Music Trade Review

Issue: 1923 Vol. 76 N. 23

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE
VOL.
LXXVI. No. 23. Polished Every Saturday by Edward Lyman Bill, Inc., at 373 Foirth Ave., New York, N. Y. June 9,1923
81n
*{l O o°&'
:ill«)llKlllK^^
1923 Conventions a Constructive Success
dKIIIKIIIKIIIKIIISfflliKIIIKIIIKIIIKIM
1 H E Prosperity Convention of the Music Industries Chamber of Commerce and its allied divisional
associations, which opened in Chicago on June 4, justified the name which had been given it, if the
consensus of opinion among those who were in attendance is to be taken as a criterion of judgment.
The attendance was large, a general spirit of optimism permeated the manufacturers and dealers who,
without exception, look forward to good business during the remainder of the year as well as the coming one.
There was nothing of the "boom" spirit in this attitude, however. Perhaps no better synthesis of the
prevailing opinion could be given than the speech of George E. Roberts, of the National City Bank, who spoke
at the opening session of the Music Industries Chamber of Commerce and which is printed in full on another
page of this issue of The Review. Optimism tempered by sane caution, faith in the future, was the prevailing
note and this was generally reflected during the entire four days of the meetings.
As the various meetings progressed it became evident that the Musical Supply Association was in every
respect one of the live factors of the industry in the matter of accomplishment during the year, and the work
of that body in the matter of credits has been particularly noteworthy. It is evident, however, that the
organization hit a snag in an endeavor to.put into general use a standard form of contract designed to guard
against cancellations and to average deliveries more or less evenly through the twelve months of the year.
In view of the efforts that have been made by piano manufacturers and by other trade factors to influ-
ence dealers to arrange for more evenly distributed shipments covering several months at least rather than
bunching the shipments into one or two months, it seems unfortunate that the supply men as a body have not
seen fit to help the cause by adopting a form of contract calculated to accomplish the result. Perhaps when some
of the objectionable features of the standard contract are eliminated, it may be adopted by those who are hesi-
tating regarding its use.
The National Association of Sheet Music Dealers set a high mark for the character of the discussions
programmed for the association meetings, and the amount of information of actual benefit to the dealer that
was obtained from those same discussions was unquestionably great. The sheet music dealers, too, have their
credit problems and the suggestions that credits granted to retail purchasers, classing schools and teachers
under that head, should be materially curtailed are in line with good business practice.
The margin of profit in the retail sheet music business is certainly small enough, particularly when the
amount of stock that a dealer must carry and the cost of his overhead is taken into consideration, and there-
fore the extension of credit in small amounts to music buyers represents a burden that might well be curtailed,
if not entirely eliminated. A few dollars here and there soon run into a substantial sum.
Among the most interesting aspects of the meetings were the advertising exhibits which comprehen-
sively showed the advancement in retail music advertising. The contest aroused wide interest and is sure to
prove most beneficial, for the examples shown were striking.
Those who exhibited at the convention profited, for the visiting dealers ordered liberally. Most of their
interest was concentrated on reproducing pianos and small grands, with a good deal of interest in the small
upright as well.
Interest was deep in the schedule of depreciation on used pianos and there is no question that it will be
widely adopted. It was a merchandising convention pre-eminently, the interest being concentrated on those prob-
lems which The Review has been stressing in its columns for many months.
This summary of achievements has been written before the sessions have come to a close, but enough
has been already accomplished to declare the gatherings a success on the score of constructive work alone. The
music industries, confronted with many vital problems, are using their best brains for their solution and to
hasten the process of evolution towards ultimate betterment.
T
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
RFMFW
(Registered in the U. S. Patent Office)
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President *nd Treasurer, C. L. Bill, 373 Fourth Ave., New York; Vice-President,
. B. Spillane, 373 Fourth Ave., New York; Second Vice-President, Raymond Bill, 373
ourth Ave., New York; Secretary, Edward Lyman Bill, 373 Fourth Ave., New York;
Assistant Treasurer. Win. A. Low.
t
J. B. SPILLANE, Editor
RAY BILL, B. B. WILSON, i RAID WHITE, Associate Editors
YV\t. H. McCLEARY, Managing Editor
CARLETON CHACE, Business Manager
L. E. BOWERS, Circulation Manager
Executive and Reportorial Staff
E. B. MUNCH, V. D. WALSH, EDWARD VAN HAKLINGEN, LEE ROBINSON,
THOS. W. BRESNAHAN, E. J. NEALY, C. R. TIGHK, FREDERICK B. DIEHL, A. J. NICKLIN
WESTERN DIVISION:
ARTHUR NEALY, Representative
BOSTON O F F I C E :
JOHN H. WILSON, 324 Washington
St.
Republic Bldg., 209 So. State St., Chicago
Telephone, Main 6950
Telephone, Wabash 5242-5243.
L O N D O N , E N G L A N D : 1 Gresham Buildings. Basinghall St.. D. C.
N E W S S E R V I C E IS S U P P L I E D W E E K L Y BY OCR C O R R E S P O N D E N T S
LOCATED IN T H E L E A D I N G CITIES T H R O U G H O U T AMERICA
Published Every Saturday at 373 Fourth Avenue, New York
Entered as second-class matter September 10, 1892, at the post office at New York, N. Y..
under the Act of March 3, 1879.
SUBSCRIPTION,United States and Mexico. $2.00 per year; Canada, $3.SO; all other
countries, $5.00.
ADVERTISEMENTS, rates on request.
REMITTANCES, should be made payable to Edward Lyman Bill, Inc.
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900
Silver Medal...Charleston Exposition. 1902
Diploma... .Pan-American Exposition, 1901
Gold Medal
St. Louis Exposition, 1904
Gold Medal—Lewis-Clark Exposition, 1905
T E L E P H O N E S — M A D I S O N S Q U A R E 5983-5083-5984-9458-7898-0620
Cable Address: "Elblll, N e w York"
Vol LXXVI
NEW YORK, JUNE 9, 1923
No. 23
THE DUTY WE OWE OUR TRADE
O less a person than the late Theodore Roosevelt said: "Every
N
man owes a portion of his time and money to the upbuilding
of that industry of which he is a part," and this, in a nutshell, offers
one of the best reasons possible for the music merchant taking an
active interest in the affairs of the national and local associations in
his trade.
Perhaps the individual merchant cannot see at a glance just
how association work is going to benefit him directly and perhaps
the Association does not function as successfully as it might, but
at least it forms a medium through which the merchants in one par-
ticular line of business can meet, exchange ideas and sponsor those
movements in and out of the trade likely to prove of general benefit.
The retailer who makes an investment of time and money in the
general work of improving the business in his particular line is
working for his own advantage, regardless of how indirect the
method may appear at first glance, for anything that will help the
trade as a whole will likewise help every individual in it.
It takes a certain amount of vision and courage, sometimes,
for the individual retailer to give up time and money for the benefit
of business as a whole, but when members of the trade in general
realize that such an expenditure represents a wide investment move-
ments looking toward.trade betterment are likely to receive more
general support.
A CASE OF POOR DISTRIBUTION
page of The Review this week attention is called
O N to another
a practice that is spreading in New York and in some of
the other cities of the country, namely, that of placing pianos and
players on consignment with owners of small phonograph and
specialty shops, impressing upon them that in selling the instru-
ments they have a chance to make a little extra profit without tying
up capital or using a great deal of energy.
It seems as though this practice should be strongly condemned
by the organized trade for several reasons, the chief being that,
having no sense of piano values or of piano merchandising methods,
these itinerant dealers, as they may be called, are rapidly upsetting
trade values and shattering public confidence in those dealers who
depend for their living on piano selling, who maintain warerooms
JUNE 9, 1923
and sales organizations for the purpose, and who must get fair
prices in order to keep the balance on the right side of the profit
and loss account.
It may be argued that it is eminently desirable to promote
increased retail distribution of pianos, but placing a piano here and
there with some merchant in another line of business is likely to
harm rather than help the trade. It handicaps the legitimate mer-
chant and can accomplish no permanent good for the manufacturer
who follows that line of distribution. Were these small dealers
to go into piano selling seriously, carrying stock and selling on a
businesslike basis, there would be no criticism, but as it is now they
simply kill sales for reliable houses without obtaining any real
benefit for themselves.
As a matter of fact, instances have been cited where instru-
ments have been sold by this class of dealers at prices that in their
minds, used to small profit margins and quick turnover, represent
a real profit, yet an analysis of these same sales showed that the
dealers had actually lost cash money in the transaction.
Perhaps local associations cannot legislate effectively against
this new problem, but at least they can give it consideration and
voice organized disapproval, if nothing else.
NOTHING HAPHAZARD ABOUT EXPORT TRADE
J
ULIUS KLEIN, director of the Bureau of Domestic and For-
eign Commerce, has given exporters in the piano and other
trades something to think about in his recent declaration that Ameri-
can concerns were rapidly losing their foothold in certain foreign
markets through their neglect of export business in a desire to
take care of the heavy volume of domestic demand.
Mr. Klein very properly points out that the manufacturer who
seeks to go into the export field on a permanent and profitable
basis must set aside a definite proportion of his output each year
for shipment to foreign markets, and must see to it that that pro-
portion is maintained, even though to do so some domestic business
must be allowed to go by the board.
The truth seems to be that a number of concerns regard foreign
markets simply as a dumping ground for excess production when
things are not so active at home, and when the domestic orders pile
up let their export trade lag in the belief that they can pick it up
again without effort when necessity requires. As a matter of fact
the export business has long passed the hit-or-miss stage. Those who
have been successful in the field are concerns who have definitely
established foreign representatives and see to it that they are sup-
plied with the goods to take care of any .demand that they may
build up through advertising and by other means.
The use of the export field as a dumping ground for excess
production often proves a source of unexpected expense to the
manufacturer for the reason that without some definite guarantee
of shipments he cannot secure the services of competent and trust-
worthy foreign representatives, and, dealing with a lot of irresponsi-
ble agents, he finds that he is swindled quite frequently in one way
or another.
Foreign markets afford an outlet for overproduction, it is true,
and when properly exploited serve to maintain the balance of output
when the domestic market is lax, but if the foreign field is expected
to prove a savior in time of need it at least is entitled to definite
consideration during the periods in between emergencies.
SOMEBODY IS BUYING MERCHANDISE
in and out of the music industry who profess to see the
T HOSE
passing of prosperity and are inclined to bewail the fact that
business is on the slump may find some difficulty in explaining
away the fact that the volume of railroad carloadings continues to
break records, and the end is not yet in sight. During the week
of May 19, for instance, the last week for which figures have so
far been compiled, 991,797 carloads of revenue freight were handled
by the railroads, being the heaviest movement of freight for the
corresponding week in history and representing 17,000 cars over
the preceding week's figures.
A fact that cannot be argued against is that there must be
business somewhere to warrant these heavy shipments of goods and
to warrant the operation of factories of various sorts to capacity in
an effort to keep up with dealers' orders. It takes considerable
merchandise to handle ten thousand cars in a single week, and until
this movement of merchandise drops off materially there is no rea-
son to feel that business has really gone by the board.

Download Page 3: PDF File | Image

Download Page 4 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.