Music Trade Review

Issue: 1923 Vol. 76 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
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( Making Rep prWicl ciflg Piano Prospects
the'J se
-i Survey of the^Jsed-Piano
Situation
( Spreading Orders Over the Year
THE
MUSIC TRADE
VOL. LXXVI. No. 11. Published Every Saturday by Edward LymanBill, Inc., at 373 Foirtb Ave., New York, N. Y. Mar. 17,1923
Si
**%
92.00
10 Cmta
Per Tew
M
• (Licensee)
A reproducing mechanism of the highest artistic
character, manufactured under a license permit*
ting the unrestricted use of the world-famed
Welte-Mignon patents. These basic patents have
been combined with the recognized supreme
De Luxe Player Action patents, into a reproduc-
ing mechanism unequalled for simplicity, artistic
merit and adaptability for installation in any
modern type of Upright or Grand instrument.
The manufacturers of over ninety prominent
makes of pianos are now equipping their re-
producing pianos with this superior mechanism.
THE AUTO PNEUMATIC ACTION COMPANY
TWELFTH AVENUE AND FIFTY-FIRST STREET
G
New York
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
(Licensee) *
URABILITY^
Because of the greater usage it must withstand, struc-
tural integrity is nowhere more important than in a
Reproducing Piano, It is a matter of record that the
Hardman is incomparable for its enduring fidelity and
richness of tone As you thrill to the reproduced artistry
of Paderewski, Hofmann, Gabrilowitsch, Ney or other
master pianists, or sway in the rhythm of the dance, it
is a source of practical satisfaction that the durability
of your Hardman Reproducing Piano is a promise of
long-lastingness.
The Hardman is the Official Piano of the
Metropolitan Opera House
THE KEYSTONE OF
&Co.
433 FIFTH AVE., New York
\lWMWHh"OverEighty Years of
v>u
There is a Hardman-built
Fine Piano Making"
piano to please practically every purse

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