Music Trade Review

Issue: 1923 Vol. 76 N. 9

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
56
THE MUSIC TRADE REVIEW
MARCH 3, 1923
Another // M?Carthy-Tierney u Masterpiece!
the same "•bid sto

there
in loV-ers lane,
6 PER CENT AMUSEMENT TAX
RICHMOND-ROBBINS PUBLISHES MOVING PICTURE MUSIC
New Bill Introduced in New York State Legis-
lature Calls for Such Levy
Series of Incidental Scores for Moving Picture Theatre Orchestras Under Directio'n of Erno Rapee,
Conductor of Capitol Theatre Orchestra, New York, and Wm. Axt, His Assistant
ALBANY, N. Y., February 26.—A 6 per cent tax
on the gross receipts of all sporting contests
and all entertainments and amusements in this
State is proposed in a bill introduced to-night
by Assemblyman Charles P. Miller (Repub-
lican), of Genesee, chairman of the Assembly
Labor Committee.
While the measure is aimed primarily at base-
ball and other sporting events, it is so broad
in its terms that it covers every kind of money-
making event held for the pleasure of the gen-
eral public.
Every theatre, motion picture house, horse
race, professional or amateur sporting event,
motor vehicle race, boxing or wrestling con-
test, basketball game or musical concert would
be brought within the reach of the State tax.
The measure is said to have the approval of
both the Democratic and Republican leaders
and to be scheduled for passage.
As announced in these columns last week,
Richmond-Robbins, Inc., will publish incidental
music for photoplay orchestras, the composing
and arranging of which will be the work of
Erno Rapee, musical director of the Capitol
Theatre, New York, and William Axt, his
assistant. It is understood the contract is for
a period of three years.
Mr. Rapee, during the past few seasons, has
been much sought after by prominent picture
SOB SONGS OUT OF DATE
One Writer in England Now Washes Windows
to Meet Living Expenses
LONDON, ENGLAND, February 26.—The popularity
of sentimental songs is waning so rapidly in
England that one well-known sob ballad writer
of London is now cleaning windows for a living.
His name is Will Geddes and his pathetic pieces
that once wrung the hearts of thousands include
"Don't Go Down the Mine, Daddy," "Farewell,
Kathleen" and "The Collier's Child."
" 'Spanish onions,' as the sentimental melodies
are called in the trade of songwriting, are at
a discount," Geddes said. And the publishers
say the same. "They don't want sobs," one
remarked. "To-day's song is the fox-trot
type."
an eighty-piece orchestra possible in a picture
theatre, and which will enable us, as musicians,
to elevate the musical accompaniments to films
to a level equal to that of grand opera in the
manner of Richard Wagner."
The Erno Rapee and William Axt first re-
leases under the Richmond-Robbins imprint
will be the "Gold Seal Series," consisting
of semi-classical love theme ballads; the sec-
ond, the "Red Seal Series," will incorporate
instrumental compositions, and the third, the
"Capitol Photoplay Series," will contain inci-
dental music. The "Gold" and "Red Seal Series"
will also be published as piano solos. Music
adapted for films under the direction of experts
in this field should fill a long-felt want and
should prove popular.
FOX ISSUES ATTRACTIVE CUT-OUT
*The Sam Fox Publishing Co., of New York
and Cleveland, O., has issued a three-color dis-
play cut-out poster mounted on cardboard with
Erno Rapee
William Axt
easel back, which is being distributed to prom-
producers for musical scores for feature photo- inent sheet music, talking machine record and
plays. He arranged the music for such suc- player roll dealers of the United States and
cesses as "Over the Hill," "Queen of Sheba," Canada. The cut-out is most attractive and is
"Connecticut Yankee," "Monte Cristo," "Nero," in comedy form, which is put to immediate use
"Silver Wings," "The Village Blacksmith," and by dealers.
others. His early motion picture training was
under the direction of S. L. Rothafel, who is 'WISTFUL WALTZ" WIDELY POPULAR
responsible for much of the progress made in
"Wistful Waltz," from the catalog of Boosey
picture music.
Of particular importance to the music trade & Co., is being featured by hundreds of orches-
in general is the following statement by Mr. tras throughout the country. It has a most
Rapee: "It was S. L. Rothafel who first real- appealing melody and, in dance form, is popular
ized that music to films was not a necessary with lovers of the waltz. The publishers are
evil, but 50 per cent of the entertainment. Ad- giving the number much publicity in trade and
verse opinion did not quell his enthusiasm. He other circles and this has resulted in it having
had the courage of his convictions, which made a most active sale.
PEGGY DEAR
L,i6ht, Tuneful and
Ori&jnal FoxTrot
You can HEAR it
and BUY it HERE
Uou carit go wrong
"V:.
\/ith an} 'FEIST'sor%"
#. J D^J
•. —You have taken mo com-plete-ly,—
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MARCH 3, 1923
MUSIC
TRADE
57
REVIEW
"GOODNIGHT" WALTZ GOES BIG
New Leo Feist Number Receiving Rapid Re-
sponse From Public—Which Shows Increas-
ing Popularity of Waltz
Ready!
Seven Great Silent Salesmen
for Your Counter!
One Volume of All 1st Grade Piano Numbers
Two Volumes of All 2d Grade Piano Numbers
Three Volumes of Most 3d Grade Piano
Numbers
One Volume of All 1st Violin Parts in
Century
Approximately 350 pages in each book—
Embrace over one-half the Century catalog.
Securely and handsomely bound.
Wonderful self-sellers.
Gives customers unequalled service.
A Great Co-operative Hook-up.
Drop a line for full particulars.
Century Music Publishing Co.
235 West 401 h Street, N. Y.
GOES WITH RICHMOND=ROBBINS
Rudy Wiedoeft, Well-known Saxophonist, Signs
Five-year Contract With That Firm
You can't g o
wrond>vith
any Feisty
Among the new numbers added to the cata-
log of Leo Feist, Inc., is a waltz entitled
"Goodnight." The number has already shown
indications of becoming quite popular and this
has induced the publisher to arrange a campaign
to exploit it intensively. While it is true the
Feist number, "Three o'Clock in the Morning,"
continues to receive wide recognition and popu-
larity, there seems to be no reason why another
meritorious waltz should not be programmed by
orchestras.
The sales staff of the Feist organization looks
for "Goodnight" to be very big. It makes no
claim, however, to its succeeding "Three o'Clock
in the Morning." One of the slogans adopted
in exploiting the number is "Almost as good
as 'Three o'Clock in the Morning.' "
Send"
HOT LIPS
VAMP ME
STUMBLING
BEE'S KNEES
SILVER STARS
KUNNIN' WILD
JOURNEY'S END
JAPANESE MOON
ALL MUDDLED UP
LOVELY LUCERNE
FLOWER OP ARABY
COAL BLACK MAMMY
TOOT, TOOT, TOOTSIB
WHY SHOULD I CRY OVER YOU?
THREE O'CLOCK IN THE MORNING
IN A CORNER OF THE WORLD ALL
OUR OWN
WHEN THE LEAVES COME TUM-
BLING DOWN
'ELSIE" SCORES IN BOSTON
Write for Dealers' Prices
Sissle and Blake Musical Comedy, Published by
Witmark, Repeats Chicago Success
LEO..FEIST, Inc., FEIST Bldg., New York
The musical comedy, "Elsie," which has had
a successful run in Chicago and elsewhere, has
made its appearance in Boston, where it is
again recognized as a meritorious attraction.
Much of the music for this show was furnished
by Noble Sissle and Eubie Blake, who were
responsible for last season's success, "Shuffle
Along." Among the songs in "Elsie," which
Boston seems to recognize as unusual, are
"Baby Buntin'," and "Two Hearts in Tune,"
closely followed by "Sand Flowers," "With
You," and "Jazzing, Thunder, Storming Dance."
The Sissle and Blake numbers are published
by M. Witmark & Sons.
her of new members were added to the organi-
zation and plans for a membership drive were
arranged. Constitution and by-laws were
adopted. The Association also passed a resolu-
tion regretting the death of Carl Fischer.
Rudy Wiedoeft, the famous saxophonist, just
closed an exclusive five-year contract with Rich-
tnond-Robbins, Inc., the well-known music pub-
lishing house, whereby that firm will publish the
Rudy Wiedoeft compositions. Wiedoeft was
one of the earliest of the saxophone enthusiasts
and is recognized as one of the foremost players
MUSIC MEN'S ASS'N MEETS
of that instrument. Originally a clarinetist, he
saw the possibilities in popularizing the saxo-
The newly organized Association of Music
phone. He is one of the best-known recorders
of that instrument on talking machine records Men met on Tuesday evening of this week in
and is the writer of a series of compositions the offices of the A. P. Schmidt Music Co.,
and books for it. Publications bearing his name 8 West Fortieth street, New York.City. A num-
are popular with all saxophonists, which are
said to number close to a half million in the
United States alone.
It is understood Richmond-Robbins, Inc., will
exploit the new Wiedoeft compositions with
the aid of an extensive advertising campaign.
The first release under the Richmond-Robbins
imprint will be a series of saxophone instruction
books.
WATERSON,
BERLIN & SNYDER CO.
S-O-N-G H-I-T-S
Down in Maryland
Aggravatin' Papa
Tomorrow (I'll Be in My Dixie
Home Again)
One Night in June
The Lovelight in Your Eyes
I Gave You Up Just Before You
Threw Me Down
You Gave Me Your Heart
Grace (You're the Ace of Them
All)
Don't Think You'll Be Missed
Mother in Ireland
Steve
What More Do You Want?
Haunting Blues
The First Waltz (Belongs to Me)
Published by
WATERSON,
BERLIN & SNYDER CO.
HEARST NATIONAL PUBLICITY
Hearst, Music Publishers, Ltd., Winnipeg,
Canada, has inaugurated a campaign exploiting
its numbers in a series of orchestra and trade
publications in both Canada and the United
States. This is being supplemented by activity
in all the branch offices of the company. Under
the present plans this is to be continued
throughout the year of 1923.
GOING BETTERJTHAN LAST YEAR
The show numbers from this season's Irving
Berlin's "Music Box Revue" are much more
active, according to reports from dealers
throughout the country, than was the case with
the songs of last season's offering. Substan-
tial sales are reported on "Crinoline Days,"
"Lady of the Evening," "Pack Up Your Sins
(And Go to the Devil)" and "Will She Come
From the East?"
Som
D"ffer^nt
"IN ROSETIME"
A WALTZ BALLAD
et!
irely
With a thrilling, pulsing* melody
that grips the heart string's.
THE MID-WEST MUSIC HOUSE, Publishers
6434 Woodlawn Ave.
Chicago, III.
Released March 1 on Edison Record 51097
Straod Theatre BIdg., New York City, N. Y.
GETTER
Ever
ISSUED
in the
HISTORY
of the
Music
INDUSTRY
IFffOT—
faWITMARK
BUCK AND WHITE SERIES
WHICH CrtMtf ktili f ATAIflff- f.DATIC-
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INCLUDES JwrlwWiw vrtlAUHo UKflJlJ
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The Best Two Cent'•Jnwstmnl You fwr Made ^
M. WITMARK C SONS iw&Sme
Trade-mark
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s/not/ier"$uns)\ine Of Mwr Smile
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§ Love Sends ©
I A Little Gift 8
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Of Roses ®
F*
HARMS iNc.62WEST45 T - H ST,NEWY0RK ? * !
NEWXORK
SOME SNAPPY SONG SENSATION
WHEN UNCLE SAMMY BLOWS THAT PAY DAY CALL
"The Fox-trot That Keeps 'Em Stepping:"
Write to Wrig-htman for Guaranteed Sales Proposition, Window Displays, Slides and Other
Free Advertising: Helps.
From your Jobber
WRIGHTMAN MUSIC PUBLISHERS
or direct.
20 E. Jackson Blvd., Chicago.

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