Music Trade Review

Issue: 1923 Vol. 76 N. 15

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
(Registered in the U. S. Patent Office)
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 373 Fourth Ave., New York;
Vice-President,
. B. Spillane, 373 Fourth Ave., New York; Second Vice-President, Raymond Bill, 373
ourth Ave., New York; Secretary, Edward Lyman Bill, 373 Fourth Ave., New York;
i Assistant
Treasurer, W o . A. Low.
J. B. SPILLANE, Editor
RAY BILL, B. B. WILSON, bRAID WHITE, Associate Editors
WM. H. McCLEARY, Managing Editor
CARLETON CHACE, Business Manager
L. E. BOWERS, Circulation Manager
Executive and Reportorial Staff
E. B. MUNCH, ARTHUR NEALY, V. D. WALSH. EDWARD VAN HARLINGKN, LEE ROBINSON,
JOB. A. MULDOON, THOS. A. BRKSNAHAN, E. J. NEALY, C. R. TIGHE, A. J. NICKLIN
WESTERN DIVISION:
BOSTON OFFICK:
Republic Bldg., 209 So. State St., Chicago
JOHN H. WILSON, 324 Washington St.
Telephone. Wabash 5242-5243.
Telephone, Main 6950
LONDON, ENGLAND:
1 Gresham Buildings, Basinghall St., D. C.
N E W S S E R V I C E IS S U P P L I E D W E E K L Y BY OUR C O R R E S P O N D E N T S
LOCATED IN T H E L E A D I N G CITIES THROUGHOUT AMERICA
Published Every Saturday at 373 Fourth Avenue, New York
Entered as second-class matter September 10, 1892, at the post office at New York, N. Y.,
under the Act of March 3, 1879.
SUBSCRIPTION,United States and Mexico, $2.00 per year; Canada, $3.50; all other
countries, $5.00.
ADVERTISEMENTS, rates on request
REMITTANCES, should be made payable to Edward Lyman Bill, Inc.
Exposition Honors Won by The Review
Grand Prix
Paris Exposition, 1900
Silver Medal.. .Charleston Exposition, 1902
Diploma.... Pan- American Exposition, 1901
Gold Medal
St. Louis Exposition, 1904
Gold Medal—Lewis-Clark Exposition, 1905
TELEPHONES—MADI8ON
SQUARE
5082-5983-5984-9458-7898-0620
Cable Address: "Elbill, N e w York"
Vol. LXXVI
NEW YORK, APRIL 14, 1923
No. 15
CO-OPERATION NECESSARY FOR EVEN ORDERING
HE REVIEW has for some time past emphasized consistently
T
the wisdom of music merchants averaging their orders as
evenly as possible throughout the year in order to keep their stock
on a more secure basis and enable the manufacturer to operate his
plant with greater regularity and consequently on a sounder
economic basis.
That the doctrine of regular ordering is sound is indicated in
the report issued recently as a result of the Conference on Un-
employment, in the course of which the question was studied from
all angles for over a year. It was the consensus of opinion of the
committee that the unemployment problem was due in no small
measure to the practice of retailers in ordering heavily during boom
periods and stopping their buying entirely during periods of depres-
sion, rather than averaging their orders so as to run along evenly
during good and bad periods, thus being willing to carry some stock
on hand and possibly stand a fair proportion of losses during the
off-time in business.
This question of keeping the industry sound and balancing de-
mand and production as far as possible to the greatest advantage
of all concerned is one that rests with both the manufacturer and
the retailer on practically an even basis. The manufacturer cannot
be expected to do all the gambling and carry heavy reserve stocks
for the sake of protecting the dealer who is afraid to trust his
business future and order ahead, nor can the retailer be expected
to load up heavily to oblige the manufacturer. It is by co-operation
that the problem will be solved.
THE FOUR SUBJECTS AT THE CONVENTION
N announcing the four principal subjects that will be discussed
at the coming convention in Chicago the officials of the National
Association of Music Merchants have succeeded in covering a wide
territory and if full advantage is taken of the possibilities of the
questions involved material of distinct value to music merchants
generally should come out of the meeting.
The subjects so far announced include salesmanship, the
trade-in problem, the better homes movement and music advance-
ment. The first subject, salesmanship, is naturally dominant in
the trade at all times, and has to do with the actual distribution of
I
APRIL 14,
192.*
the products of the factories. The trade-in problem, as has been
pointed out by The Review on several "occasions, is also a vital
one, as it has to do with receiving proper profits under conditions
where much of the business consists of replacements rather than
of straight outright sales. In supporitng the better homes move-
ment the music merchants are working directly toward the develop-
ment of new fields for the sale of the goods they have to offer.
The support of the music advancement propaganda is logical
because it is calculated to increase the possible number of customers
for the future.
If the four subjects listed are discussed thoroughly from all
angles they, coupled with the routine convention proceedings,
should serve to provide material for a number of distinctly inter-
esting and helpful sessions.
THE BETTER HOMES MOVEMENT AND MUSIC
might be well for music merchants generally to watch the
I view T progress
of the "Better Homes in America" movement with a
to taking full advantage of the opportunities that may be found
in better homes celebration in their own sections of the country.
As a matter of fact, plans are now being prepared for a "Better
Homes Demonstration Week" to be held from June 4 to 10, and,
as a result of pertinent suggestions made by the Music Industries
Chamber of Commerce, the necessity of music in the home will
be strongly emphasized during the week.
Last year 961 towns and cities participated in the week's cele-
bration, and over 500 model homes were equipped and .exhibited
to the public. This year the total will be much larger and it is
expected that in every model home musical instruments will find
a place. As a matter of fact, Mrs. Lucille Lyon, of Fort Worth,
Texas, president of the National Federation of Music Clubs, will
have charge of the music feature of the display as a member of
the Advisory Council of "Better Homes in America," and spe-
cial literature on music in the home is being prepared.
While it is true that the increasing number of movements for
the propagation of this or that idea are calculated to prove con-
fusing and on occasions embarrassing to business men as well as
individuals, the trade as a whole cannot afford to overlook an
opportunity for hooking up music with the ideal home such as is
presented by this forthcoming "Better Homes" Week. The ex-
pense should be slight in any case, and the results worth while.
ASKS FOR MODIFICATION OF IMMIGRATION LAW
of piano manufacturers will be much interested
A in NUMBER
the preliminary report of the Immigration Committee of
the Chamber of Commerce of the United States in which it is urged
that Congress take early action to supplement present immigration
restriction methods by extending authority to the President to test
out a flexible system of selection of immigrants on the basis of
demonstrated social and economic needs of the country.
The president of the National Piano Manufacturers' Associa-
tion, together with various members of that body, has for some
time urged that the immigration bars be lifted to the extent of
admitting to the country European workers of training and ability
to fill the serious vacancies that continue to exist in factory organi-
zations, and it would seem as though the recommendation of the
United States Chamber of Commerce Committee is a forward
step in providing a solution of the problem of labor scarcity. Now,
it remains to be seen what action the Government will take on the
recommendation.
A NATIONAL RETAIL SALESMEN'S ASSOCIATION?
suggestion of H. van Sweringen made in a letter to The
T HE Review
and printed on another page, to the effect that there
seems to be room for a National Retail Piano Salesmen's Associa-
tion for the purpose of increasing the interest of the salesmen in
the development of musical appreciation and bringing about more
intelligent selling effort, is at least interesting.
Mr. van Sweringen declares that there are several fields open
for piano selling that have apparently been overlooked by the
majority of music merchants and their salesmen, such as the placing
of instruments in schools, libraries and the rest rooms of industrial
establishments. As a matter of fact, there are organized efforts
made in various quarters to cover those fields and the efforts have
met with a full measure of success.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
Ami. 14, 1923
THE
MUSIC
TRADE
REVIEW
Preparing for the Wareroom Recital
An Example of How the Average Piano Dealer Can Present the Reproducing Piano and Artists in Recital
With the Facilities That He Has at His Command in His Warerooms—Ingenuity and Thought
Take the Place Here of Great Seating Capacity and Large Expenditure
l'robably the most direct way of creating
prospects for the reproducing piano is the ware-
rooms recital given by that instrument with the
aid of artists in person. The nature of the
sales problem created by the reproducing piano
is such that demonstration, under the most ex-
acting conditions, is an essential, and that dem-
onstration is best given with the aid of artists
in person in order that the comparison may
directly drive home the claims made for the
instrument.
Many dealers who carry the reproducing pi-
ano have not as yet developed the warerooms
recital along the lines that its importance war
lants. 'Those who give it too often neglect de-
tails which are so important in creating the
proper atmosphere and in impressing the in-
vited audience with the importance of the occa-
sion. It is belter to give no recitals of this
kind al all than to give them haphazardly and
without the proper preparation.
The reproducing piano is one of the most
costly pieces of merchandise which is offered to
the general buying public. As such it require-
a distinctly high-class selling atmosphere, a
background that serves to accentuate its artis-
tic capabilities, one in proper keeping with the
instrument itself. Hearing these facts in mind,
and they are essential, no detail of the propei
presentation of the instrument should be neg-
lected if the full results of the investment in-
volved are to be reaped.
An appreciation of all this has in many cases
deterred dealers from using the warerooms re-
cital to as great an extent as they should. They
usually consider that the facilities at their com-
mand are not sufficient or that the expense in-
volved is beyond their means. As a matter of
fact, in arranging the warerooms recital ingenu-
ity and thought can go a long way in taking
the place of expenditure and a large hall.
An instance of this is shown in the accom-
which Miss Shaw has given in many different
sections of the country for Aeolian dealers and
with which she has just started a Spring tour,
was given in the Aeolian retail warerooms on
a temporary stage erected for this purpose. The
ing spots which can
require no permanent
were confined to fresh
not being used, as the
effect. These were
also be hired and which
wiring. The decorations
flowers, the artificial kind
natural ones give a better
carefully arranged, mask-
Temporary Stage Erected in Aeolian Hall Salesroom
conditions are exactly similar to those which the
ing the sides of the stage, and small electric
average dealer confronts in giving similar re-
bulbs^were run through them. The result was
citals and which he can overcome just as the
so pleasing that one of the audience made the
Aeolian Co. did in this case.
remark that she had never known that the Aeo-
A temporary platform was erected, a back- lian Co. had a concert room in its building be-
sides the large Aeolian Hall proper.
A talk with those who were charged with the
arrangements for this recital shows that all the
facilities they had at their service are within
the reach of the average dealer who possesses a
fairly large display room and that he, with a
comparatively small expense, can create a simi-
lar background and stage for the presentation
of the reproducing piano. Local artists are also
at his disposal al a comparatively low price for
a single appearance. In fact, there is nothing
beyond his reach in properly presenting the
instrument under these conditions.
A pa;ticularly striking side of this recital was
the lack of the somewhat rigid atmosphere that
in many cases accompanies such concerts. The
audience was made to be at home immediately
through a feeling of intimacy that is an essen-
tial in such work. This in turn can be dupli-
cated by the dealer, but it must come as a result
of careful planning.
The warerooms recital is going to make much
progress among the dealers during the next few
vears, for it is going to be discovered that in
the long run it is one of the least expensive
means of creating prospects and one of the
surest ways of leaving an impression which
makes the salesman's work in closing a much
more simple matter than is the case when the
demonstration of the reproducing piano is given
in the studio alone. For the use of the instru-
ment as an accompanist, as a solo instrument,
The Stage and the Artists
in some cases in two piano numbers, and in
panying illustrations of the setting of a concert ground created with handsome draperies, which others in direct comparisons, gives an opportu-
a
dealer
can
always
secure
in
his
locality
at
a
in Aeolian Hall, New York, in which the Duo-
nity to show every side of its capabilities which,
Art piano appeared, assisted by Eleanor Shaw, comparatively low cost, and a rug was thrown
in the direct demonstration to the individual
across
the
platform.
Ceiling
and
side
lights
were
pianist, and Fred Sheffield Child, tenor. This
prospect, is always lacking.
recital, which was one of the costume recitals used, temporary installations, the side lights be-

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