Music Trade Review

Issue: 1922 Vol. 74 N. 3

Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
THE MUSIC TRADE
JANUARY 21, 1922
11
REVIEW
OurTECHNICAL DEPARTMENT
COMMOTED BY WILLIAM BRAID WHITE
From the viewpoint of the music industries, lumber in respect of tensile strength, resistance
the work of the Forest Products Laboratory is to sheer .strain and ability to withstand stresses
highly valuable, although this fact has hardly of compression, or torsion. The piano industry
Being Information Regarding the Work Done yet been duly recognized. At the present time is a large user of built-up wood, and the labora-
by the Forest Products Laboratory
the music industries, and especially the piano tory is doing a great deal of invaluable work to
trade, are in a difficult position as respects the show such users how best to build up their ply-
As my readers must be aware, the Department woods which they have been accustomed to use. stock, how thick it should be and of what lum-
of the Interior of the United States Government Certain high-grade hardwoods are becoming very ber made, to undertake a given load. Into this
maintains a Forestry Department, the object of scarce, and it is quite certain that sooner or later question of building ply-stock have, of course,
which is to preserve and improve the natural for- the piano maker will have to find substitutes for entered questions relating to glue, and the labora-
est wealth of the country, and to assure against mahogany, for American walnut and for maple. tory has, in fact, experimented extensively with
future generations finding themselves inhabit- Moreover, the cost of high-grade lumbers nat- all sorts of adhesive materials. As a final result
ing a woodless country, something which, at one urally rises as the supply tightens up, and it is it has been able to show that the casein glues,
time, seemed to be among the certainties and accordingly a matter of considerable importance which arc put on cold, are perfectly capable of
which even now is by no means inconceivable. to find, if possible, adequate substitutes. Nor performing all needed services in respect of ply-
The priceless work which the Forestry Service is this all. The methods used in piano factories stock, and that they are much more nearly water-
has done and the invaluable results it has already and elsewhere in the music industries for han- proof than any animal glues. A number of piano
achieved in preserving the lumber resources of dling wood through the processes of manufac- factories are having very great success in the
the country must not, however, be described ture are in need of careful periodical revisions, use of glues of this kind, all of which has been
here. It is more to my point to tell readers some- for the need is yearly more vital of avoiding made possible by the researches undertaken by
thing about one special branch of the Forestry waste and of making each foot of lumber do its this laboratory.
Service, known as the Forest Products Labora- utmost in the way of producing actual manufac-
When I add that the laboratory undertakes
tory. The work of this institution is intimately tured results.
field researches right in factories, that its work-
related to all the wood-using industries, and not
To take one single example, the Forest Prod- shops and entire plant are built on the most thor-
less to the piano industry. For this and for ucts Laboratory within the last three or four oughly practical basis, and that the staff con-
other reasons which will appear, it is proper years has thrown an entirely new light upon tains as many expert artisans as chemists, en-
for me to say a few words about the laboratory, nearly all the practical problems which surround gineers and naturalists, the reader will under-
its work, its possibilities for our benefit and its the work of drying lumber, after its receipt, and stand that here is being done a work of the
position in respect to Congressional and public before it is actually started on its way through utmost value to the music industries. It is a
appreciation.
the factor}'. It has been found that the old work which ought to be increased in size and
The Forest Products Laboratory conducts at methods of drying by hot air could be vastly extent. Congress is, however, not unduly liberal
Madison, Wis., in concert with the University improved and that new methods were called for. in its appropriations, and the laboratory suffers
of Wisconsin, a large plant entirely devoted to The researches made by the technicians of the from lack of sufficient money to employ addi-
research, both practical and theoretical, in the laboratory, assisted by a complete drying plant tional much-needed workers, especially for field
commercial, chemical and artistic uses of every built from the designs of the laboratory's own investigations in the various industries. I call
kind of wood. It investigates problems relating men, showed how, by means of treatment by the reader's attention to this and hope that every-
to kiln-drying, resistance of manufactured wood live steam at intervals, the lumber-time in the one who is interested in what I have set forth
to moisture, box-making, fire-resistance values dry kilns might be very much shortened and will take the trouble to write a letter some day
and a multitude of questions directly or indi- the drying itself made more perfect. Already to his Congressman and Senators, telling them
rectly related to the general divisions mentioned. several large piano factories in different parts
(Continued on page 12)
Its business is, in short, to find out whatever of the country have adopted the new system,
the manufacturer of products into which wood with gratifying results, both as to economy and
enters may want to know, or ought to know, efficiency.
For PIANOS and PLAYER-PIANOS
about the wood itself, so that his use of that
In exactly the same way the problem of obtain-
wood may be more efficient, more economical and ing efficient methods in making ply-wood, as so DEALERS and
less productive of waste.
much used in piano construction, was worked
TUNERS
out to a finish. The researches undertaken by
JUST WHAT YOU
the laboratory during the war showed that ply- HAVE BEEN LOOK-
wood possesses powers much superior to solid
VIBRATIONS GUARANTEED
ING FOR
THE FORESTRY SERVICE
The Superior Ukulele Attachment
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Here are
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Fells and Cloths in any Quantities
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Paper,
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and Bridges for
Pianos, Organs and
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Office and Factory:
430 East 53rd St., New York
Music Trade Review -- © mbsi.org, arcade-museum.com -- digitized with support from namm.org
12
THE
MUSIC TRADE
REVIEW
up with my international fork and very little out
of tune. The piano is a Schomacker, of Phila-
(Continued from page 11)
delphia. Can you tell me what kind of wire the
that, as a user of wood products, he believes in strings were made of in this piano? They are
the work of the laboratory and wants to see it all of a brass color, bass strings and all. So far
as I could tell, the brass color went clear through
extended and not curtailed.
During the year I shall expect to write some the wire out of which these strings were made.
special articles in this department to let readers This piano had very few faulty strings on it,
know more directly how they can utilize to their and it had a good, rich tone. Now, I don't sup-
own advantage the services of the Forest Prod- pose I have discovered anything new, that is, to
ucts Laboratory. Meanwhile, I hope that every the older brothers of the tuning profession, but
man in the piano trade who reads this page will these brass-colored strings are new to me, free
keep in mind that unless constant interest is of rust, in perfect condition after being out six-
shown there is always the possibility of the work teen years, with the piano being moved from
being disastrously curtailed by some Congres- place to place and being in the damp Mississippi
sional committee which is looking for something bottoms for three years. Then, too, the piano,
on which to make a loud shout about "economy." being so slightly out of tune and right up to
pitch after going for seven years without being
tuned, this, to me, is another unusual condition.
SOUNDS FROM PLEASANT HILL
Now, why can't piano makers take lessons from
Brother Shaw Makes the Welkin Ring to Ex- these conditions, that is, a real large per cent of
them, and give to the public a real instrument?
ceedingly Good Effect
OUR TECHNICAL DEPARTMENT
JANUARY 21, 1922
(4) I believe that the Schomacker strings are
gold-plated, otherwise they are not different from
others save in that the piano is, in general, dis-
tinguished for fine acoustic design and careful
workmanship. I have always liked the Scho-
macker, and am delighted to hear such good
news as to its ability to stand in tune under diffi-
cult conditions.
(5) Yes, why don't they? Mainly, brother, be-
cause public opinion is not educated, and there-
fore not appreciative.
NEVER IN THE WAY
Are letters for this department. Send them to
William Braid White, care Music Trade Review,
373 Fourth avenue, New York.

MERCHANT HELD_FOR STORE FIRE
ADA, OKLA., January 16.—-B. F.McCauley, presi-
dent and principal stockholder of the Ada Music
Co., has been charged with being responsible
"In closing I want to say 'thanks' to every
for starting the fire which destroyed the com-
"Dear Mr. White:—
brother tuner who has had something to say in
pany's
stock of musical instruments, valued at
"Yes, once more a sound from Pleasant Hill, the Technical Department for 1921. I, for one,
which hill, I assure you, does, indeed, look down have received good from all. Many thanks and $15,000, by W. E. Benjamin, State Fire Mar-
upon a pleasant valley, through which valley the good wishes to our editor. May the good work shal, following an investigation. It is alleged
that Mr. McCauley set fire to the place in order
pleasant Mississippi murmurs its way to the continue.
Byron Shaw.
to
collect insurance of $25,000, which was carried
mighty Gulf.
"Pleasant Hill, 111."
on the stock and fixtures.
"And now I will get down to brass tacks. I
Answer: (1) I wish I lived at Pleasant Hill in
write this time for a little more knowledge and sound of the pleasant Mississippi and the Happy
R. E. Johnson, of Watertown, Tcnn., is plan-
wisdom on some subjects that have lately boon Valley.
ning
to open a piano store in Lebanon, Tenn.
discussed in the Technical Department, and to
(2) I use continuous mute for the whole piano
tell of something new in strings I came across except the bass. I usually tune middle section
lately.
and often treble, too, before touching the bass,
"First, in regard to continuous mute, cither and take out the mute only after the bass is fin-
for ordinary tuning or when used in raising pitch ished. I like both felt and rubber, but felt is
Repaired—Ready to Retail
of a piano. I use a continuous felt mute for best, I think.
All Makes from
tuning middle section of piano, but not in bass
The upper section in upright pianos can easily
or upper sections. In the bass section I use a take the mute. Use felt, a little thinner than
rubber mute, and in the upper section I use a usual, and simply place the strip so that the
l'\ O. B. Bklyn., in carloads of 12 or more. Any
narrow rubber mute up past the last damper, then hammers strike right on it. If the material is
quantity. Less than carload lots also.
I finish upper section with stick mute, placing not too thick this will work very well.
HILL & SONS
it between strings below where hammers hit.
(3) Before I touch this point, let me ask
Phone Bushwick 2279
"Now, the information I want is this: When Brother Shaw what it is he does not understand,
1365-1375 Myrtle Ave., Brooklyn, N. Y.
using a continuous mute throughout a piano, just then, perhaps, I shall ask Brother Bowman to
where is best and handiest to place the continu- answer the question.
ous mute in the upper section?
"There is hardly room to place continuous
mute above where hammers hit the strings, and
it would be rather inconvenient to place con-
THE CELEBRATED
tinuous mute below where hammers hit the
strings. Please make this point clear to me, and
state the width best for mute to be for upper
section.
"Second—In regard to raising pitch of pianos—
I have been deeply interested in all the methods
appearing in the Technical Department. I thor-
(FELTEN & CUILLEAUME)
oughly understand Brother Chalker's method,
^ E R S A
GARANTIRT
and I think it good. But I do not clearly under-
,US VORZUGLICHSTE M PATE!
GUSSSTAMLDRAHT
stand Brother Bowman's way of raising pitch.
Now, 1 should like thoroughly to understand
Brother Bowman's method also. Is it asking
too much of you to make each step of his method
\ & m £/FElTEN I GUILLEAUME\\%
more clear?
W
r-f -, CARLSWERK
W
"Thirdly—This Fall I tuned a piano that had
IN BLACK, RED and GREEN
different strings on it from any other piano I
LABEL BRANDS
ever saw. All the strings on this piano were
made of wire the color of brass. The piano has
been out sixteen years. It has lately been in
a very damp place for three years out in the
Mississippi bottoms. The strings are perfectly
free from rust. When I tuned it, the owner,
The " F & G " Blue Label Brand is again being
whose word can be relied on, said that it had
not been tuned for seven years. It was right
used by Rudolph C. Koch in the manufacture
USED PIANOS
$5O up
F & G
F&G
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C
IMPORTED
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off the Reinwarth Covered Bass Strings
For TUNERS and REPAIRERS we have the
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HAMMACHER 5 SCHLEMMER&CO.
PIANO AND PLAYER HARDWARE, FELTS AND TOOLS
NEW YORK SINCE 1848
4th Ave. and 13th St.

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