Music Trade Review

Issue: 1923 Vol. 76 N. 25

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
JUNE 23, 1923
39
A Chain of Successes—
CAROLINA
MAMMY
A RealSouthern
Mammy SonA
YOUYE
GOT TO SEE
MAMMA
EVRYNIGHT
A Lonesome Blues
F SWINGIN
DOWN THE
LANE
An Old Fashioned S onj
With a
"You can't^o wron^,-With any *FE15T'
FINE WINDOW DISPLAY OF A N E W REMICK COMPOSITION
SINGS "MOTHER MACHREE" ABROAD
N. J. Stone, of Petoskey, Mich., Features "Gee, I'll Miss You When You're Gone" in Entire
Window—Finds Window Displays Big Aid to Increasing Sales
John McCormack Used Witmark Number in
Philharmonic Concert in Berlin
Herewith is a reproduction of the photo of
an attractive window display of the new Jerome
II. Remick & Co. publication, "Gee! I'll Miss
You When You're Gone," written by J. Will
C'allahan and Max
Kortlander, writers of
the well-known suc-
cess "Tell Me," and
shown in the song
shop of N. J. Stone,
Petoskey, Mich.
Though this number
has been off the press
but a few weeks it is
attracting a great deal
of attention among
vaudeville singers and
orchestra leaders, as
it c o n t a i n s j u s t
enough real sentiment,
without being senti-
mental, to make it
adaptable to the use
of ballad singers. It,
likewise, has a snappy
rhythm and tuneful
melody which makes
it a splendid dance
Display of "Gee,
number.
Mr. Stone is a thoroughly wide-awake and
up-to-date music dealer, who believes in adver-
tising in every way, and his song shop is a
popular meeting place for lovers of music. He
makes the boast that if a song is not out of
print it can be bought in his store. Petoskey
is the hub of the great northern Michigan re-
The following is an extract from "The Paris
Herald," taken from its German department. It
is of interest, in view of the fact that the con-
cert evoked sufficient enthusiasm for a Paris
paper to reproduce or repeat a Berlin article:
"The Philharmonic Concert in Berlin on
Wednesday evening revealed the numerical
strength of the American contingent in Berlin
as has no other event so far this season. A
wave of enthusiasm extended from the embassy
staff in the boxes to the music students in the
pit, and when at the close of the regular pro-
gram the younger and more impetuous element
pressed forward to the platform the hall re-
sembled a football rush, the selection in this
instance being not college yells, but a unanimous
demand not to be gainsaid for 'Mother Ma-
chree,' without which no McCormack concert
is considered to have reached a legitimate close."
"Mother Machree" is one of the best-known
ballads in the Witmark Black and White Series.
sort region, visited every Summer by thousands
of tourists from all parts of the country, and
Mr. Stone realizes the advertising value of
clever window decoration and, as a result, peo-
Harms, Inc., has secured the publishing rights
of the score of "Adrienne," the new musical
comedy which recently opened at the George
M. Cohan Theatre, New York. The authors
are A. Sevmour Brown and Albert Von Tilzen
I'll Miss You When You're Gone"
pie watch his windows closely for the latest
numbers to appear.
TO REPRESENT CLARKE=LESLIE
Frank Einstein, an Australian music man who
is visiting the United States, has been appointed
Australian rpresentative for Clarke-Leslie.
THREE NEW HITS
AFTER
EVERY
PARTY
JUST A N OLD
LOVE SONG
r
Sherman
lay & Go.
I CRIED
FOR YOU
San Francisco
Order from your jobber or direct front us
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
40
THE
MUSIC
REVIEW
JUNE 23,
'You cam^o wron£-Wtth
Three Melody ///fo^-
CRYING
FOR
YOU
A Fox Trot Ballad
TRADE
WONDERFUL
ONE
Paul Whiteman's
Sensational
By the Writers of
Why Should I Cry Over You"
MILL
RIVER
ROAD
The Irresistible Fox Trot Hit
Another McCarthy - Tiemey*Masterpiece
STARK & COWAN, INC., NOW COMPLETELY REORGANIZED
BEE TEE NUMBERS FEATURED
Firm Greatly Enlarges Its Professional Staff and Organizes Complete Publicity Department—
Leading Figures in Concern Are Mack Stark and Rubey Cowan, Both Widely Known
Joe Jordan, Loew State Musical Director, Fea-
turin
S T h e m i n s P e c i a l Overture
The firm of Stark & Cowan, Inc., which re-
cently purchased the Western success, "In a
Tent," has completely reorganized its company.
It has greatly enlarged its professional staff,
Joe Jordan, musical director of Loew's State
Theatre, New York City, has been featuring
several numbers from the Bee Tee Publishing
Co.'s catalog the past week, including the
"Grand-daddy" number, which is incorporated in
an overture composed of all the old "Daddy"
songs. "Grand-daddy" comes in for special fea-
turing, inasmuch as it is also sung by Lillian
Leonard, with a special setting quite unique for
a vaudeville house.
and the still prevalent hit "Rose of the Rio
Grande." The latest two, "In a Tent," noted
above, and "Wonder," are looked upon as ex-
ceptional pieces of property.
Mack Stark, the financial head of the house,
has been identified with the music b.usiness for
the past fifteen years. He is well known
throughout the trade, has a likable personality
and is a high-type business man.
Rubey Cowan, who handles the professional
end of the business, is a composer of note. He
was a member of the staff of a publishing firm
when in his teens and has a wide acquaintance
among professionals and long experience in
selecting songs, particularly for vaudeville.
"Sun-Kist Rose," the fox-trot, and "Panama
Twilight," the waltz, from the catalog of the
A. J. Stasney Music Co., are active sellers
throughout the country.
SHERMAN, CLAY ARE SALESjVGENTS FOR "MARCHETA"
San Francisco Firm to Handle Number, Which Is One of the Big Outstanding Hits on the
Pacific Coast—Number Is Love Song Issued for All Voices and Also as Fox-trot
Sherman, Clay & Co., San Francisco, Cal.,
have been appointed special sales agents for the
John Franklin Music Co. number, "Marcheta."
This song is one of the most successful numbers
in Pacific Coast territory which has been issued
for some time. In addition, "Marcheta" is prov-
Rubey Cowan and Mack Stark
added a complete publicity department and will ing a song of national importance as a program
appoint numerous representatives. A wide ex- feature with many of the best concert and
ploitation campaign on the issues of this firm vaudeville artists of the country. Its popularity
will be inaugurated, a large fund being appro- has been so prominent as to give it recognition
by the leading talking machine record com-
priated for this purpose.
Stark & Cowan, Inc., has as its leading fig- panies who have made special recordings.
"Marcheta" has long been recognized by pub-
ure; Mack Stark and Rubey Cowan, who
formed a partnership about three years ago. lishers as a particularly valuable piece of prop-
Since that time it has published a series of suc- erty. Its early recognition, however, was not
cesses, including "Everybody's Buddy," "What rapid; it was copyrighted in 1913. Originally
Cha Gonna Do When There Ain't No Jazz?" introduced by George Macfarlane in vaudeville
"Scandinavia," "Oogie, Oogie, Wawa," "Blue," several years ago, it made consistent progress.
han-non Moon 1 can see thro'my
A Sweet Ballad in
with the lovers of good music. To-dav
"Marcheta" stands out as one of the unusual
contributions in song form.
Edward P. Little, head of the music publish-
ing department of Sherman, Clay & Co., was
one of the first to recognize the merits of this
publication. He encouraged the publishers to
exploit it widely. Later he made efforts to
purchase "Marcheta" outright, finally closing by
obtaining special sales rights.
"Marcheta" is issued for all voices. It is a
Spanish love song, but the words and melody
appeal everywhere. It will shortly be issued
as a Spanish tango fox-trot, which will add
further to its popularity. "Marcheta" will sell
for a long time, as its sales possibilities have
hardly been touched during the time since it has
been published.

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