Music Trade Review

Issue: 1923 Vol. 76 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
FEBRUARY 10,
1923
THE MUSIC TRADE REVIEW
9
Selling Conferences Prove Real Value
Both in Industry and Trade Salesmen's Gatherings With Executives Are Stimulants to Sales Organization
Revitalization—The Grinnell and Knight-Campbell Meetings—What the Smaller Dealer Can Do—
The Ampico' Art Society—Hallet & Davis Co. and Its Annual Travelers' Meeting
The periodic sales conference, whether in a
retail or wholesale organization, is one of the
most important methods of revitalizing a sales
force, of filling its members with new enthusi-
asm and energy, and of sending the men out
among their customers in a state of mind which
results in an increased volume of business. All
this the sales conference does, provided, of
course, that it is something more than a mere
social gathering, and that the men are given
hard facts and not the stale platitudes which
too often make up the context of papers read
before such gatherings.
Sales conferences in the retail piano trade
range all the way from weekly gatherings held
in a single wareroom to elaborate conventions
held by the larger chain selling organizations,
which last from two days to a week and draw
an attendance as high as one hundred. It is
a significant fact that the sales conference is
found at its highest development in selling or-
ganizations that rank among the best in the
retail trade.
Two Outstanding Retail Conventions
Perhaps the two outstanding yearly sales
conventions in the retail piano trade are those
of Grinnell Bros., of Detroit, and the Knight-
Campbell Music Co., of Denver, Colo. Each of
these lasts for nearly a week, during the course
of which branch managers and salesmen from
the stores controlled by these organizations are
brought to headquarters, policies are thrashed
out in strict relation to the facts these men face
in their daily work of selling musical instru-
ments to their customers, flaws in selling
methods are exposed with relentless severity
and remedies are worked out for eliminating
them. The fact that Grinnell Bros, have fol-
lowed this practice for twenty years, and the
Knight-Campbell organization for nearly as
long, shows the value the executives of these
two organizations place upon these gatherings.
One of the outstanding features of the Knight-
Campbell convention is the decision in the
yearly selling contest which is conducted by
this firm. Clarence Campbell, of this house,
stated some time ago that this contest idea
proved a greater stimulus to selling activity
among the managers and salesmen than any
other plan which had ever been tried, and that
it aroused a competitive spirit which, in results,
more than justified the time and expense in-
vested in it.
One of the most striking proofs of the value
of the sales conference was given some time
ago by the New England musical instrument
house of M. Steinert & Sons Co. Alfred Cortot,
the French pianist, was appearing at that time
in Boston with the Duo-Art piano, which the
Steinert house represents in that territory. On
the day of the recital Alexander Steinert
brought his entire force of branch managers
and many of the salesmen to Boston, the firm's
headquarters, where a discussion of selling
methods for this instrument was held in the
morning, a lecture by a representative of the
Aeolian Co. on the Duo-Art was given in the after-
noon and in the evening the men attended the
recital in a body. The mood in which they went
back to selling these instruments can be
imagined, for many of the Steinert branches
are. in small cities where it would be impossible
to bring such an eminent artist as Cortot for
a concert and where the selling forces had not
had the fidelity of the Duo-Art's reproduction
of pianists' interpretations demonstrated to
them. They went back to their work more than
ever convinced of the merit of the product they
were selling, the basis of all good salesmanship.
These examples have been cited from large
selling organizations. But the dealer who has
but the one store can utilize the selling confer-
ence to just as great advantage, in fact to per-
haps greater advantage, for he can hold them
at shorter intervals and maintain a more per-
sonal contact with his men. An example of
this is found in the Knabe Warerooms in New
York, where every Wednesday morning Man-
ager Berthold Neuer gathers his entire organi-
zation, from his best outside salesman and de-
partment heads down to the girls in the music
roll department, for an hour's conference on
the week's work. These gatherings have proven
especially valuable in developing selling methods
for the reproducing piano, which, after all, is
a comparative novelty in the trade, for which
the selling approach had to.be developed along
new lines.
And here it is necessary to speak of what is
probably a unique selling conference. That is
the annual meeting of the Ampico Art Society.
Formed spontaneously by dealers from every
section of the country who represent the Am-
pico, it has done wonderful work in its annual
gatherings, not only in formulating better sell-
ing methods, but in bringing about a more per-
sonal contact between the men who sell the
Ampico and the artists who record for it, both
of whom are eligible for membership. When
it is remembered that the reproducing piano is
sold strictly upon the basis of music, the value
of this contact can be immediately seen. One
of the latest activities of this organization has
been an effort to meet the problem of the
trade-in, an important one in selling the repro-
ducing piano, and considerable progress has
been made, the Ampico Art Society's work
being used to some extent as a basis, for the
effort now being made to solve this problem
by the Music Industries Chamber of Commerce.
The Hallet & Davis Wholesale Meeting
In the wholesale field the sales conference is
as important as in the retail end of the industry.
No manufacturer has developed this idea further
than the Hallet & Davis Piano Co., which holds
an annual gathering of its travelers. At that
just completed in Boston two days were de-
voted to personal work between the salesmen
and the executives of the house; one day to a
study of recording work with the Angelus re-
producing piano, members of the artists' staff
giving demonstrations; one day to the player-
piano, a visit being paid to the Simplex Player
Action Co.'s plant in Worcester; one day to
the Hallet & Davis factory in Boston, and on
the final day a visit was paid to the Angelus
Recording Studio in Meriden. No traveler went
back to his territory without an intimate knowl-
edge of the goods he is selling the dealers nor
without a full realization of the company's pol-
icies, thus being able to give 100 per cent co-
operation, the basic essential of any properly
functioning selling organization.
The sales conference is susceptible to still
further development. Properly handled, it de-
velops a degree of harmony among the salesmen
which eliminates many of the evils that, at the
present time, hinder them in their work. But
it must be carefully handled. While it has its
social side, the men must be made to realize
that they are there primarily for business, and
the only way to do that is to plan a program
where real problems arc placed foremost.
MOVING PICTURE FILM SHOWS ORGANIST'S TECHNIQUE
Strand Theatre, San Francisco, Shows Interesting Picture in Connection With Installation of
Robert-Morton Organ—Hand and Foot Movements of Organist Displayed With Clarity
One of the unique features in connection with
the installation recently of a Robert-Morton
organ in the Strand Theatre, San Francisco,
was played while the film was being shown
and the result w-as a very interesting demon-
stration. The accompanying photograph shows
Eddie Sellen at Strand
by the American Photo Player Co., was the
showing ol a film at that playhouse depicting
tlio hand and foot movements of the organist
while seated at the organ console. The organ.
Robert-Morton Organ
Eddie Sellen, organist at the Strand Theatre,
stated at the console of his instrument. The
audience took a deep interest in the deinonstra,-
tk>n and greeted it with applause,
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
10
NEW CANADIAN DISTRIBUTORS FOR GULBRANSEN PLAYER
Burdick A. Trestrail, President of Mutual Sales Service, Ltd., Toronto, Takes Over Both Dis-
tributing and Manufacturing Rights for Gulbransen-Dickinson Products—Sees Player Future
CHICAGO, I I I . , February 3.—The Gulbransen-
Dickinson Co. has announced that on February 1
Rurdick A. Trestrail, president of the Mutual
Sales Service, Ltd., Toronto, Ont., took over
the distribution of the Gulbransen products in
Canada, succeeding the Musical Merchandise
Sales Co. in that connection.
In making the announcement the company
states that the rapid development of Gulbransen
player-piano sales in Canada during the past
year has necessitated an amount of merchan-
dising effort which will require the undivided
attention of a sales organization devoted ex-
clusively to this work.
Mr. Trestrail is particularly well qualified to
look after the Canadian distribution of the Gul-
bransen products for the reason that, when he
was manager of the piano department of the
R. S. Williams & Sons Co. in this city seven
years ago, he first introduced the Gulbransen
players to the Canadian trade in a retail way.
He was also responsible at a later date for the
taking over of the Canadian distribution of the
Gulbransen by the Musical Merchandise Sales
Co.
Since the general distribution of the Gul-
bransen in Canada was started a year ago suc-
cess has been rapid and steady, with the result
that a very substantial number of the leading
independent music stores from coast to coast
have taken on that line and produced a volume
of business little short of surprising, thus indi-
cating the great possibilities for the player-
piano in the Canadian trade.
Mr. Trestrail has not only acquired the dis-
tributing rights for the Gulbransen in Canada,
Patented Nov. 14, 1922
Remember That the Success of the
Reproducing Piano
depends in no small degree on the efficiency of the piano action
used in conjunction with the reproducing mechanism.
This has been taken into consideration in the perfecting of the
Staib-Abendschein
Reproducing Grand
Piano Action
with
Lost Motion Attachment
1923
but has also secured the manufacturing rights.
In view of the excellent outlook for the com-
ing year it is expected that the opening of a
Gulbransen factory in Canada will be an ac-
complished fact before the twelve months have
passed. The proposed factory will be controlled
absolutely and entirely in Canada and operated
with Canadian capital, but will be granted the
lights to thd Gulbransen trade-mark, good-will
and patents. When the new plant is in opera-
tion it is planned to turn over to it practically
all export business of the house.
Mr. Trestrail has great confidence in the
Canadian player trade, feeling that the market
for that type of instrument in the Dominion has
been barely scratched in view of the results
obtained in other countries. In a recent inter-
view he said: "Our Canadian piano dealers are
just awakening to the vast possibility of profit
in this field. Here we are in a country that
uses more automobiles per capita than any other
British territory, or the United States, and the
same applies to phonographs and pianos, yet
our sales of player-pianos total probably less
than 15 per cent of our piano sales, whereas
in the United States they are running from 55
to 65 per cent player-piano sales and in
Australia and New Zealand the percentage is
also greatly in excess of 25 per cent.
"The Gulbransen Co. sells more player-pianos
in Australia to one firm alone than were made
and sold by any two Canadian manufacturers
last year. The Q R S Music Co. sells three
times as many player rolls in Australia as are
sold in Canada—and this in the face of a pop-
ulation approximately half that of Canada.
"The only conclusion that can be reached
from these facts and figures is that player-
pianos have not been aggressively merchandised
in this country; that prices have been too high,
and that the public has not been properly edu-
cated to the real musical worth of a good
player-piano.
"During the past year several other Canadian
manufacturers have begun to devote a good
deal more attention to the player field and this,
coupled with the efforts that we are going to
put into it, should awaken the trade to the
wonderful possibilities in this direction. If the
dealers will enthusiastically co-operate with the
merchandising plans that are presented by my
company, as well as those presented by other
Canadian companies, I have not the slightest
doubt but that the player business will be
doubled and trebled from year to year for the
next generation.
"One or two Canadian manufacturers have
already told me that since the introduction of
the Gulbransen their player business has in-
creased remarkably and they have nothing but
the best of wishes for this product. While we
met with some opposition at the beginning, we
believe practically all of the manufacturers to-
day realize that we are rendering a real service
through which all will profit if they place them-
selves in a position to take advantage of the
interest created in player-pianos and will con-
scientiously help in educating the dealer to the
problem of merchandising and service in the
player field."
QRINNELL BROS. OPEN NEW STORE
which eliminates all lost motion b e t w e e n the action and
mechanisni, permits soft pedal movement adjustment to the
lightest pneumatic and does away with key shifting and key
dipping entirely.
LAPEK.R, MICH., February 5.—Grinnell Bros.,
Michigan's biggest piano house, have made ar-
rangements with the Chas. F. Bursch Specialty
Shop in this city to use part of its store as a
piano display room. The new display room
will be under charge of Mr. Hewitt.
RITZ SHOP INCORPORATED
Write for further particulars
and illustrated booklet
THE STAIB-ABENDSCHEIN CO.
134th St. and Brook Ave.
FEBRUARY 10,
New York
ALBANY, N. Y., February 5.—The Ritz Music
Shop has been incorporated to deal in musical
instruments in New York with a capital of
$10,000. The incorporators are M. Aronson, A.
Fein and E. Friedman.
Steady collections arc the backbone of a retail
piano business.

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