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THE MUSIC TRADE REVIEW
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Vol. LXXVI
NEW YORK, MAY 5, 1923
No. 18
BUILDING U P MUSICAL APPRECIATION
N outstanding- feature of the plea of Vice-President Calvin
Coolidge for' democratizing music in the course of his ad-
dress at the d i c k e r i n g Centennial banquet in Boston last week-
was his argument that best results were to be expected by build-
ing musical appreciation from the bottom up rather than from
the top down. In other words, pouring, as it were, high-class
music into the ears of the public with the expectation that it would
be absorbed is a mistake, for results are more likely to be realized
by allowing the ordinary citizen to find his expression in popular
song if he sees fit to and then building up his appreciation grad-
ually until he develops a genuine liking for music of the higher
class.
The success of the music advancement work carried on, sup-
ported or co-operated in by the National Bureau for the Advance-
ment of Music and similar organizations has been due chiefly to
the plan of encouraging the public to express itself by the music
with which it is most familiar, and then in one way or another
building up here and there with the lighter classics. Perhaps the
Vice-President is not familiar with all the problems of making
America musical, but he at least provides food for thought in his
comment upon the proper method.
A
TRAINING PLAYER-PIANO DEMONSTRATORS
A
MOVEMENT that should prove of interest to those mem-
bers in the trade in this country who are interested in the
development of the player-piano is that inaugurated by the Trade
Educational Committee of the British Federation of Music Indus-
tries wherein a special course has been designed for the devel-
opment of capable player-piano demonstrators among salesmen.
The idea of the course is to provide piano dealers with staff
members who will be able to demonstrate the player effectively
through the possession of a general knowledge of its possibilities.
The course will also provide for instruction in the repair of player-
pianos so that the salesmen may be able to make minor repairs
and adjustments without the services of a specialist.
In view of the great progress that has been made by the
player-piano in this country, it would seem as though there should
M A Y 5, 1923
be room here for some course of instruction for player-piano
demonstrators. In man)' retail organizations, of course, there are
men who are capable of getting the most out of the player, but
on the other hand there are scores of salesmen selling players or
trying to sell them whose ideas regarding the operation of the
instrument are like those of the uninformed customer. Proper
demonstration will do more to place player-pianos in the homes
than any amount of so-called selling talk.
In this connection a word regarding the Trade Education
Committee of the British Federation is apropos in view of the
various activities upon which our own corresponding body—the
Music Industries Chamber of Commerce—has launched.
This Trade Education Committee not only looks after the
instruction of the salesman when occasion warrants, but also has
to do with the examination of piano tuners and the grant of cer-
tificates to those who are able to prove their competency. This
is another matter that might well receive the support of our own
Chamber through co-operation with the National Association of
Piano Tuners, which for a number of years has done excellent
work in bringing to the public a realization of the fact that cheap
and incompetent tuning is most expensive. The Tuners' Asso-
ciation has required that applicants for membership pass an exam-
ination or present unquestioned proof of their abilities as tuners
and it is understood that the same rigid requirements exist at
this time. If, however, a plan could be worked out whereby the
Chamber or one of its committees would issue an official certificate
to qualify tuners, both the trade and the public would be the
gainers.
PLAYING FAIR IN THE TRADE-IN
I
T appears from the experience of certain aggressive members
of the retail piano trade that the proper way to handle the trade-
in problem is to attend to the moving of used stock energetically
and consistently rather than allowing their stock to accumulate, eat
up storage space and pile up expense. In several cities recently
there have been more or less consistent drives through the medium
of strong newspaper advertising to move used instruments from
the warerooms into the homes and the efforts have met with a very
satisfying measure of success.
An interesting fact is that the used instruments found easiest
to move have in most cases been those of representative makes,
selling at prices as high or higher than those asked for new in-
struments of lower quality. When used grand pianos can be sold
in considerable numbers at prices ranging from $700 to $1,000,
that offers an interesting question for the trade to consider.
The fact remains, however, that in holding clearance sales
of used pianos on any very elaborate scale there should be a suf-
ficient margin between the allowance and the sales price to cover
the resale cost. This offers another reason why allowances should
be kept down to sound figures and why a depreciation schedule
should prove of distinct value as a general guide to the retailer.
BUY A PIANO AND GET THE WORLD
N
EW YORKERS, to whom the beautifying of their homes is
more or less of a problem, are being offered by piano and
talking machine dealers various opportunities for securing free,
gratis and without charge, fancy lamps, docks and what not
through the simple process of signing a contract for the purchase
of a piano, player or talking machine. It is the old "throw-in"
practice with trimmings, and in view of the fact that the offer
in several cases includes free benches, music roll cabinets and
rolls there is reason to question just what the musical instrument
itself is really worth.
Not long ago there was cited the case of a woman who, when
her player-piano was repossessed, insisted upon keeping the rolls
and the roll cabinet on the claim that it had been given to her
free and the gift was not contingent upon her retaining the instru-
ment. Probably because the cost of righting the case would have
been greater than that of the merchandise, the woman got away
with it. But the practice of offering so many "free" extras that
they overshadow the original purchase still prevails.
At the present rate of progress it will probably be only a period
of months before we see suites of parlor furniture and building
lots offered free to piano purchasers. As philanthropists some
piano merchants evidently rate higher than Rockefeller himself.