Music Trade Review

Issue: 1922 Vol. 75 N. 11

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE REVIEW
SEPTEMBER 9, 1922
CONDUCTED BY V. D. WALSH
BUSINESS TREND INDICATES A PROMISING FALL SEASON
Music Publishers Enlarging Advertising Appropriations and Anticipating Unusually Strong Co-
operation From Legitimate Dealers—Great Revival of Sales Activity to Come
The last week in August and the first week
in September showed a decided revival of bus-
iness-as far as the catalogs of popular publish-
ers are concerned. Sheet music, it seems, is
showing more activity than at any time since
Spring. Not only are the hits having' an active
sale, but the "second best" numbers are also
feeling a demand. All of the publishing houses
look forward to an active Fall season. This is
based upon the general prosperity of the coun-
try which, with the exception of strike situa-
tions, has turned far towards what is termed
normalcy.
Another thing that justifies this conclusion is
the fact that throughout the Summer months de-
spite unusual conditions the hits have had as
heavy sales as any Summer months in some
years. It is true -that there was little or no de-
mand for the balance of the catalogs, but the
season as a whole has been considered most
healthy.
The dropping of many music departments by
one of the larger syndicate stores has- not af-
fected sales to any degree. Seemingly, the legiti-
mate retailer in the districts formerly covered
by such organizations has taken advantage of
his opportunity and is cashing in as a result.
The popular publishers, particularly those
who are members of the Music Publishers' Pro-
tective Association, are not overly enthusiastic
on the co-operation and the methods of dis-
tribution by syndicate stores. Many of them
would look with favor upon the abolishing of
such departments.
1 hey, however, point out
that with the elimination of the syndicate store
it becomes necessary for the retailers in the dis-
tricts affected to show more interest in the sale
of popular prints. It is their contention that
they should have more window displays of pop-
ular numbers, more conspicuous representation
on the counters and 100 per cent co-operation.
In order to achieve this end and to make it
profitable for the dealer to hook up with the
series of campaigns inaugurated in behalf of
popular numbers, they will simplify the plans of
co-operation by placing at the dealers' disposal
publicity material of all kinds, including title
pages, streamers, cut-outs, window strips, hang-
ers, etc.
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The publishers in arranging their Fall cam-
paigns have invariably added greatly to their
advertising appropriations. The new expendi-
tures will be in various forms and cover numer-
ous channels with special emphasis being placed
upon the mediums which will bring returns to
the legitimate dealer.
There will be a return to extensive national
advertising using publications of national cir-
culation. At least one popular house has ar-
ranged such a campaign for October, the details
of which will be announced in one of the early
issues in this department. This will mark the
first national advertising of this type for some
seasons, and, while it is naturally supplementary
to the usual means of exploitation through the
work of the orchestra and vaudeville performer,
it will have a distinct bearing upon sales and it
behooves the retailer to watch such activities
closely, plan to hook up with the campaigns
and by intensive co-operation get the most out
of such advertising. A campaign along the lines
outlined above, if proving successful, would
induce the publisher to further his activities in
that direction.
Mqch of such advertising can be made to
show substantial profit for the dealer which
would not otherwise be made. It is the extra
profits from such unlooked-for sources which
add to the season's gross sales. While the ad-
vertising campaigns bring these added profits
any other publicity drive on a national scale
can be, and should be, cashed in on in a like
manner.
This short review of present and coming ac-
tivities should do much to encourage the dealer
as to the outlook of the Fall season.
SONGS THAT SELL
Irving Berlin's Latest,
Greatest Song Hit
Some Sunny Day
Homesick
Just a Little Love Song
Klcky-Koo
Hicky-Koo
You tor Me—Me tor You
Don't Bring Me P o s i e s
It's Shoesles I Need
Send Back My Honey Man
No Wonder I'm Lonesome
Come Along
From Zlegfeld's Follies of 1922
Yankee Doodle Blues
Truly
Night
My Cradle Melody
Rose of Bombay
Our New Sensational Waltz
Song Hit
(More and More I Need You)
FEATURING "NANOOK"
Cameo Music Pub. Co. Making Strong Drive
on New Novelty Number
The Cameo Music Pub. Co., of 112 West
Forty-fourth street, New York City, a new con-
cern, is the publisher of "Nanook," a novelty
written around the successful Pathe photoplay
of the same narhe. Already many of the leading
orchestra leaders in New York are playing this
While the Years Roll By
IRVING BERLIN, Inc.
1607 Broadway,
New York
exceptional number. The Cameo Music Pub.
Co. announces that this is its plug song and
that it will soon concentrate a great advertising
campaign upon it.
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Two Other Big Sellers
Suppose The Rose Were You * Dangerous Blues
jGrcSfou One gfthe LuckyDealeffReaping'a'GoldenHan/est/rom
the Safe offliese Number? ~IfNot, Why Not ? The Demand Is There.
JVjEtfKitfs Sous' Aosic CO.-KA»/SA5 C\TY,/\O.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
SEPTEMBER 9,
THE MUSIC TRADE REVIEW
1922
But those ^oodoldda^Srhave pas5dand£pne,-
49
Good old days,—
1 had my habits on,-
STATESREETBLUES
A Fox Trot Blues
HEAR IT
NOW!
BAN ON PROHIBITION NUMBERS
NEW CHAPPELL=HARMS RELEASES
cant 6p wron&
WithamjREISTso^
PROMISING NEW CATALOG
Several Publications of the Better Type An-
nounced in Fall Catalog
E. C. Mills Issues Request to Stop Marketing Ager, Yellen & Bornsteiit Starting Business*
Songs That Deride Prohibition
.-,.-.- .
With Seven Good Numbers
The following is a list of new publications
added to the Fall catalog of Chappell-Harms,
Inc.: "The Auld Nest," the words and music
of which are by Ernest Longstaffe; "A Dream-
land City," words by Grace M. Woodley and
music by Claude Arundale; "If Winter Comes"
(Summer Will Come Again,), words by Reginald
Arkell, music by H. M. Tennent; "Just a
Dream," music by Guy D'Hardelot and words
by Kate Burney* "The Road to Love," words
by Douglas. Furbcr, music by Kitty Parker;
"The Piper of Love," with words by J. Anthony
McDonald and music by Molly Carew; "Throb
of the Passionate Day," a song of the East,
the music of which is by Hermann Lohr, with
words by Dena Tempest; "Wonderful Wonder-
land," words by Harold Simpson and music by
Dorothy Forster; "You, Only You," words and
music by Teresa Del Riego, and "There Be.
None of Beauty's Daughters," from a poem by
Byron and set to very appropriate music by
Roger Quiltcr.
Following close on Keith's ban of prohibition
gags, E. C. Mills, executive secretary of the
Music Publishers' Protective Association, Mon-
day sent out a notice to all music publisher
members to observe the law and the eighteenth
amendment by not marketing popular songs
that refer to national prohibition slightingly or
derogatorily.
This is not to be construed as propaganda
pro or con, said Mr. Mills, but conforms with
one of Mills' resolutions dated last February,
which prohibits any words or lyrics in popular
songs which might be construed as belittling
any "race, sect or law."
THE UKULELE ARRANGEMENT PLAN
Fred Fisher, Inc., Starts Publication of Ukulele
Arrangements for Popular Numbers
The idea advanced by Jerome Harris, secre-
tary of C. Bruno & Son, Inc., for inducing the
publishers of popular sheet music to include a
ukulele arrangement of each selection on the
back page of sheet music, which was announced
in these columns some time ago, has already
borne fruit. Fred Fisher, Inc., which has had
such successes to its credit as "Dardanella" and
"Ma" has issued its latest release "Ji Ji Bo,"
with the addition of a ukulele arrangement, as
outlined by Mr. Harris.
.
y ....
MILLS NUMBERS ON BROADWAY
Several Numbers From Jack Mills, Inc., Cata-
log in Various Broadway Productions
The Jack Mills, Inc., number, "Lovesick
Blues," will be used in a number of musical
productions during the Fall season. The Ben-
net •, Twin's are introducing it in Al Jolson's
"Bombo," and the Althoff Sisters will use it in
the new Shubert production, "Troubles of 1922,"
with Georgie Jessell and the Courtney Sisters.
Several other Jack Mills, Inc., publications ap-
pear in the "Spice of 1922," "Make It Snappy,"
"Ziegfeld Follies of 1922," "Strut, Miss Lizzie,"
"Plantation Revue," "Red Pepper" and the new
Shubert production.
BIDDING FOR "ISLE OF ZORDA"
Several large music publishing houses are
making an effort to purchase from S. C. Cainc,
Inc., the new fox-trot hit, "Isle of Zorda," by
Hagen, Crooker and Nurnberg, and one offer
is said to equal the largest amount ever paid
lor a song in this manner.
The new publishing firm of Ager, Yellen &
Bornstein, which recently opened up offices at
1591 Broadway, New York City, is starting
with a catalog of seven songs, three of which
were released early this month. They are:
"Lovin' Sam" (The Sheik of Alabam'), a novel-
ty number with a comedy lyric; a syncopated
ballad entitled "Who Cares," in fox-trot form,
and "Oh, What a Mother I Had!" a "mother"
song with an original type lyric.
"Lovin' Sam" is being sung by Van & Schenk,
Margaret Young, Eddie Cantor, Al Jolson and
numerous other headliners. "Who Cares," from
indications, is also to be featured by many
vaudeville artists. The orchestras have also
shown favor to this fox-trot arrangement and if
this new firm publishes nothing else in its first
few months of activity it should be assured of
success for that period.
SPECHT'S ORCHESTRA POPULAR
European Engagements Being Offered Popular
Orchestra Leader
. -
The popularity of the type of music played
by Paul Specht and his symphonic orchestra,
at the Hotel Astor Roof dances has spread so
rapidly that requests have come to Mr. Specht
from several European capitals for terms for
his orchestra and on Thursday last he sent a
representative abroad with a view to intro-
ducing rhythmized symphonic syncopation in
France, England and Italy.
MUSIC BY VICTOR HERBERT
Victor Herbert is writing the musical .setting
for the photoplay version of "When Knight-
hood Was in Flower."
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so
P P f
blue thru and thruvhenlhe leaves come a turn - b l e - i n ^ down from the trees,
The Bi& Boston Fox Trot Hit
WhenThe Leaves
ComeTiimblin^Down
HEAR IT NOW!

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