Music Trade Review

Issue: 1923 Vol. 77 N. 15

THE MUSIC TRADE REVIEW
4
OCTOBER
13, 192.1
SUBSCRIPTION. United States and Mexico, $2.00 per year; Canada. $3.50; all other
cowltries, $5.00.
ADVERTISEi)IENTS. rates on request.
REJ.\UTTANCJ<;S. should be made payable to Edward Lyman Bill, Inc.
music merchant's publicity has been welcomed, especially since
musical instruments are a type of merchandise that responds readily
to this form of advertising, provided it is well conceived and con­
sistently carried out.
Direct advertising is difficult, but the difficulty is more than
compensated by its results. It is a type of puhlicity that the average
merchant should not handle haphazardly nor without a well­
conceived plan. It is one that should be adapted directly to local
conditions, for, as Robert E. Ram sey, the author of the series, has
pointed out again and again, th e appeal differs' with the locality
and a successful letter in one territory may bring no results at all
in another. Here the music merchant enjoys an immense ad­
vantage, for he, above all people, should be closely familiar vvith
the people to whom he sells.
In this issue of The Review is published an article on the
methods that the large national mail order houses use in develop­
ing their sales of pianos. The article, which is based on the ex­
perience of a piano man who has long been engaged in this field,
shows what these houses have been able to accomplish in direct
competition with the local merchants on the ground. Lacking the
latter's advantages, they seem to have succeeded in overcoming
obstacles which at first glance would seem insurmountable. If they
can do it, wby can not the local merchant develop his direct ad·
vertising in such a manner that it will yield him results that, in
combination with the direct contact his salesmen have, should
create sales at a comparatively low expense? There is no reason
if the merchant will develop this type of advertising with care
and give it more than the haphazard attention with which so many
merchants send out an occasional letter to a li st of prospects that
is largely out of date and inaccurate.
Exposition Honors Won by The Review
SOLVING MUTUAL PROBLEMS BY MUTUALITY
(Registered in the U. S. Palent Office)
PUBLISHED BY EDW ARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 383 Madison Ave., New York; Vice·President,
J. B. Spillane, 383 Madison Ave., New York; Second Vice·President, Raymond Bill, 383
Madison Ave., New York; S ecretary, Edward Lyman Dill, 3e3 Madison Ave., New York;
Assistant Treasurer, \-\frn. A. Lo_w_._ _ _ _ _ _ _ _ __
J. B. SPILLANE, Editor
RAY BILL, B. B. WILSON, BRAID WHITE, Associate Editors
WM. H. McCLEARY, Managing Editor
CARLETON CHACE, Business Manager
L. E. BOWERS, Circulation Manager
Executive and Reportorial Staff
THOS.
E. B. MUNCH, V. D. \NALSH, EnWARJ) VAN HARLINGEN,
"V. llRESNAl"l t\N . E. ]. NEALY, C. R. TI G HE, FREDERICK B.
A.
FREDERICK
C\RTER,
FREDERICK
G.
LEF. ROBINSON,
DIEHL, A.
NICKLIN,
SANDHI-OM
J.
WESTERN DIVISION:
BOSTON OFFICE:
ARTHUR NEALY} Representative
JOHN H. WILSON, 324 vVasbington St.
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Telephone, Main 6950
Telephone, Wabash 5242-5243.
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NEWS SJ<;RVICE IS SUPPJ~IED WEJ<;KJ,Y BY OUR CORRESPONDENTS
LOCA'I.'ED IN THE LEADING CITn:S THROUGHOUT AAIRRICA
Published Every Saturday at 383 Madison Avenue, New York
Entued as second·class matter September 10, 1892, at the post office at New York, N. Y.,
under the A ct of March 3, 1879.
Grand Prix ......... Paris Exposition, 1900
Silver Medal . .. Charleston Exposition, 1902
Diploma . ... Pan ·American Exposition, 1901
Gold Medal . .... St. Louis Exposition, 1904
Gold M edal- Lewis·Cl,\rk Exposition, 1905
TELEPHONES-V ANDERBILT 2642-2643-2644-2645-2647-2648
Cable Addres", "Elbil!. New York"
Vol. LXXVII
NEW YORK, OCTOBER 13, 1923
No. 15
THE ADVENT OF THE AMERICAN AMATEUR
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I
N the Musical Merchandise Section of the last issue of The
Revi ew it was stated that conditions are such that the next few
months should see one of the greatest sales volumes of band instru­
ments that the trade has ever had. Risky as prophecies always are.
unquestionably this statement is well based, for never, perhaps, has
the amateur instrumentalist he en so great in numbers in this country
as he is at the present time. _\mateur bands and orchestras, and
in the latter brass and reeo instruments play a steadily increasing
part, are increasing rapidly and there appears at the present time
no chance of this tendency being checked.
\i\!ith this oev elopment one of the greatest difficulties which
al ways con f ron teo the :\ l11erican music industries is rapidly dis­
appearing. That difficulty was the comparative lack of amateJr
musicians here. "\broad the amateur occupies a well-defined status
in musical circles, amateur musical organizations are common and
amateur achievements' in music have always been numerous. In this
country, outside 6f the piano, the amateur has never played a con­
spicuous part, and thus deprived manufacturers of such musical
merchandise as hand instruments and other small instruments of
what is their greatest market.
The present tendency is one that must be encouraged. This is
jointly the task of the dealer and manufacturer. The latter's propa­
g'anda is national in its scope, of course. The dealer, on the other
hand, can do intensive work in his territory, he can encourage the
development of local amateur bands and orchestras, he can lend
his support to all such movements. Especially in this case of band
instruments is such work profitable, for a full equipment of a band
of any size at all is a sale that brings in a considerable profit.
The advent of the American amateur musician must. mark a
milestone in the advance of the American music industries.
MAKING DIRECT ADVERTISING PROFITABLE
T
HE series of articles entitled "Making Dinct Advertising
Profitable," which are appearing in the current issues of The
Review, have aroused not a little comment from its readers. Un­
questionably a discussion of the fundamentals of this side of the
HE question of retail distribution has become a matter of na­
tional importance. Not only are government departments en ­
gaged in investigating it, but leading commercial organizations are
setting their best brains to work in order to discover a better ba sis
of mutuality between the manufacturer and the retailer and, through
this, an eventual lower overhead cost in bringing the products of
the factories to the homes of their ultimate purchasers.
In our own industry great strides have been made during the
past few years towards this end. Especially is it apparent in th e
selling co-operation which the manufacturer gives his representa­
tive s. It has come to be recognized in most cases that the interests
of the manufacturer and the retail merchant are identical, that is,
what is to the benefit of one must necessarily be to the benefit
of the other. Those manufacturers who were the pioneers in
turning this recognition into action have reaped the benefits, not
only in increased sales, but in a better undei'standing which has
led to the elimination of many of those evils which, in the piano
industry at one time, \vere a constant source of controversy.
Distribution in the piano industry and in the music industries
. generally can be improved; the expenditure involved therein can
either be lowered or, what is better still, can be applied so as
to prod!-lce greater volume. But basic in achieving this end is a
close and intimate understanding between manufacturer and mer­
chant, an appreciation of the individual difficulties which confront
each of them, and a full confidence in each other. It is good to
see that this condition is steadily increasing in the music industries
and it is better to see the results it is bringing.
T
THE FATHER OF THE PIANO DEPARTMENT
HE recent death of Merritt J. Chapman marks the passing of
the man who might be termed the father of the successful piano
department in the modern department store, for it was he who
organized the piano department of the John Vlanamaker store in
New York in the early days and who made it a successful factor in
the industry when. other department store enterprises of similar
character had failed and continued to fail.
It was Yrr. Chapman who realized that a piano department must
be conducted on a high-class basis and that certain fundamental
rules not always in accord with department store policies must be
observed in handling such a specialty as the pia·no. During his
fifteen years as manager of the Wanamaker department he estab­
lished it upon the solid foundation which has been maintained up to
the present day, when it is accepted as a model of its kind.
T
OCTOBER
13, 1923
THE
MUSIC TRADE
REVIEW
5
What Is the Overhead Expense Limit
The Average Overhead in the Piano Department of the General Music Store, Based on Returns Made by a
Large Number of Piano Merchants- Review's Investigation Shows Need for a More Uniform System
of Accounting to Handle the Overhead Problem in the Proper Fashion
The average overhead in music merchants'
pia no departments is exceedingly difficult to
determine, largely because of th e wide variety
of accounting sys tem s used by the dealers who
replied to The Review's questionnaire and the
differences between the items reported which
go to make up this charge with the average
merchant. As a result, in striking averages,
the se variations have had to be disregarded in
many cases. The results, however, are close
enough to give an accurate idea of what it costs
to make the average piano sale and sufficient
for any merchant to apply to his own overhead
expense for the purpose of comparison. They
represent a compilation of figures furnished by
seventy-five dealers, among them some of the
lar ges t and most representa tiv e houses in the
trade. The average totals follow:
presented many difficulties . A number of the
questionnaires returned showed no figures at all
for this, the repair department evidently being
compelled to carry the entire burden of this
expense. Tuning and repairs are surely over­
heads that should be charged to the piano -de­
partment. The instrument, when it is received
from the manufactu'rer, needs tuning service, at
least, and polishing. Many houses still give a
certain number of free tunings with a piano or
a certain period of service maintenance as an
inducement for the prospective customer to buy.
To charge th ese obvious selling expenses
against the repair department, from which that
department derives no revenue, is unfair and un­
accurate accounting. Such a method, of course,
reduces the piano department overhead, but it
gives an unaccurate figure and deceives the
Many of those merchan ts reporting made no
charge for this at all. Y et equipment in the
retail warerooms eventually gives out, decora­
tions become dingy and mu st be renewed and
office fixtures do not last forever. Not to make
a charge covering this is to allow a co ns tant
shrinking of assets without having anything to
cover it. The manufa c turer who failed to charge
depreciation on his equipment as a part of his
manufacturing cost would be thought by the av­
erage business man to be a trifle off his balance.
The same is true of the retail merchant. In a
sense, his warerooms is his factory and the
background in which he displays his pianos and
stock is his equipment. There must be a charge
to cover its renewal if the true overhead ex­
pense is to be arrived at.
Financing
Interesting, too, were the returns under the
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heading "Financing and Carrying Trade-in
~
Overhead Expense in the Piano Department
Per Cent ~ Stock." Mo st of the merchants who reported in
',10.50
Salaries
this investigation finance themselves, to a large
extent, or else are in such a position that fhey
COlnmissions ....... . ................................................. .
3.00
can carry their outstandin g retail leases throu g h
Delivery . . .. ......... .. . . .. ................. . ................ . ....... . 4.50
the medium of bank loan s based on their cur­
Repairs and Tuning .. '................ , ..... . ........ . ............ .. ... . 5.02
rent accounts and upon thei r assets as a going
Advertising .......... . . . ............. . ...... . .. ... .... . ......... . " .... . 8.00, i business . Those who do not do business on
Rent, light and heat ............... . . .. ............ . . . ............' ..... .
3.16
this basis in most cases failed to make returns
upon financin g costs, as, obviously, they were
Depreciation .................................................... . .... .
.85
not aware what it cost them either to carry
Financing and carrying trade-in stock
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .
1.31
their own paper or to cash it through the vari­
ous methods they may use. The financing prob­
Grand total of overhead expense .... . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .. 36.34
lem in the retail piano trade is one of those
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factor s which make the overhead question so
Each of th ese varying items requires a sepa­
dealer who does it as to his net profit. All jobs
intricate, but to disregard it entirely, as some
rate discu ssion, as most of them reflect vary­
which the repair department does for the piano
dealers seem to do, is to deceive one's self as
ing conditions in the warerooms which report
department should be debited against the latter
to the net profit made and to be utterly unable
them. For instance, take the items of salary
and credited to the former, for this is the only
to figure the proper mark-up in goods that are
way in which an accurate overhead can be ar­
an d commissions. In the returns as made it
not nationally priced at retail.
rived at.
was exceedingly difficult to distinguish between
Charges of extravagance which are usually
Continuing Cost and Overhead
the commissions paid to salesmen regularly a
leveled at the retail piano m e rchant on the
There is another side of this question which
part of the organization and the commissions
score of overhead are not entirely warranted by
should be touched upon lightly here. That is
paid to outside parties for turning in prospects
the average figures brought out by The Re­
the tuning work which is done to an instrument
which were eventually closed. The figures
view's investigation. Of course, it is true that
give n above, howev e r, show this cleavage
before it leaves the wareroom floors. Obvi­
most of the houses repl yi ng are among those
sharply. The percentage credited to salaries in­
ously this is not an overhead, but a continua­
well established and which have been success­
cludes both the straight salaries and the com­
tion of the first cost. It would be good prac­
ful·. But their figures repres ent a fair mean and
tice, obviously, to establish a percentage for
missions paid to salesmen regularly in employ.
th ey are in no mauner too high when the spe­
The item headed "Commissions" includes only
handling based upon the average cost of taking cialty nature of retail piano selling is consid­
the commissions paid to outside parties, so far
care of the instrument while in stock and add
ered. It is not likely that they range any higher
this to the invoice cost, instead of charging
as it has been possible to determine.
than those which are found in reta ili ng other
"Commission Fiend" Going
it to overhead in one case or throwing the en­
lines of merchandise which present a similar
tire burden upon the repair and tuning depart­
One of the striking things that the question­
selling problem and where the usual terms of
ment in the other. Doin g this gives a more ac­
naire brought out was the co mparatively low
payment are upon the instalment basis. The
curate figure for the net profit and throws a
percenta ge of overhead that is to be attributed
trouble with piano retailing is not that too
cost where it should be.
to commis sion s. Only a few years ago 10 per
much money is spent in th e overhead account,
Advertising and Publicity
cent was a well-recognized commission 'i n the
but that in many cases what is spent is not
retail piano trade, and in some cases as high as
The percentage for advertising here includes
spent to best advantage in relation to the re­
all publicity. There is no way of determining
15 or 20 per cent was given. To bring commis­
turns which it produces. In other words, piano
whether it includes extra exploitation work , retailing in many cases falls behind retailing
sions down to 3 per cent shows one of two
things-either the "commission fiend" has been
such as furnishing pianos for local concerts. in other similar fines on the score of intensive­
giving reproducing piano recitals, etc. Obvi­
he avi ly curtailed in his or her activities or else
ness and intelligent dire ction. That is a hard
ously, however, such expense should come un­
the percentage g ive n has heavily fallen off. Both
thing to say, but, for the be nefit of the trade,
der this head. If a piano is delivered to a con­
of these tendencies at the present time are in
a good thing that it is rapidly being remedied
cert hall the charge for delivery should be deb­
operation, man y of the leading retail houses
through the adoption generally of better selling
ited to the advertising account and credited to
giving 5 per cent as a maximum commission to­
methods and a more intelligen1: study of the
the delivery account. (And here it might be
day, with a great many more sales coming
,a les problems.
sa id that the expense of hauling pianos from
through regular sales channels than was the
Need of Uniformity
case in the past. Evidently, the day when a
the railroad freight station to the warerooms,
An average overhead expe nse of 36.34 per
"commission fiend" could list the name of a
which usually the delivery department has to
('ent does not mean, of course, that there are
prospect with every piano dealer in a locality
carry, s hould be charged to the merchandise
no piano dealers who are conducting their warc­
or city and thus be sure of collecting a com­
account, instead of to the delivery department.)
rooms efficiently at a lower percentage. But
Publicity of every kind should come under the
mission has passed to a great extent, a condi­
these are exceptional cases and the cost does
head of advertising and any department which
tion that is greatly to be welcomed, for com­
!lot fall much bel ow thi s figure. V!hel'e ex­
co-operates in .thi s dire ction should be credited
missions for years constituted an unwarranted
tremel y low overhead s are reported the fault
accordingly.
charge upon the piano dealer's volume of sales
u!'oually is that all itcms which legitimately
Depreciation
and contributed to swell the overhead expense
should be charged to overhead have not been
limit beyond what it should be.
One of the most interesting items in the
fi g ured and that the dealer is obviously dueiv­
The item of tuning and repair service also
questionnaires is that headed "Depreciation." . ing himself as to his net profit.
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