Music Trade Review

Issue: 1924 Vol. 78 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
APRIL 5, 1924
THE POINT OF REVIEW
I
T is a mighty fine thing to let the men in the factory hear the
piano which they produce when played by an artist of standing.
It gives a pride of production and a feeling for the artistic quality
of the completed instrument which probably can be had in no other
way. The concert given by Hernia Menth, the well-known pianist,
in the factory of the Hallet & Davis Piano Co. last week is an
instance in point. A good part of the production force made up an
enthusiastic and appreciative audience both for the pianist herself
and her work as reproduced by the Angelus reproducing piano, and
no doubt every one of them was a better workman for the hearing.
This is not the first time that the Hallet & Davis Piano Co. has
brought a really big artist to its factory for its employes to hear.
It will be remembered that when the new factory was opened,
Leopold Godowsky played before the employes, both in person and
through the medium of the Angelus. Evidently the concert was
such a success that the Hallet & Davis management found it worth
while to bring another artist out to its men. It is a plan that
could be followed by other piano manufacturers and to their
advantage.
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HEY say that there is nothing new under the sun, but every
once in a while a piano merchant comes up with a new one in
his advertising. This time it is Will A. Watkin, the tireless presi-
dent of the National Association of Music Merchants and one of
the leading dealers of Dallas, Tex. Mr. Watkin has been running a
series of advertisements in the local papers which differs radical]}
from the ordinary type of retail piano advertising and which should
be bringing him results. The central idea of the series seems to be
the provision of a proper place for the piano, the player-piano or
the reproducing piano in the home. The advertisements are built
up on the idea that no home can be a thoroughly complete one
without a piano. Of course there is nothing new in that. But the
appeal is made directly to those who are building or who contem-
plate building, which is a new angle. It will be remembered that
in his capacity of President of the National Association of Music
Merchants, Mr. Watkin appointed a committee to confer with
architects in order that homes might be planned with proper space
for the installation of a piano, something which is often neglected
at the present time. Evidently he practices what he preaches, for
he is using his good advertising space to spread the propaganda.
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T
HE appearance of Percy Grainger, the pianist, at the new Fox
,
Theatre in Philadelphia in conjunction with the Duo-Art and
tinder the auspices of C. J. Heppe & Son, Aeolian representatives in
that city, is a remarkable development of the reproducing piano
Concert idea. Only once before has the idea been carried so far as
{his. That was at the Capitol Theatre during one of New York's
tnusic weeks, when the same artist appeared in conjunction with
fhe same reproducing instrument. The Philadelphia appearances
were a success in every sense of the word. During the week the
buo-Art must have been demonstrated under the best of auspices to
a good many thousands of people, the majority of whom could be
feached in no other way. Among them were a large number of
possible prospects who probably had never before gained an ade
(juate conception of what the reproducing piano really is, for,
despite all the demonstration and publicity which this instrument
fcas received since its first development, it is still a great novelty to
any people. The remarkable work which it accomplishes almost
oes beyond belief and the certainties which can be said regarding
it are themselves likely to give rise to a degree of skepticism which
©nly real demonstration can remove. Yet demonstration in the
Concert hall or in the dealer's warerooms does not bring a great
jbany people, while, on the other hand, these Grainger appearances
tiring many who could afford to buy this instrument and who would
buy it, were the dealers able to reach them. Demonstration in the
high-class moving picture theatres, such as the Fox and the Capitol
for instance, reaches just these people, especially when it has the
^dded attraction of an artist who ranks as high as Grainger doe:..
It may be an expensive means of exploitation, but when it is con-
sidered in relation to the results it is sure to bring, it is not so
expensive after all.
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' I ' HAT is one thing which always must be considered when
-1 exploitation work is undertaken. Many a dealer is wasting
money in some of his undertakings in this direction, although his
total expenditure may not be nearly as high as that of a competitor
who is getting real results from some plan which at first glance
appears to have very little to do with his store. There is a type of
dealer who considers it a waste of money to participate in such
an event as Music Week, and who leaves it strictly alone. On the
other hand, there may be a competing dealer who contributes to
the funds which support these events and who takes an active part
in putting them over. The first usually considers that the second
is wasting his time and his money, yet nothing is further from the
truth. The second is creating a greater interest in music, a greater
popularity for it, which can only result in greater sales for the
instruments he is selling. It is true that the dealer who takes no
part in this work may get some of these sales; but there is more
truth in the fact that the dealer who links his name with the work,
who figures in every event of this kind, is going to get most of
them. And it is a cheap way of selling musical instruments in the
long run, as those who have tried it have discovered.
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I T is a question how many dealers there are in the retail piano
trade who succeed in keeping their past due on outstanding
paper below 2 per cent. The Reviewer realizes, of course, that this
is an extremely low figure, but it has been accomplished in the past
and can be accomplished in the present and in the future. A dealer
who succeeded in doing this was one who made a good deal of
money during his career in the retail trade. His system was simple.
First of all, he was careful to whom he sold, making a thorough
investigation of every customer before he accepted the contract.
Secondly, the contract was never signed until the customer knew
every clause in it and understood it. Thirdly, he impressed it upon
the customer that the terms in the contract were there to be lived
up to, and his collection department followed this system. It was
never afraid to ask for what was due it. The result was while this
dealer was in the retail trade he probably had the lowest percentage
of past due of any one in the business. A second result was that
he could discount his paper on fair terms and thus he was able
to make his capital work a couple of times where in the case of the
average dealer it worked but once. How many dealers are there
in the trade today who can show a similar record ?

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I T is the general opinion in the retail piano trade that a dealers'
*• past due should never exceed 5 per cent. Yet there must be a
good many of them who find that their percentage in this direction
runs above this figure. The answer, when this condition exists, is
neglected collections, nine cases out of ten. Why a dealer should
neglect his collections passeth human understanding. For, in a
business such as the retail piano business, collections are equal in
importance to selling—in fact, they may be taken as a part of the
selling plan, for a piano is never sold until the last payment is
collected. To place the collections in the hands of a cheap clerk
or girl, and to leave them without very much supervision save when
the dealer finds himself running short of cash to meet his current
obligations, is a suicidal policy. Yet there are hundreds of dealers
who follow it and hundreds of them who suffer as a result. In
fact, there are many of them who educate their customers con-
sistently along these lines.
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' j HIRTEEN HUNDRED concerts in one year in a single city
• with the same make of piano. That is the record of the Fitz-
gerald Music Co. of Los Angeles, representing the Knabe p : ano.
When anybody talks about music advancement work that is one
firm which cannot be left out of the reckoning. So far as The
Reviewer knows, it is a world record for a city of that size.
T H E REVIEWER.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
APRIL 5, 1924
MUSIC TRADE
REVIEW
Why the 36 Per Gent. Overhead Cost?
Excessive Selling Costs Lower the Piano Merchants' Net Profit Below Its Proper Ratio to Sales—Overhead
Problem a Neglected Study in the Trade—Its Relation to Distribution Methods—The First
of a Series of Articles on Present-Day Piano Distribution
NE of the leading dealers in the Western
section of the retail piano trade recently
reported gross sales of a certain type of
inst.unient in the line he carries amounting to
over $1,000,000 with a net profit of less than $50,-
000, this before deductions had been made for
taxes, etc. Of three of the largest music dealers
in the country who recently made public their
annual statements, not one of them reported a
net profit of more than 7 per cent. An investi-
gation recently conducted by The Review, based
on figures furnished by approximately 100 deal-
ers, showed that average overhead costs in their
warerooins ranged slightly over 36 per cent, in
some cases going as high as 42 per cent. One
of the best-known dealers in the trade, shortly
after the results of this investigation were made
public, made the flat statement that the real
profit in the average instalment piano sale, in
many cases, represented no more than the inter-
est collected on the outstanding paper, which
the sale created.
A Fundamentally Wrong Condition
These facts show a condition in the retail
piano trade which is fundamentally wrong.
Representing one of the highest forms of
specialty selling, and moreover conducted on an
instalment basis io the extent of at least 85 per
cent of its sales, the average net realized does
not represent an adequate return on the invest-
ment when the risk is taken into consideration.
Vague charges of extravagance in selling costs
in the past have constituted the sole reasons
alleged for this condition, but unquestionably
the causes lie far deeper than this and are prob-
ably inherent in the conditions under which the
industry is conducted at the present time. They
have arisen out of the fact that the industry has
never studied its distribution problem as a
whole, has not directed it upon a reasonable and
logical plan, has lacked adequate knowledge of
its actual state, and has permitted it largely to
come into being as the result of disordered
growth rather than as the result of study, plan-
ning and preparation. For an industry of its
size there is probably less known about it to-day
than of any other similar industry in the
country.
These arc perhaps strong statements, yet
every piano man who has ever given compre-
hensive thought to his own industry knows they
are true. Despite the progress which has been
made in the last ten years in the betterment of
distribution methods, much more remains to be
done before the industry will have passed
through its present transitional stage and be
truly placed upon a modern basis. For the dis-
tribution of pianos is by no means a unique
problem; it has all those sides which have al-
ready been solved in other lines of industry,
which have either lacked the burden of tradition
that acts as a brake upon the adoption of new
methods, or else have studied and solved their
problems in common.
First Definite Figure
The Review has made the first comprehensive
study of retail overhead that has ever been
undertaken in the music trade. From this has
come probably the first definite figure telling
the average cost of making the average piano
sale. It is the basis from which the further
study of overhead problems must proceed. That
is the fundamental condition which confronts
both manufacturer and merchant at the present
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day, one that is of mutual interest. F"or the
manufacturer bears an equal share of respon-
sibility with the merchant for conditions as they
exist, since with but a few prominent exceptions
it is only within a very short time that he has
devoted any attention to them. That this mutual
responsibility is to-day more widely recognized
than ever before is one of the most encouraging
signs that are present, and the one that is most
likely to bear fruit in the shape of increased ex-
pansion within the near future.
Hound up closely with the questions of dis-
tribution and overhead is that of increased turn-
over. Turnover in the retail piano trade is a
complicated proposition, primarily because of
the preponderant instalment element in the re-
tail sales. Stock turnover is likely to be far dif-
ferent with many dealers from capital turnover,
a condition which exists because of the widely
varying financing methods which are in use. Un-
questionably, however, turnover to-day does not
bear the proper relation that it should to tin-
percentage of net profit, else the average net
profit of a dealer over a year would be consider-
ably larger. This directly leads back to distribu-
tion methods, and shows once more conclusively
that what is wrong with piano selling to-day is
a question of distribution and nothing more.
In short, if one seeks the reason for the heavy
overhead cost in retail piano selling, one is in-
evitably led to the question of distribution.
There is no getting away from it, and many of
the leading figures in the trade, both manufac-
turing and retail, realize it and are using their
best efforts to reach efficient solutions. It is the
purpose of this series of articles to deal with
some of the high-lights of this progress and in
some detail to discuss what is being accom-
plished.
Lack of Knowledge
Retail distribution to-day suffers primarily be-
cause of the dealers' lack of knowledge regard-
ing the territories which they cover. They are
not selling a product of either universal or
staple demand. They are not selling a product
which has an uncompetitive field. On the con-
t.ary, the piano in its various forms has the
sharpest of competition, since it is usually paid
for from the surplus which the average family
has over and above the amount required for the
actual necessities of its existence. Yet the aver-
age dealer scatters his selling efforts over the
entire mass of the population and rarely con-
centrates upon those classes which are able to
buy what he sells. He sells pianos, or endeavors
to sell them, too much like groceries are sold.
As a result his sales cost is high through the
wastage involved in handling prospects that are
cither unable to buy at all or else if they do
buy are exceedingly poor credit risks.
As a matter of fact, all this is unnecessary,
provided he is willing to do a little preliminary
work. If a dealer will consider, according to
figures available and within his reach, taking the
families of lowest incomes only into considera-
tion, that the average home with an annual in-
come of between $2,000 to $4,000 has an aver-
,-ige surplus of between $500 and $1,000 over
that required for the actual necessities of life,
that the family w r ith an income of between $1,000
and $2,000 has the sum of between $200 and
$400 available, and will provide similar propor-
tions to families of greater incomes, he will be
in a much better position to direct his selling
efforts where they will count for a good deal
more than they do when scattered haphazardly
over his entire territory. If he will find the
number of families of these various incomes in
his territory, and he can easily do so by using
the income tax statistics published annually by
the United States Treasury Department, he is in
a much better position not only to sell more
economically, but to concentrate on those grades
of instruments for which his territory presents
the largest demand. Few dealers ever do this,
yet it is the simplest and most necessary of all
preliminary work in planning a retail selling
campaign and in buying the grades of instru-
ments which are to be so sold.
Rigidity of Sales Methods
This is but an example. Here is another.
How many dealers are there wjio know the pre-
vailing industrial conditions in their territories?
All know them generally, of course, but few in
sufficient detail to apply them to their Own
selling policies. Some two years ago there were
a number of dealers doing a good business in
low-priced players in a territory that drew most
of its local prosperity from coal mines. Strike
conditions killed this business completely. With
the exception of one dealer, all of them con-
tinued to work along the same old lines. This
one dealer switched his selling efforts to a better
grade of instruments and did business while all
his competitors were dead with the exception
of paying high overheads right along. It seems
paradoxical that where cheap instruments could
not be sold due to strike conditions, better grade
instruments could be moved, but the answer is
simple enough. The officials and permanent
forces of the mines were continued in employ-
ment and paid their full wages. They were a
market, in fact, the only existing market, and
the'"c was only one dealer going after them
strongly. H e had practically an unrestricted
field and he cashed in, his overhead keeping at
its proper relation to his volume. Yet this was
something that every other dealer could have
done just as well if he had thought the situa-
tion out from the facts at his command.
Improve Distribution
The comparatively high selling cost thus can
be traced back largely to inefficient selling
methods, or, in other words, poor distribution,
(ietting at the nub of the question, the trade has
got to have better distribution, both wholesale
and retail, ii it is going to have lower selling
costs. The manufacturer has to link his own
selling efforts more closely to those of his deal-
ers and come into closer relations with him;
the dealer in turn must take advantage of the
manufacturers' co-operation and must study his
own selling problem in relation to the territory
from which he draws his sales. The reasons for
a 36 per cent overhead are these, and upon their
solution depends whether or not it will be
bi ought to a lower figure. And also upon that
solution depends whether or not the industry
will once more expand in a proper ratio to the
growth and development of the wealth and
population of the country.
Further articles in this scries, which will
appear consecutively in The Review during the
next four weeks, will deal with a number of
different aspects of this very important question
and it is hoped will prove of great value to
those merchants who are endeavoring to im-
prove their methods.
B & E * N
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