Music Trade Review

Issue: 1922 Vol. 75 N. 22

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
61
THE MUSIC TRADE REVIEW
NOVEMBER 25, 1922
CONDUCTED BY V. D. WALSH
PROPER DISPLAYS INCREASE SALE OF SHEET MUSIC
The Use of Wall Racks, in Which Sheet Music Can Be Displayed Most Efficiently, Results in
Larger Sales—Publishers Designing Title Pages With This Method of Display in Mind
There seems to be a move among dealers to
get more sales through popular issues. A great
number of dealers are using wall racks for the
display of some of the more successful of popu-
lar numbers. The use of such displays, in addi-
tion to attracting attention, more often than
not acts as a silent salesman.
The results obtained through the wall racks
in which each title is shown off advantageously
are encouraging. There are other advantages,
such as simplifying the placing] of, say, fifty
popular titles before practically every customer
Naturally, there are moments in every active
retail establishment when the normal quota oi
clerks finds the clientele larger than can be
accommodated advantageously.
Taking into
consideration that most stores, naturally, de-
sire to give service and co-operation to every
visitor, the racks at such periods serve a pur-
pose of immeasurable value.
There is hardly any retail establishment that
cannot find space available for such purposes
The racks come in small sections and can
either be hung from the wall or set on the
floor. In some cases dealers have placed them
against the back part of the window near the
door. This serves the purpose of allotting space
for the display of current hits and brings such
issues to the mind of every visitor to the store
at the time oi his or her departure, if not
before.
Besides the current issues that can be dis-
played in this manner the slots in the rack will
readily hold most of the dance folios and pub-
lications of that type, including, for instance,
"The Most Popular Series." They have been
found adaptable also for the display of orches-
trations, in fact, Ben Kline, of the Phoenix-
Kline Music Co., Syracuse, N. V., impressively
brought out that fact at the last convention of
the National Association of Sheet Music
it would hardly be possible to design all title
pages in that manner. The publishers of any-
thing but the black and white editions put
great value upon the illustration that goes witli
the title of the song. Most of them have made
a study of that feature and naturally it must
be taken into consideration in arranging the
title proper.
Another point that seems particularly perti-
nent is the gain or loss in the change of design
of a title page following its first introduction to
the trade and public. This latter is a question
that has never been settled. It has been said
on various occasions that dealers have placed
before customers, upon request for a certain
title, a newly designed covering which brought
forth exclamations of surprise. How often that
happens has never been figured and whether
there is any appreciable loss in sales by the
change has yet to be proved. The thought is
worthy of some consideration and a word from
dealers who have the direct contact might prove
important.
WHITESMITH CO. NEWS
Boston House Featuring Compositions by Mrs.
Gertrude Ross
BOSTON, MASS., November 20.—Mrs. Gertrude
Ross' compositions, which are published by the
White-Smith Co., are enjoying great vogue and
the latest announcement from this house is that
"The Round-up Lullaby" and "Work," both by
Mrs. Ross, have gone into their third edition.
Two other songs of hers that are coming along
finely are "The Goblins," which is being sung
this season by Ethelynde Smith, and "The De-
light of Out of Doors," which is described as
a particularly interesting composition and the
latest to be put out. Another announcement of
interest from this same house is that "Apple
Dealers.
Blossoms," by William Lester, has become a
All of which brings to mind the availability
of the designs of title pages for such display favorite of Claire Dux, the opera singer, who
purposes. A good many publishers are pro- is to use it in her'concert work this season.
ducing, their numbers in a form that easily
The White-Smith Co. has just put out also
shows the complete title when inserted in such a march and two-step called "Radiant Radio,"
racks. However, there are still many numbers by Mabel V. Mulrey, which is being widely
issued, the titles of which, when placed in such ordered. Two convenient little catalogs which
receptacles, do not show enough of the title the company has just put out are under the
to acquaint the customer with it without re- general head of Sterling Music Books for Music
Lovers, one being of piano pieces, the other
moval. Wherever possible the title page should
be made to conform to such display. Naturally, of songs.
SONGS THAT SELL
Irving Berlin's Latest,
Greatest Song Hit
Homesick
Yankee Doodle Blues
Truly
Some Sunny Day
— Night
Send Back My Honey Man
While the Years Roll By
Just a Little Love Song
Early In the Morning Blues
Choo Choo Blues
My Cradle Melody
Away Down South
Come Along
From Zlegfeld's Follies of 1922
Don't Bring Me Posies
It's Shoesies I Need
IRVING BERLIN, Inc.
1607 Broadway,
New York
TO SPEAK TO ORGANISTS
Banks M. Davison, of the White-Smith Co.,
has been invited by the New England Chapter
of the American Guild of Organists to be its
guest at one of the forthcoming dinners, when
he will give an address on organ music and
organists from the publishers' point of view.
Just a plain old fashioned name"
NoW sailing like
NOT CAKES' .-
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POSITIVEIY
54GUARANTEEDHIT"
mm SUREFIRE SELLER.
cSlnolher big hit"Lonesome Mama Blues "
J.W. JtMltfs SotfS }\VSIC CO. KANSAS CITY f\o.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
62
THE MUSIC TRADE REVIEW
NOVEMBER 25, 1922
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The "Wonder SbngfromtfieBalaban. Novelty FaxTrotSbng by W.R. Wfliamfand Qarence MJmef
bv» JohnAlden and Harold' Leonard
R4II\9 lor YOU
Lyric by LOUIS ROBINSON
Blues
Musi£ by FRANK, WESTPHAL
OUTONALL THE RECORDS! ORDER TO-DAY-WINDOW TRIM MATERIAL F R E E _ ™ i t a s t a ' M ^
Charles Allen; harmony with Stephen Emery; Life," was produced at New York in December,
HADLEY'S WORKS FEATURED
counterpoint with George W. Chadwick. Before 1897, under the direction of Anton Seidl.
Oliver Ditson Co. Displays Compositions by
Henry K. Hadley in Artistic Fashion
During the past few months the Oliver Ditson
Co. has shown a series of window displays of
the works of well-known standard composers
whose compositions appear in the Ditson cata-
log. These windows not only attracted unusual
attention, but have created more than a little
comment in musical circles. The Boston music-
public have also shown exceptional interest and
the windows in several ways have proved of
much value. Herewith is shown a display of
the works of Henry K. Hadley, which was
one of the most attractive of this series of
displays.
A word regarding Henry K. Hadley, excerpts
of which were taken from some of the publicity
material of the Oliver Ditson Co., is of interest.
His books include "The Fire Prints," "In
Music's Praise," "Six Tone Pictures for the
Piano" and "The New Earth." He has a num-
ber of songs and a series for the piano par-
ticularly adapted for graded pupils and an opera,
"Cleopatra's Night."
Henry K. Hadley comes of a musical family.
His father, S. Henry Hadley, a musician by
profession, and instructor of singing in public
schools and conductor, was his first teacher.
Arthur Hadley, another son, a violoncellist, was
a member of the Boston Symphony Orchestra
and later of the San Francisco Symphony Or-
chestra. Henry was born in Somerville, Mass.,
in 1871, and after his preliminary instruction
with his father he studied in Boston—violin
with Henry Heindl, Jacques Hoffmann and
1
WATERSON,
BERLIN & SNYDER CO.
S-O-N-G H-I-T-S
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Tomorrow
Dancing Fool
Mary Dear
In My Home Town
I Gave You Up Just Before You
Threw Me Down
You Gave Me Your Heart
Just Because You're You
Susie
If You Don't Think So You're
Crazy
A Bunch of Keys
Little Thoughts
The Sheik of Avenue B
Haunting Blues
Published by
WATERSON,
BERLIN & SNYDER CO.
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Strand Theatre Bldg., New York City, N. Y.
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he was twenty-one he had composed a dramatic
overture, a string quartet, a trio, besides
choruses and songs.
In 1894 Mr. Hadley went to Vienna and
studied composition with Mandyczewski and
For four years Mr. Hadley lived in Europe
conducting orchestral concerts in various cities
with programs that contained his own works
and those of others. For some time he acted
as a conductor of the Mayence Opera House,
Display of Compositions by Henry Hadley at Ditson Co. Headquarters
there composed his Third Suite for orchestra. where he prepared for production, among other
Returning to America in 1896, he took charge operas, his own drama, "Safie," which was per-
of the music department at St. Paul's School, formed April 6, 1909. He has since held the
Garden City, L. I. It was during this period position of conductor of the Seattle Symphony
that his first symphony, entitled "Youth and Orchestra and of the San Francisco Orchestra.
ACTIVE TRADEJN PORTLAND
Christmas Numbers Being Received—Remick
Hit Featured at Motion Picture Theatre
PORTLAND, ORE., November 18.—The Austin
Sheet Music Supply House, F. R. Austin, man-
ager, has received several large shipments of
cantatas and Christmas carols from several pub-
lishers, including G. Schirmer, Inc. Mr. Austin
deals exclusively in sheet music and carries a
complete line of both classical and popular
music from all publishers in his two stores, one
at 80 West Park street and the other in the
store of the G. F. Johnson Piano Co.
Henri Keates, the master organist of the
Liberty Theatre, last week featured Remick's
"Indiana Home" and made a great hit with it,
and this week Mr. Keates is featuring another
Remick number, "I'm Just a Little Blue for
You." This is featured with accompanying
slides. Kathleen B. Campbell, manager of the
sheet music department of Lipman, Wolfe &
Co., says that "The Sneak" and "I Wish I
Knew" continue to be best sellers.
"JOBBERS OF MUSIC
BUSH TERMINAL. SALES BUILDING
133 WEST 41ST STREET
NEW YORK, N. Y.
"Richmond" Means Everything in Music

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