Music Trade Review

Issue: 1923 Vol. 77 N. 4

THE
12
OUR TECHNICAL DEPARTMENT
(C on/inned from page 11)
\\'hi ~ h
have been made in typewrit e r co ns truc­
tion durin g the la s t thirty y ea rs may perhaps
po in t the w ay to a pract ical recon~ideration o f
th e whole: s ubj e ct.
Reasons for the Discussion
Of CO lll' a nd theoretical, but I set them down delib er­
ate ly in order that the conditions of th e con­
ho w imperfec tly. It will perhaps b e s aid , an d
not wi t hout ju-tic e , that I hav e raised a great
many lliAlculti es , bu t have co ntributed little or
nothing- to their so luti on. T h is, to o, is tru e so
far a s it gocs, but my object is to r a ise diffi­
cu lti e, at thi s timc. It is ve ry necessary th at
difficulti es should be rai sed, man y of them,
It i< vc ry necessary th a t facts s hould be looke d
;n th e fac c. /\bo ve all, it is nece ssary that we
should under 'which wil l ha ve to be made in the constructi on
of the piano, The prese nt lumber s ituation is
a lread y calculated to m ake on e uneasy, In a
v ery few years it will hav e to be considere d a
matter for the deepest conce rn, Within ten
years it is lik e ly to be c ri ti caL
Pos s ibly eve ry s u gg estion I hav e made can
b e pic ke d to pieces very plausibl y, Pos s ibly '\
fa ct o ry super int e ndent can find a difficulty q uite
sufficiently fo rll';d a bk, to his own wa y of think­
ing, to kill my contention in eac h and every
case put a bo ve, But ev en if a ll th is were so,
it would n ot in the least impro ve 11 ,<1 l te"
l 'he
mere fact th a t th e su bj ec t so readily comes up
and th at the s li.c;htest conside ration lead s to a
hundred and one su gges tion s fo r s ubstitution
"nd co n scrvat ion, sho ws lh a t the questions
raised a r c n e ither to be ex pl a ined nor to be
la ughed aw a y. They ~xist, they are pertinent,
~ ,.nd thc~ ' ca ll in s istentl y for sol uti on .
Substitution is, of course, a thought far more
distant an d r emote than con servation. It will
b e difficult to persuade even the most advan ce d
manufactur e rs to a no th e r until aClual compul s ion ha s arrived, O n
th e other hand, th e e limination of waste, wh at
I may ca ll in trafactory conservation, p r ese nts
;,11 i1l1lllcdiate as well as a pra c tical s ubject for
st udy, Th ere are two divi s ions to th e s ubje ct­
matter. Cl n e .(toes by wa y o f gr eate r pr ec ision
in desi .l'.n, w hi cll sha ll ('l illlin ate th e usc of un­
nec essal"\' qua ntiti es of wood, The oth er gO('S
"' 0
\Yd ,> uf s illlpliri catio ll
n': proces s, w her eb;
fir s t human labo r and, sec o ndly, human wast e
of Illaterial Illa) b e rdill ed and redu cc d. These
two proces ses can be carri ed on top;et her ,and
a s tudy of the pos si bilitie s o f them will na tu ..
r; ,II)" b e un der tak e n in such a manner that th e
on e will be intermingled wi th the other throu g h-
0!1t,
I ~y m ean s of such st udie s the fa cts whi c h
underl ie t he \\' hole argum e nt for co ns erva ti on
wi ll gradua ll y be brou g ht to light and it ,vill
be poss ibl e to show som e of the dir ec tions at
least in whi c h m ;>: 11': conducted those salut ary
relOl'm,; of which our industry stands in need
on its factory s id·e. VVe ar e dealing with the
birth-til roe " of a new era, and it is very im­
po dali c til a: \\' e ,il o ul d re cog ni ze precisely what
we are doi ng, and Why, I'- rom time t o time
niclcs i" this departme nt will. carryon the
investi ga tion,
I
MUSIC
TRADE
REVIEW
JULY 28, 192,1
NEW PLECTRUM PIANO ACTION
BRAMBACH GRAND USED BY WHITEMAN
Italian Inventor Receives Patent for Action to
Simulate Tone of the Ha rp
Th e Paul vVhit eman S, ~, "Leviathan" Or­
c hestra gave a concert on July 13 in the ware ­
r0om' of Sed gw ick & Casey, T nc., of Hartford,
Conn., us in g a B ramba ch baby gr and,
\n en­
thu s ia s tic audience of SOO musi c lovers attended
the concert and w as s urprised an d please d by
th e quality and vo lu me of the Brambach to n e,
"a r ev el ation," as ma ny of them told G eo. K.
M or e house, the manage r of the piano depart­
mrnt oi Sedgwick & Casey, In c,
VVASHTN(;TON, n. c, July 21.- -Giusel'pe Casci­
otta, ;.z ew Y or k, was , las t week, g-rante d Patent
No . 1,462,444 for a plec trUll " piano action,
w hi ch aims t o pro v ide certain 'le w a nd us efu l
iJllprO Ve l11 e nts in COlHlcclion wi th a d ev ice of
th is character.
It is wel l under s tood in ce rt a in respe cts tha t
the tonal qu a liti es a nd effe cts produced b y a
h a rp are incap ab le of bei n g produced in a p ian o
when thc s tr in g s th ereof are s ubj ec ted to the
o rdi nary p e rc ussio n act ion; it b e in,,; well kn ow n
that the strings of a harp must be pi cke d.
O n th e oth e r h ma y produ ce run s and brilli a nt ton es up on a
p ia no in v iew of th e ke yboa rd forming a part
of thi s instrume nt, which pe rmit s of th ese r e­
sults bei ng accomp li s he d without the expen di ­
ture of that amount of i'nergy whi c h w ould be
ne cessary t o produ ce th e same r es ul t upon a
harp,
It is an obj ec t of this ill ve di o n to pro v id e
a nove l pi a no action ca pabl e of b e il1 ~' s ub­
s tituted' for a con ve ntion a l piano action con­
structed in a n ew piano and by m ean s of which
th e s ame to nal qualiti es wi ll be capable of be ing
duplicated by mean s of a piano as a re now ca­
pable of bei n g rend e red o nly b y a p e rform e r
upon a h a rp,
\ further obj ec t of th e in ven tion is th e co n­
s tru ction of a device of the c haract e r stated
which s hall b e extre mely simple an d by mean s
of which the effe C'ls brough t o ut in the preced in g
para g raph may be accomp lish e d, in addi tion to
the brilliant tones, e tc., which were h('retofore
capa bl e of a ccomp li s hment on ly upon 8 piano,
TO HAVE A MUSIC DEPARTMENT
ESTEY AGENCY WITH MORGAN CO.
HE ll RT)I, ILL., July 24,- The ex clusiv e agency [ ()r
th e Estey pi ano in thi s locality ha s just beel
obtained b y the Morgan M'usi e Co" acco rding
to C. V", Fi she r, manager for th e Mor ga n con­
cern, vVith in the past three weeks this company
has so ld three ca rload s of pianos thro u g h the
effort s of it s w el l- organi ze d for ce of sa le smen
in th e Herrin and IVIurphys boro s tor es, Th e
Morgan Music Co, now h olds the agency for
eightee n diffe r ent mak es of pianos,
A Complete Line of High Grade
Commercial Instruments
UJQM
~
and
U)~~
Pianos and Player Pianos
Write for our dealer propo8ition
EAST RADFORD, V I\" July 24,- -R. N, Gentry &
Co., now op enin g on 'l\1ain street, will have a
music Je pa rt ll1 ent a lon g wit h the regu lar furni­
ture business.
THE WEYDIG PIANO CORP.
Wm, E, Weydig, Pr.. IJenl
133rd St, and Brown Place
New York
Tuners and Repairers
We hilve just issued a little 20
page price list of
. PIANO ' MATERIALS AND TOOLS
and will send a copy upon request.
It is in convenient form and of in­
terest to every Tuner and Repairer.
CORRESPONDENCE
o n subjects p ertinent to th e aim s of thi s depart­
ment is Qu es tion is ahvays gladly r ece iv ed, no matter
l'Ow small its importance m ay appear to be,
Such Quest ions are a lway s a nswered at the fir s t
opp ortunity.
Address a ll ma tt e r to "'Wi llia m
Hr aid White, care of The Mu s ic Trade Review,
~i8j N[adison avenue, New '{ork, N, y,
HEARD=BELL TO CARRY MUSIC
ATLANTA, G,\" Jul y 23.-A li n.; of mu sical in­
strurne,lts will be c-ar riec1 by th e H eard-Be ll
Fnrniture C o., which wi ll op e n soon her e,
Simply ask for Circular No. 244
HAMMACHER, SCHLEMMER & CO.
PIANO AND PLAYER HARDWARE, FELTS AND TOOLS
NEW YORK SINCE 1848
4th Avenue and 13th Street
~
J ULY
THE
28, 1923
MUSIC
TRADE
REVIEW
SUBSTITUTING NEW MATERIALS FOR OLD
ONES IN THE MANUFACTURE OF PIANOS
Likelihood of Having to Discover New Materials to Use in Place of Some Types of Lumber Now
Used in Making Pianos Is Strong in Our Own Time-The Problems of Maple and
Chestnut-Conserving the Present Supply by More Economical Methods
It is the part of a wise man not to be alarm ed
at the imp endenc)' of changes; but it is equally
hi s part not to ig nor e the phenomenon.
Jt
"mild not be wise to worry undul y or prepare
to abandon busines s because the lum ber s itua­
tion is a lready serious a nd likely in time to
beco[Ole critical.
Still less wi~e, however, it
wo uld be to ig nor e cheerfull) a ll the signs of
the times and rest comfortably in the b e li ef
that whatever happens will, at any rate, not
happen in ou r time.
For it is by no m ea ns· certa i 11 t ha t se rious
troubl e w ill not com e in our time. It is by
no m ea ns ce r ta in that we s hall not have, within
decade, to look very closely at th e question
of prO\'ielin, (· \"f (;·. in substitul.. , ior lumber;
w hile it is absolutely certain that our duty this
Y('C"
cla \' is to do all in our power to conserve
mI" u sc 01 e"c ry kind of woo d and take al l
possibl e s t e ps to redu cc our demand for eve r y
type and kind of '\ hi ch the s upply is alrea d y
be co ming scan t.
A fter all, when th e cri, is C0m es in each kind
of lumber 'we are now using, we s hall hav e to
cll ange to some s ub st itut e, w h ether wood or
sO!llet hin g else, and we lIlig h t llluch bettcr do
'he thinkin g and the worrying now bef ore the
" ,atter escapes fro111 teven th e limit ed control
we can now exe rt upon it.
The Maple Question
O ne of the most ser iou s difficulti es at present
l'xist in g in the Illl: lbcr trade refers to the s uppl y
0' "ue h kinds of maple a s are comm onl y u se d
in pian o makinv-. The s uppl y in the Easte rn
Sta tes is w i t h.in s ight of extinc tion, nor wou ld
even the mos t perfect and widesp read system
oi reforestation s uffi ce to restore: the old
; bllnd :: n cc llnt', ell ka'-'t li rl ) yea ,', had go n e by.
The Obstacle to Reforestation
:\01'/, i t is to be observe d in ciden tally that a
ve ry large part of the b y no mea ns negli g: ible
opp osition to any ~. nd all proposals for nati ona l
:ciorc<;["t ion a ri ,es from the co mpl aint by
owner s of c leared timb er la nds and by COI11 ­
Illllnitie s ab utting upon s u c h land s t hat to re­
plant i:i t o benefit th e n ext generation at the
('xpe nse of this o n e. They say, 1'01 wi lh o ut
'. rlllL, ,h", i, , h esc la llds ar c \'~,: erved for tre e ­
!,ro ,,·ing durin g the next fifty yea r s they w ill
be unable to realize upon their investments
there in . This is true enoug h, but it principally
ser ves to sho w that t h es e lan ds ought never to
h ave go t into private hands in the first place.
In the second place, howe\'er, it a lso shows
HA.RLEM PIA.NO & ORGA.N KEY CO.
IVOUY AND PORCELAIN CEMENT
FOR PIANO KEYS
This is a finc: white ivo ry co ld glue.
\Ve have spent 15 years perfecting it.
Pa rcel post paid anywhere in U. S. for $1 ,
121-123 East 126th Street
New York. N. Y.
FAUST SCHOOL
OF TUNING
Standard of America
Alumni of 2000
Piano TlIDiol', Pipe aDd Reed Orean
aad PI.yer Piano. Yur Book Free.
27-29 Gain.boro Street
BOSTON, MASS.
th at to put thro u g h a complete policy of nation a l
re fore stat ion, w hil s t society is o rga ni zed upon
it s present basi" is probably to p ropose a n
impo ss ibl e tas k. Th e comp lete extin ction of Ollr
lu mber ;'esou rces is the r e fore not an imposs i­
b ilit y. The in calcu lab le consequen ces of allow­
in g this to h appen s h~1I n ot, lar ge ly becau se
they neecl not, b e descanted upon h e re. Th ey
a re too ob vious.
Maple and Piano Backs
Returning to our mapl e, it is certain tbat '\ve
mu st do so mething in th e near futur e to s ub­
stitute ot h e r suitable mate ri a l for it in piano
construction. It s prese nt usc is m;,inly in back
f raming and it h as hitherto .b een regarded a s
indi spc nsable for bac k post s, top a nd bottom
back rail s (on upri g hts and upright play e rs),
o uter rim s (on grands) and wres t plank s.
Th ere i" n o do ubt at a ll that thc wood en ba c k
of the t:prig ht piano is an unnecessary lu xury. It
has becn prO\'c(\ at l east three diiTc rell l lilll es
th at· one can get a lo ng very we ll witho nt it.
The Steck pat ents of yea rs ago, th e st ill ea rlier
Germa n construction a nd the r ecent Dauer in­
ventions, which have b een thoroughly success­
ful, all s h ow that ther e is no esse ntial reason
for th e usc of ,.vood in form in g the structure
w hi ch s upport s th e soundboa rd and part of ~he
pull of the 5Ir in;';5. A s so on as the problem is
exam in ed it is se e n t ha t it is not so l11uc h that
of providing a great ma ss o f ir on or ot her sub ­
;;titute mat eria l, as of distributi ng the carr y in g
'l1c mbcr s in th e right wa y. For ilblance, o n e
co uld supp ort the stri ng str esses merely I)y th e iryn
plate, without a n y wooden back at all, hill for
the facl that the s hape of the plate, as a broa d,
s ha ll ow s heet, pre y-en t s it from ca r'- },i ll ;'; tl:c'
load wi thout bu ckling. If, on the othe r h and,
lh " p late \I'ere \Jllilt of I be",n s, if it were m a d e cif s teel, the same weight as is
to be foun d in al\ or dinary p la te woul d, witl lOut
doubt, s u ffice to carr) th e ent ir e s tru cture of
th e piano.
About the Wrest Plank
The wrest plank is, of cour se, a maple prod­
'le" :! l ro u g hout, "o r wi ll there \Je,:
,,1) ;->"o b­
abi lil y , a ny c hancc to substitut e anot her ma­
le' I'i ;, 1 I1lltil a 1l1 cc hallicc\ llinill g' p in
b een
in\' cntcd whic h th e tuner.s wi ll acccll·t.
\Vc
L now quite \\·ell t h a t such a tl111ill;'; pin is per
fcctly feasible , fa;' t he Mason &: I-LlI ,,: in - crcw­
strin ger p r ove d th at lon g ago. The proh le m is
to get t h e tuner s to take up a new id ea an d
lIOl to prese ll t 10 it :1. i r o:,t o f un ited h o,:til it y.
I""
TUNERS
11
There is, however, one thin g which ought to
be said. Fo r reasons not easy to und e r s la nd ,
it is cuqomary to build the w rest plank co n­
sid e rably wider th an is needed.
It cou ld be
built so as just t o g ive enough s pa ce for the
tunin g p in s and for th e fastening screws . Ther e
is usuall y a great deal of w aste, w hi ch often
rises as hi g h as 20 per cent of the total amount
of wo od u sed. M ore careful c utting, especially
in conneclion with grand w re st plank s, wo uld
he re b e very practi ca l.
Core Woods
VVh et her anythin g can be d one in the way
of s ub q itut es for the present core woods used
in cas e makin g is not easy to tell. T h e s uppl y
s ituation is unfortunately se riou s . T he woods
wh ic h were u<;ed twent y years ago ar e n ow
mainl y unava ilable and even the chestnut whic h
is no\\ s o much emp loyed i:i ill dan ger of ex­
hausti on . Of co ur se, subst itute wood ;; w ill be
ava il ab le in imp or t for s ome till1e after the
v isib le supply oi c h est nut is exhauste d ; but
a lr ea dy it is necc ssa ry to ask ourse lves w heth er
we really need t o u se cxp e n s i\'c ancl SOOn to-be ..
scarce Itll nber for cores and other work of t h e
kind.
Th e use of fiber h a.s been sugges ted, but this
d oes not help matter s, s ince the drain upon the
sup ply oi suilable woo d is in this cas e e<1 ua ll y se ri­
Oi lS. On ly certain woo d s are useful fo r fiber
II1 ' ''"I[; ' rll1r(' ;I'lcl 011ly " I~ C \' '01' th e woo d pulp
wh ic h m akes paper and w hi'ch can he cou ;..
pressed in to , heets rivalin g stee l in stiJ1n e all d pow er to r es is t strain. Hc: · e·~; . <; ubjc c l·
of the ulmo s t impor tan ce. It;s n cceso'a r y to
di scover some s ub s titut e for ch estnut woo d,
"o lnethin g whi ch will take a vene er of fa ncy
\",ood and otherwise w ill be as hood as th"
c1,v :-t l1u t or other IUlll!l!' r u seel.
Metal co n <;lruct ion for piano ac: ions has 1I0t
scr iolFl y been co n s idered sinn· t he disastrous
ex per ie n ce of the old C hi c kering hOIl"<' 111~, "· ·
yea r s ago. B ut it is certain t o com e up again
in so me form, and when it d oc s come up it
will ha\'c to be so lved. The r emarkab le s trides
(CulIlinned on jJoge 12)
Profits
- Prolits
More profits lor you
Our boole teJls you how to in­
creaso y our pro fi ts.
How to
cut the damage d goods, losses.
Thi s v alu'lbl e bo ok tells you "How to repair
damage to varnished surfaces." If you are in­
terested in r educing yo ur losses wri t e for your
copy. on your firm stationery, or send n ame of
fi rm , oth erwise e nclose ten cents to cover
l ,o:Aage.
FREE
Writ~
The M. L. CampbeH C{.l,
Kansas Cily. Mo.
23 Penn. Street
cr-'·"'·- -
In it's 10~),)lear
_iih upwards of
Here are
BASS STRINGS
~UNING
~
SU~~~~FUL
=
" GRADUATES
liPMla' attention alv.n t. lb. aNd_ .t till tuner and the deal.r
OTTO R. TREFZ, Jr.
Philadelphia. Pa.
21)0 Fairmount Avenue
The TUNER'S FRIEND
~I
AOOA.~"S
~
~
~COURTHOUSE
SQ.
VALPARAISO, IND.
Repair Parts and Tools of
Every Description
crt
Send for New Prices
Braunsdorl's Other Speclaltlee
Ne" style all leather bridle Itrap
BRAUNSDORF'S ALL LEATHER BRIDLE STRAPS
Labor Savina; Moust Proot: 8uaraAleed .11 ofte length
&end
tor 8am.,I...
F.III and Cloth. I"
PriM' en
QIlC/
Request
Quantltfa
GEO. W. BRAUNSDORF, Inc.,
Paper.
Felt
and
Cloth
Puncbin«s, Fibre Wasberflil
and Brld~" for
Pianos, Or..ane and
Player Aedono
0 .... _ . ~:
UO _ _ u"s 8t.. 5 ...
y....
tllAIEMABIi.

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