Music Trade Review

Issue: 1923 Vol. 77 N. 22

THE
VOL. LXXVU. No. 22 P-blished Every Satuday. Edward Lyman Bill) Inc., 383 Madison Ave., New York, N.Y. Dec. 1, 1923
Single Copies 10 Cents
$2.00 Per Year
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Momentum That Fails to Function
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ESPITE the fact that advertising in all its branches has become a recognized and established depart­
ment of business and is appreciated as playing an almost vital role in the development of the in­
dustries of the country, there are still many men who display a lack of both knowledge and courage in
ha~dling their advertising appropriations, being' guided by their own often inexpert ideas rather than
by the established and recognized rules of good advertising practice.
It is surprising, for instance, the number of individuals ai1d concerns who are inclined to be most gen­
erous in their advertising appropriations when things are running along smoothly, demand exceeds supply, and
money is plentiful, and who drav\' in their horns to an amazing degree in matters of publicity as soon as busi­
ness shows a downward trend. In other words, they curtail their adnrtising at the time when most necessary.
_'\s a matter of fact, advertising to be most effective should be continuous and carried on without regard
for seasons or general conditions. Invest igation will show . that the successful institutions of the. country- the
big advertisers, almost without exception--spread their appropriations quite evenly over the year with perhaps
a slight increase provided for the pre-holiday season. When there is a change in the business situation these
same concerns are more likely to increase their appropriations on an emergency basis to offset the falling off
in sales, or at least keep their publicity going at an even pace.
.
The great fallacy lies in the belief that there is such a thing as advertising momentum, that extensive
advertising over a given period will have a permanent eHect on business even though the publicity be discon­
tinued for some months or more. In this connection it might be well to repeat the remC!-rk credited to Wrigley,
the pr.ominent chewing-gum manufacturer, whose propuct has reached a dominating position in its field as a
result of consistent and persistent advertising. ./\ friend remarked to him that as business was moving along
so nicely he could save several million dollars during the year by cutting out advertising and capitalize the
business resulting from the momentum created by the advertising already done. The conversation occurred on
the Twentieth Century Limited and in his reply Wrigley said: "We are bowling along now at close to 80
miles an hour. How far would our momentum take us if the eng'ine were taken off?"
There is no question but that advertising brings cumulative results, that the constant repetition of .1
manufacturer's publicity not only attracts the attention of new prospects, but refreshes the memory of those
who have seen the advertising previously but neglected at that time to answer the appeal. This reawakening
of interest is one of the reasons for continuity in advertising, for the individual who does not respond upon
seeing the first piece of copy may be in a mood or in a situation at a later date to take advantage of the offer
and purchase the product exploited.
There is a world of difference, however, between cumulative effects and momentum. The former grows
in volume just so long as the advertising is continued, but the latter ceases surprisingly soon after the last piece
of copy is run.
Not so many years ago a manufacturer of soap and soap powder advertised so extensively and success­
fully that the trade-marked name of his product was a by-word in practically every household. Differences in
managerial ideas resulted in discontinuing advertising, and the momentum was so great that within two years
the business had dwindled to nothing and the equipment and good-will of the plant was sold to a competitor.
The same holds good in the sense of a food product that, as a result of advertising, became famous within a
comparatively few months and then lost its popularity as' quickly because the manufacturer thought that the
advertising had accomplished the desired results and could be discontinued.
Advertising results can be obtained only by the continual and persistent following out of a definite pub­
licity program. There is no such thing as advertising momentu~ fnl- husiness progress stops when the ad­
vertising stops.
"
D
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THE
4
MUSIC TRADE
REVIEW
DECEMBER
1, 1923
J. B. SPILLANE, Editor
RAY BILL, B. B, WILSON, BRAID WHITE, Associate Editors
WM. H. McCLEARY, Managing Editor
CARLETON CHACE, Business Manager
L. E. BOWERS, Circulati"an Manager
that may be merchandised along lines that are practically identical
with those used in selling pianos and talking machines. The music
merchant finds it advisable to leave the parto, end of this industry
strictly alone, for that is a side of it of which he possesses neither
the equipment nor knowledge to handle properly. But he has dem­
onstrated that, so far as the complete apparatus is concerned, his is
the logical field of distribution and he provides the most direct
channel between the manufacturer and ultim·ate purchaser of this
apparatus.
The relation between music and radio is growing closer con·
tinually. The musical parts of the broad casted programs are essen·
tially those which have created the popularity of the public's radio
demand, and those which in the long run are making it a perma·
nency. In fact, the public attit1lde to-day toward radio is coming
more and more to visualize the apparatus as a musical instrument- ­
one that supplements, but does not supplant, the piano, the player­
piano and the talking machine in the home.
Executive and Reportorial Staff
OVERCOMING SPLIT <;::OMMISSION EVILS
(Registered in the U. S. Patent Office)
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President and Treasurer, C. L. Bill, 383 Madison Ave., New ,York; Vice-President,
J. B. Spillane, 383 Madison Ave., New York; Second Vice-President, Raymond Dill, 383
Madison Ave., New York; Secretary, Edward Lyman Bill, 383 Madison Ave., New York;
AlSistant Treasurer, Wm. A. Low.
E. B. MUNCH, V. D. WALSH, EDWARD VAN HARLINGEN, LEE ROBINSON,
Tuos. W. BRES"AHAN, E . J. NEALY, C. R. TIGHE, FREDERICK B. DIEHL, A. J. NICKLIN,
A. FREDERICK CARTER, FREDERICK G. SANDBLOK
WESTERN DIVISION:
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NEWS SERVICE IS SUPPLIED WEEKLY BY OUR CORRESPONDENTS
LOCATED IN THE LEADING CITIES THROUGHOUT AIIERICA
N article in a recent issue of The Review, dealing with the
proper control of the salesmen's prospect file, brought to the
A
fore once more the old question of split commissions between the
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Exposition Honors Won by The Review
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Silver Medal ... Charleston Exposition, 1902
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Vol. LXXVII
NEW YORK, DECEMBER 1, 1923
No. 22
M;EETING TH.E TECHNICAL SERVICE PROBLEM
completion, this week in Chicago, of the first course of
T HE
technical instruction in the reproducing piano under the auspices
of the American Piano Co. and in co-operation with the National
Association of Piano Tuners marks perhaps the first constructive
effort that has been made to solve the problem of technical service
for this instrument.
Unquestionably it is work .of this character that will ultimately
eliminate the dearth of tuners · and repairmen who are acquainted
with the intricacies of the reproducing action and able to provide
rapid and successful repair service when these instruments are in
need of it. It is only by such methods that the music merchant
who handles these instruments and their owners can be assured of
proper maintenance unde'r any or all conditions.
So successful was the Chicago course that, at the dinner which
marked its completion, it was announced that the American Piano
Co. would continue these classes, going to various sections of the
country so that both the dealer's tuner and repairman and the inde­
pendent craftsman might have the opportunity of receiving proper
technical instruction. It is to be hoped that, in placing this knowl­
edge at the service of the trade, the company who is responsible
for these courses will receive full and adequate co-operation. It is
assured of this so far as the independent tuner and repairman is
concerned through the work of the National Association of Piano
Tuners, so it now remains for the music merchant himself to come
forward and give as thorough co·operation in this direction as the
independent tuner and repairman is already doing to solve this im­
portant problem.
RADIO AND THE MUSIC MERCHANT- -
T
I
HE number of radio departments in general music stores is
increasing rapidly. Practically all establishments of this type
which are opening install such departments at once, and many of
the stores in existence for years have already developed them upon
a stabilized basis.
As was pointed out recently in The Review, radio, in relation
to the retail music merchant, is strictly a matter of complete sets
inside and outside selling force. In whatever retail warerooms such
a pradice exists, it is a source of constant and continual dispute
and creates an atmosphere that effectively destroys the loyalty and
co-operation among the men who are doing the selling, naturally
reflected· in their work.
When the outside salesman learns that he must split his com·
missions with the floor man in order to have his prospects properly
handled when they enter the warerooms it is only human nature for
him to use every means within his command to handle these pros·
pects himself and thus save what is rightfully his. As a result,
he will spend hours in the store waiting for a prospective customer
with whom he has an appointment, when this time might be much
more profitably spent upon the outside developing new sales. The
outside salesman cannot be blamed for this, and yet both he and
the house itself s~ffer for it in the long run in lost business and poor
covering of territory.
A dealer who finds such conditions existing in his organization
can only solve it by one or two ways. The first of these is to work
out a basis of compensation for the floor men that effectively reo
moves the incentive for them to hold up the outside men. This,
however, is but an amelioration, since there is no system that cannot
be overcome by human ingenuity. When this is the case, he must
resort to the second and heroic method-eliminate both the man
who demands a split in the commission and the man who permits
himself to be held up by this polite form of blackmail. Both are
equally guilty and both should suffer accordingly.
THE PERSONAL APPROACH IN SELLING
HE Review has pointed out in several articles recently that
when local merchants feel seriolls effects from mail order house
competitIOn that experience is largely due to their own lack of
energy in combating the mail order propaganda with service and
arguments that can be made thoroughly effective. The local mer·
chant has one outstanding advantage that, properly appreciated,
sh.ould enable him to make 95 per cent of mail order competition
ineffective.
Theodore F. Merseles, president of Montgomery, Ward & Co.,
Chicago, one of the largest mail order houses in the country, gives
the local merchant something to think about regarding his oppor­
tunities in a recently published interview in which he is quoted as
saying: "The greatest obstacle in the path of successful mail order
selling is inability to meet the customer face·to-face." That is the
difficulty to overcome.
The established merchant is faced with no such obstacle, but
has the advantage of being able to go to the prospect and make
that personal approach vvhich is so much more successful than
sales methods depending upon the mail or the telephone to cany
their clinching arguments. The difficulty seems to be that there
are too many dealers in the music fi·eld who ,do not take advantage
of the opportunity to get in personal touch, through the medium of
salesmen, ·of course, with as many prospects as possible in their
territories. Th.ose who do go after busin~ss on a persorial basis
are getting results.
T

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