Music Trade Review

Issue: 1923 Vol. 76 N. 24

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
REVIEW
JUNE 16, 1923
"The Maker's Name and Reputation Are the
Real Protection of the Buyer"
BUSH & GERTS PIANO COMPANY
B r a y high-grade BUSH A OERTS piano bears the name of Itg MAKERS. For •
«qarter of a century BUSH & OERTS have made high-grade pianos. Both BUSK
m OERTS are practical piano makers and have made 50,000 pianos under the ONI
NAME, ONE TRADE-MARK. Dealers wanted In all unoccupied territory. Write
for prices and terms.
Weed and Dayton Streets
Chicago, 111.
KURTZMANN
PIANOS
General Office, Factory and Display Rooms
THE FINEST FOOT-POWER PLAYER-PIANO IN THE WOFLD
Manufactured by
BEHNING
PIANO NEW
CO
East 133rd Street and Alexander Avenue
YOR*
Retail Warerooms, %% East 40th Street at Madison Avenue, New York
364 Livingston Street, Brooklyn, %
Win Friends for the Dealer
C. KURTZMANN & CO.
FACTORY
526-536 Niagara St., Buffalo, N. Y.
FOTOPLAYER
for the finest
STULTZ & BAUER
Manufacturers of Exclusive High-Grade
Grands—Uprights—Players—Reproducing Pianos
For more than FORTY-TWO successive years this company has
bean owned and controlled solely by members of the Bauer family, whose
personal supervision is given to every instrument built by this company.
A World's Choice Piano
Write for Open Territory
Factories and Warerooms: 338-340 E. 31 at St., New York
Motion Picture
Theatres
"If there is no harmony in the factory
there will be none in the piano"
The AMERICAN PHOTO
PLAYER CO.
The Packard Piano Company
San Francisco
Chicago
NEW YORK HEADQUARTERS, 130 WEST 42d STREET
FORT WAYNE, IND., U. S. A.
New York
STERLING
PIANOS
Iff what to ta«de of the Sterling that haa audc its reju-
•atim. Xrmry detail of it» construction receive! thorough
• I t i t i i i froai expert workmen—every material used la itt
••attraction i i the beat—absolutely. That means a piaaa
af permanent excellence in every particular in which a
aiaao ahould excel. The dealer Bees the connection b*-
tweea these facts and the universal popularity of the
Starling.
THE STERLING COMPANY
JAMES & HOLMSTROM PIANO CO., Inc.
SMALL GRANDS PLAYER-PIANOS *
Eminent at an art product for ovmr 60 ymarm
Prices and terms will interest you. Write urn.
Office: 25-27 West 37th St., N. Y.
Factory: 305 to 323 East 132d St., N. Y.
DERBY, CONN.
MANSFIELD
PRODUCTS ARE BETTER
A COMPLETE LINE OF GRANDS,
UPRIGHTS AND PLAYER-PIANOS
I35th St. and Willow Ave.
NEW YORK, N. Y.
"A NAME TO REMEMBER
BRINKERHOFF
Pianos and Player-Pianos
The details are vitally Interesting to you (
BRINKERHOFF PIANO CO.
Uallormly Good
Always Reliable
ROGART
PIANOS
BOGART PIANO CO.
ISStfe St. and Willow Ave.
NEW YORK
Telephone. Melrose 10155
CABLE & SONS
Pianos and Player-Pianos
SUPERIOR IN EVERY WAY
Old Established Houie, Product ion Limited (e
Quality. Our Players Are Perfected to
the Limit of Invention.
CABLE & SONS, 550 W. 38tta St., N.
209 South State Street, Chicago
«-#
EST. 1856
& SON
"Made by a Decker Since 18M"
PIANOS and PLAYERS
•97-701 Eaat lMtli Street. New York
PIANOS and
PLAYERS
Increase Your Profits
Used and Endorsed by Leading Conserva-
tories of Music Wfaoie Testimonials
are Printed in Catalog
Schaff Bros. Pianos and Player-
Pianos
LEHR
Place your order Now for
Venetian and Monticello Two-Tone Finish oar winner
Your territory may be open
May we serve you?
OUR OWN FACTORY FACILITIES, WITHOUT
LAftQE OITY EXPENSES, PRODUCE FINEST
INSTRUMENTS AT M O D E R A T E PRICES
The Schaff Bros. Company
H. LEHR & CO.,Easton, Pa,
THE GORDON PIANO CO.
((Established 1845)
DECKER
WHITLOCE and LEGOET AVES,, NKW YORK
Huntintfto
Indiana
and
er-
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
REVIEW
flUJIC TIRADE
VOL. LXXVI. No. 24. Published Every Saturday. Edward Lyman Bill, Inc., at 383 Madison Ave., New York, N.Y. June 16,1923
Cents
SIIIXIIIKNSniXIIIXIIIX^
Studying the Question of Retail Selling
HXIIIXIIIXIIIXIIIXIIIXIIIXIUKIIIXIM
O
NE of the most important moves made at the Chicago convention was the authorization given to the
president of the Music Industries Chamber of Commerce to appoint a committee of that body for
the purpose of dealing with the subject of retail salesmanship.
There are room and a vital need for more efficient retail salesmen in selling musical instruments,
and especially in merchandising pianos and player-pianos at retail. It is not too much to attribute to this
shortage of competent men the fact that the United States has not increased its purchases of these instruments
in a direct ratio with its advance in both wealth and population.
The retail salesman is the point of contact between the industry and the great purchasing public. Upon
his attitude, generally speaking, depends the good will with which that master of all industry regards the
makers and distributors of musical instruments.
Upon the salesman's ability depends the selling methods
which must be used. It is idle to advocate and endeavor to adopt modern merchandising methods, it is foolish
to stress the value of music as a selling appeal, unless the retail salesman is competent to utilize such methods
in his work. For his competency is fundamental in the entire question of distribution.
The necessity of more numerous and better salesmen is widely felt in the trade at the present time, and
the move on the part of the Music Industries Chamber of Commerce is the tangible form which this has taken.
The experiment of a salesmanship school undertaken by the New York Music Merchants' Association last Fall
is another sign of the seriousness with which the situation is regarded. But it is a problem the scope of which
exceeds the ability of organized effort to solve; it is one that must be solved by each individual dealer acting
for himself.
What the associations in the industries, including the Music Industries Chamber of Commerce, can do
is to make a study of training methods already used by successful retail houses and obtain the advice and
assistance of men who have reputations as developers of retail salesmen. There are many such men among
the retail section of the trade and the information which could be gathered from them would be invaluable.
To place this information at the service of the dealers would be a difficult task, but one that would be
worth all the difficulty involved. If the associations should succeed in doing that, it would do much to in-
crease the efficiency of the average dealer in dealing with his sales force.
The old idea that a salesman is born and not made is a fallacy. A man must have some natural selling"
instinct, of course, but the average man has that. What he lacks generally is competent instruction, sym-
pathetic aid during his first struggles in selling, and a living example in the head of the selling organization of
which he is a part. Given these factors, it would not be long before the average dealer would find himself at
the head of a competent selling force.
Another side to this question is that of compensation. A good man is worth good money since he
makes good money for the house he represents. Methods of compensation in retail piano selling vary almost
with every retail house. Many of them err in favor of the dealer; many in favor of the salesmen. Most are
susceptible of improvement. This is another factor to which this committee could well devote part of its at-
tention.
The piano industry to-day, in fact all of the music industries, are confronted primarily with problems
of distribution rather than with problems of production. There is greater factory capacity in the industry than
the normal demand of the country can absorb. This idle capacity is a drain on the industry's resources, for
the overhead involved in carrying it must be paid some way. At the present time it makes its appearance in
increased production costs. More efficient distributive methods would eliminate it and the beneficial effects
would be felt by every factor in the industry, from the supply house right down to the individual salesmen.
But better distribution cannot be achieved without better salesmen. They are its foundation.

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