Music Trade Review

Issue: 1922 Vol. 74 N. 5

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
J4UJIG TIRADE
VOL. LXXIV. No. 5
B
Published Every Saturday by Edward Lyman BUI, Inc., at 373 4th Ave., New York.
Feb. 4, 1922 ]
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Y starting on a coast-to-coast tour in the role of missionary, as it were, for the National Association
of Music Merchants, M. V. DeForeest is not only setting an interesting precedent for national asso-
ciation presidents, but is displaying a spirit of unselfishness and a faith in the retail music, business
and what it represents that is most inspiring.
Mr. DeForeest's efforts to enlist music merchants in all sections of the country in association activities
and increase their interest in the great work of music advancement should meet with unqualified success, for
Mr. DeForeest not only preaches, but is in the enviable position of having practiced what he preaches and
having practiced it with tremendous success.
Some years ago George W. Pound made a tour of the country in the interests of the Music Industries
Chamber of Commerce and was received with great enthusiasm by the dealers in every city visited. Mr.
Pound delivered his message as the representative of a general trade organization, taking in all divisions of
the industry, and his appeal therefore was more or less general. Mr. DeForeest, on the other hand, goes to
the music merchants direct as the head of their own association. He talks to the men in his own line of
business and talks on his own time and at his own expense. It is, without question, one of the finest moves
that has been made in association history.
There is no question but that this is the psychological moment for bringing to the music merchants,
in their own homes, so to speak, the message of association benefits and of the great opportunities represented
in the music advancement campaign. In the first place, it is conceded that despite the many accomplishments
of the Merchants' Association as an individual body and also as a component part of the Music Industries
Chamber of Commerce, there is liable to be a letting down of interest as the immediate business problems of
the individual merchant demand more of his attention. Yet, it is also conceded that the association does,
or can be made to, occupy an important position in the laying and carrying out of plans to aid the average
retailer in meeting the problems of the day and in improving his business methods and systems.
There are at the present time several thousand really live representative music merchants whose names
are not recorded among the eleven hundred or so making up the roster of the National Association of Music
Merchants. There are many, of course, who have been, and are, hard to sell on the association proposition,
but there are, at the same time, many hundreds of others who can be brought to give their support to the
organization and its work if the matter is presented to them directly and properly.
Any good for the trade accomplished by the association naturally reflects to the benefit of music mer-
chants as a class, and it means that for every man who has taken part as an association member in bringing
about some beneficial result there are several contemporaries and competitors who profit with him without
doing their part, either passively or actively, in association work. As President DeForeest aptly puts it, it
is about time many of these merchants, moved by a spirit of fairness, if nothing else, should "stop riding on
the other fellow's ticket" and pay their own fare.
Mr. DeForeest is well qualified to speak to music merchants generally in the light of experience, for
he has been an association member almost from the time he started in business and can point to definite
benefits from such membership, and his work for music advancement is too well known to require comment.
In selecting Alex. McDonald and Charles Jacob as his traveling companions for the entire trip Mr.
DeForeest will be able to present his arguments to the music merchants from several angles, and even with
a small measure of success the results, as represented by the increased attendance at the Jubilee Convention,
to be held in New York in June, should be tremendous.
The music merchants in all sections of the country who do not make elaborate plans for receiving Mr.
DeForeest and hearing his message are overlooking an unprecedented opportunity.
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE
MUSIC
TRADE
REVIEW
PUBLISHED BY EDWARD LYMAN BILL, Inc.
President and Treasurer, C. L. Bill, 373 Fourth Ave., New York; Vice-President,
T. B. Spillane, 373 Fourth Ave., New York; Second Vice-President, Raymond Bill, 373
Fourth Ave., New York; Secretary, Edward Lyman Bill, 373 Fourth Ave., New York;
Assistant Treasurer, Wm. A. Low.
J. B. SPILLANE, Editor
RAY BILL, B. B. WILSON, BRAID WHITE, Associate Editors
WILSON D. BUSH, Managing Editor
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Vol. LXXIV
NEW YORK, FEBRUARY 4, 1922
No. 5
THE CENSUS OF MANUFACTURERS
T
H E results of the census of manufactures now being taken by
the Government will be awaited with interest by those who are
desirous of having facts and figures relative to the development of
the music industry as a whole during the past few years, for, although
it is admitted that census figures are under no circumstances any too
accurate, they are nevertheless more desirable than no statistics at all.
It is most unfortunate that there have been no successful efforts
made to secure accurate production and sales figures for the music
industry, due to the lack of interest of many trade members "and to
other reasons. A number of piano manufacturers have been so prone
to quote factory capacity figures when asked regarding output that
they find it difficult to get out of the habit and down to brass tacks.
Every man connected with the trade who is in a position to judge
with a fair degree of accuracy has his own figures to offer regard-
ing the total piano output and how it is divided among uprights,
players and grands, and the various quotations differ widely.
It would seem a matter of wisdom for the Music Industries
Chamber of Commerce or one of its Bureaus to endeavor to compile
an authentic census of the industry at an early date, not simply for
the sake of piling up statistics but for the information that might
thus be obtained to guide those engaged in the manufacture and
sale of musical instruments, or those contemplating entering the
field. The industry is too big to have its activities computed by the
guessing system.
HANDLING THE CREDIT QUESTION
T
H E executives of various associations in the music industry,
together with those interested in the development of association
activities, might find something of interest in the capable and thor-
oughly efficient manner in which the Music Publishers' Protective
Association handles the all-important matter of credits so far as it
affects the collecting of mechanical royalties for the reproduction
of music on talking machine records and music rolls.
Under the capable direction of E. C. Mills, this Association has
REVIEW
FEBRUARY 4, 1922
worked most successfully in eliminating many of the evils to which
the music-publishing industry was heir to, not the least important
of which was the practice of paying professional singers for using
the songs of various publishers. The Association did not simply
pass resolutions against the practice, but it prescribed and enforced
definite penalties for the violation of agreement to discontinue the
practice. It is hinted that some singers are recompensed for favor-
ing the songs of an unscrupulous publisher or two even to-day, but
the trail is so carefully hidden that the agreement still remains to
all intents and purposes airtight.
When it comes to getting facts and statistics regarding the music
roll and talking machine record trades the Association has again
demonstrated its energy. The list of record and roll manufacturers,
the names of the stencil products for which they are responsible,
and the other ramifications of their businesses, are all comprehensive.
The figures are not simply approximations as are the figures offered
by some other trade associations, but are honest-to-goodness facts
that have been investigated.
The individual roll cutter or record maker who shows an inclina-
tion to be careless about making royalty returns to publishers finds
that he has to deal with an association that does not simply plead but
delivers orders in a most emphatic fashion.
The Music Publishers' Protective Association naturally has to
deal with problems all its own, but the manner of the dealing should
prove an inspiration to other trade bodies that hesitate about being
aggressive.
PREPARING A NEW TARIFF PLAN
A
CCORDING to reports from Washington there is a strong possi-
bility that effort will be made to find a satisfactory substitute for
the American valuation clause in the Fordney tariff bill. Although
the plan has been strongly supported in many quarters, the opposition
to it has apparently been even stronger, and a modification at least
of the valuation plan is in prospect. One of the substitutes offered
for the measure is the work of Senator Reed Smoot, who has also
offered suggestions looking to the carrying out of the President's idea
regarding an elastic tariff.
It is eminently desirable that some tariff plan be fixed upon and
adopted that will provoke the least opposition from all quarters and
therefore stand a fair chance of being passed by Congress within a
reasonable time. There is no question but that the uncertainty re-
garding the ultimate character of the tariff bill has a depressing effect
upon business and the sooner the matter is settled just so much
sooner will one obstacle to a return to normalcy be removed.
THE NATIONAL PLAYER WEEK CAMPAIGN
T
HE plans now under way for the holding of a National Player-
Piano Demonstration Week, on April 15-22 should prove of in-
terest to all members of the industry who are in any way connected
with the manufacture and sale of player-pianos, for although the
idea has been launched and has been carried out by an individual
player action manufacturer, the Standard Pneumatic Action Co.,
the scope of the work is so great that the entire player-piano trade
is bound to benefit through the widespread publicity. In view of
the interest that is being shown in the plan for a national co-operative
advertising campaign to feature player-pianos, a special player-piano
demonstration week appears to be most timely. If the advertising
plan falls through players will still have had some worthy publicity,
and if the general advertising plan is carried out then it will have
been strengthened by the week of demonstration.
ASSOCIATION ACTIVITY IN OHIO
T
H E State of Ohio is rapidly achieving a reputation for being
most active in Association work, for within the State are sup-
ported and operated several very active trade bodies. First, of
course, comes the Ohio Association of Music Merchants, the most
active trade association in the country. Then there are several dis-
tinctly local and city associations, such as that in Cleveland, that serve
not only to bring competitors together on a friendly basis, but ac-
complish definite results for the protection and betterment of the
trade. Music merchants in other States where the association idea
has lain dormant or has been allowed to die off might do well to
study the activities of their contemporaries in Ohio, where music
trade associations represent something besides pleasant thoughts.

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