Music Trade Review

Issue: 1924 Vol. 78 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MAKCH 15, 1924
MUSIC TRADE
REVIEW
Ihen LiOhfsAic
AH Enchanting Atettz Sontj
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You'll never forget
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You cayi't £4o
with ann FEIST
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is are lm/ uou steal in-lo mu heart and
Ted Browne Distributes
Robert Crawford on
Window Display to Dealers
Return From the West
Increasing the Turnover
(Continued from pjgc 48)
the backward methods of the one or two lead-
ing stores are not doing justice to the lines
they handle, then, and then only, should inves-
tors he encouraged to enter retail sheet music
distribution.
No spasmodic campaign, how-
ever, should encourage a movement for in-
creased outlets in the hope that a fair percen-
tage out of those who enter the business will
remain. Rather the entire publishing industry
should take up the problem and only lend en-
couragement where the possibilities so warrant
the new activity.
In treating the question of additional popular
outlets, a somewhat more extended latitude
should be allowed, not only because there are
less details, a quicker turnover, but, because
it has a higher "right-now" advertising value
than redounds to standard publications.
No real constructive development of retail
outlets can be achieved through enthusiastic
drives along lines which the "four minute" men
made so familiar in war time. These invariably
were high spirited, and well meaning, but were
to the real workers and producers so much
"apple sauce."
As further proof and acknowledgment of the
merits of the Witmark Black and White Series
is the frequent appearance of this well-known
edition in exclusive window displays. Among
the more recent of such that have been noted
was the one in the nationally known store of
Theodore Presser, Philadelphia, Pa., and Gold-
smith's Music Store, Columbus, O., the latter
shown herewith. It is devoted solely to the
Black and White Series, and the black drapings
upon which are suspended the white title pages,
with, in their turn, their conspicuous black let-
tering, makes this a black and white study in
actual reality and closest detail. Such displays
as this are given to the edition by the legitimate
dealer without inducements of any sort.
Features Latest Hit of That Publisher, "Sun-
shine of Mine," in Attractive and Permanent
Form
Special Mid-Year Edition of Berlin Dance Folio
Having Wide Sale—Carries Long List of
Successes
CHICAGO, 1I.I... March 8.—The Ted Browne Mu-
Robert Crawford, sales manager of living
sic Co., 218 South Wabash avenue, last week-
Berlin, Inc., will shortly return to his desk fol-
started to send the sheet music dealers a very at- lowing a trade tour through the larger centers
tractive window set featuring- its song, "Sunshine of the Middle West. While away Mr. Crawford
of Mine," which is
rapidly becoming one
of the hits of the
year. The window set,
shown in the accom-
panying photograph,
c o n s i s t s of three
pieces, each fourteen
inches wide and twen-
ty-two inches high. A
striking color combi-
nation is used, the
colors being orange,
b r o w n , green a n d
white. The card is of
buff.
Ted Browne Window Display Set
The set was made
introduced some of the new editions of the Ber-
and designed by the Illustrated Service, 15 East
Van Buren street, Chicago, through its Per- lin catalog, including two songs by Irving
Berlin himself, "Lazy" and "What'll I Do?"
niano Process. The process employs oil paint,
Mr. Crawford reports the special mid-year
which not only gives it a neat and attractive
appearance, but also makes it appear as though edition of the Berlin Universal Dance Folio No.
it were hand painted. The oil paint also 7 as having a wide sale. Both the dealer and
lengthens the life of the window set, which consumer interests, where the new offering has
does not easily fade or chip, as is the case with been introduced, have been widespread. The No.
7 Folio carries a long list of successful numbers,
most window advertising material.
including "Sittin' in a Corner," "Waltz of I-ong
The most beautiful Irish waltz in years
Ago," "An Orange Grove in California," "I-ovey
"THE DREAMS OF MY IRISH COLLEEN"
Came Back" and "You," as well as a good many
A most wonderful fov-trot
others, arranged for fox-trots, one-steps, waltzes
and blues. Initial orders on the new folio have
"THE OLD HOMESTEAD in (he VALLEY"
been much heavier than for any of its pred-
BOl'KDON D K I T Y Ml'HIC CO.
P. <). Box 103, Sta. A.
Hartford, Conn.
ecessors.
RAIWTUCRY
- g| T
by Isham Jones
andGusKahn
writers oP
*N0,N0,N0RA*
'SWINGIN'DOWN
THE LANE" Etc
r7
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.'re on
tj,' dear old *fein-tuck - y* aMd it's tune mat 1 - \ks j*one
n IEUJ
wuj bran
brai "Tuck- u'
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
50
THE
MUSIC TRADE
REVIEW
MARCH 15, 1924
ij-l DanCind Soitd
the fain
Ben Selvin Pays Great
A
Tribute to Hearst Numbers
Gives High Praise to "Forget-Me-Not" and
"You Can Take Me Away From Dixie" in
Letter to the Publishers
"When you do things by halves you never suc-
ceed on the whole." This is one of the Hearst
Music Pub., Ltd., of Canada, slogans; conse-
quently their continued aggressive operations
It'? bound to clear up a- gain
songs are coming very much to the fore in the
bulletins of the jobbers and the stocks of the
dealers. Reports from New York show that
there is a steadily increasing demand even over
previous records; whilst the various salesmen
on the road for the Hearst interests are show-
ing returns which are further proof of the popu-
larity of this catalog. The numbers showing to
big advantage, however, are "Forget-Me-Not,"
"You Can Take Me Away From Dixie" and
"Only a Butterfly."
Probably this is resultant incidentally from
Ben Selvin and His Orchestra
are showing results. On every vaudeville cir- the publication of a new thematic booklet which
cuit headliners are featuring the late numbers the Hearst Co. was compelled to issue as a
"Forget-Me-Not," "You Can Take Me Away follow-up of three editions of its "Twenty-four
From Dixie," "Only a Butterfly," "Lovers' Lane Successful Songs," a booklet which brought sub-
Is a Lonesome Trail," "Waiting for the Rain- stantial results.
The present booklet includes the latest songs
bow" and "Falling in Love With a Shadow,"
etc., with display windows being made by the released by the company, is attractively pro-
dealers in the various cities collaborating with duced with striking cover design and should
prove even more sales productive than its prede-
Iheir appearance.
Not only are the vaudevillians enthusiastic cessors.
about the new Hearst songs, but such famous
dance leaders as Benny Selvin, Isham Jones,
Paul Specht and Danny Russo are featuring the
numbers with a consistency which demonstrates
C. C. Birchard & Co., Boston, Mass., have
the caliber of this company's publications.
The firm recently received a letter from Benny issued "Tan in America," an operatic pageant
Selvin in which he praises the latest releases. .with a prologue, three scenes and an epilogue.
He makes especial mention of "Forget-Me-Not" The libretto is by Robert Francis Allen and the
and "You Can Take Me Away From Dixie," music by Carl Venth. This work was awarded
and these numbers are getting wonderful pub- the prize by the National Federation of Music
licity through their constant exploitation by this Clubs in the competition of 1923. This Amer-
ican operatic contribution should receive wide-
renowned combination.
spread attention.
Incidentally sales are increasing and Hearst
New Operatic Pageant
GEORGE
For
Two New Numbers From
Pen of Irving Berlin
"What'll I Do?" and "Lazy" Their T i t l e s -
Irving Berlin, Inc., Begins Heavy Spring
Advertising and Sales Campaign
Irving Berlin, who has not written a popular
song for over a year, is evidently making upfor
lost time, for the latest announcement from his
publisher, Irving Berlin, Inc., carries two of his
titles. They are "What'll I Do?" and "Lazy."
Both are described as typical Berlin master-
pieces. The first of the two, however, created
more than usual comment when heard along
Broadway in manuscript form. In fact, it was
used in a featured position in a musical presen-
tation at the Capitol Theatre, New York,
forty-eight hours after it was issued. The num-
ber was also tried out in Cleveland, O., and the
newspapers in that city gave it lengthy com-
ments.
Irving Berlin, Inc., in conjunction with the
above new releases and several other additions
to the catalog, has embarked on a Spring ad-
vertising exploitation and sales drive. The two
Berlin songs will be featured, closely followed
by four numbers from the pen of Walter Don-
aldson. These new numbers from Donaldson's
pen are "What's Today Got to Do With To-
morrow?" "I've Got a Thousand Plows and
Plows and Chickens," "Sioux City Sue" and
"My Papa Doesn't Two-Time No Time." In-
cluded in the current program is a new song by
Gus Kahn and George W. Meyer, writers of
"Sittin' in a Corner," called "I Must Have Com-
pany."
Geibel Golden Anniversary
BOSTON, MASS., March 8.—Banks M. Davison,
of the White-Smith Co., is one of the most
enthusiastic of local music publishers over the
recognition that is to be given Dr. Adam Geibel,
the famous Philadelphia blind composer, and
for whom there is to be a "Geibel Day" in the
Churches and schools of Philadelphia March 23
or during the week following, this in recognition
ofjjhe golden anniversary of Dr. Geibel's first
published music composition. The White-Smith
Co. has published a great many of Dr. Geibel's
compositions; in fact, its catalog is a long one.
The Oliver Ditson Co. too has an interesting
catalog of his numbers, so that Boston is well
represented in the list of the works written by
this composer.
MACFARLANES -TREMENDOUS SUCCESS
FORGE T- M E - NOT
(MEANS
You Cant Forget it
It's Wonderful
REMEMBER ME)
HEARST MUSIC PUBLISHERS OF CANADA LIMITED
Be First
With A Heafst

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