Music Trade Review

Issue: 1922 Vol. 75 N. 19

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
56
THE MUSIC TRADE REVIEW
NOVEMBER 4, 1922
High school StlldenteMakTiGood Prospects | BRAND NEW
Written for The Review by FRANK V. FAULHABER
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The talking machine dealer who has been
mailing letters as a means of attracting business
may find, as did one dealer in Brooklyn, N. Y.,
that his appeals will not pull as effectively as
when they are directed t o a certain class of
people. As the dealer explained: "Making your
sales letters specific certainly will contribute
toward their effectiveness, but I have found that
a sales-letter campaign brings more returns
when one's efforts are confined to attracting
certain classes of people and telling those
people why they should buy talking machines."
This talking machine dealer then went on to
relate how he had overcome a problem that
had been bothering him. He believes in mailing
clever little letters to prospects, yet he realized
the trade was not coming in response to his
letters as it should. What did he do? Simply
this: He felt that he should direct his appeals
to other people, and he had a good reason,
for in his case many of the letters went un-
answered; therefore he decided to tackle his
problem from another point—he would send
letters to high-school students instead, address-
ing his appeals, of course, to them, and pointing
out why and how talking machines could easily
be bought on the instalment plan.
This enterprising talking machine dealer was
fully aware that such a sales-letter stunt would
be out of the ordinary, and for that reason
alone should be particularly effective. Many
talking machine "dealers will, perhaps, send out
letters to prospects including all classes of
people, all of the letters being along the same
lines. But the dealer in Brooklyn concentrated
his efforts on high-school students, emphasizing
the advisability of purchasing talking machines
for their parents.
He suggested that a talking machine be pur
chased as a birthday present, thus surprising a
parent. Apart from the selling arguments that
were stressed the dealer also pointed out how
the young people could go about earning the
necessary money to pay for the machines. In
one letter he discussed the foolishness of spend-
ing money carelessly, money that often went
for various useless odds and ends. In this
wise he was implanting the art of thrift in the
young people.
The results that accrued from the dealer's ef-
forts assuredly satisfied him. Many of the high-
school students visited his establishment to talk
over the matter with him, having been in-
vited to do this in the letters that were sent.
It was said here alone the returns were more
satisfactory than in the case, where sales letters
were mailed indiscriminately, with no definite
object in view. As the dealer wisely observed:
"Pick out your prospect, then confine your at-
tention to that prospect."
High-school students often earn money out-
side of school hours, and those who do not
can readily enough be encouraged to place
themselves in the way of a few added dollars.
Naturally, the talking machine dealer will find
in them many prospects that can easily be
turned into customers if but the proper effort
is exerted. In many cases where parents can-
not be induced to buy a talking machine their
children assuredly represent logical prospects.
Anyway, the experience of the Brooklyn dealer
in the high-school field is worthy of emulation.
YOUNG PEOPLE BUY MOST RECORDS
UNUSUAL PUBLICITY FOR VICTROLA
Advertising Campaign Directed Toward Young
People of Community Is Bound to Bring Re-
suits in Sales of Popular Records
New York Hippodrome Uses Giant Victrola in
"The Grand Opera Ball"—Liberty Theatre
Uses This Instrument in "Molly Darling"
Music and youth go hand in hand, and it is
to the young people of the community that the
dealer should address much of his advertising
and other sales plans at least in equal propor-
tion to the efforts made to secure the attention
of the older folks. The parents purchase a
machine for their own pleasure and also for a
greater and, to them, more important reason—
the entertainment of their children. The great
bulk of the records sold to-day are purchased
by the younger generation.' They want music
with a great deal of snap and vim; the kind of
melodies that induce the pedal extremities to
glide into a dreamy waltz or a fast fox-trot.
Unlimited possibilities for publicity and, con-
sequently, more sales of talking machines and
records are offered dealers through the appeal
to the young and in behalf of the young folks.
Bring forcibly to the mind of young men and
women of the community the possibilities of
entertainment through the talking machine and
point out to them the value of the latest rec-
ords in this connection and the chances are
that record business will make rapid gains.
The older people, the parents, can be ap-
pealed to on behalf of their children. Any
father and mother will invest in a talking ma-
chine or, if one is already owned, in the latest
records of the kind preferred by their children
if they can be convinced that it is wise to buy.
The products of the Victor Talking Machine
Co. are receiving some excellent publicity
through the medium of New York theatrical
productions. The famous New York Hippo-
drome and the Liberty Theatre are both using
Victrolas in their current productions. At the
Hippodrome the widely known Victor adver-
tisement showing characters from the various
operas issuing from an immense Victrola. is re-
produced on the stage as a feature of the act
entitled "The Grand Opera Ball." Thousands
of persons have already witnessed this spec-
tacle, which is indelibly stamped on their minds,
and undoubtedly many more will witness it.
The instrument used in this production is a
giant in size and the world-renowned Victor
dog trade-mark of huge dimensions also plays
an important part in the production.
"Molly Darling," the musical comedy which
recently opened at the Liberty Theatre, which
to a large extent is based on operatic charac-
ters, also uses a large Victrola as part of the
stage property of the production, and here, too,
thousands of people are having the Victrola
brought to their attention.
WILSON MUSIC CO.'S NEW STORE
STEVEN'S POINT, WIS., October 30.—The Wilson
Music Co., G. M. Farrin, manager, is moving
from its quarters in Boston's Furniture Store
into attractive warerooms in the Hotel Whiting
on Strong avenue. Among the instruments
handled are the Ampico, a complete line of
pianos and player-pianos, sheet music, talking
machines and records.
TALKING
AV/^CHINE;
WOFtLD
TR-ADE
DIRECTORS
HTOAKD I,m\N T BILL*
Here is the handbook of the talking machine
industry for which you have long been
waiting. It is a directory you can keep
on your desk to give you, in an instant, de-
tailed knowledge about this and that com-
pany, which would otherwise consume much
of your time to secure.
ONLY 50 CENTS
For instance, it will give you a complete
up-to-date list of the manufacturers and
jobbers who comprise the talking machine
industry, including invaluable data about
each concern, such as location of factories,
names of officers, location of branch offices,
trade names controlled, policy of marketing
product, etc., etc.
ONLY 50 CENTS
Also it will give you a full, up-to-date list
of the manufacturers who make any given
class of product, such as talking machines,
records, parts, accessories, store equipment,
etc.
ONLY 50 CENTS
This book contains the kind of data about
each concern which cannot be put into the
company's current advertising for lack of
space and which is nevertheless a kind of
data that is valuable from your standpoint.
ONLY 50 CENTS
This volume also contains a number of
pertinent articles on highly important topics
and much other material too extensive to
enumerate here in detail.
ONLY 50 CENTS
It is the only book of its kind ever pub-
lished and is a volume which no enterprising
member of the industry can fairly afford to
do without. It has been produced by the
publishers of The Talking Machine World.
USE
T H I S
COUPON NOW
EDWIN G. EVANS HONORED
An honor of no small magnitude has been
bestowed upon Edwin G. Evans, sales repre-
sentative of C. Bruno & Son., Inc., Victor
wholesalers, New York. Mr. Evans has re-
ceived the nomination for treasurership of
Darien, Conn., in which he lives. Mr. Evans'
universal popularity with his neighbors and the
fact that he has been nominated on the ticket
that always wins in Darien make his election
next November a certainty. It is stated that
Darien's budget amounts to $160,000 a year and,
therefore, Mr. Evans will undoubtedly be a very
busy man as he will assume these duties.
Send Cash, Stamps or Check
Ill
—I
1
EDWARD LYMAN BILL, Inc..
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373 Fourth Ave., New York City.
- Gentlemen:
Please send me postage prepaid a copy of the
I
1922 edition of The Talking Machine World Trade
I
Directory, in payment for which I enclose 50 cents.
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Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
NOVEMBER 4, 1922
57
REVIEW
CONDUCTED BY V. D. WALSH
REVIVAL OF BUSINESS IN THE SHEET MUSIC INDUSTRY
Unmistakable Signs Indicate That the Sheet Music Industry Has Definitely Passed the Period of
Depression and Is Rapidly Getting Back to a Normal, Prosperous Condition
During the past eighteen months sales of sheet
music have not shown any considerable change.
There have been upward trends for very short
periods and a reaction from these exceptionally
short periods, which, at times, were more or
less depressing. Throughout all this period,
however, the exceptional songs have had heavy
sales. Some of them have gone well over
1,000,000 copies and quite a few of them have
sold from 700,000 to 1,000,000 copies. Outside
of the exceptional hits which went over the
million point, these figures, considering the
merits of the songs, are not normal.
Outside of such numbers as outlined above,
what are known as "near hits" and "second
bests" have not had the volume of sales of
former years. Why this is so is one of the
questions that have perplexed the publisher and
retailer and one which has been given the great-
est consideration. The majority of those in-
terested have believed that this situation will
be changed with the return to normal conditions.
The music industry, however, has been slow
in "coming back," although many industries, in-
cluding that of the automotive, have for many
months been operating under capacity pro-
duction.
In recent weeks a change has come over some
branches of the music industry. Among these
sales conditions in the talking machine trade
have returned to about normal. The demand
for pianos, also, is along normal lines, although
in that branch the fact that there is a labor
shortage will make a dearth of such instruments
an outstanding blight during the holiday season.
In the musical merchandise field they have
seemingly had no depression, as the demands
for such goods, practically since the war period,
have exceeded the supply. Undoubtedly, there
are fwo main reasons for this; that is, the vogue
of the dance orchestra and the evident desire
of the younger generation to play musical in-
struments of all kinds, particularly saxophones
and banjos, and the fact that the American
manufacturers have taken business that formerly
went to the foreign companies.
The sheet music industry has not, as yet, felt
any of this new activity, although there are
indications that here, too, the return to normal
is on the way. It is the opinion of some that
until a normal period of three or four months
has been gone through there is hardly any
means for arriving at conclusions as to just
what should be done in publishing and retailing
circles to make for permanent health.
It might be well, however, to review what
some term the obstacles to the success of the
industry as now operated. Many have con-
tended that they are due to a lack of distribu-
tion; that the publisher needs more outlets, more
places where the public can buy his merchan-
dise. Those holding this opinion state that their
publications get sufficient publicity to create
many more sales than are now achieved, but the
public fails to find the goods accessible and
loses interest after it has been sold on the
number. Then it must either be re-sold again
or have its interest aroused in an entirely new
issue. Others contend there is now sufficient
distribution, but what is needed are better mer-
chandising methods.
Another point that has been brought up, so
far as obstacles are concerned, and one which
has only been given light consideration, is the
amount of new issues. The adherents of this
view contend that there is entirely too much
popular music published; that there is decidedly
an over-production and that neither the orches-
tras, the professionals nor the retailers can do
justice to such a volume of goods as is turned
out.
Some believe that there are entirely too many
publishers and, to support their claim, call atten-
tion to the fact that hardly a month passes by
but that there is at least one addition to the
ranks of what is termed music publishers. It is
true that many of them are hardly ever heard
from or infrequently at best. Certain it is, how-
ever, that there are many more smaller pub-
lishers to-day than there were in the pre-war
period. The fact that a great majority of these
small publishers avoid the bankruptcy court
does not prove that they have made money or
been in any way successful, but it does prove
that they are issuing merchandise, some of
which must go into the dealer's hands. Natu-
rally, some few are justified in entering the pub-
lishing business. No effort has been made to
exclude any one and we do not believe it will
be a healthy measure to attempt any such ex-
clusion, but the fact that it is possible to place
a publisher's sign over an ofHce door at a very
small outlay of capital makes it possible in this
industry to have many entries who are not
justified in assuming that they are really music
publishers, hence some over-production.
SONGS THAT SELL
Irving Berlin's Latest,
Greatest Song Hit
Homesick
Yankee Doodle Blues
Truly
Some S u n n y Day
Night
Send Back My Honey Man
While the Years Roll By
Just a Little Love Song
Early In the Morning Blues
Cltoo Choo Blues
My Cradle Melody
A w a y Down South
Come Along
From Zlegteld's Follies of 1922
Don't Bring Me
Posies
It's Shoesles I Need
IRVING BERLIN, Inc.
1607 Broadway,
New York
Taking the some thirty popular publishers
who are considered active and considering the
over-production among them, we find not a few
who have curtailed the amount of their issues,
while some of the very smallest, on the other
hand, have added materially to the amount of
their releases during the past season.
(Continued on page 58)
Just a plain old fashioned name 1 '
Nou> selling like
NOT CAKES
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POSITIVEIY
^GUARANTEED HIT"
" " mTD SURE FIRE SELLER.
cylnolherbighit "LonesomeMama Blues "
J.W. JlMl^S 50hte/\0SIC CO.
KANSAS CITY t\o.

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