Music Trade Review

Issue: 1923 Vol. 76 N. 13

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
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MUSIC
TRADE
" The Maker's Name and Reputation Are the
Real Protection of the Buyer"
MARCH 31, 1923
BUSH & GERTS PIANO COMPANY
General Office, Factory and Display Rooms
Brery high-grade BUSH ft GERTS piano bears the name of Its MAKERS. For •
I darter of a century BUSH & GERTS have made high-grade pianos. Both BUSH
ft GERTS are practical piano makers and have made 60,000 pianos under the ONI
frtMK. ONE TRADE-MARK. Dealers wanted in all unoccupied territory. Writ*
'or price* anil terms.
KURTZMANN
PIANOS
REVIEW
Weed and Dayton Streets
Chicago, 111.
THE FINEST FOOT-POWER PLAYER-PIANO IN THE WORLD
Manufactured by
BEHNING PIANO CO.
East 133rd Street and Alexander Avenue
Retail Warerooms, 22 East 40th Street at Madison Avenue, New York
NEW YORK
364 Livingston Street, Brooklyn, N. T.
Win Friends for the Dealer
C. KURTZMANN & CO.
FACTORY
526-536 Niagara St., Buffalo, N. Y.
FOTOPLAYER
for the finest
STULTZ & BAUER
Manufacturers of Exclusive High-Grade
Grands—Uprights—Players—Reproducing Pianos
For more than FORTY-TWO successive years this company has
bean owned and controlled solely by members of the Bauer family, whose
personal supervision is given to every instrument built by this company.
A World's Choice Piano
Write for Open Territory
Factories and Warerooms:
338-340 E. 31st St., New York
Motion Picture
Theatres
"If there is no harmony in the factory
there will be none in the piano"
The AMERICAN PHOTO
PLAYER CO.
The Packard Piano Company
San Francisco
Chicago
NEW YORK HEADQUARTERS, 130 WEST 42d STREET
FORT WAYNE, IND., U. S. A.
New York
STERLING
PIANOS
Iff what U bride of the Sterling that k u made ha r«p«-
miHm. Kr«rf detail of ita construction receive* thorough
•Maatiati from expert workmen—every material uaed in ita
•MMtruction is the beat—absolutely.
That means a piaa*
•f permanent excellence in every particular in which a
piaao should excel.
The dealer sees the connection be-
tween these facts and the universal popularity of the
Sterling.
THE STERLING COMPANY
JAMES & HOLMSTROM PIANO CO., Inc.
SMALL GRANDS PLAYER-PIANOS
TRANSPOSING
KEYJBSSS>*RHO*
Eminent am an art product for over SO year*
Price* a»«l forms will mt«r«at you. Write us.
Office: 25-27 West 37th St., N. Y.
Factory: 305 to 323 East 132d St., N. Y.
DERBY, CONN.
"A NAME TO REMEMBER"
MANSFIELD
PRODUCTS
ARE
BETTER
A COMPLETE LINE OF GRANDS.
UPRIGHTS AND PLAYER-PIANOS
135th St. and Willow A v e .
NEW YORK, N. Y.
Uniformly Good
Always Reliable
ROGART
PIANOS
BOGART PIANO CO.
ISStk SI. and Willow Ave.
NEW YORK
Telephone. Melrose 10155
CABLE & SONS
BRINKERHOFF
Pianos and Player-Pianos
BRINKERHOFF PIANO CO.
PIANOS and PLAYERS
209 South State Street, Chicago
••7-701 E M ! lSStfc Street. New York
LEHR
PIANOS and
PLAYERS
Used and Endorsed by Leading Conserva-
tories of Music Whose Testimonials
"are Printed in Catalog
OUR OWN FAOTORY FACILITIES, WITHOUT
LAROE OITY EXPENSES, PRODUCE FINEST
INSTRUMENTS AT MODERATE Pit WES
CABLE A SONS, 550 W. 38th St.. N. Y.
H. LEHR & CO^Easton. Pa,
THE GORDON PIANO CO.
liabed 1845)
& SON
"Made by a Decker Since IBM"
Pianos and Player-Pianos
SUPERIOR IN EVERY WAY
Old Established House. Production Limited to
Quality. Our Players Are Perfected to
the Limit of Invention.
EST. 1856
The details are vitally Interesting to you,
WHITIvOCK and LKC.GET AVK8.. NKW YORK
OU ought to see the Schaff
Y
B r o s . Style 23 Solotone
Player, for it is the most modern
player. The price is right, too.
WANT OUR SPECIAL PHOTO O F IT 7
HUNTINGTON. IND.
Manfrs. of The Gordon & Sons Piant
and Player-Pianos
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
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flUJIC TIRADE
VOL. LXXYI. No. 13 Published Every Saturday by Edward Lyman Bill, Inc., 373 4th Are., New York, N. Y.
Mar. 31, 1923
Single Copies 10 Cents
12.00 Per Year
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What About the Convention Business Sessions?
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ROM the standpoints of entertainment and publicity there appears to be no reason to doubt at this early
date but tha-t the June conventions in Chicago will be successful. There will be the usual round of ban-
quets, a series of noonday luncheons, such as was inaugurated two years ago'at the Drake and at which
prominent artists will appear; arrangements have been made whereby there will be band contests and
other similar events and the plans call for having various features of the convention proceedings broadcasted
by radio.
All these details go far to insure the success of the convention and in a considerable measure to swell
the attendance from among those who see in the annual gathering an opportunity to relax after several months of
business cares. But what about the business sessions themselves? These, after all, form the real basis for
the convention and make the investment of time and money on the part of the delegates productive of results.
To date there has been nothing definitely announced as to what is contemplated in discussions in the con-
vention sessions, yet the opening session is barely two months away. There are so many pertinent subjects
before the trade at the present time, the majority of them already featured in the editorial columns of The
Review, that there should be little difficulty in selecting problems for discussion that really demand some sort
of solution.
We know, of course, that a Chamber of Commerce Committee is working on a depreciation schedule as
a means for guiding retailers in making allowances that will be fair and equitable to both the dealer and the
customer and thus cut down the heavy investment in used instruments that now prevails. In addition, the
awards made in the retail advertising contest will also be announced at the convention and the retail advertising
question discussed thoroughly with actual examples before the delegates.
Two subjects, however, do not make up a convention. Of course, it is known that the officials of the
various associations, particularly the executives of the National Association of Music Merchants, are busily at
work on convention plans. But it would be well to announce those plans for the business session as they are in
part perfected. It is understood, of course, that it is practically impossible to announce any fixed and definite
convention schedule so far in advance of the meetings themselves, but in a general way the ideas being carried
out can be made public, for the information of those who are waiting to see what the program promises before
deciding to go to Chicago.
The value of any convention discussion lies in the familiarity of those in attendance with the subject
before them. That familiarity cannot, as a rule, be gained through the # reading of a paper by some individual
who, however well qualified, has a mind of his own and his own definite ideas to offer. If the members of the
various associations can be advised well in advance of the more important problems that will be taken up in the
sessions, those interested can then prepare to present facts and figures in discussion that will be really helpful
because they have been well thought out and are practical. Such a method represents a distinct improvement
over the snap judgment that is often offered under similar circumstances. Advance preparation saves much
time often devoted to aimless talk.
It is declared that the Chicago meetings in June will surpass in every way the convention in that city in
1921, which set a new record for such affairs. The committee in charge of the entertainment and publicity
details are completing plans and getting results. Jkit; it is now time to begin to spread information regarding
the business sessions for the benefit of those who believe'in the constructive qualities of association work and
who believe in mixing business with pleasure.
The time is past when the piano man attends a convention simply because of the good time he expects
to have there. To-day he goes because he expects to return with something of value to himself and his busi-
ness. An advance outline of that is the convention's best advertising.

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