Music Trade Review

Issue: 1923 Vol. 76 N. 24

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
REVIEW
flUJIC TIRADE
VOL. LXXVI. No. 24. Published Every Saturday. Edward Lyman Bill, Inc., at 383 Madison Ave., New York, N.Y. June 16,1923
Cents
SIIIXIIIKNSniXIIIXIIIX^
Studying the Question of Retail Selling
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O
NE of the most important moves made at the Chicago convention was the authorization given to the
president of the Music Industries Chamber of Commerce to appoint a committee of that body for
the purpose of dealing with the subject of retail salesmanship.
There are room and a vital need for more efficient retail salesmen in selling musical instruments,
and especially in merchandising pianos and player-pianos at retail. It is not too much to attribute to this
shortage of competent men the fact that the United States has not increased its purchases of these instruments
in a direct ratio with its advance in both wealth and population.
The retail salesman is the point of contact between the industry and the great purchasing public. Upon
his attitude, generally speaking, depends the good will with which that master of all industry regards the
makers and distributors of musical instruments.
Upon the salesman's ability depends the selling methods
which must be used. It is idle to advocate and endeavor to adopt modern merchandising methods, it is foolish
to stress the value of music as a selling appeal, unless the retail salesman is competent to utilize such methods
in his work. For his competency is fundamental in the entire question of distribution.
The necessity of more numerous and better salesmen is widely felt in the trade at the present time, and
the move on the part of the Music Industries Chamber of Commerce is the tangible form which this has taken.
The experiment of a salesmanship school undertaken by the New York Music Merchants' Association last Fall
is another sign of the seriousness with which the situation is regarded. But it is a problem the scope of which
exceeds the ability of organized effort to solve; it is one that must be solved by each individual dealer acting
for himself.
What the associations in the industries, including the Music Industries Chamber of Commerce, can do
is to make a study of training methods already used by successful retail houses and obtain the advice and
assistance of men who have reputations as developers of retail salesmen. There are many such men among
the retail section of the trade and the information which could be gathered from them would be invaluable.
To place this information at the service of the dealers would be a difficult task, but one that would be
worth all the difficulty involved. If the associations should succeed in doing that, it would do much to in-
crease the efficiency of the average dealer in dealing with his sales force.
The old idea that a salesman is born and not made is a fallacy. A man must have some natural selling"
instinct, of course, but the average man has that. What he lacks generally is competent instruction, sym-
pathetic aid during his first struggles in selling, and a living example in the head of the selling organization of
which he is a part. Given these factors, it would not be long before the average dealer would find himself at
the head of a competent selling force.
Another side to this question is that of compensation. A good man is worth good money since he
makes good money for the house he represents. Methods of compensation in retail piano selling vary almost
with every retail house. Many of them err in favor of the dealer; many in favor of the salesmen. Most are
susceptible of improvement. This is another factor to which this committee could well devote part of its at-
tention.
The piano industry to-day, in fact all of the music industries, are confronted primarily with problems
of distribution rather than with problems of production. There is greater factory capacity in the industry than
the normal demand of the country can absorb. This idle capacity is a drain on the industry's resources, for
the overhead involved in carrying it must be paid some way. At the present time it makes its appearance in
increased production costs. More efficient distributive methods would eliminate it and the beneficial effects
would be felt by every factor in the industry, from the supply house right down to the individual salesmen.
But better distribution cannot be achieved without better salesmen. They are its foundation.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
JUNE 16, 1923
ance was due directly to the exhibits and the desire of the visitors
to see the new things that had been produced during the year.
It is likely that the controversy will crop up several times
before the 1924 convention in New York, and it is also likely that
the exhibits will be held just the same next year at convention
headquarters. It is unfortunate, however, that exhibitors persist in
ignoring the request of Association executives that they close down
during the period of the meetings. It is another case where the
dollar as represented by the possible order stands paramount.
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Vol. LXXVI
NEW YORK, JUNE 16, 1923
No. 24
INFORMATION THAT IS WORTH WHILE
several sections of the country representatives of concerns
I N manufacturing
reproducing and player-pianos have recently taken
occasion to address gatherings of retail salesmen with a view to ac-
quainting them with the various features of these instruments, par-
ticularly of a semi-technical nature regarding which the average
salesman, unless he is particularly ambitious, is seldom well in-
formed.
There are those who argue that the less a salesman knows of
the technical details of a player or reproducing piano the less likely
is he to risk boring the prospect with mechanical details which do
not mean as much to the latter as the fact that the instrument has
a good tone and can be had for a. price. As a matter of fact, how-
ever, there are a sufficient number of piano prospects interested in
what makes the reproducing piano go to make it advisable for the
salesman to have sufficient knowledge of the mechanical parts of the
instrument to talk intelligently and convincingly.
With the ordinary piano it was quite sufficient if the salesman
could talk in a general way of the structural qualities and of tone,
but the individual who pays anywhere from $1,500 to $3,500 for a
reproducing piano is entitled to know what it can do, how it docs
it, and why, and the salesman should be sufficiently well informed
to tell him.
AGAIN THE QUESTION OF EXHIBITS
HE question as to whether or not exhibits are beneficial to the
T
convention was again raised during the final session of the
Merchants' Association last week when, with the election about to
take place, only about a score of members were in the meeting room,
the rest either inspecting the exhibits or congregated in the lobby.
Certain it is that the majority of exhibitors were enthusiastic over
the results, particularly those showing lower priced lines of pianos
and players as well as talking machines.
One or two of the Association officers expressed themselves
as strongly opposed to exhibits and pointed out that their stand was
justified by the fact that, out of a total convention registration of
over 1,000, only a handful saw fit to sit in on the Merchants' ses-
sions. It was claimed, on the other hand, that much of the attend-
THE TRAVELERS KEEP UP THE BARS
again the stand-patters of the National Piano Travelers'
O NCE
Association have won out and succeeded in confining the mem-
bership privileges in that body to those actually engaged in selling
pianos, player-pianos and music rolls on the road. The proposal to
lift the bars and admit travelers in the piano supply trade was de-
feated on the basis that the Travelers' Association was organized
originally for the benefit of those engaged in selling the finished
product, and would lose out through the admittance of those en-
gaged primarily in the production end of the industry. The action
taken at the Chicago meeting brings the issue to a close temporarily
at least, although it is probable it will again be brought up for con-
sideration at some later date.
In view of the several unsuccessful attempts that have been
made to admit supply men to membership in the Travelers' Asso-
ciation, it would seem well if travelers in that division of the trade
would seek an organization, well for them to form an association
of their own, limited to supply men, and free to consider peculiar
problems connected with that division of the business. This would
solve the difficulty and prevent further embarrassment.
EXTORTION IN TAXATION
A LTHOUGH at the annual banquet of the National Association
* * • of Music Merchants in Chicago last week ex-Senator James
Hamilton Lewis presented his views on politics and business in a
rather demagogic manner, he nevertheless aroused considerable
enthusiasm on the part of the music trades men when he declared
that the taxation demands of the Government five years after the
end of the war simply represented extortion, and that the growing
practice of Governmental supervision of private business must
come to an end.
"Business prosperity is being strangled by taxes of billions on
billions wrung from business men, farmers and toilers, to put into
the treasury," said the speaker, "while our treasury holds more
than two-thirds of the money gold of the world- and more money
gold than the whole world had in the United States political fight
of silver.
"We must cry out and demand the end of the system of na-
tional spies on every business, national investigation and inspection
over every enterprise—suspicion upon every citizen and torture of
accusation on every family and home. We do not need the army
of political mercenaries, multiplying their pernicious intrusion into
our business and their invasion of our home."
The remarks of Mr. Lewis on the question of taxation were par-
ticularly interesting in view of the warning offered by Association
executives that there was a possibility of further attempts to place
new tax burdens on the music industry. Experience has proven
that levying taxes is done much more easily than is their repeal.
CREDIT CONDITIONS IN THE INDUSTRY
credit means sound business. The members of the
S OUND
music industry are to be congratulated on the fact that there
is a strong inclination in association circles generally to give full
prominence to a discussion of the credit situation and to the estab-
lishment and maintenance of bureaus and agencies to protect the
manufacturer and wholesaler and indirectly the dealer from the
losses that are occasioned by bad accounts.
For many years the trade went along without any very serious
attempt to watch credits in a systematic way beyond such steps as
might be taken by the individual manufacturer in co-operation with
a group of friendly competitors. Last year, however, piano manu-
facturers alone sent 7,500 inquiries to the Credit Bureau of the
Music Industries Chamber of Commerce and the various other
departments of the trade likewise showed a keener interest in
credit matters.

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