Music Trade Review

Issue: 1923 Vol. 76 N. 12

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
MARCH 24, 1923
TIIK
MUSIC
TRADE
PLANS FOR RECORD VICTOR OUTPUT
PRIZES FOR MUSIC MEMORY CONTEST
Victor Factory Schedules Up to July Call for
Heaviest Machine Production in the History
of the Company—New Models of Victrolas
Have Strong Appeal to Public
Score of Music Houses Contribute Merchandise
to Be Awarded in Music Memory Contest in
New York Sponsored by Talking Machine
Men, Inc., in Connection With Music Week
The committee representing the Talking Ma-
In an interview with The Review, Ralph L.
Krccman, director of distribution of the Victor chine Men, Inc., has succeeded in gathering an
Talking Machine Co., stated that factory pro- impressive list of prizes to be awarded in the
duction schedules on Victrolas had been laid Music Memory Contest to be held among the
out as far ahead as July and that the schedules public school children of New York City in
called for a volume of output substantially the connection with the forthcoming celebration of
New York's Fourth Annual Music Week. The
largest in the history of the Victor business.
At present the various departments are work- list of the prizes already donated and the donors
ing overtime in an effort to fill orders for the is as follows:
reason that the demand for the new models of
Bucgeleisen & Jacobson, one violin outfit.
Victrolas introduced during the past twelve
Frank H. Isaacs, one record cabinet.
months has been enormous. The demand inci-
C. Hruno & Sons, Inc., one Victrola and a
dentally has thoroughly established the strong selection of records.
appeal of each of these models from the stand-
Silas E. Pearsall Co., $150 in machines and
point of case design, price and musical quality. records.
The Victor Co. plans to make a nation-wide
S. B. Davcga, a Davega portable.
delivery on several new horizontal types of Vic-
General Phonograph Co., a selection of rec-
trolas within the next few months and announce- ords.
ments have just been made regarding the design,
Sonora Phonograph Co., two Sonora port-
equipment and price of these forthcoming new ables.
models.
Chas. H. Ditson & Co., a Victrola XXV school
Mr. Freeman added that the business being machine.
done by Victor dealers is of a very satisfactory
The Modcrnola Co., a Moderuola machine.
character throughout the country, including the
Long Island Phonograph Co., a Sonora
Western and Southern agricultural regions, portable.
which were the last to recover from the general
Knickerbocker Talking Machine Co., a V ictor
economic depression. There is no question but portable.
that 1°23 will be a very wonderful year for
Aeolian Co., a Vocation phonograph.
the entire Victor industry, and every possible
Columbia Graphophonc Co., a Columbia
policy which will contribute to increasing the Grafonola.
volume of business done by Victor dealers and
Otto Hcineman, a portable phonograph.
Victor wholesalers is now being vigorously pro-
Peerless Album Co., some record albums.
mulgated at the Victor headquarters in Camdcn.
Mrilliantone Needle Co., brushes and needles.
Ormes, Inc., $150 worth of records and Vic-
DANCE ORCHESTRAS TO HOLD CONTEST trolas.
Otto Goldsmith, a portable phonograph.
Fourteen Well-known Organizations to Com-
H. Reinhardt, a Stenola.
pete for $1 000 Prize, Which Will Determine
the Championship in Dancing Orchestra
Domain—First Event of Kind
OIKACO, li.i.., March 19.— Fourteen nationally
known dance orchestras will hold a contest on
April 10 at the ArcacFa Auditorium to compete
for a $1,000 prize. This is the first event of its
kind and il is said thai the rivalry will be a
bciu-fil to American music of the popular type.
In addition to the $1,000 prize, the winning
orchestra will be given the title of "Champion-
ship Dance Orchestra of Cook County, 1923."
The fourteen orchestras entered in the con-
k-si, many who are recorders for talking ma-
chine records, arc as follows: Paul H. Biese
and his Kdgewak-r IJrach Hotel Orchestra;
Charles Straight, Kainbo Gardens; Frank West-
phal, Green Mill Gardens; Walter Ford, the
Tent; (ieorge J. Mallen, Arcadia; Husk O'Hare,
Drake Hotel broadcasting station; Don Bestor,
[Benson's Victrola recording orchestra; Jules R.
Hcrbcveaux, Guyon's Paradise; Roy F. Bargy,
Trianon Ballroom; Elmer Schoebel, Midway
Gardens; Friars; Genet recording orchestra; E.
E. Sheets' Californians, Ralph Williams and Sol
Wagner.
DEATH OF WILLIAM KEMPF
Deceased Was Head of Kempf Bros., Well-
known Utica, N. Y., Music House
I'TICA, N. Y., March 18— William Kempf, head
of the firm of Kempf Bros., of this city, prom-
inent talking machine and piano dealers, died
suddenly on Saturday, March 3. Funeral serv-
ices were held from his late home on March 7
and were attended by many of his friends in
the trade, including W. D. Andrews, Victor
wholesaler of Syracuse, N. Y., and O. H. Wil-
liams, traveling representative for the Buffalo
Talking Machine Co., Buffalo, N. Y., Victor
wholesaler. Mr. Kempf was widely known
throughout New York State as one of the most
successful talking machine dealers in the State.
43
KKVIEW
V. W. MOODY JOINSJ>EARSALL STAFF
Popular Victor Wholesale Man Joins New York
Jobber's Force in Executive Capacity
Thomas F. Green, president of the Silas E.
Pearsall Co., 10 East Thirty-ninth street, New
York, Victor wholesaler, announced recently
that V. W. Moody, one of the best-known and
most popular members of the Victor industry,
had joined the company's executive staff. Mr.
Moody, who has not been associated with the
talking machine field for the past year or so,
is now arranging his personal afiairs so that
he may assume his new duties within the next
fortnight.
The appointment of Mr. Moody to an execu-
tive post in the Pearsall organization will be
welcome news to Victor dealers throughout the
metropolitan territory, as Mr. Moody knows
practically all of these dealers personally, and
because of his thorough knowledge of Victor
merchandising has won their esteem and friend-
ship.
FORBIDDEN TO USE COUE'S NAME
Supreme Court Justice Erlangcr, New York,
last week signed an order restraining the Coue
System, Inc., from using the name of M. Coue,
his photograph or any talking machine record
of any lecture given by him. The order was
signed on the application of the Columbia
Graphophone Co., which claims to have the
only master record of a talk by Coue.
TEXAS=0KLAH0MA CO. BURNED OUT
DAM.AS, TKN., March 19.—The home of the
Texas-Oklahoma Phonograph Co., Edison jobber,
Commerce street, this city, was practically destroyed
by fire recently. The Texas-Oklahoma Co. suf-
fered losses estimated at $150,000, which were
covered by insurance. This concern supplied
Edison dealers in a large territory.
SELLING MUSICAL
MERCHANDISE
By J. R. FREW
This is a practical book that describes
the methods pursued by a successful
music dealer in conducting his musical
merchandise departments. It covers
every routine problem incident to es-
tablishing and operating a depart-
ment devoted to band and orchestra
instruments.
This branch of the music industry
has had a very prosperous year and
an excellent opportunity awaits other
dealers who take it up. It requires a
small investment, gets quick turnover,
involves no risk and, in addition to
being highly profitable itself, increases
the sale of talking machines, records,
etc., and helps make a given store the
music center of its community.
READ THE CONTENTS**/*
THIS PRACTICAL BOOK
Chapter
From the Publisher.
Introduction.
PART I
THE I'ROHLKM OF IIUYING
I. Buying In General.
II. Importance of Quality in Buying.
III. Where to Buy.
IV. Future 1 Buying.
V. Buying for Special Rales.
VI. Some Don'ts for the Buyer.
PART II
THE PROBLEM OF PUBLICITY
VII. Advertising- In General.
VIII. Space or Display Advertising-.
IX. Advertising by Personal Contact.
X. Advertising Through Service.
XI. Direct and Mail Advertising.
XII. Advertising Through Musical
Attractions.
PART III
THE PROBLEM OF MANAGEMENT
XIII. Management in General.
XIV. Stock Display.
XV. The Care of Stock.
XVI. Inventory and Sales Analysis.
XVII. The Question of Credit.
XVIII. The Repair Department.
XIX. The Value of Co-operation.
PART IV
THE PROBLEM OF SELLING
XX. Selling In General.
XXI. The Sales Organization.
XXII. Psychology of Salesmanship.
XXIII. Collective Selling.
XXIV. Organizing a Band or Orchestra.
XXV. The Used Instrument Problem.
PART V
INSTRUMENTATION
XXVI. Musical Organizations and their
Instrumentation.
XXVII. The Principal Instruments of the
Band and Orchestra Described.
APPENDIX
List of Principal Musical Merchandise
Products
FREE INSPECTION OFFER
Edward Lymnn Bill, Inc.
873 Fourth Avenue, New York.
You may send me, on five days' free inspec-
tion, your book SELLING MUSICAL MER-
CHANDISE. I agree to return it to you
within five days, or remit $2.00
Name
Address
City
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
44
THE MUSIC TRADE REVIEW
MARCH 24,
1923
IKTKirWORLD Oh
CONDUCTED BY V. D. WALSH
VALUE OF PROPER DISPLAY IN SELLING SHEET MUSIC
Music Racks Showing Title Pages One of the Most Direct Ways to Attract the Customers'
Attention and Build Sales—Direct Aid to Salesmen in Interesting Purchasers
Successful merchandisers tell us that the
secret of the success of their establishments is
the display of goods. All the large department
stores adhere to this method and a trip through
any of the floors or departments of such estab-
lishments is a demonstration of how this idea
is carried out. Goods that will attract attention
are displayed everywhere, arranged in a manner
that makes the prospective purchaser a "self-
seller."
The syndicate stores, from the 5-and-10-cent
stores up to those that have merchandise that
retails as high as a dollar, place all of their
goods upon display and within easy reach of
the customer. In fact, most merchandise in
such establishments is selected by the customer
and handed to the salesgirl, who merely rings
up the sale and wraps the article. Thus again
it shows that it is display that sells goods.
Unfortunately for the sheet music retailer,
his voluminous stocks to a great extent do not
allow, and indeed, in some cases, the caliber of
the stock will not lend itself to the department
store idea of showing merchandise. However,
any goods, such as libraries, special selected
teaching pieces, music books, folios and publi-
cations of that type, which can be placed within
ready reach of prospective customers, create
many sales that would not be otherwise made.
The placing upon the counters of albums con-
taining selected works for particular uses has
not only been found feasible, but most profit-
able. Several publishers have had manufactured
counter silent salesmen of various designs and
where these are used they have been found
most successful.
Tn the popular field the music racks which
show off the title page or a part of it have been
found an effective means of adding consider-
ably to sales. In fact, the dealer who docs not
display his popular issues loses hundreds of
sales which would otherwise be made. The
mere display of popular songs which arc fre-
quently heard in vaudeville or on the dance
floor is a reminder to the customer of the pop-
ularity of the work and his need to add it to his
group of songs.
Wherever it is possible to place goods within
handy reach of possible customers or where
goods will lend themselves to display, it will not
only be found that many sales will be the result,
but that the salesmen will be relieved of the
necessity of inducing the customer to make the
purchase. Thus there is not only the added
profit which often would not otherwise be se-
cured, but there is a saving of time.
DEALT WITH OBSOLETE PRACTICES
Trade Commission's Order Against Publishers'
Association Based on Methods Never Wide-
spread and Now Eliminated
The order of the Federal Trade Commission
against the Music Publishers' Association of the
United States and the National Association of
Sheet Music Dealers, which recently appeared
in these columns in a report from Washington,
D. C, in which they were ordered to desist in
"unfair methods of fixing and maintaining retail
prices for musical publications," was the after-
math of a condition never flagrant and which
has not been in force for several years.
George W. Pound, counsel for the Music
Publishers' and Dealers' Associations, filed an
answer to the effect that the practices com-
plained of were discontinued long ago and, in
fact, were never in general usage.
Regarding any increase in prices for music
and music books during the post-war period,
these were necessary as the result of increased
cost of materials and "carrying on the business."
Sheet music and books on the whole probably
advanced less in price than any other merchan-
dise, although the overhead probably increased
as much as in anv.
Here's a Money-Maker
STOCK THIS FAST SELLER
SONGS THAT SELL
You Know You Belong
to Somebody Else
(So Why Don't You Leave Me Alone ?)
Dearest
(You're the Nearest to My Heart)
Tell Her—I Stutter
— You
Homesick
— Ivy (Cling to Me)
— Choo Choo Blues
Open Your Arms, My Alabamy
Some Day You'll Cry Over Someone
Some Little Someone
Every Wednesday Night
Come on Home
Down Among the Sleepy
Hills of Tennessee (new)
Don't Bring Me Posies

(It's Shoesles I Need)
Some Sunny Day
Truly
Just a Little Love Song
Yankee Doodle Blues
Early In the Morning (Bhes)
Night
New Hampshire
Venetian Blues
Constantly
Kissing Time (Waltz)

Universal Dance Folio (or 1923
IRVING BERLIN'S NEW
Music Box Revue
Crinoline Days
Lady of the Evening
Porcelain Maid
Pack Up Your Sins

and Go To The Devil
"Panama Twilight"
Successor to "Rio Nights"

IRVING BERLIN, Inc.
1607 Broadway, New York
A Beautiful Hawaiian Melody Waltz
NOTE: DEALERS IN ALL PARTS of the country find immediate
sales on this song with demonstrations, window and counter
displays.
FREE! Title pages and
o t h e r display material
A. J. Stasny Music Co., Inc.
56 West 45th Street
Will She Come From the East?
The Little Red Lacquer Cage
Bring On the Pepper
New York City
The chief counsel of the Federal Trade Com-
mission has advised Mr. Pound that the answer
is acceptable and that the matter is now closed.
TANGO REGAINING ITS POPULARITY
Several months ago Paul Spccht, head of the
popular orchestra bearing his name, gave an
interview to a local New York paper in which
he predicted the return of the tango as a popu-
lar dance. Since that time there have been in-
dications verifying his early statements and a
series of songs adapted to tango are now
issued.
The tango was one of those dances which
heralded the modern craze and its return is
interesting.

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