Music Trade Review

Issue: 1922 Vol. 75 N. 23

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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
VOL. LXXV. No. 23
Published Every Saturday by Edward Lyman Bill, Inc., 373 4th Ave., New York, N. Y.
Dec. 2, 1922
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The Progress of Musical Advancement
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H E recent meeting of the new Music Advancement Committee of the Music Industries Chamber of
Commerce held in New York, under the chairmanship of Herman Irion, and attended by a score of men
of prominence and standing in the industry, served to bring forth most emphatically from the trade
angle the wide scope and effectiveness of the work of the National Bureau for the Advancement of
Music, with which it appears some members of the trade are not yet thoroughly familiar.
There is no question but that the thinking members of our industry have long been appreciative of the
good work of the Bureau and have taken material pride in its growth, but nevertheless there have been too many
who have accepted it simply as one of the activities of the Chamber cf Commerce and have given it little per-
sonal attention, for the reason that, although they came in direct contact with many of its direct and indirect
activities, those activities were not recognized as part of the Bureau's work.
One has but to read the reports of the scores of music week celebrations and music memory contests
that have become institutions in many cities and several States of the country to realize just what the Bureau
has accomplished in gaining for music the recognition of the general public. Both the music week idea and the
music memory contest originated with the Bureau, and the fact that a number of such movements are con-
ducted independent of the Bureau at present is to be attributed to the effectiveness of the primary work in
making such celebrations valuable in themselves rather than as a part of some definite propaganda.
Space does not permit of even a summary of what has been accomplished in the development of music
week celebrations, even during the current year, but there is still fresh in mind the music week celebrated in
Portland, Ore., last month when some 3,000 distinct musical events were scheduled during the seven days.
State and city officials, from the Governor down, not only participated in the various celebrations, but lent their
assistance to the music week ball which closed the program and brought in the money to pay for the work.
Even at the present time various communities that have been holding music weeks and music memory
contests for several years still rely upon the Bureau for advice and assistance, but that there are others which,
having once been started, now operate independently means that the funds and efforts of the Bureau can in
a measure be diverted to new and equally effective fields.
The success of Director Tremaine in effecting a direct tieup with the National Federation of Women's
Clubs, embracing in its membership over one thousand local organizations of club women, together with some
450 junior clubs, most of them having for their primary object the development of music interest and apprecia-
tion, is a feat that in itself has justified the existence of the Bureau, for it has meant that these thousands of
women are working for the cause of music in a large measure along lines suggested by the Bureau and with
trifling expense to that organization and those who support it.
The National Bureau for the Advancement of Music has been able to do what hosts of publicity agents
and propagandists hope for, but seldom accomplish, and that is to start the ball rolling and have outside and
disinterested agencies, from a commercial standpoint, take up and carry on the work.
To those with narrow vision it sometimes appears as though the fact that the name of the Bureau did
not appear in connection with all the musical activities of the country means that body is not connected with
those activities. As a matter of fact, the work of the Bureau is most effective for this very reason.
For those who seek proof of the direct activities of the Bureau there is available a mass of literature
issued and compiled by that organization, and a volume of statistics that have proven little short of startling
even to those who have been closely associated with the Bureau and its work. The difficulty is that the results
of the Bureau's work have become so widespread that the presenting of them in tangible form is becoming prac-
tically an impossible task.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
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THE
MUSIC
TRADE
REVIEW
(Registered in the U. S. Patent Office)
PUBLISHED BY^EDWARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 373 Fourth Ave., New York; Vice-President,
B. Spillane, 373 Fourth Ave., New York; Second Vice-President, Raymond Bill, 373
ourth Ave., New York; Secretary, Edward Lyman Bill, 373 Fourth Ave., New York;
Assistant Treasurer, Win. A. Low.
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J. B. SPILLANE, Editor
RAY BILL, B. B. WILSON, BRAID WHITE, Associate Editors
WILSON D. BUSH, Managing Editor
CARLETON CHACE, Business Manager
L. E. BOWERS, Circulation Manager
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Departments conducted by an expert wherein all ques
tions of a technical nature relating to the tuning,
regulating and repairing of pianos and player-pianos
are dealt with, will be found in another section of
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which will be cheerfully given upon request.
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Vol. LXXV
NEW YORK, DECEMBER 2, 1922
No. 23
FREIGHT DELAYS HURTING BUSINESS
that has served to keep the music merchant
O NE on of edge the problems
during the increasingly active Fall has been the
delays to which freight shipments are being subjected by the rail-
roads, it being no common occurrence for a shipment to take three
weeks or more to go from New York to Middle West points by rail.
This situation serves to emphasize the fact that although
the newspapers are not giving much publicity to the conditions the
strike of the shop crafts and other railway workers has demor-
alized freight shipments. The traveling man has strong proof of
this, for it is offered to him on every trip through seeing loaded
trains laid up on sidings while waiting for locomotives to move
them or for cars to be repaired sufficiently to complete the trip.
In figuring on deliveries for some time to come merchants
must give full consideration to the transportation situation and the
delays that are likely to increase instead of diminish in tne
near future. To telegraph last-minute orders and expect ship-
ments to arrive on normal schedule will not work. The manu-
facturer may be in a position to do his part by putting the instru-
ments on the cars, but the uncertainty of transportation makes the
date of delivery a question.
By ordering just a little earlier than usual and making allow-
ance for freight delays the retailer can do much to safeguard his
interests during the next few months to come.
KEEPING TRACK OF INSTALMENT BUYERS
is reported that a music house in Buffalo, N. Y., solves the
I T problem
of catching those who move to new addresses, taking
with them pianos and talking machines upon which there are bal-
ances due, by enlisting the services of the police and having the
fleeing customers haled to court where a satisfactory settlement
is usually made before criminal action is instituted.
It is a question whether this procedure will find favor in all
sections for the reason that it is calculated to work against the
REVIEW
DECEMBER 2, 1922
honest as well as the dishonest customer and is likely in some cases
to stir up ill-feeling that does not work to the profit of the piano
house.
It is true, of course, that a groat many people move and de-
liberately attempt to hide their trail, but in most cases it is simply
carelessness that keeps them from notifying the music house of
their change of address. It is naturally irritating to a piano mer-
chant to have a slow-paying customer take an Arabic departure
and in some cases he is quite justified in setting the law to work,
but whether the use of the police as a regular practice is advisable
is a question.
The fact that it is found necessary so frequently to trace those
who move with their musical instruments is generally a commentary
on the efficiency of the collection department of the music house
rather than upon the honesty of the customer. When the latter
can get away without leaving a trace it indicates that the collector
has allowed a long time to lapse between his visits, which is a bad
practice under any conditions.
THE FARMER AND THE FEDERAL RESERVE
HE business men of the country might well take cognizance of
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the progress of the Farm Bloc in its efforts to secure substantial
control of the Governmental activities to the end of having legisla-
tion enacted and appointments made from the standpoint of the
agricultural interests, which have long maintained that the banking
and industrial interests have dominated the country's financial
affairs to the detriment of the farmer. In this connection isn't it
pertinent to ask if it is not just as dangerous, on the other hand, to
have the farmer in a dominating position to the detriment of busi-
ness interests.
The Federal Reserve System has worked out so successfully
through a long period of adverse business conditions that it is
little short of suicidal to make it a political pawn and the tool of
any special interest. The farmer is entitled to the advantages of
this improved financial system just as is the business man, but if
the system is made to act to the advantage of one side as against
the other much of its value to the country will be lost.
CO-OPERATION IN THE INDUSTRY
EMBERS of the music trade are becoming more and more
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convinced of the wisdom and advisability of forming a closer
alliance with professional musicians, not simply for the purpose
of using the professionals as prospect getters, but for the purpose
of getting in contact with those who are most likely to become
purchasers of musical instruments of worth.
Likewise, certain members of the profession who have vision
are realizing the fact that there is a stronger affiliation of interest
between the trade and profession and that by working in concert
and harmony wherever possible both the commercial and artistic
side of the musical art can be served to advantage.
Music Weeks, music memory contests and other music ad-
vancement activities have done much to bring about this closer
relationship between the trade and profession, and the result has
already made itself manifest in several directions. It is to be
understood that the professional musician is not something apart,
but is just as dependent upon musical appreciation and interest
for his livelihood as is the individual who is selling something
to music lovers.
The co-operation between the trade and profession in most
quarters is now firmly established, and the movement in every
sense is a commendable one.
A GREAT TRIBUTE TO PADEREWSKI
HE reception accorded Paderewski upon his return to the
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recital stage in New York last week after an absence of five
years is indeed most significant, for it has been many years since
any artist has been paid such a tribute as was given to the great
Polish pianist when he appeared on the stage at Carnegie Hall. To
those who take satisfaction in the place that is now held by music
in the life of the nation the homage paid to a musician by both
press and public is indeed gratifying. The tribute, of course, was
paid directly to a great artist, but it was nevertheless to be accepted
also as a tribute to the art of which he is one of the greatest
exponents.

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