This is not, nor has neglects no field of music, showing the univer- indisputably the most effective possible.
J
o
N
K A B i E
N

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