Music Trade Review

Issue: 1923 Vol. 76 N. 4

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
56
THE
MUSIC TRADE REVIEW
JANUARY 27,
1923
MORE FEIST WINDOW DISPLAYS
Three on "Three o'Clock in the Morning" Used
in Special Campaign on This Number
You can't go
wrong )vith
Late last year Leo Feist, Inc., ran a special
campaign on "Three o'Clock in the Morning"
"Century"
Preferred!
HOT L.IPS
VAMP ME
STUMBLING
BEE'S KNEES
SILVER STARS
RTJNNIN* WILD
JOURNEY'S END
JAPANESE MOON
ALL MUDDLED UP
LOVELY LUCERNE
FLOWER OF ARABY
COAL BLACK MAMMY
TOOT, TOOT, TOOTSIE
WHY SHOULD I CRY OVER YOU?
THREE O'CLOCK IN THE MORNING
IN A CORNER OF THE WORLD ALL
OUR OWN
WHEN THE LEAVES COME TUM-
BLING DOWN
Dealers Prefer "Century"
BECAUSE
ONE—It Is the Best Procurable!
(That Pleases the Public)
TWO—It Shows an Average Profit of
Over 200%!
(That Pleases the Dealer)
THREE—It Is Nationally Advertised!
(That Makes Selling Easy)
Century Music Publishing Co.
235 West 40th Street, N. Y.
CLERKS FORMING ORGANIZATION
Representatives From New York and Other
Cities Represented in Meeting This Week
On Tuesday evening of this week several
members of local music houses' retail forces
and representatives from other cities met at
Allaire's Restaurant, Seventeenth street and
Third avenue, New York City, for the purpose
of forming a local organization of salesmen and
clerks, which, it is proposed, will later affiliate
with organizations in other cities.
W. J. Glassmacher, E. L. Gunther and T.
Heineman reported as a committee for the
selection of an appropriate name for the new
Association.
A full report of Tuesday night's meeting will
appear in this section of The Review in the
next issue.
JEROME H. REMICK IN NEW YORK
One of the visitors to New York last week
was Jerome H. Remick, head of the successful
music publishing house which bears his name.
Mr. Remick seemed quite pleased with the ac-
tivity of this season's catalog.
L. W. Muir Display
in which it had the co-operation of hundreds
of dealers in the trade who made full window
displays of the
title pages of the
song or in some
other m a n n e r
gave it publicity.
The publisher
later issued a cir-
cular s h o w i n g
twenty-five of the
most artistic and
a t t r a c t i v e win-
dows, several re-
p r o d u c t i o n s of
which have previ-
ously appeared in
this department.
S. S. Kresge Display
S p a c e at that
larger showing of
time did not allow of
these windows, but some of them were of so
much importance as being exclusively devoted
HANDLING
(WONDERFUL &TAL0G
in-BERTRAND-BROWN
Published for Tenor or Soprano, Alto or Baritone
7Ae WILLIS AVVSIC CO. Cincinnati.Ohio. 60
EDITION BEAUTIFUL?
EDITION BEAUTIFUL
means to YOU.
Write for particulars today.
NOW IS THE TIME
C. C. CHURCH AN1> COMPANY
HARTFORD, CONNECTICUT
Hartford—New York—London—Paris—Sydney
of these attracted unusual attention and was
the means of adding considerably to the sales
of "Three o'Clock in the Morning" during the
campaign which was successful in every sense
of the word.
MILT FEIBER IN NEW CONNECTION
Milt Feiber, formerly with Jack Mills, Inc.,
has joined the professional staff of Ager, Yellen
& Bornstein, Inc. This department is under
the direction of Billy Chandler. Morgan Brown
is now representing the same firm in Minne-
apolis and St. Paul.
S-O-N-G H-I-T-S
Down in Maryland
Aggravatin' Papa
Tomorrow (I'll Be in My Dixie
Home Again)
•One Night in June
The Lovelight in Your Eyes
I Gave You Up Just Before You
Threw Me Down
You Gave Me Your Heart
Grace (You're the Ace of Them
All)
Don't Think You'll Be Missed
Mother in Ireland
Steve
What More Do You Want?
Haunting Blues
The First Waltz (Belongs to Me)
T!uy All
Say-
It's
• 1
ISS of the best-aellins composition*
of tho
Old Masters.
ONLY the best sellers.
No deadwood.
Carefully edited.
Beautifully produoed.
2,000 dealers sellinar it.
Permanent and large results.
SMALL, INVESTMENT.
That's what
FEIST, Inc., ! FEIST Bid*, New York
^flnnnnnnrinnnnnnnnnnnnnnnnnnnnnnnnnnnr'!
George T. Williams Display
to an individual number that the opportunity
can hardly be passed by to show three more
of them.
Herewith are shown the windows of George
T. Williams, Peckville, Pa.; L. W. Muir, Norton,
Kan., and S. S. Kresge Co., Newark, O. Each
• Jhat fairly lifts you into the Celestial
Klsua
1 •
LEO.
WATERSON,
BERLIN & SNYDER CO.
•L/I Sonq for Church or Home
~~
Write for Dealers' Prices
Published by
WATERSON,
BERLIN & SNYDER CO.
Strud Theatre Bldg., New York City, N. Y.
GETTER
Ever
Do fa,
ISSUED
Know
What
It
1
in the
HISTORY
of the
Is?\
IF1NOT-
Music
INDUSTRY
ONWITflARK BLACK AND WHITE SERIES
The Best Tm CmUmmtmrntMfar
Made %
***
Wnotficr Sunshine 0( Your Smile
S-'
0 Love Sends ©
2 A Little Gift |
| Of Roses 'i
M.WITMARKSSONS
Trade-mark Registered
H
HARMS isc.6ZWEST45 TH ST.,NEWY0RK
^
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
57
THE MUSIC TRADE REVIEW
JANUARY 27, 1923
I CAVE YOU UP JUST BEFORE
YOU THREW ME DOWN
v 'i
ip
Being played *<* sung everywhere
Released soon on all records »»<* roll/*
p i p
jutt
be-fore —
WATERSON. BERLIN & SNYDER CQ
STRAND THEATRE BLDG
MCCARTHY AND TIERNEY REPEAT IN DOUBLE MEASURE
Authors of "Irene" Have "Glory" and "Up She Goes" Both Scoring Simultaneous Successes on
Broadway at Present Time—Newspapers Compare Their Work to Gilbert & Sullivan
It was not thought when Joseph McCarthy
and Harry Tierney wrote the successful show,
"Irene," that it would be possible for them to
repeat with another musical show of similar
J V
JOB threw nw dowa;—
two successful musical shows in succession,
"Up She Goes" and "Glory," which, by the way,
are playing opposition houses on Forty-eighth
street, New York.
"Up She Goes" was the first offering of the
Harry Tierney
two
and
overnight
it was recognized that Mc-
Joseph McCarthy
caliber for some time to come. For "Irene" was Carthy and Tierney had written a show that
one of the most successful and profitable musi- would rival "Irene" so far as popularity was
concerned. It is a musical version of the suc-
cal comedies in a quarter of a century. It
cessful production "Too Many Cooks," orig-
played two years in New York, a number of
road shows toured the United States, and, inally prdduced by William A. Brady, who is
besides the English and Australian productions, also behind the new show and which marks his
first entry as a musical comedy producer.
it was played in practically every country.
On the opening night William A. Brady paid
However, it seems as though this combination
of writers has repeated with success and per- a remarkable tribute to McCarthy and Tierney
formed the almost unbelievable act of writing in a curtain speech, calling them the modern
NEV YORK
Gilbert and Sullivan. There are not a few
music lovers who agree with the Brady con-
clusion. It may be said that the lyrics in such
songs as "The Talk of the Town" in "Irene,"
"The Upper Crust" in "Glory" and "Settle
Down and Travel" in "Up She Goes" closely
approach the work of Gilbert at his best.
The leading songs in "Up She Goes" are
"Journey's End," "Lady Luck," "Nearing the
Day" "Ty-Up," "Let's Kiss," "Settle Down and
Travel," "Takes a Heap of Love" and "Bobbin'
About."
In the New York Times' criticism of "Glory"
the caption said: "'Glory' Makes Hit With
Pretty Tunes." The New York Evening Post
said: "Not since Victor Herbert wrote 'Babes
in Toyland' has such delightful, melodious, real
music been heard in musical plays as that of
the overture to 'Glory.' It is haunting in its
beautiful measures, full of fine expression and
a perfect delight to the ear. And, throughout
the play, the music was just as satisfactory.
Pleasing melodies followed each other in rapid
succession."
The big numbers in "Glory" are "Saw Mill
River Road," "Mother's Wedding Dress," "Post
Office," "We've Got to Build," "The Upper
Crust," "The Little White House" and "Pop-
ularity."
Both Joseph McCarthy and Harry Tierney
are quite young, so it can be assumed that
besides "Irene," "Up She Goes" and "Glory"
the lovers of musical comedy will have the op-
portunity of hearing many works from the pens
of this team.
HARRY VON TILZER CO. SCHEDULES
Music Publishing House Files Schedules Listing
Liabilities at $36,000, Assets $3,900
The Harry Von Tilzer Music Publishing Co.,
1654 Broadway, New York, filed schedules in
bankruptcy on Tuesday of last week, listing
liabilities of $35,863 and assets of $3,962. The
principal creditors are given as Robert Teller
Sons & Dorner, Ben Bornstein, Will Von Tilzer,
Variety, Inc., and the F. G. Lawson Co.
&E/SSATIOJVAL FROM THE
START
Carry Ate Back To
WABNERSIIVER *&"*
-ANGEL CHILD SAY IT WHILE DANCING
rt.Wftmark£-Sons
Witmark Building AewYork

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