Music Trade Review

Issue: 1923 Vol. 76 N. 21

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MAY
THE
26, 1923
"Century
Preferred?
Dealers Prefer "Century"
BECAUSE
ONE—It I§
Procurable!
the
Best
(That P l e a s e s
Public)
the
TWO—It Shows an
Average
Profit of Over 200%!
(That Pleases the Dealer)
THREE—It Is Nationally Ad-
vertised !
(That Makes Selling Easy)
MUSIC
TRADE
133
REVIEW
legitimate attractions, too, have been built on
a larger scale than ever and the motion picture
evil as once known is not thought of. indeed,
like the talking machine record and the player
roll, it has created a new market. Radio in an
likelihood will do just that as most inventions
eventually do.
Ail this, of course, has nothing to do with
the fees demanded by the American Society ol
Composers, Authors and .Publishers. Whether
radio is looked upon as an evil to the publishing
business or otherwise from its standpoint hardly
enters into the case. It expects in time to re-
ceive royalties wherever radio programs are
produced for profit, as it does to-day from the
motion picture houses, theatres and dance halls
and through the reproduction of copyrighted
works on the talking machine record and player
roll.
You can't go
wrong K>ith
BEE'S KNEES
PEGGY, DEAR
APPLE SAUCE
RUNNIN* WILD
JOURNEY'S END
CRYING FOR YOU
WONDERFUL ONE
LOVELY LUCERNE
CAROLINA MAMMY
ALL MUDDLED UP
TOOT, TOOT, TOOTSIE
FANCY NANCY CLANCY
SAW MILL RIVER ROAD
WHY SHOULD I CRY OVER YOU?
THREE O'CLOCK IN THE MORNING
YOU'VE GOT TO SEE MAMMA EVERY
NIGHT
IN A CORNER OF THE WORLD ALL
OUR OWN
WHEN THE LEAVES COME TUM-
BLING DOWN
THE "SONG MENAGERIE" APPEARS
Leo Feist, Inc., Uses Novel Way of Listing
Popular Numbers
Under the heading "The Song Menagerie,"
the following appeared as the leading item in
the latest issue of Feist News, issued monthly
Century Music Pub. Co.
by Leo Feist, inc., which, now that the circus
235 We.t 40th St.
New York
season is on, is quite timely.
"Exhibit No. 1—'BEE'S KNEES.'—One of
the foxiest fox-trots ever written. Played by
radio will never develop to a point where the Ted Lewis in the Greenwich Village Follies,
music publishing industry will feel a permanent and danced by most everybody everywhere.
reduction in point of sales. In substantiation of
"Exhibit No. 2—'SNAKE'S HIPS.'—A Jungle
this view, attention is called to the development jazz fox-trot and the only one in captivity with
and progress of the talking machine record and just this rhythm.
Paradoxically speaking,
player roll, both of which do a voluminous 'Snake's Hips' is a 'Bear.'
business, for which to a great extent they have
"Exhibit No. 3—'THE DUCK'S QUACK.'—
created their own markets. The same holds Introducing by way of a Barnyard Jazzboree
true with the motion picture. In the early days all the familiar 'animals' down on the farm,
the theatres throughout the country looked upon old Duck Web-foot, the Goose and Gander, a
the photoplay as a menace to their very lives. Turkey Gobbler named Alexander, the Squealin'
Cheap motion picture houses sprang up every- Pig, the Old Black Crow and all the other live
where. With the development of the industry stock you used to know.
neighborhood houses of a higher caliber were
"You don't know by the sound whether it's
constructed and opened. Additional theatres for
the zoo or a music store these days."
Writ* for Dealers' Price*
LEO.
F E I S T , Inc., FEIST Bldg., New York
COPYRIGHT BILL_PASSES SENATE
New Canadian Measure Giving Americans Re-
ciprocal Rights Now Before Dominion House
The Canadian Copyright Bill which will allow
reciprocal rights to composers, authors and pub-
lishers with the United States passed the Cana-
dian Senate on Wednesday evening, May 16.
The bill is still to be concurred in by the House,
but, undoubtedly, in its present form will meet
its approval. The original plan was to make
the bill effective July 1, but the date is changed
to. January 1, 1924, although this time can be
set forward.
TO VISIT THE VICTOR PLANT
WATERSON,
BERLIN & SNYDER CO.
S-O-N-G H-I-T-S
As guests of the Victor Talking Machine Co.,
the Board of Governors of the Music Publishers'
Protective Association will visit the Victor
plant, Camden, N. J., on Tuesday, May 29.
Stella
Waiting for the Evening Mail
Who's Sorry Now
Bella Donna
That Sweet Somebody O' Mine
Beale Street Mama
Aggravatin' Papa
That Tacoma Home o' Mine
Two Time Dan
Roll Along Missouri
Hotsy Totsy Town
Pipe Organ Blues
Don't Think You'll Be Missed
Keep Off My Shoes
Daddy's Wonderful Pal
I'm a Harmony Baby
BIG SELLERS
in the various catalogs of
M. Witmark & Sons
AIN'T CHA COMING BACK MARY ANN
TO MARYLAND?
AIN'T LOVE A WONDERFUL THING?
ALL OVER NOTHING AT ALL
BEBE
CARRY MB BACK TO MY CAROLINA
HOME
FATE
STOCK UP ON
CHAMBERLAIN HITS!!
SLUMBERING
DREAMY CHINEE
MARY ELLEN
DOWN IN THE OLD APPLE
ORCHARD
A MOTHER'S LOVE
DQWN IN PICARDY
I KNOW THAT DAY BY DAY
CAROLINA NIGHTS
FOR THE SAKE OF AVLD LANG SYNE
GONE
GYPSY LOVE SONG
HONEYMOON TIME
I'LL FORGET YOU
I'M JUST WILD ABOUT HARRY
KISS M E AGAIN
LET THE REST OF THE WORLD GO BY
LONG LOST MAMMA—DADDY MLSSKS
YOU
MOTHER MACHREE
MY WILD IRISH ROSE
NELLIE KELLY, I LOVE YOU
:y
(From Little Nellie Kelly)
SLOW POKE
' *
SMILIN' THROUGH
SUNRISE AND YOU
TEN THOUSAND YEARS FROM NOW
VAMPING SAL (Sheba of Georgia)
WHEN WILL THE SUN SHINE FOR MET
WYOMING
YOU REMIND ME OF MY MOTHER
(From Little Nellie Kelly)
Published by '
WATERSON,
BERLIN & SNYDER CO.
Strand Theatre Bldf., New York City, N. Y.
: yiW/fc/-"Sunshine Of Your Smile
r
0 Love Sends i
f A Little Gift p
& Of Roses ©
Write at once for our special introductory offer.
THECHAMBERLAINCC^RO^MICH:
-^
HARMS INC.62WEST45 T - H ST.,NEWY0RK ¥/
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
134
Ballad Sensation of the Season!
Waltz Song Success
Crowing Rapidly
On All Records and Rolls
cTRAILTO-
LONG AGO
Lyric by
Wm.T.White and
Clarence W.Erickson
Music by
F.Henri Kliekmann
E.Clinton Keithley
18c Order from Your Jobber 18c
McKINLEY MUSIC CO.
GEO. M. COHAN'S ANNUAL
Witmark to Publish "The Rise of Rosie
O'Reilly," Which Will Shortly Be Produced
in Boston—Said to Be a Hit
The probabilities of Gco. M. Cohan producing
a regular annual musical show are stronger
than ever. That in itself is interesting enough,
but, of course, the fact that these annual pro-
ductions are not only produced by but written
entirely by Mr. Cohan is what counts most.
The success that has attended "Little Nelly
Kelly," still playing to crowded houses on
Broadway, has led everybody to hope it might
be the first of a regular Geo. M. Cohan series,
and probably has had a lot to do with Mr.
Cohan's own plans along those lines. "Little
Nelly Kelly" was first produced by Mr. Cohan
in Boston last May, and now, a year later, it
is as fresh as ever. In the meantime, Mr.
Cohan has been busy on the second of these
annual productions of his, and the result is the
presentation in Boston at the end of May of
"The Rise of Rosie O'Reilly," a typical Geo.
M. Cohan show from start to finish and said
to be the equal in all and the superior in many
respects to "Little Nelly Kelly" herself. Those
who have heard the songs Mr. Cohan has writ-
ten for the new show do not hesitate to rank
them among the best things that George has
ever done, and big, substantial hits are hinted
at that will even outshine "You Remind Me of
My Mother" and "Nelly Kelly, I Love You." >
"The Rise of Rosie O'Reilly" has been writ-
ten, composed, rehearsed, staged and now pro-
duced by Cohan himself. All the songs in "The
"SUN-KIST ROSE" PROGRAMMED
Rise of Rosie O'Reilly" show will be published
Practically All Leading Orchestras in New York by M. Witmark & Sons, by whom the "Little
Nelly Kelly" numbers were also issued.
Playing It—Featured in Loew Houses
The record of George Cohan in the past is
almost a guarantee of the success of the new
"Sun-Kist Rose," the successful fox-trot in
the catalog of the A. J. Stasny Music Co., is show. Failures with him are conspicuous bv
being programmed by practically all the leading their absence.
orchestras in the metropolitan district, includ-
ing the Waldorf Astoria Orchestra, the Bilt-
niore, Palais Royal, Knickerbocker Grill, the
Harry Akst and Benny Davis, two of the
Tent, Balconnades, Little Club and other places
best-known present-day songwriters, are com-
where night life holds sway. In addition it is
being featured in all the Loew theatres in con- pleting a number which is to be added to the
catalog of Jack Mills, Inc. The number, origi-
junction with the release of the photoplay "The
nally presented to the publisher in manuscript
Nth Commandment," in which it is used as
form, created attention in the professional de-
the musical theme.
partment of the above publisher and there is
no little enthusiasm being aroused in the or-
NEW D1TSON POLDIN1 NUMBERS
ganization following the knowledge that it is
Among the recent musical releases of Oliver shortly to be released and exploited.
Ditson Co., Boston, are eight "Poetic Fancies,"
"4SM0SHIN5 I
by Ed. Poldini, which are light teaching pieces
SPLASHINQ HIT
of the second or third grade. Issued at the
same time are three new songs by John H.
Densmore and two numbers by Clayton Johns.
CHICAGO
NEW YORK
NEW AKST AND DAVIS NUMBER
JONAH A J J L
I
it
encore-encouragers
home sweet home lullaby"
"Httle lad o'dreams"
"sweetheart o'mine"
"music of a baby"
"land o'romance"
"callin' you"
encore-repeaters
'april fool & little pignose"
"three encore songs"
"the lilac tree"
"the newlyweds"
"wishes three"
hinds, hayden & eldredge, inc.
publishers
new york city, n. y.
MAY 26, 192.?
ELIZA DOYLE SMITH M
59 E.VANBUREN ST. CHICAGO
REMICKS BEST SELLERS
"Chicago"
"The Thief"
"That Red Head Gal"
"No One Loves You
Any Better Than Your
M-A-Double M-Y"
FREDFlSljERISr
ic Pubhsfwvs
"ROSES OF PICARDY" SCORES
Chappell-Harms Finds Ballad Rapidly Increas-
ing in Popularity and Sales
The ( happeli-Hanns number, "!\oses of 1'ic-
ardy," is fast becoming one of the most popular
high-class ballads issued in some years. Sales
of this number, particularly in the last few
months, have mounted so steadily as to give
it the importance of an unusual hit. A long
list of concert and vaudeville artists is pro-
graming the number and the reception of rendi-
tions by audiences everywhere demonstrates
that "Roses of Picardy" has at last been recog-
nized as one of the best ballads ever issued
by a high-class publishing house.
Its success is all the, more icmarkable, due
to the fact that, while it previously had unusual
success in Kngland, it only had a small but
active sale upon being introduced in this coun-
try. The publisher, realizing its merit, natu-
rally did considerable in th • way of publicity
on behalf of it, but the response at that time
was not sufficient to justify extensive further
appropriations. This seemingly dilatory mood
on the part of the music-loving public was cred-
ited to the fact that the title "Roses of Picardy"
gave the impression that the number was a
war song. At the time of its initial release the
war fever and the accompanying propaganda
had not yet spent itself and undoubtedly this
resulted in a great injustice.
With the present-day programing of the num-
ber, now that the public lias forgotten the
feverish war activity, the lyrics and title are
accepted for what they really are.
ROBERT TELLER SONS & DORNER
Music Engravers and Printers
Beside a Babbling Brook
(Donaldson and Kahn's latest)
Carolina In the Morning *
My Buddy
Falling
I'm Just a Little Blue
(For You)
Down by the River
(To My Emmaline)
Sweet One
Barney Google
When Will I Know?
JEROME
H. REMICK6CO.
DETROIT
NEW YORK
CHICAGO
SEND MANUSCRIPT AND IDEA OF
TITLE FOR ESTIMATE
311 West 43rd Street
New York City
BUY YOUR MUSIC FROM
BOSTON
Publishers
% Box worth St.
BOSTON. MASS
Walter Jacobs, Inc.
JACOBS' PIANO FOLIOS (VOL-S.)
A Complet*
Library
fw Phot»-PI«y
PUwlitt
Oliver Ditson Company
BOSTON
NEW YORK
Anticipate and supply Every Requirement of Music
Dealers
White-Smith Music Pub. Co.
PUBLISHERS,
PRINTERS AND ENGRAVERS OF M U S I C
Main Offices: 40-44 Winchester St., Boston.
Branch Houses: New York and Chicago.

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