Music Trade Review

Issue: 1922 Vol. 75 N. 27

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
52
MUSIC TRADE
REVIEW
DECEMBER 30,
1922
p r
I #et
i
50 bl uelhru and thruwhen the leaves come a l u m - b l e - i n ^ down from the trees,
The Bi£ Boston FoxTrotJIit
When The Leaves
Come Tumbling,Down
HEAR IT NOW!
LODGE INTRODUCES BILL TO AMEND THE COPYRIGHT LAW
This Congressional Step Taken in Order to Permit the United States to Enter the International
Copyright Union and to Enable American Authors and Composers to Be Protected
Senator Henry Cabot Lodge, of Massa-
chusetts, introduced a bill in Congress early
this month to amend the copyright law in order
to permit the United States to enter the Inter-
national Copyright Union and so enable Amer-
ican authors and composers to obtain inter-
national copyright protection automatically
when receiving it in Washington. The bill (S.
4101) has been referred to the Committee on
Patents.
The measure is expected to pass both houses
shortly and is in favor with all authors, com-
posers and general artistic workers, as well as
their various societies. A writer in The Clipper
points out that at present the United States is
the only first-class country that is not a mem-
ber of the International Copyright Union, which
offers full protection to all affiliated members in
various countries similar to that given to na-
tives of the respective nations that are members
of the Union.
As read in the Senate by Mr. Lodge the bill
follows in part: "The adhesion of the United
States to the convention creating an interna-
tional union for the protection of literary and
artistic works, known also as the International
Copyright Union, signed at Berlin, Germany,
November 13, 1908, and the 'additional protocol'
to the said convention executed at Berne,
Switzerland, March 20, 1914, . . . that the
United States desires to be placed in the first
class of countries which are members . . .
as provided in article 23 of the said 1908 con-
vention.
"That sections 15, 16, 17, 21 (as amended De-
cember 18, 1919), 22, 31 of the said Copyright
Act of 1909 are hereby repealed . . . that on
and after the date of the President's proclama-
tion as provided in Section 1 of this Act, foreign
authors not domiciled in the United States who
are citizens or subjects of any country which
is a member of the International Copyright
Union, or whose works are first" published in
and enjoy copyright protection in any country
which is a member of the Union, shall have
within the United States for the term of the
copyright prescribed by the Act of 1909, in-
cluding the right of renewal, . . . the same
rights and remedies in regard to their works
which citizens of the United States possess
under the copyright laws of the United States
. . . shall not be subject to any formalities
and shall not be required to comply with the
provisions of the copyright laws of the United
States as to notice of copyright or deposit of
copies and registration . . . not extending,
however, beyond the time that such works fall
into the public domain in such country.
"That during the existence of the copyright
in any book the importation of any copies into
the United States ( thereof except second-hand
copies shall be prohibited, except with the con-
sent of the copyright proprietor in this country.
"That the Supreme Court of the United States
shall prescribe such additional or modified rules
and regulations as may be necessary for prac-
tice and procedure in any action, suit or pro-
ceeding instituted for infringement of copyright
under this act."
The text of the convention creating the. Inter-
national Copyright Union, signed at Berne,
Switzerland, September 9, 1886, and the text
of a subsequent convention held in Berlin, No-
vember 13, 1908, were printed and distributed
to members of Congress by the Library of
Congress. Extracts from these texts follow in
part and will become part of the United States
Copyright Act when the bill introduced by
Senator Lodge is passed: "The contracting
states are constituted into a Union for the pro-
Wishing You
A Very Happy New Year
tection of the rights of authors over their lit-
erary and artistic works."
Article II. "Authors of any countries of the
Union, or their lawful representatives, shall en-
joy in the other countries, for their works,
either not published or published for the first
time in one of those countries, the rights which
the respective laws do now or shall in the fu-
ture grant to natives."
Article V. "Authors of any of the countries
of the Union . . . shall enjoy the exclusive
right of making or authorizing the translation
of their works . . . but the exclusive right
shall cease to exist when the author shall not
have made use of it within a period of ten
years from first publication."
Article VII. "Articles from newspapers or
periodicals cannot be reproduced, in original or
in translation, in the other countries, without
the authorization . . . does not apply to
political discussion, to news of the day or to
current topics."
Article IX. ". . . authors of dramatic or
di amatico-musical works . . . are, during the
existence of their exclusive right of translation,
equally protected against the unauthorized pub-
lic representation of translation of their works
. . . applies equally to the public performance
of unpublished musical works, or of works in
which the wish is expressed on title page that
public performance is forbidden, etc."
Article X. "Unauthorized indirect appropria-
tion of a literary or artistic work of various
kinds, such as adaptations, arrangements of
music, etc., are specially included among the
illicit reproductions to which the present con-
vention applies. . . ."
Article XII. "Pirated works may be seized by
the competent authorities of the countries of
the Union where the original work has a right
to legal protection . . . the seizure to take
effect conformably to the domestic legislation
of each country."
Article XVI. "An International Office is es-
tablished under the name of 'Office of the In-
ternational Union for the Protection of Literary
and Artistic Works' . . . office expense to be
borne by the administrations of all countries
of the Union . . . office is placed under the
high authority of the Superior Administration
of the Swiss Confederation. . . ."
Other articles provide that no alterations in
the articles of the conventions shall be binding
on the Union unless by unanimous consent of
the countries comprising it; official language of
International office to be French, and the office
will also collect all kinds of information relative
to the protection of rights of authors, etc., and
the transformation of a novel into a play comes
under stipulations of Article X mentioned above.
Articles included in the convention held in
1908 include No. 13: "Authors of musical works
have the exclusive right to authorize (1) the
adaptation of these works to instruments serv-
ing to reproduce them mechanically; (2) the
public performance of the same works by means
of these instruments."
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
DECEMBER 30, 1922
THE
53
MUSIC TRADE REVIEW
COMPLAINT AGAINST "MUSIC TAX"
Theatre Associations Take Up With Depart-
ment of Justice Demands of Copyright Own-
ers for Royalties for Use of Music
" Century "
Preferred!
Dealers Prefer "Century"
BECAUSE
ONE—It Is the Best Procurable!
(That Pleases the Public)
TWO—It Shows an Average Profit of
Over 200%!
{That Pleases the Dealer)
THREE—It Is Nationally Advertised!
(That Makes Selling Easy)
Century Music Publishing Co.
235 West 40th Street, IV. Y.
ITALIAN COMPOSER IRRESPONSIBLE
yioxx cant gjo
\ wrong with
WASHINGTON, D. C, December 26.—Complaint
regarding the so-called music tax, or rather the
royalty demanded of theatre owners by music
publishers for the public performance of copy-
righted music, has been filed with the Department
of Justice by certain moving picture associa-
tions, it has been learned. No details regarding the
complaint have been given out by the Depart-
ment as it desired to avoid unnecessary pub-
licity until it is determined whether the Govern-
ment can take any action in the matter. It is
stated, however, that the Department has been
working on the subject for some time past, on
representations made by theatre owners and
others.
It is understood that certain music publishers
have interested themselves with the motion pic-
ture people, but the attitude of the music pub-
lishers in general has not yet been made evident
to the Department. A decision regarding what
action will be taken in the matter is expected
within a month or so.
Song'
HOT LIPS
VAMP ME
STUMBLING
BEE'S KNEES
SILVER STARS
III NNIN' WILD
JOURNEY'S END
JAPANESE MOON
ALL MIDDLED UP
LOVELY LUCERNE
FLOWER OF ARABY
COAL BLACK MAMMY
TOOT, TOOT, TOOTSIE
WHY SHOULD I CRY OVER YOU?
THREE O'CLOCK IN THE MORNING
IN A CORNER OF THE WORLD ALL
OUR OWN
WHEN THE LEAVES COME TUM-
BLING DOWN
Write for Dealers' Prices
L E O . F E I S T , Inc., FEIST BUg., New York
RECEIVER FOR VON TILZER CO.
E. C. Mills, chairman of the executive board
of the Music Publishers' Protective Association,
was recently appointed receiver for the Harry
Von Tilzer Music Publishing Co. Earlier in
the month he was appointed co-receiver for the
Broadway Music Corp. These two new activi-
ties added to his already voluminous Association
work have given him a new distinction and title,
"E. C. Mills, the Well-known Receiver."
bilities of $151,290 and assets of $30,012. The
principal creditors listed are H. Harold Gumm,
$57,076; Robert Teller Sons & Dorner, $17,983;
Goldie Gumm, $10,238; Artmusic, Inc., $11,951;
Sidney D. Mitchell, $13,704; Lou Pollack, $7,500.
ROME, ITALY, December 22.—Maestro Lorenzo
Perosi, Italy's greatest composer of sacred
music and formerly in charge of the Sistine
Chapel Choir, has been declared mentally irre-
MUSIC PUBLISHERS MEET
sponsible.
This action was taken to save his precious
The Music Publishers' Association of the
compositions which he refused to give to pub-
United States held its last quarterly meeting
LEO
FEIST
MUSIC
FOR
"GLORY"
lishers, insisting that they would alter them.
at the Hotel Astor on Thursday evening of this
An art and medical commission made the de-
A new musical comedy entitled "Glory," with week. A full report of the matters considered
cision declaring him irresponsible, much to the a book by James Montgomery and music by at the meeting will appear in the next issue of
regret of a host of friends.
Maurice de Pakch and Harry Tierney, lyrics by The Review.
James Dyrenforth and Joseph McCarthy, opened
at the Vanderbilt Theatre early this week. The
score is published by Leo Feist, Inc.
1
B
Mill
^A Song for Church or Home
i)K°BERTRAND-BROWN
bestial
2*5
^Jhatfairly lifts you into the Cblestial
tone 13331
!
° I
Published for Tenor or Soprano, Alto or Baritone
7 A e W I L L I S M V S I C CO. Cincinnati.Oliio.
.Ohio. 60 I *
FILES SCHEDULES IN BANKRUPTCY
The Broadway Music Corp., New York City,
has filed schedules in bankruptcy listing lia-
V
STEADY SELLERS BIG SELLERS
in the various catalogs of
W. A. Quineke & Co. M. Witmark & Sons
I
1
I
I
From the Catalogue of
430 So. Broadway, Los Angeles, Cal.
I CAN'T KKKP YOU OUT OF MY DREAMS
IF SHE COMES FROM DIXIE
DRIFTING ALONG
WHEN WE WERE IN SWEETHEART LAND
TANDL.ER'8 BARCAROLLE
SYNCOPATED ECHOES
LA COQUETTE
Write for Dealers' Prices.

EDITION BEAUTIFULI
S38 of tb« best-selling compositions
of the
Old Masters.
ONLY the beat seller*.
No deadwood.
Carefully edited.
Beautifully produoed.
2,000 dealers selling: it.
Permanent and large results.
SMALL INVESTMENT.
That's what
EDITION BEAUTIFUL
means to YOU.
Write for particulars today.
NOW IS THE TIME
C. C. CHURCH AND COMPANY
HARTFORD, CONNECTICUT
Hartford—New York—London—Paris—Sydney
ANGEL CHILD
ALL OVER NOTHING AT ALL
CARRY ME BACK TO MY CAROLINA
HOME
FOR THE SAKE OF AULD LANG SYNE
GYPSY BLUES
GYPSY LOVE SONG
I'LL FORGET YOU
I'M JUST WILD ABOUT HARRY
KISS ME AGAIN
LOUISIAN'
MY WILD IRISH ROSE
NELLIE KELLY, I LOVE YOU
(From Little Nellie Kelly)
SAY IT WHILE DANCING
SMILIN' THROUGH
SOPHIE
SUNRISE AND YOU
THAT'S HOW I BELIEVE IN YOU
TIME AFTER TIME
WHERE THE VOLGA FLOWS
(Russian Love Song-)
WYOMING
YOU REMIND ME OF MY MOTHER
(From Little Nellie Kelly)
I
WATERSON,
BERLIN & SNYDER CO
S-O-N-G H-I-T-S
Tomorrow
Dancing Fool
Mary Dear
In My Home Town
I Gave You Up Just Before You
Threw Me Down
You Gave Me Your Heart
Just Because You're You
Susie
If You Don't Think So You're
Crazy
A Bunch of Keys
Little Thoughts
The Sheik of Avenue B
Haunting Blues
Published by
WATERSON,
BERLIN & SNYDER CO.
Strand Theatre Bldg., New York City, N. Y.
1
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-/W/fer"Sunshine Of Your Smile" T*
i Love Sends ©
| A Little Gift |
% Of Roses i
£7
HARMS INC.62WEST45'-"S!NEWY0RK
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