Music Trade Review

Issue: 1924 Vol. 78 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
APRIL 12, 1924
MUSIC TRADE
REVIEW
Is the Exclusive Agency Worth While?
The Division of Responsibility Between the Manufacturer and the Merchant in This Form of Distribution—
The Dealers' Interest in the Manufacturers' Advertising—Manufacturers' National Distribu-
tions—Second of a Series of Articles on Present-day Piano Distribution
OR many years one of the most disputed
points in piano distribution has been the
value of the exclusive agency, both to the
manufacturer and the dealer. For a long period
this method had been the general trend in piano
distribution, many manufacturers going so far
as to grant large territory promiscuously to
dealers with no certainty of the number of in-
struments they could sell. Even when sales
volume bore no proper ratio to the potentialities
of the territory, these agencies were continued,
either because the manufacturer had no detailed
knowledge regarding that particular locality or
else because he feared to drop a representative
and seek a new one. It was also true that many
manufacturers allowed the creation of name
value to be largely in the hands of the dealer,
with the result that the latter acquired what
seemed to be a vested right in the agency, an
idea that in many cases had a real foundation.
A Gradual Change
Of late years, however, with the appearance
of the nationally advertised piano and player-
piano of medium grades, the exclusive agency,
particularly in this field, has tended to disap-
pear. In its place has come general distribution
with a consequent increase in sales due to the
larger number of outlets. Thus sufficient ex-
perience has been had with both of these
methods of distribution to warrant a careful
study of their effects and arrive at some definite
conclusions regarding the efficiency of both
methods, and the particular instruments to
which both plans of distribution apply most
readily.
In securing an exclusive agency from a manu-
facturer the dealer at the same time acquires a
responsibility. If a manufacturer is willing to
confine his distribution to one outlet within a
certain locality, the dealer in turn assumes an
implied obligation to create a sufficient volume
of sales to warrant that restriction. It has often
been this lack of realization on the part of the
dealer, combined with the attitude of many man-
ufacturers in granting large territories without
sufficiently protecting themselves in regard to
sales volume, that has led to most of abuses
which have grown but of the exclusive agency.
Cases have been known of manufacturers who
have granted a large section of an entire State
to a dealer who had neither the sales organiza-
tion nor the facilities to cover such an extent of
territory, with the result that on the manufac-
turer's distribution map big stretches of prof-
itable selling territory were barren of results
and what appeared to be a national distribution
was in reality but 50 or 60 per cent of the
country.
Mutual Injury
When a manufacturer grants an exclusive
agency he injures both himself and the dealer
it he gives the latter more territory than the
latter can efficiently cover. The injury to the
manufacturer is apparent enough; the injury to
the dealer is more difficult to discover. Granted
that the instrument is a name value piano, and
exclusive agencies are only sought for pianos
of that type, the inevitable result upon the dealer
and his sales organization is to take the easy
sales and make but little effort to obtain the
more difficult ones. A sales policy based on
the lines of least resistance means soft selling
and soft selling means an unworked territory.
If the attitude of the selling organization to-
F
0
N
wards the leader of the line has this character-
istic, it will exist in regard to every instrument
handled, with the result that the dealer's busi-
ness will be materially curtailed with very little
chance of any remedy being found and applied
to remove the evil.
Given a wide enough stretch of territory,
there are always sufficient sales of a name value
piano to create a fair sales volume, and espe-
cially when the dealer has never studied the
potentialities of the territory, self-satisfaction
exists. There are a number of instances of
retail houses in the trade doing a fair sales
volume, but not making nearly enough of their
opportunities, which have suffered for years
from this interior dry-rot. This condition has
had much wider effect upon piano distribution
than has been usually considered.
Agency and Quota
Thus the exclusive agency has served in many
cases to create a steady deterioration of retail
selling methods. But this is not an inherent
defect of this method; it has grown up by the
abuse of it. The manufacturer should grant no
exclusive agency for his product save by a
direct understanding with the dealer that the
latter will make a sufficient volume of sales to
warrant a restriction of outlets in his territory.
A manufacturer of one of the best names in the
country, whose product is sold on an exclusive
agency basis, never grants an agency unless the
house is sure the dealer can properly cover the
territory. Then the dealer is told that a certain
quota of sales is expected annually if the agency
is to remain in his possession. This quota is
figured on the condition of the territory within
a certain radius of the dealer's warerooms and
takes into consideration such factors as the
population, the income tax statistics, whether
the territory is industrial, commercial or agri-
cultural, the number of individually owned
homes, the number of individually owned
automobiles, the number of banks and the
number of bank depositors, as well as the total
deposits, the number of piano dealers and com-
petitive conditions, including the competitive
lines handled, and other information of a similar
character. With this information at the manu-
facturer's disposal, he figures a reasonable
quota, with due allowance made for fluctuating
local industrial conditions, and the agency is
valuable enough for the dealer to agree to it
in order to secure the representation.
Many dealers, of course, would consider that
such a system throws too much responsibility
upon their shoulders. But in the experience
of this manufacturer, an agency is rarely trans-
ferred, staying with the same retail house year
after year, and the quotas are met. The house
itself has one of the few really national dis-
tributions that exist in the piano industry and
has built it up simply because it has consistently
followed this policy. Its agencies include the
best retail dealers in the country.
Medium and Low-priced Products
Manufacturers of medium and low-priced
pianos and player-pianos have largely discon-
tinued the exclusive agency, especially when
their selling plan is based on national adver-
tising. One manufacturer, who was among the
pioneers in this policy, has developed this work
so far that, in a city like Chicago, he has ap-
proximately twenty dealers, all handling his
line under its own name, for he makes no other
K
instruments save those which carry his name
on their fallboards. Ten years ago such a dis-
tribution was unknown in retail piano selling
and would have been thought out of the
question. Yet, this manufacturer, through ad-
vertising his product steadily and consistently,
has built up such a demand with the buying
public that these dealers, many as there are
of them, make imposing sales figures in selling
this line on its name and, of course, on the
intrinsic value which the name denotes.
One of the outstanding features of this manu-
facturers' selling policy has been the steady en-
couragement he has always given his dealers to
utilize his national publicity in their own selling
work. Strange as it may seem, this has re-
quired a long campaign of written propaganda
and personal work by his travelers. To-day all
dealers who handle this line link their ware-
rooms closely with the national campaign,
partly by means of the dealers' helps which the
manufacturer sends out and partly by closely
following the national publicity as it appears
with their own advertising in the local news-
papers. It is quantity selling, of course, but
quantity selling methods are required in
handling a line which has such a wide potential.
market.
Checking Volume
The manufacturer of a similar line who is
still trying to use the exclusive agency in mar-
keting it is checking his own development as
well as that of the dealers with whom he places
his agencies. Quantity selling, which implies
a comparatively small profit, must mean a large
number of outlets. The manufacturing problem
here sets the selling problem and unless they
are both in a proper relationship, distribution
inevitably suffers.
Considering the exclusive agency from the
standpoint of efficient piano distribution, inevi-
tably the conclusion must be arrived at that
it is only efficient when applied to instruments
of the higher grades, which appeal to a com-
paratively restricted buying public because their
prices place them beyond the reach of the aver-
age family income. On the other hand, in the
distribution of instruments in the medium and
lower grades the exclusive agency inevitably
tends to restrict outlets and thus sales volume.
For, with an instrument of name value in these
grades, there are no retail selling organizations
large enough nor with sufficient facilities to
cover the prospective buyers for it.
B & E
Murphy in New Warerooms
SAVANNAH, GA., April 7.—The Murphy Music
House has taken larger and more convenient
quarters at 144 Whitaker street, removing from
112 Whitaker, where it has been doing business
for several years. The business was established
in 1904 by John D. Murphy and its present
owner and proprietor is G. A. Murphy.
Incorporated in Missouri
KANSAS CITY, MO., April 5.—The Starr Piano
Co. Sales Corp., of Indiana, has recently been
incorporated to sell musical instruments in
Kansas City, with an authorized capitalization
of $10,000. Harry and Clarence Gennett and
C. V. Bissell are the incorporators.
N
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
APRIL 12, 1924
Making the Air Sell More Music Rolls
Another Article Describing Specific Methods by Which the Influence of the Radio May Be Utilized in the
Sale of Music Rolls and Talking Machine Records—Selling Musical Instruments by the
Same Method—Too Much Selling and Its Check on Sales
I
N a recent article it was shown that the
sale of the better class of music recorded
on rolls and records can be fostered by a
judicious study of the kind of radio music people
with no particular musical taste in the past are
beginning to like, and also that to do this the
salesman must be thoroughly posted on com-
posers and specific numbers in order to give
people more of the same type of music for
which they have expressed a preference.
There is evidence to hand that not merely
the young people or those in the prime of life
are becoming vitally interested in radio, but
that the older people as well are beginning to
show up as "fans" and that their likings may
well be studied with a view of making them
more profitable music roll and record customers.
Radio Preferences
I have not heard the final figures on the
result of the test vote conducted by several of
the Chicago broadcasting stations, but recently
an interesting statement came through the air
from WJAZ, Chicago. It said that in the first
thousand votes counted actually 35 per cent said
that they preferred the old familiar songs. So we
have had "When You and I Were Young, Mag-
gie," "Annie Laurie" and "Silver Threads" and
the like in great plenitude. There must have
been a coincidence at work there and it can
hardly be believed that this result is representa-
tive of the many thousands who stated their
preferences.
It is to be noted, however, that the classical
and semi-classical numbers to be broadcasted
have been increasing. While we get plenty of
jazz orchestra and jazz songs it is to be noted
that there was early in the game a good deal of
complaint recorded to the effect that entirely
too much "jazz" piano music was going on the
air. On the other hand, the number of classical
piano solos seems to be constantly increasing.
Right here, a friend of the writer said the
other evening that he was having a whole lot of
fun with his radio nowadays. He has been
getting a number of records of selections that
he finds are played frequently from the broad-
casting stations and he studies the different
interpretations and finds that he can follow
them quite satisfactorily on his player. There
is a little player sales argument that would
actually have a good deal of weight with some
people. Of course, broadcasted orchestral, as
well as piano numbers, can be used in this way.
Building a Mailing List
It at once suggests itself to the dealer trying
to find w y ays and means for hitching up roll and
record sales with the radio that whenever a per-
son expresses himself as liking a particular kind
of radio music, his name, address, telephoiu 1
number and the character especially of the new
"likings" be recorded on a card. Then the
radio programs may be studied and frequently
a phone or postal message may be delivered
something like this: "Did you hear such and
such a number over the radio last night? Well,
we've got a beautiful record (or roll) of it by a
much greater artist—no less a person, in fact,
that Sanchezotusky," or words to that effect.
It's a good way to work off your stock of stand-
ards if any portion of it has shown a disposi-
tion to become "dead" on your hands.
A North avenue dealer in Chicago makes a
practice of clipping out radio programs from
the dailies, pasting them on his window and
running ribbons from the program numbers
back to rolls and records in the window or to
neatly lettered cards telling about the specific
numbers.
It may be put down as an actual fact that
the desire for good music is being fostered
right now in many people who only liked the
lighter forms of music, and that sales of players
and talking machines can be made to .people
who do not own them now by acquainting
them with the joy they will get by having these
beautiful numbers and others like them in the
house to be played whenever they wish them.
Make it a point to tell your customers that
Mahogany
Mahogany
Width
54
Inches
Length
59
Inches
LUDWIG PIANOS
Praise the Weaver Grand
YORK, PA., April 8.—A recent visitor to the
Weaver Piano Co. was J. S. Reed, of Baltimore,
Md., who, for a period of five years prior to
1911, was general wholesale representative of the
Weaver Piano Co. He was accompanied by
Mrs. Reed and son, James Reed, who is now
actively associated with his father in the busi-
ness of the J. S. Reed Piano Co., of Baltimore.
Prof. Schwartz, a noted pianist and teacher of
Baltimore, who recently purchased a Weaver
grand for his studio and who spoke in the high-
est terms of its splendid musical qualities, was
also with them.
W. N. Reeder Moves Store
Dealers are cordially invited to Ludwig headquarters to see and hear the Ludwig
line of Grands, Reproducing Pianos, Uprights and Players.
Especial attention is directed to our Grands, the artistic quality of tone being readily
apparent, as also are the attractive case models, so important to the dealer. We believe
the Ludwig line nearest to 100 per cent value of any make of pianos, and crave the
opportunity of proving it to you.
Ludwig & Company
Willow Ave. and 136th St.
whenever they hear music they like but have
not in roll or record form, that you are always
in a position to aid them in adding to their col-
lections of rolls or music other numbers of the
same type.
Other Tendencies
Let us leave the radio now and examine some
other tendencies in selling. Forgetting the edu-
cational side of the selling, something which will
loom larger than ever in the future, owing to
tendencies like that above mentioned, it is un-
doubtedly true that salesmanship has been over-
done in the past in some respects and that the
public is having its reactions.
"Cheat Caesar," said a friend of mine the
other day, "I wish I could be allowed to go
into a store and buy. There seems to be a con-
spiracy on the part of the proprietor and his
clerks against it in almost every line of busi-
ness. They all seem to want to tell me what
to buy, and I can't help having the idea that
what they want to sell me is that which yields
the largest percentage of profit to them.
"Of course, I often do go in a store to buy
something that I know nothing about, and it is
a pleasure if I feel I can have confidence enough
in the man who waits on me to trust the de-
cision to him.

"Now, when I do have some general idea of
what I want, don't imagine for a moment that
I do not want the attention of the sales people,
I do. But I want to be shown, I do not want to
be 'sold' even if I intend to buy. Why in the
name of common sense can't they show me the
different makes and models and types, tell me
about the features each possesses, give me the
prices and then allow me to have some voice
in the selection. Too often you find that the
people in the store are doing everything they
can to divert your attention from this or these
in order to concentrate your attention on that."
No one need be told that the trade has been
a sinner in this regard. Recently the writer has
heard so many complaints on one or another
phase of this thing that it may well be con-
sidered whether it is not one of the things to be
eliminated or modified in the intelligent sales-
manship of the future.
New York
CAKI.ISI.K, PA., April 5.—W. N. Reeder has com-
pleted arrangements for moving his music store
to quarters in the Democratic headquarters
building, formerly the St. Charles Hotel, on
North I'itt street. His former location was at
36 North Hanover street.
Consult the Universal Want Directory of
The Review. In it advertisements are inserted
free of charge for men who desire positions.

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