Music Trade Review

Issue: 1922 Vol. 74 N. 7

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC TRADE REVIEW
FEBRUARY 18, 1922
'/JVREWAAT CHRISTMAN PIANOS
GRANDS
THE
BEST
PROPOSITION
IN THE
MARKET
lindeman#Sons Piano G>
10 Jones Street
PLAYERS
"The First Touch Tells"
NewYbrlc
REPRODUCING GRANDS
Write for details
597 E. 137th Street, New York
Becker Bros.
Factory and
Warerooms:
767-769
High Grade Pianos and Player-Pianos
NEW YORK
STERLING
BJUR BROS. CO.
PIANOS
ESTABLISHED 1887
Makers of
Pianos arid Player-Pianos of Quality
705-717 Whltlock Avenue, New York
if
It's what is inside of the Sterling that has made its repu-
tation. Every detail of its construction receives thorough
attention from expert workmen—every material used in its
construction is the best—absolutely. That means a piano
of permanent excellence in every particular in which a
piano should excel. The dealer sees the connection be-
tween these facts and the universal popularity of the
Sterling.
THE STERLING COMPANY
DERBY, CONN.
four New Snappy Styles
Grand, Upright
and Player
of Player Roll Cabinets have
just been added to Lyon &
Healy's Own Make high-
grade line of cabinets.
NEW HAVEN and NEW YORK
MATHUSHEK PIANO MANUFACTURING CO.,
NEW YORK CITY
Write for Catalog
Lyon & Healy
Chicago
H. C. BAY CO.,
Grands
Uprights
Player-Pianos
KRAKAUER BROS., Cypress Avenue, 136th and 137th Streets
NEW YORK
Mr. Talking Machine
and Phonograph Dealer
It is the most successful dealer who canvasses his trade, and demon-
strates one of his best machines.
Many a sale for a high-priced machine has been lost by showing the
cheaper machine because it is more easily handled.
With the Lea Talking Machine Truck, one man can make many
demonstrations a day, and do it with SAFETY.
Write for Circular and Prices
Also
Piano Trucks, Hoists, Covers and Straps
Made only by
Self Lifting Piano Truck Co.
FINDLAY, OHIO
PLAYER-PIANOS EXCLUSIVELY
One Style
One Scale
One Grade
Quantity with Quality
GENERAL OFFICES
8th Floor, Republic Bldg., Chicago
Factories, Bluffton, Ind.
CABLE & SONS
Pianos and Player-Pianos
SUPERIOR IN EVERY WAY
Old Established House. Production Limited to
Quality. Our Players Are Perfected to
the Limit of Invention.
& SONS, 550 W. 38th St., N. Y.
CONNORIZED
The Roll of Rolls
CONNORIZED MUSIC CO.
144 th Street and Austin Place
1234 Clive Street
New York
St. Louis, Mo.
WESER BROS., Inc.
WRITE FOR CATALOGUE AND DETAILS
OF TERRITORY AVAILABLE
520 to 528 W. 43rd St., New York
Manufacturers Pianos—Player-Pianos
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
RMEW
THE
VOL. LXXIV. No. 7
Published Every Saturday by Edward Lyman BUI, Inc., at 373 4th Aye., New York.
Feb. 18, 1922
Single Coplea 10 Centft-
$2.00 Per Year
Survival or Revival?
YEAR ago, if anyone had been asked what were the survival chances of the music industries of Amer-
ica he might have been excused for hesitating before venturing an opinion. To-day the question
k would have to be, what are the revival chances of the industry? And the answer could be given
^ with fair definiteness. In the contrast between these two words—survival and revival—stands all
the history of the year 1921 as it concerns our industries. It is a vastly instructive history and one which the
business men of the trade should ponder to their profit.
A year ago no one could forecast with any feeling of certainty the outcome of the twelve months which
were beginning. At the best one felt that the music industries would struggle through somehow and emerge
safely. But that was all.
As a matter of fact, of course, they have done more than struggle through. They have survived. They
have proved that in the most strenuous times, when every utilitarian reason would seem to discourage the
notion of their necessity or even of their desirability, they possess what may be termed a survival value of
vast weight and solidity. If this fact is rightly understood it constitutes, in our judgment, the most important
lesson which the great world-depression of 1921 has to teach us.
The music industries possess survival value of vast weight and solidity. They have, in other words, a
power within themselves, an appeal to the popular thought, a something which the popular heart craves and
will have. The value of the product they make and sell is, in fact, so great, so nearly essential, that no possible
disorganization, no possible incapacity on the part of the men of the trade can, it would seem, suffice to wipe
it out.
One must be a very blind optimist not to be able to see that the attitude of the trade itself during the
year past has not encouraged those who have been hoping that the war had brought home some truths about
the real value of music to the community and the community's real need of it. Our trade, especially in retail
circles, was too much inclined to sit down and wonder when the blow was to fall. The mental attitude invited
disaster, and the fact that disaster collectively did not fall constitutes astonishing evidence of the stability of
the music industries. Again, as we said before, the survival power of the music industries is vastly greater
than has been supposed.
Here, then, is our lesson. It is not enough to survive. The law of growth is inexorable. The organ-
ism that does not grow stagnates and dies. The music industries have shown that they possess a high sur-
vival value. They must now translate survival into revival. This they can do. This they must do, and do at
once.
-
. *
They must, because their continued existence depends upon their beginning now to translate the idea
of survival into the idea of revival. We said that one can now prophesy definitely as to this required revival.
The prediction is simple. The music industries will organize a revival. Having shown their ability to sur-
vive they cannot now destroy their own existence by entering upon a career of stagnation. They must enter
upon a career of growth, of hustle, of work.
That is the lesson of 1921 for 1922. The music industries have learned that music is a staple. But
they must maintain it as such. They must cease waiting for business and begin at once to organize their
activities on the basis of the idea that intelligent service, intelligent selling of music to the people of America
will open quickly the road to slow but steady and consistent revival in every avenue of activity in the music
industry of this country.
We have proved our survival value. It is now time to show that our power of promoting revival is
founded as deeply and as surely. It is, in fact, so founded, but we must work to make that truth known to
ourselves and to our public. Then all will be well.
.
. . . . . . . .
. . . . . .
A

Download Page 2: PDF File | Image

Download Page 3 PDF File | Image

Future scanning projects are planned by the International Arcade Museum Library (IAML).

Pro Tip: You can flip pages on the issue easily by using the left and right arrow keys on your keyboard.