Music Trade Review

Issue: 1922 Vol. 74 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
FEBRUARY 4,
1922
THE
MUSIC
TRADE
REVIEW
47
FOUR NEW V1CTROLAS ANNOUNCED
FINANCIAL COMMITTEE APPOINTED
WINDOW DISPLAY MAKES SALES
Four New Machines Similar in Design to the
Popular Victrola 300, and With List Prices
Ranging From $115 to $350, Ready Soon
Columbia Co. Noteholders Organize to Ar-
range Financial Matters
Novel Arrangement of Machines and Records to
Simulate Automobile Helps Landau Store to
Sell Eight Machines a Day—Clever Sales Plan
The Victor Talking Machine Co. this week
formally announced the fact that there are now
in process of manufacture four new instrument
models of the console type which are of a char-
acter and offered at prices that should provide
for them an immediate and strong demand. The
preparation of the new models has long been
rumored and the official announcement regard-
ing them has been received with particular in-
terest.
The new instruments are to be known as Vic-
trola 240. listed at $115; Victrola 260, listed at
$160; Victrola 280, listed at $200, and Victrola
330, at $350, the last two being also equipped for
electrical operation at a cost of $65 additional.
The four new models are similar in general out-
line to the distinctly popular Victrola 300, which
was in such strong demand during the past year,
and for that reason should make an immediate
appeal to the public. Victrolas 240 and 260 are
provided with nickel-plated equipment and Vic-
trolas 280 and 330 with gold-plated tone arm,
sound box, etc.
Victor retailers are urged to advise whole-
salers regarding their requirements so that they
may receive an adequate supply of the new
models as soon as possible after the factory be-
gins to ship.
COLUMBIA FOR GLOBE THEATRE
Period Model Graces Ladies' Smoking Room at
Prominent New York Theatre
The illustration herewith shows the Columbia
Louis XVI Period Model in position in the
Ladies' Smoking Room, Globe Theatre, New
York. This model was chosen with discrimi-
nating care so as to match the coloring of the
Grafonola in Ladies' Smoking Room
walls as well as the other furniture in the room.
Mr. Slocum, manager of the theatre, states that
it has attracted much attention and many ladies
have asked about it. Two selections that are also
coming in for their share of commendations are
"Blue Danube Blues" and "Ka-Lu-A," numbers
recorded from "Good Morning, Dearie," now
playing at the Globe. These selections are
played during the period between the acts.
INCREASES CAPITAL TO $60,000
The Phonograph Shop, Inc., of Dallas, Tex.,
has filed an amendment to its charter providing
for an increase of capital stock of this concern
from $20,000 to $60,000.
A committee has been formed of representa-
tive holders of the $6,000,000 five-year 8 per cent
notes of the Columbia Graphophone Co. This
committee, which is to seek deposits of 8 per
cent notes, is the result of the efforts of various
committees representing substantially all of the
company's bank and merchandise creditors who
have been engaged for some time in preparing
a plan to readjust the company's indebtedness
without interference with the continuation or
development of this business. These bank and
merchandise creditors hold about 75 per cent of
the Columbia Graphophone Co.'s total indebted-
ness.
It is understood that the committee of note-
holders just formed has made arrangements
whereby, on February 1, coupons on 8 per cent
notes which shall be deposited will be acquired
by a committee representing bank creditors.
This arrangement, it is felt, would assure to the
noteholders depositing their holdings the interest
payment due on February 1.
A request to holders of 8 per cent notes is ex-
pected shortly, inviting deposits of their notes on
or before February 15. The Guaranty Trust Co.
will probably be the depositary, and notes so de-
posited should include all coupons payable from
February 1 and other subsequent coupons.
The committee is composed of Harold Stanley,
president Guaranty Co.; G. Hermann Kinnicutt,
of Kissel, Kinnicutt & Co.; Bayard Dominick,
of Dominick & Dominick; A. W. Butler, of But-
ler, Herrick & Kipp.
COLUMBIA SECURES AL HERMAN
Prominent Vaudeville Artist to Record Exclu-
sively for Columbia Giaphophone Co.
The Columbia Graphophone Co. announced
this week that it has secured Al Herman, the well-
known vaudeville comedian, as an exclusive
Columbia artist. This comedian is perhaps one of
the most popular vaudeville artists in the country
to-day, and his records will no doubt be looked
for by record enthusiasts everywhere.
The first records to be released appear in the
February list and.consist of numbers which Mr.
Herman has featured in this year's production of
the "Greenwich Village Follies" and the "Music
Box Revue." The first number is "I Hold Her
Hand and She Holds Mine" from the "Follies' "
show and the second is "They Call It Dancing,"
from the "Music Box Revue." In the March list
the company is to release a double-faced record
by Al Herman of "Which Hazel" and "You're
Outa Luck."
Other well-known artists on the vaudeville
stage whose records appear in the February list
are Yernon Dalhart, tenor, and Al Bernard,
baritone, who are represented by a duet record.
The first number is entitled "I Want My
Mammy," a new lyric written around the theme
of home and the South.
JOHN CHAS. THOMAS GOES TO ITALY
Popular Baritone and Vocalion Artist to Study
Under Jean De Reszke
John Charles Thomas, noted musical comedy
baritone and exclusive Vocalion record artist,
recently made his farewell appearance in New
York prior to sailing for Italy, where he will
spend some time as a pupil of Jean de Reszke.
With the additional training thus received it is
believed that Mr. Thomas will find a new pin-
nacle awaiting him among American baritones
in the grand opera field.
HAZLETON, PA., January 30.—Two talking ma-
chines so arranged that the sound-box doors of
the rear instrument made the "side doors" of the
automobile, which the arrangement represented,
with records for wheels and another for a steer-
ing wheel, and with winding crank for the crank
of the "flivver" and needle-boxes for lamps, have
made so good a selling display that the Landau
Music Store has sold an average of eight ma-
chines a day since November 21 and expects to
keep up the sales during 1922. The window
display has held hundreds of people in front of it
every day since it was first put in.
Leo Landau and William Bronson, who run
the store and who arranged the display, also sold
200 records of "Ma" and "My Sunny Tennessee"
by use of the "automobile." The front talking
machine was kept in continual operation day and
night by a Motrola and a reverser which
brought the needle around to the edge of the rec-
ord after the whole disc had been covered. It
was found that one tungstone needle and one
record were worn out by twenty-four hours'
steady operation. This feature of the display
was watched with interest by many, who won-
dered how long the needle and the record could
be used. As a record is played in two and a half
minutes, this demonstration of its durability was
quite a selling argument for both the machine
and for the selection itself and over 200 of the
records were sold in one week to persons who
watched the display and checked up on the
change of the discs.
SIGN SELLS SELECTED RECORDS
Live Dealer Places Sign at Store Entrance Ad-
vertising One Record at a Time
A plan which is proving of considerable suc-
cess in boosting sales of selected records has
been originated by a talking machine dealer in
Texas. This consists of a painted sign placed
before the street entrance of the store, advertis-
ing only one record at a time. This merchant
contends that the interested passer-by will not
hesitate to come into the store because he will
have something definite to ask for. When the
prospective customer is once inside the estab-
lishment the rest is up to the sales force. Of
course, the advertisement can be changed as
often as the dealer desires and attention may
be centered on a different record each day.
INVENTION ATTRACTS INTEREST
Several members of the local trade have ex-
pressed keen interest in a new invention recently
completed by Hugo Schroeder, who has
perfected several improvements in the automo-
bile field. Mr. Schroeder's invention, when at-
tached to a talking machine, will play from one
to twelve records consecutively, or will repeat
the whole or a part of any record. The inven-
tion is noteworthy for its simplicity, as it is con-
trolled entirely by two buttons and does not
mar or injure the cabinet in any way. After
each record is played it is thrown off auto-
matically, and the succeeding record is placed
on the turntable ready for playing.
J. H. JONES JOINS DROOP CO.
WASHINGTON, D. C, January 30.—J. H. Jones,
formerly concert tour manager for several Victor
artists, has joined the staff of the wholesale Vic-
tor sales department of E. F. Droop & Sons Co.
here. He will travel in the Virginias.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
48
THE MUSIC TRADE REVIEW
FEBRUARY 4, 1922
PROBLEMS OF MUSICAL DIRECTOR IN THE LABORATORY
Must Be a Genius at Picking Out Selections That Will Appeal to Popular Favor and Selecting the
Right Artists to Sing Them—Recording of Symphony Orchestra Presents Difficulties
Making records that "get across" is very much
like producing successful moving pictures, says
a writer in The New York American, who points
out that a clever story will often be ruined and
fall flat because of poor acting or as a result of
casting the wrong actors for the leading parts.
Just as often the reverse is the case, and a poor
story with a weak plot will go over by the sav-
ing grace of the star's winning personality and
delightful characterization.
The musical director at the recording labora-
tory has exactly the same problem to face.
First he must choose a musical "story" or com-
position that is sufficiently interesting to insure
its popularity and then determine which artist
will sing it to the best possible advantage. He
must select one whose art is most suitably adapted
to that type of song or music and who, because
of a particular quality of voice or style, is most
likely to infuse into the recording that lyrical
grace of execution or that charm of interpreta-
tion which makes the record a living embodi-
ment of the art of its creator. There must be
more than mechanical reproduction of sound
behind a record to make it good. The phono-
graph is no longer a novelty.
Have you ever stopped to consider what there
is in a record that attracts you besides its charm
as a musical composition? There are three ele-
mental points on which a recording should be
judged—clarity of recording, expression or in-
terpretation and tonal purity or fidelity.
Clarity of recording is not easily achieved, and
in spite of the fact that they have been at it many
years there are still many and varied difficulties
which are eternally presenting themselves. Take,
for example, the problem of recording the many
instruments in a symphony orchestra of approx-
imately one hundred pieces. Do not forget that
the diaphragm which catches and transmits the
vibrations sent out by these hundred different
musical instruments is less than two inches in
diameter, and that each instrument produces an
entirely different set of vibrations, all of which
strike the diaphragm at the same instant. All
this must be recorded in one single groove, one
continuous sound wave in the wax matrice.
That it is possible to produce the beautiful
symphony records which are being offered today
is remarkable, and it is due only to unremitting
scientific research and experiment, combined
with the serious and tireless efforts of the artists
themselves.
Expression of interpretation is perhaps the
most important single consideration in produc-
ing a record of artistic worth. The artist must
register the dramatic quality so vital to a song
such as "Danny Deever," or "On the Road to
Mandalay," or the subtlety of interpretation nec-
essary to Massenet's "Elegie," otherwise the re-
cording will prove flat and uninteresting. The
artist must infuse into the record that intangible
something that makes you feel his presence.
The matter of tonal purity and fidelity can
perhaps be best illustrated by a consideration of
violin recordings. Wonderful strides have been
made in this direction and it is not unusual to
find a record possessing a tone of surprising
purity, a tone round and warm in feeling or of
scintillating brilliance. Unless a record reflects,
with close fidelity, this beauty of tone much is
lost, for in the limpid tone of a violin is the
fullness of expression, the delicate shading and
color that distinguishes artistic achievement.
Tone is the foundation of expression for the
virtuosi. The difficult little tricks of technique
can be mastered with persistent practise; they
are more or less mechanical. Supple fingers can
be taught to respond instantly with unerring
precision and agility to an instinctive wish, but
tone—that is an entirely different matter.
Tone is infinitely difficult of accomplishment.
There is a certain something not readily de-
finable about a pure and limpid tone that is hard
to separate and analyze as a thing apart. The
artist feels, as he plays, that it is the soul within
him that breathes into his beloved violin as it
pours forth its melody.
BELIEVES IN BILLBOARDS
HEIFETZ PLAYS FOR BLIND GIRL
Enterprising Columbia Dealer Uses Billboards
to Advantage—Sells Many Grafonolas to Schools
Victor Artist Plays Strangest Concert of His
Career With an Audience of One, Miss Helen
Keller, Famous and Accomplished Blind Girl
Although A. F. Hibbard, Columbia dealer at
Huntington, W. Va., has had his store only two
years, he has already sold quite a number of
Grafonolas to schools in his territory. He not
only pushes Grafonola sales, but has a systema-
tized method of attack in the record department,

SO3* 4 V AVE, HUI*T»tt6T0ft W.W,j
How A. F. Hibbard Advertises
which consists of an intensive circularizing cam-
paign among the schools, school teachers and
principals, coupled with a unique sales idea.
Among Mr. Hibbard's latest publicity enter-
prises is a thirty-two sheet billboard, located near
a street-car switch, where every car stops to
wait for others to pass. This billboard is seen
by many passengers who pass the switch day
by day and it represents timely publicity. A
photograph of the billboard is shown herewith.
lo double
Vourlncome
and the proposition could be proved
sound from every angle, you wouldn't
hesitate, would you? Of course not,
but do you realize that a talking machine
department can be made to provide
sufficient revenue to take care of the
overhead on your entire establishment ?
Thousands of other retail music mer-
chants have proved the above made
statement true and thousands of retail
music merchants have looked to T h e
Talking Machine World for guidance
in the matter of selecting the make of
talking machines they would handle, the
way they would map out their talking
machine department, etc.
DENVER, COL., January 30.—Jascha Heifetz, the
brilliant young violinist and Victor artist, re-
cently played what was probably the strangest
and at the same time one of the most appreciated
concerts of his career. The audience consisted
of one person, Helen Keller, the most celebrated"
deaf, blind and formerly dumb girl in the coun-
try, and the setting was the suite occupied by
the artist in the Brown Hotel.
Miss Keller placed her sensitive fingers under
the body of Heifetz's Stradivarius while he
played and thus listened and was swayed by the
playing of "The Hymn to the Sun," from the
opera "Le Coq d'Or."
The Talking Machine World is the
oldest and largest trade journal in the
world devoted exclusively to the talking
machine industry.
Some book, eh? Yes, and some encyclo-
pedia of the kind of information that
will positively double your income.
A CLEVER PUBLICITY STUNT
Roy Swanstron, manager of the Brunswick
Shop, in St. Paul, Minn., has adopted a clever
idea for advertising his new records. He had
built a clever replica of the Brunswick record,
label and all, and had a glass plate fitted
therein to carry the name of the newest record
hit. A light back of the glass serves to make
the title of the record stand out, and the name
of the record is changed as the new favorites
develop.
INCORPORATED
A charter of incorporation has been granted
to the Drucker & Baltes Co., New York, under
the laws of that State, with $30,000 capital stock.
A. N. Baltes, C. D. Kaufman and H. Fabry are
the incorporators.
Don't miss your chance.
coupon now.
Send in the
TALKING MACHINE WORLD,
373 Fourth A v c , New York City.
Please enter my subscription for one year. I want to
learn how to double my income via a talking machine
department. Bill me $2 at your convenience to cover cost
of same.
Name
Firm
Street
City and State

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