Music Trade Review

Issue: 1923 Vol. 76 N. 6

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
RMFW
(Registered in the U. S. Patent Office)
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 373 Fourth Ave., New York; Vice-President,
J. B. Spillane, 373 Fourth Ave., New York; Second Vice-President, Raymond Bill, 373
Fourth Ave., New York; Secretary, Edward Lyman Bill, 373 Fourth Ave., New York;
Assistant Treasurer, Wm. A. Low.
J. B. SPILLANE, Editor
RAY BILL, B. B. WILSON, BRAID WHITE, Associate Editors
WM. H. McCLEARY, Managing Editor
CARLETON CHACE, Business Manager
<• i
L. E. BOWERS, Circulation M a n a g e r
-——-.-_
E x e c u t i v e a n d Reportorial S t a l l
E. B. MUNCH, ARTHUR NEALY, V. D. WALSH, EDWARD VAN HARLINGEN, LEE ROBINSON,
Jos. A. MULDOON, THOS. A. BRESNAHAN, E. J. NEALY, C. R. TIGHE, A. J. NICKLIN
WESTERN DIVISION:
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NEWS SERVICE IS SUPPLIED WEEKLY BY OUR CORRESPONDENTS
LOCATED IN THE LEADING CITIES THROUGHOUT AMERICA
Published Every Saturday at 373 Fourth Avenue, New York
Entered as second-class matter September 10, 1892, at the post office at New York, N. V..
under the Act of March 3, 1879.
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REMITTANCES, should be made payable to Edward Lyirian Bill, Inc.
Exposition Honors Won by The Review
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Paris Exposition, 1900 Silver Medal.. .Charleston Exposition, 1902
:an Exposition, 1901
Diploma... .Pan-American
1901 _ Gold Medal
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Cable Address: "Elbill, New York"
Vol. LXXVI
NEW YORK, FEBRUARY 10, 1923,
No. 6
I TEACHING SALESMANSHIP TO THE SALESMEN |
T
HE'members of the music industry came to a realization some
time ago that, though many salesmen may be born, it is possible
to teach piano salesmanship successfully to those who have not the
gift by instinct. The result has been the development of a series of
sales conferences held by the leading concerns in both the manu-
facturing and retail divisions of the trade and, among other things,
the school of piano salesmanship held in New York last Fall.
There are, of course, those old-timers in the business who will
scoff at the idea of teaching piano salesmanship just as are taught
the three R's in school. But practical experience in many lines of
trade, and particularly in the talking machine division of our in-
dustry, has proven that through proper instruction an ambitious
salesman can gain at a minimum of cost, time and effort a volume
of information which would ordinarily represent the result of sev-
eral years of actual selling experience with all the expensive mis-
takes that method entails.
A number of retail concerns in the trade have earnestly taken
up the problem of instructing their salesmen in the proper method
of handling the products they represent. Among these concerns is
Sherman, Clay & Co., San Francisco, which conducts weekly classes
for the benefit of ambitious salesmen who seek to profit by a knowl-
edge of the trade and trade methods possessed by the older members
of the staff. It would seem well for other houses to look into this
question with a view of making their own sales organizations more
efficient.
The art of selling musical instruments properly must be learned
by every new salesman either through experience or through advice
and information offered by those versed in the right methods. The
former system takes much time and is very liable to result in many
lost sales before the salesman is in a position to meet all the prob-
lems that come before him in his work. If he is made acquainted
with the handling of those problems before he meets them, both the
salesmen and the house he represents are sure to profit.
One of the most important features of the Sherman, Clay & Co.
course is the instruction given in the construction and operation of
the line of reproducing pianos handled by that house. The lectures,
by experts, are calculated to give the salesman a quick working
knowledge of the various types of instruments, and thus enable him
FEBRUARY 10,
1923
to talk with authority and confidence. More than one reproducing
piano sale has been lost to a competitor because the salesman did not
have proper knowledge of the instrument he was offering or of how
it compared with the product of another manufacturer.
COMMITTEE ORGANIZATION
IN THE
CHAMBER
T
HE reports presented to the directors of the Music Industries
Chamber of Commerce at their meeting in Chicago last week
serve to give to the representatives of the various associations
affiliated with that organization some general idea of the manner in
which the committee plan of operation is being worked out in con-
nection with Chamber activities.
In an interview in this publication some weeks ago, Richard W.
Lawrence, president of the Chamber, outlined his policy of having
committees made up of trade members of recognized ability map
out and oversee the various details connected with the operation of
the Chamber bureaus and movements, with a view to leaving the
paid staff of the Chamber free to carry on its work without in-
terference.
Whatever the value of the various Chamber activities, and sev-
eral of them are of unquestionable importance, the fact remains that
the personnel of the committees appointed by Mr. Lawrence is of
the highest type. Those who perhaps doubt in some measure the
value of the Chamber to the individual merchant and manufacturer
may regain confidence in that organization from the fact that execu-
tives of some of the largest houses in the industry are finding the
time and the inclination to give the benefit of their knowledge to the
work of the committees.
The development of the committee plan of operation has taken
much time and thought and there has not really been time to give
the new plan a really convincing test. However, the program as
outlined before the directors provides for work that should interest
and benefit practically all the factors in the industry, and the reports
on what has been done along the suggested lines when presented at
the annual convention in June will prove interesting. The question
is not how many different things the Chamber can do for the trade,
but rather how many practical things can be done well. The June
convention will tell the story.
WHAT THE MILEAGE BOOK VICTORY MEANS
T
HE victory of the traveling salesmen's organization in having
the Interstate Commerce Commission order the railroads to issue
mileage books at a discount of 20 per cent from regular tariffs
means the saving of millions of dollars annually to the business in-
terests of the country, for the expense of the travelers is naturally
charged against the cost of the goods manufactured and sold.
When it is realized that the use of the new books will save
something over $7 in railroad fare on the thousand-mile trip be-
tween New York and Chicago, and that the average traveler covers
something better than 20,000 miles each year, the gross saving
amounts to a most substantial sum. It will mean, too, that, with
travel costing less, the salesman can afford to cover a wider terri-
tory for the same amount of money and thus increase the distribu-
tion of the products he represents. This in turn means decreased
manufacturing costs and greatly stimulated business.
The National Piano Travelers' Association is to be congratu-
lated upon the part it has taken in the fight for mileage books both
as a distinct organization and as a member of the National Council
of Travelers' Associations.
WHERE SECRECY DEFEATED ITS OWN PURPOSE
it does not pay to hide one's light under a bushel was
T HAT
recently shown in a musical survey of an Indiana town,
which those employed were instructed not to give the name
of their employers. A local dealer states that, as a result, the
canvassers, forced to give some name, gave those of dealers
indiscriminately, thus bringing business probably to the com-
petitors of the house which paid their salaries. Secrecy is a
very good thing at times, but at other times it can be carried
too far, and this happens to be one of them. It is usually
better to operate in open daylight, for surely there is nothing"
unethical in conducting a musical survey—on the contrary it
is something' which all those who sell musical merchandise
should be encouraged to do in order that they may know
their territory.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
FEBRUARY 10, 1923
THE MUSIC TRADE REVIEW
Advertising Analysis for the Retailer
The National Publicity Campaign of the Story & Clark Piano Co. and Its Relation to the Dealers Who
Handle This Well-Known Piano—John Raybourne Bailey', Who Planned It, Outlines the Essential
Factors It Is Based Upon, and Shows How the Retail Dealer Profits From Its Stimulus
with the name of the manufacturer firmly im- of the manufacturer. An analysis of the cam-
planted in his consciousness is the end toward
paign as it was conceived and unfolded by the
which all piano advertisers strive to attain. We advertiser brings out certain interesting points.
are selling the most won-
derful commodity in the
world. The opportunities
for the e x p r e s s i o n of
music's appeal through the
printed page are as varied
as the melodies in music
itself. Who can name or
limit the occasions and
circumstances under which
we have thrilled to this
wonderful art?
All of
these are capable of depic-
tion by the printed word
or illustration.
"Music itself expresses
all of the emotions. It
expresses action and re-
pose, and we have types
of both of these in the
national mediums almost
every month. However, it
is comparatively only of
recent years that action
pictures have been used
much in a d v e r t i s i n g 'The Awakening," First of a Series of Illustrations Depicting Shake-
speare's Seven Ages as Applied to the Piano
pianos. Both types are
These, the work of F. R. Harper, a prominent artist, appear in color in Story &
shown in the illustration
\dvertising
in Scribner's, Harpers, Century, Review of Reviews, World's
herewith. A comprehen- Clark's
Work and Atlantic Monthly
sive campaign whereby the public consciousness Starting and continuing throughout the year
of any particular piano manufacturer is success- 1922 in the largest circulating medium in the
fully crystallized best includes the two types. world a type of action copy was consistently
"This is the only way by which advertising
"The illustrations reproduced on this page used. Here we have a novel departure in the
matter of the illustrations which, instead of the
usual half-tones commonly used, utilized the
line drawing to create a lively, poignant and
artistic effect. It will be noticed in the two
illustrations shown that a mere glance im-
presses one lighlly and pleasantly, and that
without obvious effort to hold the attention.
Anything that is easy to look upon pleases us
and it can be imagined that the little tots in
the illustrations strike most pleasantly upon the
consciousness of the passing reader; all of
which accounts in a large measure for the suc-
cess of the campaign.
"A campaign of the sort illustrated in the
line-drawing advertisements is quickly produc-
From Generation to Generation
tive of results. A campaign of the nature il-
by the half-tone solidifies and insures
Whether it is Ghopin's "Fantasie" lustrated
these results. The transition which this manu-
a beautiful Beethoven sonata,
facturer has brought about is a progressive un-
a Grieg Norwegian dance,
foldment of ideas which, in toto, impress read-
or iinmoxtal "Home, Sweet Home",
ers and prospective customers with the joys
it can easily be played on the
will be handed dawn—the charm of the instru-
which music will bring to the home as in-
ment's beautiful tone "brill become more treasur-
corporated and identified with this particular
ed as the years go by— and the children grow
make
of piano.
up -with its companionship
"The second campaign is based upon the first.
• ANe»SryleSen»UGe«nd
Run separately, or previous to, the first, it
m.k,n,
•with exquisite expression because of this fine
Ther, U an instant desire
would not have nearly the effect. In this latter
10 possess a Surj U CUi
instruments
exclusive
features
of
construction
Baby Grand when the beauty
ol its classically designedcasc
campaign, which will continue throughout the
missed in the ease and c<
Give Your Children ^^^g^J^^^^^/f
The Miniature
is seen and the Minns of its
venience > n h - h u h
exquisitely appealing lone is
the "Miniature"
may be purchased-its to-
year 1923, the idea of the seven ages of man in
helrd.
tal price enough to give
for Christmas
To those of faultless taste
you a first quality instru-
their application to music is featured. The half-
in home furnishina, It 611s per-
ment for tbc mull nun.
.d they will become tn-
ment in every respec
fectly • ht chosen corner of
Every Surj fg CUrt ptftyn
(•arcJ loihe l>cst in mutic
tone shown herewith is to be classed in the
{MM tontaiiM th* i.ry (g CU, 1
and'henthereinician.oorU-
h.ch they -.11 ,.by for
Imptrimt
fUjtr
Jki»m
(with
means of every purse.
rtnowned artisr or beginner
: h*m»*l *e*—ar d y a» pUj>-
category of repose rather than active adver-
You will be proud of
runs his hands over the keys,
Trtnipown( Derkt) to timptr
in ih«mu»cof«ldcndayi,
he reel™ that he Is about to
your Slnry tf Clark u the
ia Inrn to operate mi M *%*f
pla, an im,n,n.«n, of . . -
tisements. It leaves a pleasant sense of the
one piano of your lifc-
» pU that it makn tk* A.rjf
questioned superiority.
ith vthuh you
rpart
quiet happiness of music, and when reproduced
Ntmrby it a Story S Clark dtaUr vho -will gladly shovjimi tit* srvtral
You can secure the ideal Christmas gift for your home—priced within
in colors lends itself to some highly pleasing
ttyUt of Story G Clark pianos and playrrjyianos and from vhom. you
your means and sold on easy terms—from your Story 8 Clark dealer
effects. It represents baby's introduction to
Instruments of finest quality since 1357
Instruments of finest quality since 1857 fc
music and is first in Shakespeare's 'Seven Ages.'
The Story & GlarkPiano Gompan%
"The Story & Glark Piano Company Who will fail to react to the sweet home senti-
CKU.OO iVWYo* Br^lyn PkiUW
»«»«*** *""»*
^
^ ^
^ ^
^
^
^
- ^ ^
ments brought out in the illustrations? Adver-
Two Story & Clark Half-page Advertisements From the Saturday Evening Post
tising appropriations are expensive to experi-
can be made to pay. To catch the eye of the have already shown, or are now showing, re- ment with, but where a good illustration de-
reader, cause him to peruse the advertisement, suits. They have put across a message with the picting such homely pleasures as this are used
respond to its musical appeal and send him on public which can be verified on the ledger sheets there can be little doubt of success."
The process of advertising unfoldment as it
works out through national mediums in con-
nection with the merchandising of pianos is
one which has interested the keener minds of
the trade ever since the first bit of copy ap-
peared in the first national medium, and is a
thing which has been followed as one of the
elements which can make or break a piano con-
cern. "There is psychology in selling soap and
there is psychology in selling silks and satins,"
points out John Raybourne Bailey, of the na-
tional agency which bears his name and who
also is in personal charge of the Story & Clark
Piano Co. advertising. "But nowhere, perhaps,
is this so subtle as in the appeal of music. Ad-
vertising can be simply of a nature to feature
a name in the public mind and base its appeal
to those already interested in the purchase of
a piano, or it can be of a creative nature cal-
culated to develop an interest not yet awakened.
For purposes connected with national mediums
the middle road between these two extremes
is the one most to be desired. The purely
altruistic motives which inspire the latter type
of copy do not usually bring results in hard
cash to the advertiser sufficient to warrant the
expense. The purely selfish motives of the
former, on the other hand, carry but small con-
viction. The ideal type of copy which brings
results both to the manufacturer and the dealer
is the one which harmonizes the two extremes—
impressing the name of the manufacturer upon
the mind of the consumer, while at the same
time subtly voicing an appeal to the hearts of
music lovers.
PIANO
PLWERPIANO
r
C
r

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