Music Trade Review

Issue: 1922 Vol. 75 N. 14

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
SEPTEMBER 30, 1922
MUSIC
TRADE
65
REVIEW
Your Feet Won't Keep Still When You Hear—
SILVERSTARS"
Percy Wenrictts New Fox Trot Hit—Hear It Once -Remember It Always
O
-ver
stars a-bove,
Tell
me
~TT
of ijour love,-
He stated that at the present time there were
over 7,000,000 talking machines in the homes of
Radio Interests and Publishing Organizations Meet in General Conference to Discuss Plans the United States, all users of records, from
the manufacture of which music publishers re-
Whereby Equitable Arrangements Can Be Made for Payment of Royalties on Music
ceived royalty; that there were over 700,000
The conference called by the American So-
In opening the meeting Mr. Mills said that player-pianos in use in the United States and
ciety of Composers, Authors and Publishers, to consideration was to be given to the public that the manufacturers of player rolls to be
which the executives of the various radio broad- performance of copyrighted works within the used with such player-pianos paid the publishers
casting stations were invited and which was meaning of the law. It was the contention of a royalty on the manufacture of such products.
He said it would be the contention of pub-
held for the purpose of giving consideration to the Society that, first, the factors involved in
the recognition of the rights of copyright pro- the Association should receive recognition of lishers that to the extent that radio entertain-
prietors and the public performance of their their rights, as assured them in the copyright ment replaced the use of the above instru-
copyrighted works by radio broadcasting sta- law of 1909; second, the collection of fees, the ments or affected the sale of the products for
tions, was held in the directors' room of the amounts due for public performances by radio such instruments the publishers should be re-
offices of the American Society of Composers, broadcasting stations and from whom and how compensed.
Authors and Publishers on Wednesday, Sep- such fees should be collected were to be dis- The question was brought up as to the use of
talking machine records by radio broadcasting
tember 20.
cussed.
Nathan Burkan, the attorney for the Amer- stations and whether or not they have the
E. C. Mills, chairman of the Board of Gov
ernors of the Music Publishers' Protective As- ican Society of Composers, Authors and Pub- right to make use of such products when the
sociation, was appointed chairman of the meet- lishers, made a short talk in which he pointed royalty on the manufacture of such records
ing and the following associations and business out that the discussions were to be general had already been paid. This was answered by
Mr. Mills by saying that the right to manufac-
firms interested in radio attended: American and informal and in no wise binding.
ture
only was included in the royalty and not
Society of Composers, Authors and Publishers,
In a further introduction Mr. Mills outlined
Authors League of America, Music Industries some of the outstanding features of the present the right to publicly perform. It was here re-
Chamber of Commerce, Music Publishers' Pro- methods of collecting royalties as arranged for marked "the law contemplates the copyright
tective Association, Music Publishers' Associa- by the copyright law of 1909 and those which proprietor shall, among other exclusive rights,
tion of the United States, Department of Com- have been imposed on certain users of music enjoy the exclusive and sole right of public
merce, American Telephone and Telegraph Co., in public performances for profit as arranged performance, with the exception where permis-
Radio Corp. of America, General Electric Co., for by the American Society of Composers, sion is given by the copyright proprietor to
Westinghouse Electric & Mfg. Co., G. Schirmer, Authors and Publishers and which have been another."
Mr. Townley, of the Westinghouse Electric
Inc., and the National Radio Chamber of Com- sustained in a number of decisions by Federal
& Mfg. Co., spoke in behalf of his organization
merce.
Courts as well as by the Supreme Court.
which created the original broadcasting station
as an experiment in Pittsburgh, Pa. He said
that they wanted to comply with all laws and
be most fair in their dealings with the pub-
lishers. At the present time there was no di-
rect revenue from broadcasting stations; on the
other hand, they were quite an expense. He
remarked that in case an arrangement was
made for the payment of fees to publishers
that the free talent now at the disposal of the
broadcasting stations would, naturally, in a
short space of time consider that they should
be paid for their services.
He closed by saying that he hoped the ques-
tion would be kept open for some time; that
it was indeed unfortunate, so far as his or-
1 FOX POPULAR HITS
ganization was concerned, if not embarassing,
1
Stock Them In
for it to be brought up at this time, particularly
1 RECORDS
inasmuch as it was thought in some circles that
PLAYER ROLLS
the Government would finally operate the broad-
and SHEET MUSIC
casting stations and that the whole industry
"Swanee Smile$," "Eleanor"
was undergoing constant change.
"Nola" and "Romany Love"
While it was not hoped to have any decision
SAM FOX PUB. CO.
made at the meeting, there is little or no doubt
CLEVELAND. 0 .
NEW YORK CUT
that the larger factors in broadcasting activi-
ties have given consideration for some time to
the necessity, at some period not far off, of
paying royalties to publishers for the use of
copyrighted works. The meeting resulted in a
general understanding tending to recognize
music as a big factor in radio programs and
there seemed to be little or no question of the
recognition of the rights of copyright pro-
Gypsy fbx'fro+Hit
prietors. Points to be decided are when, how
and where such royalties should be collected.
CONFERENCE HELD TO DISCUSS BROADCASTING PROBLEMS
, Gvanee
J A
ROMANV
LOVE
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
66
THE
MUSIC TRADE
REVIEW
SEPTEMBER 30, 1922
'TWAS EVER THUS!
Songs of a Generation Ago Were Just as
Wicked as Those of To-day
In months gone by we heard frequent pro-
tests from ministers, civic bodies and musical
organizations against what was termed the prev-
alence of "jazz" in our life and in our musical
compositions. While the protests themselves did
not have much effect on the curtailment of jazz
compositions, the fact remains that such works
are almost passe, their vogue having passed and
jazz having spent itself.
From jazz the protesters have turned to the
flapper, who is now the object of their wrath.
We recently read some comment on what is
termed the independence of the present-day flap-
per and it was pointed out that succeeding gen-
erations invariably receive the disapproval, in
one form or another, of those who were once
young.
Therefore, the exhibition of the publications
of Erastus Beadle, father of the dime novel, who
was also a publisher of many dime song books,
now being shown at the Public Library of New
York, carries a message which should not be
overlooked; but aside from that the collection
has some historical interest. A thoughtful per-
son on the staff of the New York Sun made the
following comment:
Persons who were helpful in drawing up the
Volstead act will learn with horror on examin-
ing the titles of the paper-backed song books
that in the good old days lamented by most
moralists families were accustomed to gather
around the parlor organ and chant such ditties
as "When Brown Comes Rolling Home," "Cham-
pagne Charlie," "Old Whisky Jug," "Charge the
Can Cheerily," "Bright, Bright Wine" and "See
That My Nose Is Kept Red."
Other ditties trilled by our worthy ancestors
in the refined old days included "The Cracks-
man's Chant," "Pull Down the Blind," "Grease
the Griddle," "She Was Clerk in a Candy Store,"
"I'm Dancing Mad," "Go Tt While You're
Young," "Charley the Masher," "The Rat Catch-
er's Daughter," "Captain Jinks," "Lanigan's
Ball," "Not for Joseph" and "Ridin' in a Rail-
road Keer."
"What Are the Wild Waves Saying?" "On the
Beach at Long Branch" and "Johnny Morgan"
are other interesting titles of songs popular in
their day. "The Belle of Rockaway Beach,"
whose picture appears on the cover of the song
book which bears her name, although undoubted-
ly a dashing Summer maid of her day, would
arouse mingled feelings of contempt and envy
in the heart of this Summer's bathing girl.
The Rockaway belle of the sixties, as evi-
denced by the cover picture, wore an extremely
chaste bathing suit trimmed with garnet ruffles.
The costume had long sleeves finished with cuffs
and the walking turban which the belle wore into
the waves must have looked exceedingly odd,
though very refined and dressy when bobbing
above the breakers.
There were three distinct series of the song
HERE THEY ARE!
A HANDFUL OF LIVE SELLERS
"Swanee Bluebird"
"Burning Sands
You Hear It Played Everywhere
The Answer to "The Sheik"
An Oriental Fox Trot Predicted by the Foremost Orchestra Leaders to
Become the Raging Hit of the Season
Baby Blue Eyes
The Hit Song In George JessePs Shubert Production "Troubles of 1922"
LAST BUT NOT LEAST
"OLD FASHIONED GIRL"
Still the Outstanding Hit in "BOMBO"
Sung by Al Jolson During His Chicago Engagement NOW
f
PUBLISHERS
OF
V
p m fAMOiis fAvcwns]
literature. The first, called the "Dime Song
Book," was first published in 1859. It embraced
twenty numbers that came out periodically.
They were in salmon-colored covers and con-
tained sixty or seventy popular ballads of the
time.
The second series was the "One Cent Song
Book," of which nine different numbers are
known to exist.
The third series, "Beadle's Singers' Library,"
was much larger and more pretentious. This
series was begun in 1878 and continued into
1879, being published weekly. Each number con-
tained fifty or more songs of the day, altogether
a collection of two thousand songs popular with
Americans between forty and fifty years ago.
Jack Robbins, of Richmond-Robbins, Inc., who
for the past weeks has been touring the Middle
West, making Kansas City, Omaha and Minne-
apolis, has returned to Chicago, where he will
spend several weeks formulating a Western
campaign in behalf of his firm's catalog for the
Fall season. The following songs are to be
featured:
"Swanee Bluebird," "Baby Blue
Eyes," "Burning Sands" and "Old Fashioned
Girl." This latter song is still one of the fea-
tures of Al Jolson's "Bombo."
Kathleen Key, great-granddaughter of Fran-
cis Scott Key, who wrote "The Star-Spangled
Banner," has been engaged by Warner Bros,
to appear in the film version of F. Scott Fitz-
gerald's novel, "The Beautiful and Damned."
Arthur Tallman, who operates a publishing
firm at 245 West Forty-seventh street, New
York City, as well as writes the words and
music for songs, has just issued a new love song
entitled "When You, Dear Heart, Are Near."
JACK ROBBINS IN CHICAGO
Music Publisher to Spend Several Weeks in
Chicago in Connection With Fall Campaign
QTiree Hits that are sc
wmemr
r v#
i
y
Sherman May & Go.
San Francisco
••:••• r>
Order Jrom
your nearest
jobber or direct
mm*
J

Download Page 65: PDF File | Image

Download Page 66 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.