Music Trade Review

Issue: 1923 Vol. 77 N. 9

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M l r S J C
ItEV lE\!\:
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(Regi.tered in the U. S. Patent Office)
PUBLISHED BY EDWARD LYMAN BILL, Inc.
Presiden t a nd Treasurer , C. L. Bill, 383 M a dison A ve. , New Yo rk : V ice· Presiden t,
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M adison A ve., N ew Y or k : S ecre tar)" E dward Lyman Bill, 38 3 Madison A ve ., New Yo rk ;
Assistan t T r easurer, \Vrn. A . Low.
J. B. SPILLANE, Editor
RAY BILL, B . B. WILSON, BRAID WHITE, Associate Editors
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L. E . BOWERS, Circulation Manager
Executive and Reportorial Staft
E. B.
Tuos. W.
MU N CH .
B R ~SNAHAN ,
A.
V. D.
VVALSH, EDWARD VAN I-IAHLlNGEN , LEE: ROBINSON,
N EALY, C. R. TIGHE, FREDERICK B, DI E HL, A .
N ICKLIN
FREDERICK CA RT ER, FREDERICK G. S A ND BLO M
E.
J.
J.
W E STERN 11IVISION :
ARTHUR N EALY, R e presentativ~
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Enlered as second·class matter September 10, 1892, at the post offict al N ew Yor k , N , y "
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Exposition Honors Won by The Review
Grand Prix . ••••• . . . Paris Expositio n , 1900
Silver Medal .. . Charleston Ex position, 1902
Diploma . ..• Pan-American Exposition, 1901
Gold Medal. .. ,. 51. Louis Exposition , 1904
Gold Medal·-Lewis·Clark Exposition, 1905
TELEPIIO N E S- VAN DE RBILT 2642-2643-2644-2 645-2 64 7-2648
Cabl e A ddre8~ : 'IElbill. New York"
Vol. LXXVII
NEW YORK, SEPTEMBER I , 1923
No.9
FACTS THAT MAKE THE FUTURE ROSY
HI': jJresident o[ tile ("ilal1llwr of ("OI1l111t'l"Ce ()f tile L'llitul
States, ill it recent C()llv('lltion ;1(ldre~s, called ;llll'lllioll (J tell
production record~ that have been established ill industry dmillg the
j'Jast few mC1n 1hs, Ihe) bc:ing the production of pig iron, cott01l, sleel
il'gOi' , crude oil, automobile" locomotives, mail order sales, retail
s,des, railroad nr loading,s and home building.
He also called altrntiol1 to the fact that the population or tile
countr) hac increased bv fourteen million people, the national in­
come has increase,l hom thirtvfour billion to fifty bdlion dollars,
and the aggTeg8te savings deposits from six billion to fourken bil­
lion.
Those v.. ho arc inclined to be pessimistic regarding future busi­
ne"s gener~ lly ill the country and who a 1'( inclined to mark time, in
the belief that present prosperity is only temporary, will find little
upon which to base their argumen t s in the foregol11g figures.
\\ ith ten Industries, most of them basic, setting n(:\, recorcl~
in production i hen i.s being created a potential demand for manu­
factured good, of all .'orts, including musical instrument~, that is
like!) to require peak production t o fil l. The end of businc.:,,, pro,~·
IT'S is not yet hu-c.:
T
UPWARD PRICES AND STOCK SHORTAGES
HE prophecies m;lde ('arly in the year that there would Ile an
increase in piano prices hefore the holiday sea"on, due primarily
to thl' Ilecc:ssitl or manufacturers meeting th e wag(: demands of
their I\'orkers, are already iJein g realized, Olle prominent C()l1Cnll
having made formal anll()Uncrment of conservative increases in its
wholesale prices o[ various instruments in the line. O ther announce­
ments are expected lllomentarily and several manuLlcturing con­
cerns !lave ;l noullcement or rile :'act.
T!l().se acquaintl'd \\ith lile piano lllanu [acluring-;itnalion :11](1
its problems have: all :lllJllg ITali/l'd thal lhe ql1l'stitlll or 1ll;lint;lining
\'.lllJiesak pi;ll]() Ill·iccs at the .I;llluary level would Ill' out ()f thc
(JulslioJ1 tlllless thne W;]~ a distinct d()\·ln\\·ard trlild in lahor costs
;]11<1 lll;)h-:ri;]1 prices. The trend, howevcr, ha~ Ilecn tljl\I';lrd llurill,~
T
1'('11 Ill()llth, Ilith thl' illl'viLliJit- IT'lIlt tilat dC;llns Ilill-;I.
ill 11Hht cases, ~Jll'Il(1 m(lrc for their goods,
1,'wll1 till' rl'1ailt-,s' ;Illgle it is Ulll'ortun;lle lhat 1llore deal e r s du
not see the wisdom of (1rdering ahcad as suh~tantiall)' as possible to
meet th e ir Fall and \ V inter requirements. The primary argument
l'sed by the Jl1;]nufacturers, and it is still a mighty sound one, W;h
that production cuulll nut keep pace with any but a normal demand
;(nd til;]t meeting' eVl'n such a demand would tax the resources of
lhe fact()ries. ::-JOII' the dealer who has kept his slocks to a minimum
;(llCl ha-; ordered onl)' if necessity required rather than in anticipa­
ti()11 of ruture needs faces not only a piano shortage, but a price
llicrease.
Therc may be occasions when piall I,uild up results lor their trips, an: inclilled to force the dealer into
ovcrordering h) stories of shortages anll price increa.ses thal arc
Ill) thica!'
nut ullder conciitiolls as th'ey have existed during the
past couple 01 )c':lrs the rclailn hilllself has had a chance to sec
which way lhe I\·illtl wa.o hl()\ving i [ he took occasion to investigate
lile ~ituati()n as it cAistell outside his wareroum doors, Those 'who
hatl the keenness of vision to prepare are to be congratulated.
GROWING POPULAR INTEREST IN MUSIC
111': illClTaSe(1 ;ltkntion heing given to the ciiscu.,sioJ1 01' IllUSIC
ill the hOllle frol\l various angles hy the leading national ll1;lga­
zilll's is a lllaltn or general inll'rest to the trade, [i)]' the article . ; lhat
have heen ;ljJLlc;u'ing in Collier's, l'ictmial ]{eview and other puhli­
catioll" of qandillg represent the he.st sorl of propaganda to arouse
the illklTst o[ the ordinary individual in CCluipping hi.s home with
lllu~ic:ll instruments rur both educatioJ1;J! and c,llertainllll'nt Jill/'­
fil hes.
This halldling or mu~ical suhjects from the popular standpoint
can he creclited (lirec1ly t(l the inAucnce of (ile advancement or mllsic
call1pai~n. (!I'iginatin~ in the nltl-;ic (rade itsc! t and cnlisting in the
work, Iargc'l)' tilr(lu~h the dtorts of C. )\1, Trclll;line, din'l·t(lr of
till' N;t!ioll;ll Bureall 1'(11' the ,\dvancc'nll'nt (If I\Ju~ic, nllnll'l'(llh Ill·
Ilucntial :lgl'llcil'-; (lut,icie the industry.
\Vh c ll a Iln~;\i.ille (ite Jir illusic;11 illSt rUlllcnls, and (he pos.,illilities or those lllu~ic-p]'(Jdu('illg
IIll'lliulll", tllt'll it is in(kc'd ;111 e:\celknt inclica:i()n that the editors
1('(,1 ]J(lLJl1lar intliT'l in the sulljcct has heell developed to a ]loin(
I.,hl·re such articks ;lre \\'ol'th Ilhik. Even jazz music and its place
ill the hOllle has Ilccn tre;tled, :IIlCI In practically every case the clired
appeal has I)ecn 1ll;l<1e to the reader to buy musical instrulllents and
to use them
There was never a time in the hislory of the music industry
when the u[Jp()rtu1litics [or developmellt WUT so great or the illtere~1
ill music in the home so widely developed. The fiele! for the sale oj
Jl11hical in~lrul11enh i~ heing widenee! daily and, if the results in the
matter of dollar~ ancl cents prove e!i~appointing to ~ome trade mem­
bers, it might be well for them to consider the situation carefully
and see whether (l'r not lhey are Illaking the proper effort to take the
fullest ad vantage of the opportunities before them. The clay when
the retail piano qleSlllan, [or instance, wa" classed with the IJOok
agent has passed, for the puhlic is fast being educated to the point
where the man who has music and musical instrumenh to sell ap­
pears ~uJl1e\\'hat in the rbJr of a henefactor.
T
CO-OPERATIVE ADVERTISING CAMPAIGNS
HI,: filst of the co-operative campaigns of advertising to he
cdITled Oil Chl ing the Fall by music merchants has been an­
1Hlullced in I.os .\ngeks, where preliminary plans for the movemc'llt
wcre di~cus.,etl al it rc'cellt meeting of the Southern California :tV1 usic
Trades' '\ssocialion. ]n vievv o[ the fact that local co-operative
ad verti sing campaigns by 111 u ,ic lllerchan l:-; have progressed far li e­
voncl the experimental "t;lgC and have proven their value in actual
practice on a number o[ occasions, it would seem as though m.usic
trade interests in many centers 'Noule! adopt that means of impress­
in,~' lhe public in a hig Ivay with Lhe value of music and the de.sira­
Lillt)' or buying' and P(lssl'ssillg Illusical instruments.
I\l'g;lrdkss of hml c':\pt'n,ively inclividual COllcems may ;lClvlT­
tise, (lr h011 dlec(ive their Jlulliicity lll:ll Ill: frOIl1 the standpoint of
;\ctllal':llt,-;, lhere is ,till ],()Olll for co operative ;ldverti~illg as :1
llwans llf creating a geneTal llesire Ivhich can ))(' c1cvl'loped to the
1!1lyin,~ point hI' variou.-; conClTns thJ'()ugh their O\IJl puhlicity.
T
SEPTEMBER
1, 1923
THE
5
REVIEW
TRADE
MUSIC
Giving Salesmen the Selling Points
William E. Clevey, Sales Manager of the Bush & Lane Piano Co., Tells How His Firm Conducts a Consistent
Direct-by-Mail Campaign to Educate the Retail Salesmen in Its Dealers' Organizations­
Strengthening the Most Important Link in Retail Distribution Brings Results
What is the most importa nt link in the chain
which extends from th e r a w materials and the
manufacturers down to the customer? Proba­
bl y 90 per cent of the answ ers to this question
would be the retail sale sman who gets the nam e
o n the dotted line. This ans wer would be cor­
rect. Let us go ahead, th en, on the basis that
the retail salesman is the most important link
in the chain of sellin g and marketing pianos.
Naturally, one would conclude, taking the
a bov'e statement as a pr emise, that the strongest
and most energetic efforts in selling pianos
would be directed tow a rd th e better training and
education of the r e tail sale sman. But this, un­
fortunately, is not th e case. The manufa c turer
takes great pa in s to s ell the dealer or the man
who does the r e ta il buyin g, and the proprie tor
of the retail store t a kes g r eat pains in ad ver­
tising, etc., to inform th e customer of the merit s
of the lines handl ed, but the men who actu a ll y
clo the work and get the aforesaid name on th e'
dotted line are not g iv en this same amount of
attention. This is 'p robably the ,veakest link in
the chain whi ch ex tends from the manufactur er
to the ultimate cus tom er, and it is toward th e
s tren g thenin g of thi s link that we have direc ted
our effort s in ord e r t o h elp our dealers s ell m o r e
pia nos.
Individual Sales Arguments
There are ce rt a in definite sales ar g um e nts
which every pi a no m a nufacturer consid e rs t o be
peculiarly his own and which he firmly im ­
presses upon the r eta il buyer. That is all th a t
is necessary to se ll th a t one individual. But why
s top there? Wh y no t make equally en e r ge ti c
effort s to impress th ese same truths, the se sa me
sellin g ar g ulll ent s whi c h belong to that parti cu­
lar instrum e nt, upon th e sale s man in th e e mplo y
of the propri etor as we ll as the propri etor him­
self? Every retail sales man has his own m ethod
of selling, just a s every person has a temp era­
ment peculiarly individual. If an attempt wer e
made to chan ge th e method of selling of the
salesman a mi s tak e would probably be mad e,
but there a re v e ry few retail salesmen so w ell
versed in th e ta lkin g points of th e in s trum ent
the y ar e se lling a s to preclude th e possibilit y
of any furth er improv ement.
There a r e two methods of accompli shing thi s.
One is by th e trav eling representati ves of th e
manufactur er coming into direct contact with
the retail sa lesmen, talking to th em, holding
sales m ee tin gs, etc. The other is by printed
propa ganda. Some manufacturers feel this re­
sponsibility m ore seriously than oth e rs. The
ideal m ethod is the use of both th e pr int ed and
the spoke n word. Regarding th e part' w hi ch the
tra ve lin g r e prese ntati ves pla y in thi s wo rk of
educating the d eal e r, not a g r eat d eal can be
said, a s it is a lto gether up to the man him se lf.
But as to the literature which can be se nt out
to aid th e d eal e r in educatin g his sa les persons
Illuch ca n be accomplished alon g this line. Of
cours.e, all of the literature which is des ig n ed to
go to th e ultimate customer is good material
r or t he r etail salesman to study, but, as ide from
th is , th ere is a more forceful way of thoroughly
imbuing him with the ad vantage s whi ch he pos­
sesses over competitors, and th a t is by sales
promotion al literature directly writt e n for him.
Bush & Lane's Campaign
L et us draw some examples from th e Bu sh &
l.ane deal e r promotional servic e. Th e re ar e two
thin gs that can be accomplish ed a lo n g this .line.
Th e first is, as we have said, to set forth the
peculiar a dvantages of the parti cul a r instrument
b ein g sold. The second is to in spire th e sales­
man 'to greater efforts. In pr ese ntin g the spe­
cia l ad vanta ge s of the Bu sh & L a ne line we
have prepared a number of leafl ets on the Ce­
cili a n all-metal action, illu s tr a tions of which are
sh ow n h ere. In lieu of a p e rs onal visit to the
i ac tor y and a personal ex pl a na tion by our ex­
pe rt s we ha ve, as nearly as po s sible, by illustra­
tion a nd by the print ed word, d escribed the
Cecili a n ac tion in d e ta il. The r e tail salesman
w ho studie s these ' leafl ets con sc ientiously and
spends enough time t o m a ke them part of his
se llin g equipment then can ex plain the action to
,
ticul a r in s trument over other s. We try to bring
out in a forc eful manner the things that can be
said a bout our particular piano that cannot be
s a id a b o u t. oth er pianos. For instance: The
Cec ili a n a ll-m etal action is m e ntion ed in the
li g ht o f its a ppeal to the p ro sp ec t and the sales­
111 a n is s o thoroughly schooled in the advan­
tages o f thi s pa rticular t y pe of a ction that he is
abl e to impress this firml y upon pro s pe c ts with
t h(' leas t po ssible effort.
Hereisthe s~leskey!
WiHyou us'e it? '
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Cecilian Actions
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Examples of the Bush & Lane Salesmen's Liter ature
custom e rs w ith a s m u ch spontaneit y as w e o ur­
But thi s is no t e ll o u g h. The sa les m a n mu s t
selves just wln t th ey are being solei. S po ntaneity
be inspir ed a s we ll as inform ed. He mu s t not
is the bi g I-hin g a nd spontaneity comes o nly with
"cralJl" hilll sclf w ith th e above argum e nt s sim­
complete m as te ry of one's selling argum e nts.
ply from a se nse of duty, as the school-boy r e­
The sal esm a n Ill us t be able to talk t o th e cus­
luctantly "cram s" for an examination. H e mu s t
tomer as eas il y a nd naturally about th e sp ecial
learn his sal es a r g uments with enthusia sm in
talkin g po ints o f an instrument as h e would
order that h e m ay b e able to impart th em to
about s uch it em s a s case, fini s h, ton e, et c.
others with enthu sias m. To this end w e s ene!
In addition tu th e descripti ve illu s tr a tions out from tim e to tim e special letters dir ect to
above m ention ed we al so get out from time to
the retail sa lesma n. W e do not s end jus t on e to
time s p ec ia l sa les blilletins in whi ch our piano ;w ins t itution, but to as man y as there are sales ­
is mor e pa rti cul a rly distinguished from competi­
m e n in th a t in s titution. Each indi vidua l sal es­
tors, bea rin g s uch titles as: "Here IS th e sales
man is indi vidu a ll y communicated with by
key! Will y ou use it?", "Getting th e persp ective
means of wlt a t m ig ht be called inspir a ti o n fo rm
on Cec ili a n ac tions," "The differ ent construction
letters. For in s ta nce, here is one, entitl ed " Ag­
of th e Cecili a n- a nd its price." In th es e a rticles
gressive Sales G en eralship." vVe beli ev e th a t it
w e se t fort h clearly the advantages of our par-
(C on tinued on /)age 6)

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